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ART: Kerry James Marshall's Masterful "Mastry" Exhibit Opens Sunday at the Museum of Contemporary Art, Los Angeles

Works from Kerry James Marshall’s “Mastry” exhibition (collage by Maeve Richardson)

by Callie Teitelbaum

The “Mastry” Gallery, created by African-American artist Kerry James Marshall, walks you through Marshall’s journey of making it as a fine artist – a field dominated by whites for centuries.  Marshall was born in Alabama in 1955, and as a child was a part of the last wave of The Great Migration to the west, a region still full of promise and opportunity. Marshall’s family settled in South Central Los Angeles and while growing up in Watts, Marshall pursued art and was an active participant in the movement that encouraged an increase of black artists in the art community.  All of Marshall’s work contributed to his mission to prove that art by blacks was just as challenging and beautiful as the white art which was typically celebrated.
The exhibit shows Marshall’s earlier works such as “The Invisible Man,” which is a collection of small scale portraits of people using the darkest shades of black, emphasizing Marshall’s idea that black people in society blend into the background.  The exhibition displays how Marshall’s work developed, and include many of his large scale paintings.
Marshall changed the style of his work because he realized that a big statement called for a grander canvas.  A large three-piece work called “Heirlooms and Accessories,” appears to be a necklace with a woman’s face in it at first glance.  However, once one’s eyes adjust to the painting, fine lines start to become more distinct, and it is clear that there is a lynching occurring in the background.  The faces in the painting are witnesses at the lynching, and the expressions of indifference are utterly shocking. While “Heirlooms and Accessories” seem to be referring to the necklaces, accessories serves as a double meaning because it also refers to those who were accessories to murder.  This is a prime example of the depth and meaning behind each of Marshall’s work.
“Harriet Tubman” by Kerry James Marshall

All of the paintings reflect Marshall’s commentary on black identity in the U.S. and in traditional western art.  In his piece “Harriet Tubman,” Marshall paints an image of Harriet Tubman on her wedding day, with hands with white gloves essentially hanging this piece of art in a museum.  Marshall’s feeling that museums are responsible for the lack of black art is portrayed in this piece.  Museums typically hold the standard of what is beautiful and worthy, and Marshall makes the direct statement of what should be celebrated in this work.
The exhibition is especially engaging because of the varying emotions each work provokes.  While pieces such as “Slow Dance,” which illustrates two people peacefully dancing, provokes calmness and peace, other pieces express injustice and anger.  Marshall’s versatility and innate talent for art is clear as his work consists of completely different mediums and subjects.  The exhibition allows you to fully observe all of Marshall’s different forms of art and varying ideas, and is not limited to a specific time period or brand of art.
Marshall’s range of mediums and subjects include large to small scale, canvas paintings to comics, common people to historical figures, and glittery mediums to the blackest of paint.  This ability to effectively utilize different forms of art makes Marshall a unique artist, and a unique person who has learned to effectively communicate in a way people of all race, gender, and social class can understand.  Marshall’s works are visually stunning to say the least, and his success in spreading the meaning of his art and pursuing his career despite the circumstances of racial discrimination, is truly inspiring.
The Mastry exhibit opens on March 12 at the Museum Of Contemporary Art, Los Angeles and runs through July 3.

White Christians Who Voted for Donald Trump: Fix This. Now. | John Pavlovitz

(photo via johnpavlovitz.com)

We Christians like to talk about Hell a lot, so let’s talk about Hell a little. Yesterday, in the very first few daylight hours after Donald Trump’s election victory it began:
Near San Francisco, a home in Noe Valley flew a nazi flag where kids walk by to get to school.
A white middle school student brought a Trump sign to school and told a black classmate it was time for him to get “back in place”.
A gay New York City man getting on a bus was told that he should “Enjoy the concentration camps, faggot!”
The NYU Muslim Students Association found the word “Trump!”scrawled on the door of their prayer room.
A female seminary student was stopped at a coffee shop with the words, “Smile sweetheart, we beat the cunt.”
Parents of children of color spent the day picking up their children early from elementary, middle, and high schools across the country because they were inundated with slurs and harassment and unable to study.
A group of Hispanic kids in Raleigh were taunted by white children, telling them they were “going back to Mexico.”
This is the personal Hell we’ve unleashed upon our people this week. 
And if you’re a white Christian and you voted for Donald Trump: You need to fix this. Now.
To continue reading full article, go to: White Christians Who Voted for Donald Trump: Fix This. Now. | john pavlovitz

EDITORIAL: Donald Trump Will Be the Next U.S. President; Where Do We Go From Here?

The Hutcherson family at the polls on Election Night 2016 (photo via Lori Lakin Hutcherson)
The Hutcherson family at our polling place on Election Night 2016 (photo via Lori Lakin Hutcherson)

by Lori Lakin Hutcherson, GBN Editor-in-Chief
by Lori Lakin Hutcherson, GBN Editor-in-Chief

For personal and political reasons, I was really hoping this morning would never come: a morning where I’d see Donald J. Trump elected to lead this nation as its 45th president. It has come, however, and as I posited in my most recent editorial, What I Want to Be Able to Tell My Children About Their Next President, I was at an initial loss for what to say.
But before I said good-bye to my children this morning, I let them know who won the Presidency.  My seven year-old daughter Phoebe asked, “So it’s all boys?” I responded, “Yes. That’s how the results came in. But that doesn’t mean we stop fighting for what we believe in and what we think will be helpful for most people.  And in four more years, we can go back to our polling place and use our vote to make a change.”  My daughter nodded, satisfied.  My nine year-old son Xavier took it in, much harder to read, but his silence was more stoic than sad.  And then their father took them to school.
Like so many others, I then checked in on social media and witnessed a tide of anger, disbelief, sadness and deeply stirring, galvanized spirit pouring out of family, friends, acquaintances and strangers.  Soon after, I turned on the television and watched Hillary Clinton give perhaps the greatest, most moving speech of her life.  She was gracious, offering openness and healing while remaining indefatigably determined about her democratic agenda and beliefs:

Our constitutional democracy enshrines the peaceful transfer of power, and we don’t just respect that, we cherish it. It also enshrines other things –- the rule of law, the principle that we’re all equal in rights and dignity, and the freedom of worship and expression. We respect and cherish these things too — and we must defend them.
…Our constitutional democracy demands our participation, not just every four years, but all the time. So let’s do all we can to keep advancing the causes and values we all hold dear: making our economy work for everyone, not just those at the top; protecting our country and protecting our planet; and breaking down all the barriers that hold anyone back from achieving their dreams.
We’ve spent a year and a half bringing together millions of people from every corner of our country to say with one voice that we believe that the American Dream is big enough for everyone — for people of all races and religions, for men and women, for immigrants, for LGBT people, and people with disabilities.  Our responsibility as citizens is to keep doing our part to build that better, stronger, fairer America we seek. And I know you will.

And then, for me, came two of her most stirring sentences:

Please never stop believing that fighting for what’s right is worth it. It’s always worth it.

And:

Scripture tells us: “Let us not grow weary in doing good, for in due season, we shall reap, if we do not lose heart.”

So as of today, I am determined not only to continue to curate and write positive stories about people of color via Good Black News, but also to step it up and be a source for even more.  To help provide information, ideas and maybe even forums on ways to be pro-active for justice, fairness and inclusivity on local, state and national levels.  It may be loose, unpolished and grass roots-style; it may come in the form of tweets, Facebook live posts, IG snaps and super brief posts here, as our GBN squad is as small and volunteer-based as ever – but we vow to offer what we can, when we can, in whatever way we can.
It is my renewed and expanded mission to keep heart, love, be kind, be outspoken, work with whomever has good intentions, and to use any anger and rage as fuel for positive change.  And most of all, to work day-by-day, moment-by-moment, step-by-step to deliver on promises for a better,  more decent and humane future for our children, ourselves and our country.

EDITORIAL: What I Want To Be Able to Tell My Children About Their Next President

Xavier and Lori Hutcherson (screenshot via youtube.com)
Xavier Hutcherson and Lori Lakin Hutcherson (PrioritiesUSA ad screenshot via youtube.com)

by GBN Founder and Editor-in-Chief Lori Lakin Hutcherson
by GBN Editor-in-Chief Lori Lakin Hutcherson

I know everyone wants this election to be over already – you’ve seen every debate, every news clip, every “shocking revelation”; been inundated in your social media feeds for what seems like an eternity with everyone’s thoughts, opinions, screeds, salvos and takes on who is or isn’t a worthy presidential candidate and why.  So here, in these last days, I’ll weigh in with what my choice ultimately boiled down to for me: When the final results are in, what do I want to be able to say to my 9 year-old and my 7 year-old about who their next president is?
In 2008, this moment was revelatory: I was bathing my then almost 2 year-old son Xavier (who since birth has been negotiating the challenges of cerebral palsy and epilepsy) when Barack Obama was officially proclaimed the future 44th President of the United States.  I looked at Xavier… he smiled.  I teared up, my heart swelled and I told him it was just proven without a doubt that the impossible IS possible, that his own potential was limitless and he could be whatever he wanted to be when he grew up.
In 2012, more of the same – but now I got to say it to my then 3 year-old daughter Phoebe too, who in her lifetime has never known a president OTHER than Barack Obama. Wow.  And now in 2016 she has the potential to see a woman rise to the top post of our nation for the first time in U.S. history – which will also be a truly awesome milestone of possibility to celebrate.
But even more than that, I want to be able to tell my children whether or not I or their father agree with the politics of our next president, that our next president is worthy of our respect and support.  That our president at her or his core is a decent human being who is doing her or his best to make our country stronger and create more opportunity for the majority of Americans.  That our president values and respects women, the LBGTQ community, people with disabilities, people of color and people with varied religious beliefs.
For me, it is glaringly obvious that there is only one candidate in true contention for the Presidency who fits that description: Hillary Clinton.  Which is why my sister and our Lifestyle Editor Lesa Lakin produced the ad below and why I agreed to have me and my children take part in the political ad below (we are at the :12 mark).  I wanted Xavier and Phoebe to know who I supported, and why it was worth putting ourselves out there to do so.
https://www.youtube.com/watch?v=pn59ke-__8w
As difficult and divisive as our current times can be, as I do here on Good Black News, in everyday life I work hard to stay focussed on the positive (and some days, as we all know, that is REALLY REALLY hard).  I always want my children to live in a welcoming atmosphere of possibility, encouragement and hope.  Of civility and decency.  Of responsibility, fairness, and a willingness to admit one’s mistakes and do better.  I want the same values they are learning to live by at home and school – to listen, be polite, not name call, take turns, share – to be values I can say our nation’s leader lives by as well.  Come Wednesday morning, if Hillary Clinton has won, I can say that to them.
But if she doesn’t win… frankly, I don’t know what I’m going to say.

OPINION: Why Colin Kaepernick's Sit Down May Be the Most Patriotic Stand of All

San Francisco 49ers QB Colin Kaepernick (photo via mmqb.si.com)
San Francisco 49ers QB Colin Kaepernick (photo via mmqb.si.com)

by Julie Bibb Davis (@julieadelle)
by Julie Bibb Davis (@julieadelle)

Colin Kaepernick, quarterback for the San Francisco 49ers, chose not to stand for the National Anthem at a recent pre-season football game.  Players are not required to stand under NFL rules, and Kaepernick was clear about his reasons to remain seated, stating ”I am not going to stand up to show pride in a flag for a country that oppresses black people and people of color.”  Subsequently, he has given interviews about his decision, and the well-thought out reasons behind it.
While Kaepernick has seen some support, he has also faced enormous backlash for his decision – from pundits, from current and former NFL players, from the San Francisco Police Officers’ Association, and predictably, he has been skewered mercilessly on Twitter and in the online commentary sections of various websites.
Some of the online criticism has been of the typically jingoistic “my country – love it or leave it” or “my country – right or wrong” variety that tends to become prevalent when legitimate protest involves the flag, the Pledge of Allegiance or the National Anthem.  And these types of criticism are particularly troubling, because they are designed to tell people “you can’t be a good American if you don’t honor this symbol in a particular way.”
I have spent the majority of my career working for the federal government.  I am proud to work in a building where the American flag flies, and where pictures of the President and Vice-President are in the lobby.  I understand the power and meaning of symbols.  And it precisely the power and meaning of symbols that makes protests involving them so resonant – and necessary.   I don’t know much about football, but I do know something about the First Amendment.  Kaepernick’s actions are fully-protected free speech, and the type of peaceful public protest that has been central to social justice movements.
And for those whose response to Kaepernick is “my country — right or wrong,” it’s time to look at the response to that quote by US Senator Carl Schurz in 1899.  Schurz decried the statement as “a deceptive cry of mock patriotism”, and went on to state that the “welfare of this and coming generations of Americans will be secure only as we cling to the watchword of true patriotism: ‘Our country — when right to be kept right; when wrong to be put right.’”
Kaepernick saw something he thought was wrong in his country.  Like generations of Americans before him, he engaged in a peaceful public protest to bring attention to that wrong, and to make a statement as to how it needed to be put right.  And for that he should not be vilified, but applauded.

EDITORIAL: What I Said When My White Friend Asked for My Black Opinion on White Privilege

by Lori Lakin Hutcherson, GBN Editor-in-Chief
by Lori Lakin Hutcherson, GBN Editor-in-Chief

Yesterday I was tagged in a post by an old high school friend, asking me and a few others a very public, direct question about white privilege and racism.  I feel compelled not only to publish his query but also my response to it, as it may be a helpful discourse for more than just a handful of folks on Facebook. Here’s his post:

“To all of my Black or mixed race FB friends, I must profess a blissful ignorance of this “White Privilege” of which I’m apparently guilty of possessing. By not being able to fully put myself in the shoes of someone from a background/race/religion/gender/nationality/body type that differs from my own makes me part of the problem, according to what I’m now hearing. Despite my treating everyone with respect and humor my entire life (as far as I know), I’m somehow complicit in the misfortune of others. I’m not saying I’m colorblind, but whatever racism/sexism/other-ism my life experience has instilled in me stays within me, and is not manifested in the way I treat others (which is not the case with far too many, I know).

So that I may be enlightened, can you please share with me some examples of institutional racism that have made an indelible mark upon you? If I am to understand this, I need people I know personally to show me how I’m missing what’s going on. Personal examples only. I’m not trying to be insensitive, I only want to understand (but not from the media). I apologize if this comes off as crass or offends anyone.”

Here’s my response:

Hi, Jason.  First off, I hope you don’t mind that I’ve quoted your post and made it part of mine.  I think the heart of what you’ve asked of your friends of color is extremely important and I think my response needs much more space than as a reply on your feed.  I truly thank you for wanting to understand what you are having a hard time understanding.

Coincidentally, over the last few days I have been thinking about sharing some of the incidents of prejudice/racism I’ve experienced in my lifetime – in fact I just spoke with my sister Lesa about how to best do this yesterday – because I realized many of my friends – especially the white ones – have no idea what I’ve experienced/dealt with unless they were present (and aware) when it happened.  There are two reasons for this : 1) because not only as a human being do I suppress the painful and uncomfortable in an effort to make it go away, I was also taught within my community (I was raised in the ‘70s & ‘80s – it’s shifted somewhat now) and by society at large NOT to make a fuss, speak out, or rock the boat. To just “deal with it,” lest more trouble follow (which sadly, it often does).  2) Fear of being questioned or dismissed with “Are you sure that’s what you heard?” or “Are you sure that’s what they meant?” and being angered and upset all over again by well-meaning-but-hurtful and essentially unsupportive responses.

So, again, I’m glad you asked, because I really want to answer. But as I do, please know a few things first: 1) This is not even close to the whole list. I’m cherrypicking because none of us have all day.  2) I’ve been really lucky. Most of what I share below is mild compared to what others in my family and community have endured. 3) I’m going to go in chronological order so you might begin to glimpse the tonnage and why what many white folks might feel is a “Where did all of this come from?” moment in society has been festering individually and collectively for the LIFETIME of pretty much every black or brown person living in America today regardless of wealth or opportunity. 4)Some of what I share covers sexism, too – intersectionality is another term I’m sure you’ve heard and want to put quotes around, but it’s a real thing, too, just like white privilege.  But you’ve requested a focus on personal experiences with racism, so here it goes:

1. When I was 3, my family moved into an upper-middle class, all-white neighborhood. We had a big backyard, so my parents built a pool. Not the only pool on the block, but the only one neighborhood boys started throwing rocks into. White boys. One day my mom ID’d one as the boy from across the street, went to his house, told his mother and fortunately, his mother believed mine.  My mom not only got an apology, but also had that boy jump in our pool and retrieve every single rock. No more rocks after that. Then Mom even invited him to come over to swim sometime if he asked permission. Everyone became friends. This one has a happy ending because my mom was and is badass about matters like these, but I hope you can see that the white privilege in this situation is being able to move into a “nice” neighborhood and be accepted not harassed, made to feel unwelcome, or prone to acts of vandalism and hostility.

2. When my older sister was 5, a white boy named Mark called her a “nigger” after she beat him in a race at school. She didn’t know what it meant but in her gut, she knew it was bad. This was the first time I’d seen my father the kind of angry that has nowhere to go.  I somehow understood it was because not only had some boy verbally assaulted his daughter and had gotten away with it, it had way too early introduced her (and me) to that term and the reality of what it meant – that some white people would be cruel and careless with black people’s feelings just because of our skin color. Or our achievement.  If it’s unclear in any way, the point here is if you’ve NEVER had a defining moment in your childhood or your life, where you realize your skin color alone makes other people hate you, you have white privilege.

3. Sophomore year of high school. I had Mr. Melrose for Algebra 2. Some time within the first few weeks of class, he points out that I’m “the only spook” in the class.  This was meant to be funny.  It wasn’t.  So, I doubt it will surprise you I was relieved when he took medical leave after suffering a heart attack and was replaced by a sub for the rest of the semester.  The point here is if you’ve never been ‘the only one’ of your race in a class, at a party, on a job, etc. and/or it’s been pointed out in a “playful” fashion by the authority figure in said situation – you have white privilege.

4. When we started getting our college acceptances senior year, I remember some white male classmates pissed that another black classmate had gotten into UCLA while they didn’t. They said that affirmative action had given him “their spot” and it wasn’t fair.  An actual friend of theirs. Who’d worked his ass off.  The point here is if you’ve never been on the receiving end of the assumption that when you’ve achieved something it’s only because it was taken away from a white person who “deserved it”that is white privilege.

5. When I got accepted to Harvard (as a fellow AP student you were witness to what an academic beast I was in high school, yes?), three separate times I encountered white strangers as I prepped for my maiden trip to Cambridge that rankle to this day. The first was the white doctor giving me a physical at Kaiser: Me: “I need to send an immunization report to my college so I can matriculate.” Doctor: “Where are you going?” Me: “Harvard.” Doctor: “You mean the one in Massachusetts?”  The second was in a store, looking for supplies I needed from Harvard’s suggested “what to bring with you” list.  Store employee: “Where are you going?” Me: “Harvard.”  Store employee: “You mean the one in Massachusetts?”  The third was at UPS, shipping off boxes of said “what to bring” to Harvard.  I was in line behind a white boy mailing boxes to Princeton, and in front of a white woman sending her child’s boxes to wherever. Woman, to the boy: “What college are you going to?”  Boy: “Princeton.”  Woman: “Congratulations!”  Woman, to me: “Where are you sending your boxes?” Me: “Harvard.”  Woman: “You mean the one in Massachusetts?” I think: “No bitch, the one downtown next to the liquor store.”  But I say, gesturing to my LABELED boxes: “Yes, the one in Massachusetts.”  Then she says congratulations but it’s too fucking late.  The point here is if no one has ever questioned your intellectual capabilities or attendance at an elite institution based solely on your skin color, that is white privilege.

RISE UP: Why "Hamilton: An American Musical" is Still a Must-See

Cast of "Hamilton" (
Cast of “Hamilton: An American Musical” performing “My Shot” (photo via nytimes.com)

by Julie Bibb Davis
by Julie Bibb Davis

The first song I heard from the Hamilton soundtrack was “My Shot.”  This song, the third one in the first act, serves the important role of introducing the ten-dollar-founding-father-without-a-father Alexander Hamilton: his burning ambition, his sophisticated oratory, his commitment to revolution.  But the verse that hit me the hardest, that immediately told me that something exceptional was going on with this show, was this one, sung by young abolitionist John Laurens (played by Anthony Ramos):
 
Rise Up!

When you’re living on your knees, you rise up

Tell your brother that he’s gotta rise up

Tell your sister that she’s gotta rise up

This verse — in the show an exhortation to the 18th century colonists to revolt against the British government — is universal and timely enough to be a rallying cry for any recent social justice movement.  As soon as I heard it, I knew Hamilton was trying to do something special.  Without being didactic or preachy, Hamilton was telling people to stand up for their rights, take a seat at the table, and participate in America.  

Much ink has been spilled about Hamilton: about its innovative hip-hop structure, its diverse cast, its best-selling cast album (including time at No.1 on the Billboard Rap charts), its unprecedented popularity on Broadway, its brilliant and social media-savvy creator Lin-Manuel Miranda, its eleven Tony awards.  But despite its runaway popular success, and its seemingly universal appeal, Hamilton feels to me — and I suspect to many fans — deeply personal.  As a mixed-race person, a lawyer who attended the same college as Hamilton, a federal government employee, and a life-long musical theatre nerd, the combination of the music, the lyrics, and the cast feels urgent and relevant.  

Jessica Davis (l), Tony Ramos (m), Julie Bibb Davis (r) [photo courtesy Julie Bibb Davis]
Jessica Davis (l), “Hamilton” cast member Anthony Ramos (c) and Julie Bibb Davis (r) [photo courtesy Julie Bibb Davis]
For my teenage children, who follow the charismatic and thoughtful cast on Instagram and Snapchat, it has made American history feel applicable to their daily lives in a way their school classes never have.  And when we were fortunate enough to see the show on Broadway, watching the diverse cast play the (white) American founders, and seeing how Miranda has also worked to make what has usually been understood as being primarily a story of men include the contributions of women, had an impact that cannot be overstated.
Hamilton shows the influence of American musical theatre traditions that range from Rodgers & Hammerstein to Sondheim to Disney.  The show is most solidly rooted, however, in black musical traditions.  Hamilton’s hip-hop and rap songs have garnered the most attention, but that only scratches the surface.  “What’d I Miss” is a wonderful homage to Cab Calloway, with elements of ragtime and even funk.  
“The Schuyler Sisters” echoes groups like Destiny’s Child, “Wait for It” starts with a dancehall reggae beat, and “Say No To This” is an R&B slow jam straight out of the 90s.  In addition, most of the original main case is black, including Okieriete Onadowan (Mulligan/Madison), Tony nominee Chris Jackson (Washington), and Tony winners Leslie Odom, Jr. (Burr), Renee-Elise Goldsberry (Anjelica), and Daveed Diggs (Lafayette/Jefferson).  

EDITORIAL: Serena Williams Wins 7th Wimbledon Title, 22nd Grand Slam and Makes Us All Feel Like Champions

Serena Williams ended her yearlong pursuit of Steffi Graf’s mark for Open-era Grand Slam wins by defeating Angelique Kerber in straight sets in the Wimbledon final Saturday. (Credit: Andy Rain/Agence France-Presse — Getty Images)

by Lori Lakin Hutcherson, GBN Editor-in-Chief (@lakinhutcherson)

I don’t know about anyone else, but I really needed this today.  I specifically set my alarm this morning to wake me at 6AM (PST) to watch Serena Williams compete for her seventh – yes, take that in – seventh Wimbledon title, and to tie Steffi Graf for the most Grand Slams won in the Open Era.

I’ll admit, regardless of the week of continued brutality and violence by police against black citizens and the gut-wrenching retaliation in Dallas because of such violence, as a lifelong fan, I most likely would have been up and watching Serena anyway.  But because of its timing, this victory – this continued rising, this perseverance – was that much more coveted, and that much sweeter.

Although Williams did not mention or comment on what’s been happening in America as she accepted her trophy, don’t think she’s remained silent in the media about it.  On her Twitter (which we here at GBN happily follow), she spoke directly to the recent atrocities and let us know they were on her mind days before this most crucial, career-defining match:

This tweet leads me to speculate that Serena was that much more focused, that much more centered and that much more desirous of the outcome that occurred – because she knew in her heart she wasn’t just winning her 22nd Grand Slam and making history for herself, but for all of us.

So thank you, Serena – for playing your best tennis today and being so damned undeniable.  You have been and are a shining light and the G.O.A.T. and a champion for the ages.  You are loved and supported in all of your endeavors.  You are #blackexcellence.  (And P.S. having Beyoncé and Jay Z in your box was on point, too! #Freedom #Formation)

Now, to the tennis facts, courtesy of Naila-Jean Meyers via the New York Times:

Ibtihaj Muhammad Will Make History as 1st U.S. Olympian to Compete in a Hijab

Screenshot of Ibtihaj Muhammad, taken from Twitter on February 3, 2016. (photo via Colorlines.comP
article by Sameer Rao via colorlines.com
When she competes at this summer’s Olympic Games in Rio de Janeiro, Ibtihaj Muhammad will make history as the first member of Team USA to compete while wearing a hijab.
Muhammad, who is Black, secured her spot by winning a bronze medal during the fencing World Cup in Athens on January 30. She is now the second-highest-ranking fencer on Team USA’s women’s squad.
In an interview on TeamUSA.org, Muhammad said that she pursued fencing at the professional level in part to help break barriers in the sport:

“After I graduated from college, I saw there was a lack of minorities in the sport,” Muhammad told TeamUSA.org. “I recognized that I had a skill set, so I started to pursue fencing full time. I felt that it was something the squad needed. There were barriers that needed to be broken in women’s saber.”

Muhammad, who failed to quality for the 2012 Olympics due to a torn ligament, will compete in the Rio Olympics in both the individual and team events along with U.S. Olympic champion Mariel Zagunis.
“I want to compete in the Olympics for the United States to prove that nothing should hinder anyone from reaching their goals — not race, religion or gender,” said Muhammad, who was quoted by TeamUsa.org. “I want to set an example that anything is possible with perseverance.”

TV REVIEW: BET Comedy "Zoe Ever After" Starring Brandy Hits All the Right Notes

ZoeEverAfter-16x9

by Lori Lakin Hutcherson, GBN Editor-in-Chief
by Lori Lakin Hutcherson

I have to admit, I wasn’t planning on watching it, mainly because these days I don’t have the opportunity to view much television outside of what my 9 and 6 year-olds are viewing. If you want to ask me what’s happening on the Disney Channel or PBS Kids – I’m your woman. BET and Centric, not so much. But when I got an email from former colleague and uber-producer Debra Martin Chase announcing the premiere of her new sitcom “Zoe Ever After”, I made a point of setting my DVR to record it so I could carve out a moment to watch and support.
That moment came this morning, and I am so glad it did. “Zoe Ever After,” created and executive produced by Chase, Erica Montolfo-Bura and former “Moesha” lead Brandy Norwood (who stars in the titular role), is a delightful, smartly-written, acted and executed half-hour comedy about Zoe Moon, a woman restarting her life with a new cosmetics business, new love interests and a new parenting arrangement after filing for divorce from her famous boxer husband Gemini Moon (Dorian Missick).
Set in Manhattan,”Zoe Ever After” is actually filmed in Atlanta, but unlike some other half-hours shot there, its look and feel don’t come off as claustrophobic or cheap. The sets and visuals, though limited, are beautifully styled and on point. The costume design is equally striking, and if the show keeps it up, Brandy could add “fashion maven” to her actor/singer calling card.
But even more important than the look or  basic premise is how well “Zoe” deals with its themes – the difficulty of dating after a break-up, co-parenting with an ex, the struggles of running a new business (the air conditioning breaks down in Zoe’s office and she is stubbornly against taking her ex’s help to fix it, even though the contractor he sends (Ignacio Serricchio) generates more heat than the system he’s repairing), and the internal tug-of-war that occurs when you still have feelings for the person who broke your heart.
All of the actors, including intended comic relief characters, on-a-mission-to-get-married best friend and publicist Pearl (Haneefah Wood), fashionable, openly gay assistant Valence (Tory Devon Smith) and bright, adorable son Xavier (Jaylon Gordon), make strong impressions, but Brandy in particular shines as she charmingly and believably navigates dramatic moments like where she tells her ex how he always made her feel invisible, or sillier ones where she gets pooped on by a dove (which is a clever metaphor tied to a story point, believe it or not).
The preliminary ratings and social media on “Zoe’s” debut are also strong, so BET looks to have a good compliment/counterpoint to “Real Husbands of Hollywood” on its slate, and I am personally looking forward to finding more time away from “Lab Rats” and “Arthur” to see if Zoe does indeed get her “ever after.”
“Zoe Ever After” airs Tuesdays on BET. To view the premiere episode, check your local listings or access clips via BET.com.