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Playlists celebrating musical artists, genres and themes curated by GBN’s editors and contributors

Celebrating the Jazz of Marvin Gaye – Yes, Jazz! – #JazzAppreciationMonth (LISTEN)

Celebrating the Jazz of Marvin Gaye – Yes, Jazz! – #JazzAppreciationMonth (LISTEN)

By goodblacknews on April 2, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Marvin Gaye is known worldwide as a key R&B, soul and pop music innovator from the 1960s on. But what may not be well known about Gaye is that his earliest musical ambitions were to sing and perform jazz.

As it’s #JazzAppreciationMonth in addition to what would have been Gaye’s 83rd birthday, we  honor his contributions to the genre in today’s daily drop. To hear it, press PLAY:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Saturday, April 2nd, 2022, based on the format of the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

The incomparable musician and artist Marvin Gaye was born #onthisday in 1939 in Washington D.C.

From the 1960s on, he helped define the sound of R&B, soul and pop music, as well as blazed a trail for singer-songwriter concept albums exploring personal and social issues in depth with his classic 1972 LP What’s Going On.

But what may not be well known about Gaye, even though he started his professional career in the 1950s as a doo wop singer in the New Moonglows with Harvey Fuqua, it’s that his earliest musical ambitions for himself were to be a jazz singer and player in the ilk of Nat King Cole.

When Fuqua moved to Detroit in 1960, Gaye followed and soon signed his own solo contract with Motown subsidiary Tamla Records.

And even though his maiden release was titled The Soulful Moods of Marvin Gaye, as Berry Gordy had other ideas in mind for Gaye than Gaye had, 9 of the 11 tracks on it were, at Gaye’s insistence, jazz standards, such as “My Funny Valentine”:

[Excerpt of “My Funny Valentine”]

“Witchcraft”:

[Excerpt of “Witchcraft”]

and “How High The Moon”:

[Excerpt of “How High The Moon”]

Even though Gaye’s first album and the singles released from it didn’t sell well, the title track of his next album, That Stubborn Kind of Fellow became a Top 10 R&B hit and the trajectory of Gaye’s musical path in the public’s – and Berry Gordy’s — perception was set.

But Gaye, still a lover of jazz, returned right to it on his 1964 release When I’m Alone I Cry, this time with way better production value and input from respected jazz musicians and arrangers Melba Liston and Ernie Wilkins. The album starts with Gaye’s smoldering version of “You’ve Changed”:

[Excerpt of “You’ve Changed”]

The LP also includes Gaye’s takes on “I’ll Be Around”:

[Excerpt of “I’ll Be Around”]

 “I’ve Grown Accustomed to Her Face”:

[Excerpt of “I’ve Grown Accustomed to Her Face”]

And “Because of You”

[Excerpt of “Because of You”]

In 1965, Gaye even did a tribute album to Nat “King” Cole after Cole’s passing called A Tribute to the Great Nat “King” Cole where Gaye covered “Straighten Up and Fly Right”:

[Excerpt of “Straighten Up and Fly Right”]

“Mona Lisa”:

[Excerpt of “Mona Lisa”]

“It’s Only a Paper Moon”:

[Excerpt of “It’s Only a Paper Moon”]

and, of course, “Unforgettable”:

[Excerpt of “Unforgettable”]

After this album, the majority of Gaye’s recordings were contemporary soul, pop and R&B, even though he still managed to include a gorgeous, bluesy remake of “One for My Baby (And One for the Road)” on his 1966 The Moods of Marvin Gaye LP:

[Excerpt from “One for My Baby”]

Only after Marvin Gaye’s untimely passing in 1984, did more of his jazz-influenced recording sessions from the late 1960s and 1970s come to light on the posthumous albums Romantically Yours, which was issued in 1985 and Vulnerable which came out in 1997. On those you can hear Gaye’s takes on “I Won’t Cry Anymore”:

[Excerpt from “I Won’t Cry Anymore”]

His experimental version of “Shadow of Your Smile”:

[Excerpt from “Shadow of Your Smile”]

“Funny, Not Much”:

[Excerpt from “Funny, Not Much”]

And the arresting “I Wish I Didn’t Love You So” which seems to capture every nuance of Marvin Gaye’s voice, style and innovations across all the genres he loved:

[Excerpt from “I Wish I Didn’t Love You So”]

Even though Gaye’s indelible legacy was forged from different genres of music entirely, Gaye also gave us much to appreciate about him in the realm of jazz.

To learn more about Marvin Gaye and his jazz leanings, check out the “Standards of Marvin Gaye” episode of WFIU’s weekly music show Afterglow hosted by Mark Chilla, read Divided Soul: The Life of Marvin Gaye biography by David Ritz and of course, stream or buy all of the albums mentioned during this drop to hear even more of Marvin Gaye’s forays into jazz.

Links to these sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a bonus daily drop of Good Black News, based on the format of “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing. Intro and outro beats provided by freebeats.io and produced by White Hot.

All excerpts of music from Marvin Gaye are included under fair use.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com,Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(amazon links are paid)

MUSIC MONDAY: Celebrating “Summer of Soul” and Questlove’s Best Documentary Oscar Win (LISTEN)

MUSIC MONDAY: Celebrating “Summer of Soul” and Questlove’s Best Documentary Oscar Win (LISTEN)

By goodblacknews on March 28, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

There was a great moment that happened at last night’s Academy Awards, but because it happened directly after a shocking moment, it’s not getting the all the flowers and love it should.

So for this #MusicMonday, we are fully celebrating the fact that Summer of Soul, the feature documentary about the 1969 Harlem Cultural Festival directed by The Roots co-founder and musical impresario Questlove, won a much-deserved Oscar. And if you (like so many of us) missed his acceptance speech, here it is:

https://youtu.be/IPbOF4wpEVw

Still streaming on Hulu and available on DVD, Summer of Soul is an education and gift to the eyes and ears and if you don’t currently have access to Summer of Soul, the movie, listening to the music from the acts featured in the film is the next best thing:

I’ve included the playlist of the official soundtrack album along with an extended playlist.

From Sly and the Family Stone to the Fifth Dimension, Stevie Wonder, Nina Simone, Gladys Knight and the Pips, The Edwin Hawkins Singers, The Staples Singers, Mongo Santamaria, David Ruffin, Mahalia Jackson, Mavis Staples and others, the music on display and the stories behind the event are close to (if not completely) mind-blowing.

And if you need another push to check it out (or revisit it), here’s the trailer of the documentary:

Thank you, again, Questlove and all the artists involved that helped bring the “Summer of Soul” into our lives for all seasons.  You all truly made — and resurrected — important cultural history.

Enjoy!

Born 80 Years Ago #OnThisDay: Aretha Franklin, Queen of Soul (LISTEN)

Born 80 Years Ago #OnThisDay: Aretha Franklin, Queen of Soul (LISTEN)

By goodblacknews on March 25, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today we celebrate the one and only Aretha Franklin, who was born 80 years ago #OnThisDay.

Franklin, whose voice was rightfully declared a natural resource by her home state of Michigan in 1985 is the focus of our Daily Drop podcast as GBN takes a brief look at her legacy through career highlights and offers sources to learn even more about the Queen of Soul.

Based on entries in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022, you can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, March 25th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

“Queen of Soul” Aretha Franklin was born on this day 80 years ago and offered a heavenly blend of gospel, R&B, blues, jazz, rock and pop (and even classical!) that this Earth may never see again. A piano prodigy from childhood, this Grammy-winning Rock & Roll Hall of Famer wrote and performed classics such as “Think”:

[Excerpt from “Think”]

“Dr. Feelgood”:

[Excerpt from “Dr. Feelgood”]

“Day Dreaming”:

[Excerpt from “Day Dreaming”]

“Spirit in the Dark”:

[Excerpt from “Spirit in the Dark”]

and “Call Me”:

[Excerpt from “Call Me”]

Franklin also used her musical genius to turn cover songs into signature masterpieces such as “I Say a Little Prayer” – first recorded and released by Dionne Warwick:

[Excerpt from “Say a Little Prayer”]

“Until You Come Back to Me” – originally recorded by Stevie Wonder, though Aretha released her version first:

[Excerpt from “Until You Come Back to Me”]

And, the mother of all covers and remakes, ever, originally written, recorded and released by Otis Redding… “Respect”:

[Excerpt from “Respect”]

https://youtu.be/6S1_skidDFI

 

Additionally, Aretha Franklin’s 1972 Amazing Grace double album remains the best-selling live gospel music recording of all time, and her rendition of the title track to this day remains superlative:

[Excerpt from “Amazing Grace”]

Aretha continued to define and redefine singing and the sound of music in the 1980s and 1990s with songs like “Jump to It”:

[Excerpt from “Jump to It”]

“Freeway of Love”:

[Excerpt from “Freeway of Love”]

“I Knew You Were Waiting For Me” with George Michael:

[Excerpt from “I Knew You Were Waiting For Me”]

The anthemic “Sisters Are Doin’ It for Themselves” with Annie Lennox:

[Excerpt from “Sisters Are Doin’ It for Themselves”]

and her 1998 collaboration with Lauryn Hill, “A Rose Is Still A Rose.”

[Excerpt from “A Rose Is Still A Rose”]

That same year, Franklin made Grammy Awards show history and received a standing ovation when she filled in last-minute for an ailing Luciano Pavarotti by singing the operatic aria “Nessun Dorma”:

[Excerpt from “Nessun Dorma’]

Still going strong in the 21st century, in 2014 at the age of 72, Aretha scored a #1 hit on the U.S. Dance Charts with her remake of Adele’s “Rolling in the Deep”:

[Excerpt from “Rolling In The Deep”]

All hail, now and forever, the Queen.

To learn more about Aretha Franklin, read her 1999 autobiography Aretha: From These Roots, Respect: The Life and Times of Aretha Franklin by David Ritz, The Queen Next Door: Aretha Franklin, An Intimate Portrait by Linda Solomon, watch the must-see musical documentary Amazing Grace on DVD or currently streaming on Hulu [see my review here], the 2021 limited series Genius: Aretha starring Cynthia Erivo also now on Hulu or the 2021 feature film Respect starring Jennifer Hudson.

You can also check out a few Aretha Franklin playlists curated by me, one of the biggest Aretha Franklin stans around, on Spotify and Apple Music.

Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon,Bookshop and other online retailers.

Intro and outro beats provided by freebeats.io and produced by White Hot. Excerpts of songs performed by Aretha Franklin are permitted under Fair Use.

If you like our Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. You could give us a positive rating or review, share your favorite episodes on social media, or go old school and tell a friend.

For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(paid links)

MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

By goodblacknews on March 21, 2022
by Jeff Meier (FB: Jeff.Meier.90)

In honor of Academy Award-winning filmmaker Spike Lee‘s 65th birthday yesterday, we’re celebrating the music from his movies in today’s Music Monday playlist, “Mo’ Better Music: Spike Lee’s Greatest Hits“:

Lee first made his mark on the Hollywood scene in the summer of 1986 with his independently-financed debut feature, She’s Gotta Have It.  From that start, it was clear that not only was Lee an original filmmaking voice, but also that he valued the role of music in his movies.

The body of musical work he has enabled through his movies spans the history of Black music, including Blues, Hip Hop, traditional R&B. His early career bloomed in the heyday of new jack swing, but he’s also served us gospel, jazz, and plenty of Stevie Wonder.

Lee’s  usual composer of choice, Terence Blanchard, has earned two Oscar nominations for his work on BlacKkKlansman and Da Five Bloods.

There also have been Number One Billboard R&B/Hip-Hop Hits, E.U.‘s “Da Butt” from School Daze and Teddy Riley & Guy‘s “My Fantasy” from Do the Right Thing.

Working with his father, jazz musician Bill Lee (still alive at age 93) through his first four movies, Spike’s soundtrack choices displayed a musical depth of knowledge from the start.

“Nola” – the song about Nola Darling, the central character in She’s Gotta Have It – was sung on the original soundtrack by legendarily unsung vocalist Ronnie Dyson (the subject of a previous GBN playlist and profile – https://goodblacknews.org/?s=ronnie+dyson).

Though that soundtrack is one of the few Spike Lee soundtracks unavailable on Spotify, we’ve included a fairly faithful rendition of the song from contemporary jazz vocalist Jose James on our playlist.

To celebrate his 65 years, the playlist is comprised of 65 original songs and score selections from all of Spike Lee’s scripted features films with tracks were available for streaming (all the rest of his movies are included except Summer of Sam and the recent made-for-streaming Pass Over).

We’ve focused on titles that were either newly released or recorded for Spike’s movies, not on classic hits that just made their way onto the soundtrack.

And there’s plenty of great material to choose from, including multiple tracks from Prince, backup singer turned indie soul darling Judith Hill, Public Enemy, Terence Blanchard, and Stevie Wonder.

The Spike Lee soundtrack for Bamboozled introduced the first major song ever released by India.Arie — “Always In My Head.”

Though the soundtracks to Girl 6 and Get on the Bus are also unavailable on Spotify in album form, we’ve located the original Prince track “She Spoke 2 Me” from Girl 6 as well as a number of songs from the Get on the Bus soundtrack from God’s Property, Stevie Wonder, and Curtis Mayfield.

While Lee has mostly worked with Black composers and musicians, rootsy White rock musician Bruce Hornsby has worked on multiple Spike Lee movies, including songs for Bamboozled and Chi-raq, and a full score for Red Hook Summer.  He was also the composer for the lovely ballad “Love Me Still,” sung by Chaka Khan for the soundtrack to Clockers.

For his soundtrack to Da Sweet Blood Of Jesus, a 2014 horror film that Lee funded through Kickstarter, he issued a social media call for unsigned artists to submit songs and picked through over 800 submissions to find the songs he used – which included “As We May Dream,” another beautiful ballad from singer/songwriter Siedah Garrett of Michael Jackson duet fame.

Spike’s movies have also yielded some smooth new remakes of R&B standards – and we’re happy to include Stevie Wonder’s take on Bob Marley‘s “Redemption Song,” Erykah Badu‘s cover of Rufus featuring Chaka Khan’s “Hollywood,” Marc Dorsey‘s version of The Stylistics‘ “People Make the World Go Round,” and of course, Aretha Franklin‘s beautiful contribution to the Malcolm X soundtrack – her epic 8 minute rendition of Donny Hathaway‘s “Someday We’ll All Be Free.”

Most recently, Spike introduced his BlacKkKlansman‘audiences to a Prince rendition of the gospel classic “Mary Don’t You Weep” that had been originally recorded in 1983, but left in the vaults until its appearance in the closing credits of Lee’s movie.

In addition to all the above, you’re sure to uncover plenty of great but lesser-known material from Spike’s movies. With 24 scripted feature films under his belt, a Spike Lee film festival might take you a week of evenings to complete – but with our GBN playlist, you can cover all the musical memories from Spike’s movies in an afternoon.

Happy 65th birthday to Spike Lee! Though for many that’s retirement age, we hope to be updating this playlist with more great music from many more movies in the years to come.

MUSIC MONDAY: “Black Like Me” – Black Women of Country & Americana Playlist (LISTEN)

MUSIC MONDAY: “Black Like Me” – Black Women of Country & Americana Playlist (LISTEN)

By goodblacknews on March 14, 2022

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Mickey Guyton’s 2020 song “Black Like Me,” released amid the national racial justice protests, was nominated for a Grammy, making her the first Black solo female artist to be nominated in a country music category.

A recent study from the University of Ottawa found a mere .03 percent of all songs on country radio from 2002 to 2020 were by Black women. Less than 1 percent of the over 400 artists signed to the three major country music labels are people of color, according to that study.

Still, Black women artists are making a mark. Valerie June, Yola, Brittney Spencer, and Yasmin Williams are just a few sisters resonating with existing country music lovers, and with an entirely new group of fans.

Many historically turned off a genre that has almost exclusively been marketed to white audiences. They see the industry changing and say their music can resonate not only with existing country music lovers, but with an entirely new group of fans who have been turned off by a genre that has almost exclusively been marketed to white audiences.

There are many emerging artists on this playlist actively shifting conversations in country music around inclusion and diversity. I’ve also included to long-standing artists like Tina Turner and Mavis Staples that have made an impact on country music.

Hope you all enjoy my GBN contribution Women’s History Month. I’ll be back next month. And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Calypso” – a Collection in Celebration of Artist and Activist Harry Belafonte’s 95th Birthday (LISTEN)

MUSIC MONDAY: “Calypso” – a Collection in Celebration of Artist and Activist Harry Belafonte’s 95th Birthday (LISTEN)

By goodblacknews on March 7, 2022

words by Lori Lakin Hutcherson (@lakinhutcherson); art and music by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

This week’s Music Monday share is in tribute to the one and only Harry Belafonte, who turned 95 on March 1st. We celebrate the renowned singer, actor and activist by sharing refreshed and updated list of Calypso music, a genre that Belafonte popularized worldwide with his recordings (his Calypso album from 1956 became the first by a solo performer to sell a million copies) and contributions to the style.

Not only is the refreshed playlist the creation of GBN contributor Marlon West (his original post on calypso can be read here), but he also created the artwork that honors Belafonte as the superhero and champion for civil rights and human rights that he has been for decades (which includes marching on Washington with Dr. Martin Luther King, Jr., funding the Student Nonviolent Coordinating Committee, fighting against apartheid, organizing USA for Africa for famine relief and acting as a UNICEF Goodwill Ambassador) and still is.

Luminaries such as Spike Lee, Alicia Keys, Laurence Fishburne, Whoopi Goldberg and Cornel West turned out to celebrate Belafonte’s milestone last week at The Town Hall Theater in Manhattan for the first Harry Belafonte Social Justice Awards given by Sankofa.org, a social justice organization founded 10 years ago by Belafonte, his daughter Gina Belafonte and the music executive Raoul Roach.

You can celebrate Belafonte by listening to his own words about his life and activism by checking out the unabridged audiobook of his autobiography, My Song: A Memoir:

Also included in today’s post is a conversation with Belafonte from 2012 at the John F. Kennedy Presidential Library and Museum. 

Sankofa.org is a social justice organization founded by Harry Belafonte that enlists the support of today’s most celebrated artists and influential individuals in collaboration with grassroots partners to elevate the voices of the disenfranchised and promote justice, peace, and equality.

MUSIC MONDAY: “Cover Me Softly” – Soul-Filled Remakes and Covers Playlist (LISTEN)

MUSIC MONDAY: “Cover Me Softly” – Soul-Filled Remakes and Covers Playlist (LISTEN)

By goodblacknews on February 28, 2022

by Lesa Lakin (@lesalakin) and Lori Lakin Hutcherson (@lakinhutcherson)

With all that’s going on in the world, we thought we’d offer some comfort this Music Monday in the form of a playlist of remakes and covers called “Cover Me Softly: Soul-Filled Remakes and Covers.”

Sometimes the songs are reimagined, elevated and fully remade, and other times they are faithful covers by the right artist, offering just the right notes and voicing.

We’ve got “Killing Me Softly,” originally by Robert Flack and reimagined by Fugees, Maxwell’s soul stirring take on Kate Bush‘s “This Woman’s Work,” Rihanna’s hauntingly similar yet very much her own gorgeous version of Tame Impala’s “Same Ole Mistakes,” Luther Vandross’ famous redo of Dionne Warwick’s “A House Is Not a Home,” Mariah Carey’s version of Prince’s “Beautiful Ones” with Dru Hill and more.

One song on our list poses the question: Can you successfully remake/cover your own song?   In the case of Lionel Richie, that’s exactly what happened with “Lady.” “Lady” was written and produced by Richie and first recorded by American country music artist Kenny Rogers in 1980.

“Lady” is the first record of the 1980s to chart on all four of Billboard magazine’s singles charts – country, Hot 100, adult contemporary and Top Soul Singles. Almost two decades later, Richie revisited the hit by recording the song himself in 1998.

Rogers and Richie would eventually preform the song as a duet on Richie’s 2012 release Tuskegee. If you’re interested in reading even more about it, here’s a fun story about the history of “Lady”: https://people.com/country/kenny-rogers-lionel-richie-friendship-history/

So, sit back and relax to some old familiar hits and maybe a few reimagined new finds. Have a listen… and always,  always celebrate music!

MUSIC MONDAY: “The Song Is You” – a Tribute Playlist to Legendary Song Stylist Nancy Wilson (LISTEN)

MUSIC MONDAY: “The Song Is You” – a Tribute Playlist to Legendary Song Stylist Nancy Wilson (LISTEN)

By goodblacknews on February 21, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. As yesterday was what would have been song stylist Nancy Wilson’s 85th birthday, I have crafted an 85-song tribute playlist that spans her six decades-long recording career.

A prolific singer who recorded and released 52 albums, three-time Grammy Award winner Wilson was one of the greats who often is not given her just due in popular music history. For a time in the 1960s, Wilson was the second biggest recording artist at Capitol Records – the biggest being the Beatles.

Born on February 20, 1937 in Chillicothe, Ohio, Nancy Sue Wilson knew by the time she was four years old she would be a singer. By her teen years she won a talent contest and began performing on a local television program called Skyline Melodies, then became its host.

She soon met jazz saxophonist and bandleader Julius “Cannonball” Adderley, who was impressed with her talent and suggested she move to New York City. The move lead to Wilson landing a recording contract with Capitol and releasing her first single and album in 1960.

The first five songs that kick off this compilation are some of Wilson’s best known recordings, some of which charted on Billboard Magazine’s pop and/or R&B charts: “(You Don’t Know) How Glad I Am” – Pop #11; “Save Your Love For Me” – R&B #11; “Tell Me The Truth” – R&B #22 – others which are considered Nancy Wilson standards.

From Wilson’s rendition of  “Fly Me To The Moon” off her first album, Like in Love, until the playlist’s conclusion, I’ve ordered the songs to play mostly in chronological order, to offer a sense of how Wilson’s music and voice developed from the 1960s on.

Highlights include her recordings with George Shearing and Cannonball Adderley (The Swingin’s Mutual and Nancy Wilson/Cannonball Adderley are two classic Nancy Wilson albums that deserve to be purchased and heard in their entirety), and the live tracks from The Nancy Wilson Show recorded live at the Cocoanut Grove in Los Angeles, and the tracks from one of my personal favorite Nancy Wilson albums, 1971’s But Beautiful, where she is backed brilliantly by the Hank Jones Quartet.

I’d also like to point out Wilson’s superlative cover of “Raindrops Keep Fallin’ On My Head” from her 1970 album Can’t Take My Eyes Off You and the utterly surprising and borderline funky “Tell The Truth” from her 1974 All in Love is Fair LP written by Wilson along with Tennyson Stephens. And YES, the first line is “Bitches taking money and they livin’ well.” Seriously, enjoy.

There are more treasures than I can count in this playlist, especially her later recordings towards the end of her career before she stopped recording such as “When October Goes,” “Peel Me A Grape” and “The Golden Years.”

Wilson passed in 2018 but her music deserves and needs to continued to be appreciated and shared for generations to come. To quote GBN music contributor Jeff Meier from his Facebook tribute to Wilson when she passed:

“While she was probably not a jazz purists favorite jazz performer, a pop fan’s favorite pop singer, nor a soul fan’s top soul artist, she was something in the middle, an accurately self-proclaimed ‘song stylist’ who was a true pioneer in African-American ‘supper club’ entertainment, blending the best from the American songbook – pop, jazz, blues, show tunes into one stylish mix.

In the vein of Johnny Mathis and Lena Horne, she was beautiful, elegant, classy – and therefore also the perfect archetype of ‘guest’ to help integrate television in the early ’60s, when she was regularly featured on variety shows like Andy Williams, Hollywood Palace, Danny Kaye, Smothers Brothers, Carol Burnett and many more.

She is undoubtedly what Columbia Records was trying to turn Aretha Franklin into before Aretha broke free for Atlantic to become her true self. Good thing, because just as there was only one Aretha, there was also only one Nancy Wilson.”

I hope you enjoy this playlist, and please know we are still working behind the scenes on re-creating and offering our playlists via Apple Music for those who would like a non-Spotify option. As soon as they are ready, I’ll be sure to post and let you know.

2/22/22 UPDATE:

Good Black News is now officially on Apple Music! Going forward, we will offer all MUSIC MONDAY playlists on both platforms. Slowly but surely, we will add the playlists from past Music Mondays on Apple Music as well. Enjoy!

MUSIC MONDAY: “Love Is The Thing” – Valentine’s Day 2022 Playlist (LISTEN)

MUSIC MONDAY: “Love Is The Thing” – Valentine’s Day 2022 Playlist (LISTEN)

By goodblacknews on February 14, 2022

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy 14th of February! It’s your friend and selector, Marlon!

We are halfway through Black History Month. It’s Valentine’s Day! If you are like my kid, it could be your birthday too. And of course, it is Music Monday here at GBN.

I am thrilled to offer this collection of mushy stuff. Here is a full workday wit of music devoted to affairs of the heart. Love is the thing all right here, at Good Black News.

This playlist brings together classics by Aretha, Stevie, Marvin, Sade, and others, along with new voices of artists like Tamia, Mario, and Liza.

There are songs here about new and enduring love. Tracks about the peril and pain of romance, everything in between.

Hope you enjoy this Valentine’s Day offering. See you all next month.

Until such time, stay safe, sane, and kind.

-m-

Marlon West (photo courtesy Marlon West)

 

GBN Daily Drop Podcast: #JanetJacksonAppreciationDay (LISTEN)

GBN Daily Drop Podcast: #JanetJacksonAppreciationDay (LISTEN)

By goodblacknews on February 13, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Even though most Americans think of today as Super Bowl Sunday, on GBN’s Daily Drop podcast bonus episode we instead celebrate what’s been the day’s other moniker since 2018 — #JanetJacksonAppreciationDay.

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, February 13th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Although today is known by most Americans as Super Bowl Sunday, for the past four years, thanks to Academy Award-winning filmmaker Matthew A. Cherry, it’s known among millions on Twitter and beyond as #JanetJacksonAppreciationDay.

#JanetJacksonAppreciationDay is where fans of Janet Jackson (aka “#JanFam”) flood their social media timelines with loving GIFs, memes, and videos of the legendary “Rhythm Nation” performer.

This annual trend began in 2018 in reaction to Justin Timberlake being invited to headline that year’s Super Bowl halftime. In 2004, when Jackson and Timberlake performed together at halftime, Jackson alone bore the blame for the “wardrobe malfunction” that occurred when Timberlake ripped a revealing part of her costume.

The moment that came to be called “Nipplegate” sparked controversy and damaged Jackson’s career for years while Timberlake’s soared.

Today’s #JanetJacksonAppreciationDay is particularly special because just a few weeks ago, the four-part documentary Janet Jackson and brother Randy Jackson executive produced on her life and career aired in the U.S. on Lifetime and A&E. In it, Janet shared footage and information from her life and career that had never seen or heard before by the public.

The widely watched doc set off a current surge of appreciation for Jackson’s contributions to popular culture in the following ways:

  1. top ratings in the U.S. and airings across the globe
  2. soaring iTunes sales and streams of her singles and albums, with Control hitting the #1 spot on the iTunes pop album charts 36 years after its release.
  3. Twitter and IG filled with fan and celebrity tributes alike.

As a #JanFam member myself since childhood – from Good Times, Diff’rent Strokes, the early albums and on – well, today I personally would like to appreciate Janet Jackson who, since 1989, has used her music to tackle and highlight issues such as racism, sexism, illiteracy, domestic violence and homophobia.

I wrote a piece on Good Black News about it last year and created a playlist to which I’ve included links in this episode’s show notes.

But I also appreciate Janet’s decades-long contributions to charities and causes such as the NAACP, the United Negro College Fund, Feeding America, and the American Foundation for AIDS Research, among so many others.

Currently, Janet is selling her vintage tour swag on The Real Real to support the non-profit organization Girls Leadership, which teaches girls to exercise the power of their voices through programs grounded in social emotional learning.

Some other sources that can help you get your Janet Jackson appreciation on are the incredible book in the 33 and 1/3 series dedicated to Velvet Rope by Ayanna Dozier, and Janet’s own 2011 part memoir, part health and lifestyle bestseller True You: A Journey to Finding and Loving Yourself written with David Ritz.

There’s also an awesome podcast called Janet Today, Janet Tomorrow, Janet Forever where cousins Courtney and Kam discuss Janet’s music and videos song by song, as well as conduct fun and informative interviews with musicians, dancers, stylists and the like who have worked with Janet throughout her career.

There’s also Janet Jackson’s own Instagram, her IG stories and Twitter, the hashtag #janfam to see posts from her devoted fan base and the hashtag #JanetsLegacyMatters, whose creators helped organize the grassroots push for Janet’s induction into the Rock and Roll Hall of Fame, which happened in 2019.

And of course, you can always jump on social yourself and add to or check out the #JanetJacksonAppreciationDay tributes that are all for her! Links to everything I mentioned and more are provided in today’s show notes.

Additional sources:

This has been an extra-long bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon, Bookshop and other online retailers.

Music used in today’s episode includes “The Knowledge” off Janet Jackson’s Rhythm Nation: 1814 album, “Control (The Video Mix)” from the Control: The Remixes album, “All For You” from the 2001 album of the same name, and “The Pleasure Principle (Dub Edit – The Shep Pettibone Mix)” from Control: The Remixes.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Btw, GBN’s Page-A-Day®️ Calendar for 2022 is 50% off at workman.com with code:50CAL until 2/28/22!

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