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“Dear Lori”: Did Your White Friend Ever Respond? He and I “Do The Work” on a Podcast (LISTEN)

Before I answer today’s query, I need to thank everyone for all the positive feedback on my debut Dear Lori column. I appreciate the responses, the encouragement and yes, the new questions! I plan to answer them as soon as I can.

Now, I’ll get to the number-one, hands-down, most-popular question I’ve been asked for over four years ever since my original 2016 post about Jason’s white privilege Facebook question to his Black and biracial friends…

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[All letters are published verbatim and without corrections. Only the names have been changed.]

Dear Lori:

Hi! I just read your article about the facebook post. I GOTTA know if the white friend responded and if so, what did he say? Would you mind making a post/article about that? LeKeisha

Dear LeKeisha:

Thank you for writing in! You are far from alone in wanting to know if Jason responded and if so, what he said. There’s a reason why I’ve never really answered that question until today though — I didn’t have one.

Well, not a good one, at least in my estimation. Because the only response from Jason I ever saw was an indirect one in my feed when I shared a link in 2016 to an “answer blog” published in Huffington Post to my White Privilege piece. One friend commented:

“I’m glad that your thoughtful post got the attention it deserved. A lot of my friends shared it after I shared it — you delivered your message in a very “hearable” and moving way. You made it into a teaching moment, and I think those are rare.”

Under that Jason replied:

“It certainly taught me… 😉

And that was it. That’s all I got.

I knew it would anger or sadden some readers to know that after I spent a large chunk of my time crafting a reply (not to mention considerable emotional labor), all I got back was four words and a wink emoji. It would seem to affirm no matter how much Black people extend ourselves to help white people understand, it’s not worth the effort because they really don’t want to hear or engage with the answer even when they’re the ones who asked in the first place.

For other readers, they likely wanted to hear a happy ending – that my response transformed Jason’s thinking, finally made him understand white privilege and systemic racism, and that he was now fighting the good fight like any good-hearted, newly-aware person would do. I didn’t want to upset those readers either, even though — let’s be real — there’s no magic post anywhere that’s going to do all that.

But I’ll admit, a deeper response from him would have been nice for me to hear, too.

Today, I am happy to finally be able to share that deeper response — in the premiere episode of Do The Work – a new podcast hosted by Brandon Kyle Goodman all about having these conversations.

The producers reached out to me and Jason this summer after my piece went around again post-George Floyd and the nationwide protests, and we finally came together to have the conversation we’ve never had. So instead of having me tell you his response secondhand, you now can hear it directly for yourself. Hope it satisfies!

Take care and all best, Lori

 

“Dear Lori”: My Black Answers to Even More Questions About White Privilege

by Lori Lakin Hutcherson, GBN Editor-in-Chief

Before I get started with the Q&A, I’m going to share some backstory behind why I’ve decided to create this “Dear Lori” column for Good Black News:

Four years ago I wrote an essay called “What I Said When My White Friend Asked for My Black Opinion on White Privilege” that ended up going viral and getting re-published by several large outlets in 2016, 2017, 2018, and once again this summer.

Each time my white privilege piece circulates, I get a rush of emails, posts, messages, comments, tweets and DMs from new readers. Most are positive, some negative, some hilarious (between “laugh or cry,” I choose “laugh”) and inevitably, some questioning. I try my best to respond individually, but sometimes it’s way too overwhelming a task. Like during the last rush right after Christian Cooper, Ahmaud Arbery, Breonna Taylor, George Floyd and the nationwide protests.

I did find the energy in late May to write “A Letter to Friends Who Really Want to End Racism” on my personal Facebook page in an attempt to share my thoughts on how to move forward pro-actively. My sister (and GBN co-editor) Lesa encouraged me to publish it on GBN as well. I did, and that piece had its own extra flutter of internet life, too.

I texted Lesa to say her instincts were right again (in 2016 she predicted “What I Said…” would go viral before I posted it) and she responded in spotty text talk: You speak super Black pride and really wanna be woke white — needs to be shared!

Her words gave me a much-needed chuckle during a fraught pandemic shopping trip in a bare-shelved Whole Foods. They also helped crystallize my thoughts on what I might be able to uniquely contribute to the movement for equity and justice.

Award-Winning Journalist Farai Chideya Launches “Our Body Politic” Podcast Centered on Black Women and Political Events (LISTEN)

Author and award-winning journalist Farai Chideya has created and will host Our Body Politic, a weekly podcast debuting this weekend that is “unapologetically centered on reporting not just how women of color experience the major political events of today, but how they’re impacting those issues.”

Farai Chideya (photo: Twitter)

Our Body Politic will focus on women of color as a super-demographic in American politics and ask how we can save and improve our own lives and that of our nation. Episodes will feature in-depth conversations about the economy, healthcare, politics, the environment and education every Friday. To listen to the trailer below:

The podcast will be available through a host of sponsor stations including KCRW, KPCC, KQED and WITF among others. You can also subscribe by clicking here.

For anyone who want to call in with questions or to tell the show what’s on your mind, you can leave a message at the number Chideya is posting on Twitter: 929-353-7006.

U.S. Rep and Civil Rights Leader John Lewis Offers Essay Full of Encouragement and Wisdom on Day of His Funeral

Not even death can stop John Lewis from giving his heart and soul to the fight for equality and justice for all.

Civil Rights titan and Congressmember Lewis wrote an essay for the New York Times entitled “Together, You Can Redeem the Soul of Our Nation,” meant to be published today, the day of his funeral.

As Lewis’s body is being laid to rest at Ebenezer Baptist Church in Atlanta, GA, the spirited words in his essay urge us all to “answer the highest calling of your heart and stand up for what you truly believe.”

Lewis also writes about what and who ignited his journey into protest against injustice:

Emmett Till was my George Floyd. He was my Rayshard Brooks, Sandra Bland and Breonna Taylor. He was 14 when he was killed, and I was only 15 years old at the time. I will never ever forget the moment when it became so clear that he could easily have been me. In those days, fear constrained us like an imaginary prison, and troubling thoughts of potential brutality committed for no understandable reason were the bars.

Lewis also shares the moment he first encountered the teachings and mission of Dr. Martin Luther King, Jr. and how it affected him:

Like so many young people today, I was searching for a way out, or some might say a way in, and then I heard the voice of Dr. Martin Luther King Jr. on an old radio. He was talking about the philosophy and discipline of nonviolence. He said we are all complicit when we tolerate injustice. He said it is not enough to say it will get better by and by. He said each of us has a moral obligation to stand up, speak up and speak out. When you see something that is not right, you must say something. You must do something. Democracy is not a state. It is an act, and each generation must do its part to help build what we called the Beloved Community, a nation and world society at peace with itself.

To read Lewis’ essay in its entirety (or hear an audio reading of it), go to: https://www.nytimes.com/2020/07/30/opinion/john-lewis-civil-rights-america.html

LET’S TALK ABOUT IT: Could African American Philanthropy Help Solve the Black Student Debt Crisis?

Billionaires Robert Smith, Oprah Winfrey, top; Beyonce and Jay Z, bottom (photos via Creative Commons)

EDITOR’S NOTE: For some time now, we here at GBN have struggled with the fact that while our operating directive is always to present positive stories, there are so many issues that affect our communities that don’t fit that philosophy, but would love to find a way to present that doesn’t stray from our core mission. It recently dawned on us that the steps we as individuals and societies take to solve problems, large or small, could perhaps be our way in. Solutions can only come first through awareness and acknowledgement of the issue, learning about it, discussing it, then figuring out ways to act that may help solve it.

In that spirit, we introduce “Let’s Talk About It” – a new GBN feature we will occasionally present about problems that need ideas for solutions. Our first entry is a share from, appropriately enough, The Conversation, a website GBN has partnered with to bring to you exactly this type of content.

First up: How can we as a community begin to solve the black student debt crisis? Should we follow the lead of billionaire Robert F. Smith, who single-handedly relieved the debt of Morehouse College’s graduating class of 2019, and task the wealthiest among us to pitch in and help out? Or are there other ways for us to alleviate this issue? Read below, and if you’d like, let’s discuss!

-Lori Lakin Hutcherson, GBN Founder and Editor-in-Chief

From The Conversation:

by Mako Fitts Ward, professor at Arizona State University 

When billionaire Robert F. Smith decided to pay off the student loans of the graduating class of 2019 at Morehouse College, he suggested that others follow his lead.

“Let’s make sure every class has the same opportunity going forward, because we are enough to take care of our own community,” Smith declared in his commencement speech.

But is there even enough black private wealth in the United States to pay off all black student loan debt?

As a scholar in social transformation and African American studies, I’m intrigued by this question. It provides an opportunity to examine black wealth, higher education and the possibilities for alleviating debt, which in turn opens the door to new economic opportunities.

Black celebrities give to higher education

Smith’s gift is estimated to be worth US$40 million and will benefit 396 students.

That’s a lot of money, and he’s done it before. Before his gift to Morehouse, Smith donated $50 million to Cornell University, his alma mater, in part to support African American and female students at Cornell University’s College of Engineering.

Other black celebrities have also stepped up to fund education. Powerhouse couple Beyonce and Jay Z gave more than $1 million in scholarships to students who lived in cities they were touring in 2018.

Rapper Nicki Minaj gave 37 “Student of the Game” scholarships. LeBron James, through his foundation, promised to pay for 2,300 students to attend the University of Akron – at an estimated price tag of $100 million. Oprah Winfrey has donated more than $400 million to educational causes.

But with just five black billionaires in the United States – Smith, Winfrey, David Steward, Michael Jordan and Jay Z – monumental gifts like the one that Smith made will likely be few and far between.

Is Smith’s claim that “we are enough to take care of our own community” true of all the black wealth in the U.S.?

OPINION: Why I’m Here For the Badass Black Women of San Diego Comic-Con 2018

by Maeve Richardson

As GBN’s resident biracial, millennial nerd, I place a lot of importance on diversity at Comic Con and in the entertainment industry.

Pop culture has the power to influence how people see the world around them, and, thankfully, there are people in the entertainment industry who understand this and work to make content that showcases the positive aspects of diversity and uniqueness.

A prime example of this content is Steven Universe, an out-of-this-world show that isn’t afraid to show just how diverse this planet really is.

On the surface, Steven Universe is a cartoon about a boy trying to save the world. But on a deeper level it’s a show about love and friendship, and a show that teaches kids lessons about healthy relationships, anxiety, and how important it is to be true to yourself. Estelle, who plays Garnet (the fierce leader of the Crystal gems and fusion of LGBTQ+ couple Ruby and Sapphire), killed it at the Superheroes of Body Positivity Panel this Comic Con.

Estelle, along with the rest of the Crewniverse (people who work on Steven Universe) recently participated in Dove’s Self Esteem Project. Rebecca Sugar, the creator of Steven Universe and Estelle joined Dove on the Panel to talk about body positivity and open up about their own experiences with body image. “My body works, it’s gorgeous. It gets me from point A to point B. If someone, doesn’t like my body, that’s too bad,” Estelle explained.

Another show featured at Comic-Con was Black Lightning, a badass superhero show that celebrates Black Americans. Series co-creator Mara Brock Akil took the stage to express that “celebrating our culture is important to remind us that we are also a part of the fabric of American culture. Tracking our history and our path is important.”

Amandla Stenberg (photo by Gage Skidmore)

Then there are the women of the Women Who Kick Ass Panel. Amandla Stenberg, who I’ve been a fan of since their portrayal of Rue in The Hunger Games, said “The topic of ‘strong female roles’ is tricky. There’s an awareness I have. I create representation because of the accessibility I have. When it comes to roles there is a give and take time. We continue to sacrifice in order to see the representation we want.” I will definitely be purchasing a ticket for their new movie The Darkest Minds.

And of course, there’s Regina King, who will be starring in HBO’s new Watchmen series. “There weren’t many like me kicking ass. I was a Lynda Carter fan. Even though Wonder Woman was wearing a skimpy outfit, she had ownership and confidence that exuded female strength,” Regina King explained about her own experiences with superheroes.

For me, cartoons and superheroes have shaped core aspects of my personality and morality, so it means a lot to me to see so many badass women of color involved in so many amazing projects share their experiences.

"Woman In The Mirror": GBN Editor Lori Lakin Hutcherson’s Personal Essay on Women, Power and Leadership

by Lori Lakin Hutcherson via dumbofeather.com

Ever since I was four years old, I remember feeling powerless. I didn’t know it by name then, but looking back, powerlessness is what drove me every night, after I slid under my Raggedy Ann sheets and comforter, to wish and pray that when I woke up, I’d wake up a boy. Not because I felt like a boy inside, but because boys got to have what I couldn’t. Hair that didn’t have to be detangled or combed or braided. Action figures instead of dolls. Race cars with race tracks and pants to play in—always pants. In my four-year-old mind, boys had everything. Freedom. Choices. Power. Pants. But every morning like clockwork, the sun rose, I looked down, and I was denied yet again by The Man Upstairs. I was still Team Pink. I was still a girl.

I wore my disappointment more stoically than my dresses, because somehow I knew this was not a conversation to be had with either parent, or even my big sister (who was obsessed with boys in the acceptable way—with crushes and smiles and day dates to ice skating shows). I didn’t know how to voice the palpable inequity I was absorbing from our society, my culture, the media. That boys were considered the stronger, smarter, faster sex, who should be deferred to and in control. What I couldn’t find words for, but knew from the tips of my bobble ball hair ties to the soles of my patent leather Mary Janes, was that the way girls were devalued wasn’t fair, square or remotely close to justified.

Girls were just as smart and fast and valuable as boys—and once in a while, in between ads for EZ bake ovens and hungry toy babies and household products that would save me from a lifetime of dishpan hands, my TV echoed parts of this truth to me. I saw the “Bionic Woman” and “Wonder Woman” and Billie Jean King with the big glasses and small tennis racket beat the old, blustering Bobby guy in “The Battle of the Sexes.” And then there was Nadia from Romania who proved her ability at the Montreal Olympics, though her dainty and pretty were remarked upon more often than her athleticism and artistry. Even after her repeated displays of superlativeness, she stood there, half-smiling, as they gave most of the credit to her male coach. They might not have been black like me but they were girls like me, girls who liked to rip and run and use their bodies and brains for something other than to attract boys.

In my home, the messages were similarly mixed. My mom had a job just like my dad did. And as a teacher, when I went to work with her, I got to see a woman in charge. Of the space, the lessons, the students. I saw her leadership there, as well as in the house. Mom had as much authority as Dad (if not more) and my dad did the cooking. And since both parents were college graduates and educators, my sister and I were expected to do well in school, go to college and have a career.
Mom even gave my sister and me “School Years” memory books so we could track our progress from Kindergarten through High School. Who our friends and teachers were, our activities, awards, and what we wanted to be when we grew up. This aid to success ended up being one of the most painful reminders of the limited expectations the world had for me. The occupations listed for “Boys”? Policeman, Fireman, Astronaut, Soldier, Cowboy, Baseball Player. But for “Girls”? Mother, Nurse, School Teacher, Airline Hostess, Model, Secretary. In that order.

There was a “fill in the blank” space, so every year from Kinder on I filled it in with “Doctor.” By third grade, someone with a pink marker lined through my “Doctor” and checked “Secretary” instead. I rebelled with my blue marker and rubbed over the pink check next to “Secretary.” I didn’t remember this until I recently found the book, but it spoke volumes that someone in my life thought I was fantasizing if I wanted to be a doctor. In 1976. The same year of the U.S. Bicentennial, 200 years after independence from tyranny was declared and where colonists believed their liberty was worth their death. I, too, was fighting for liberty. My liberty. I wanted Batman, not Barbie, and I was tired of feeling wrong about it.

Years pass, and compliments about my cuteness are directed to me instead of my parents. I didn’t do anything to be cute—DNA did that—so this always feels weird. My mum tells me to not question or argue but just say “thank you.” Dutifully, I do. But being valued solely this way never sits right with me. I wanted “boy-style” compliments, about how clever or strong or skilled at whatever I was—praise that felt earned. I did receive some of this from the adults in my life, right alongside advice like, “Always have bus money so you don’t have to depend on boys for rides,” or, “No one buys the cow if the milk is free,” or, “It’s just as easy to marry a rich man as it is a poor one.”

When my parents separate and divorce, this family fracture ironically gets me more of what I want. Guilt presents include video games and model cars and Star Wars toys. And pants—jeans and corduroys! My mom says when she was younger, she was a tomboy too. She enrolls my sister (and eventually me) in softball, and buys me books about skateboarding but stops short of the skateboard—she thinks I will fall and break my head. If I were a boy, I think, she’d let me break my head. I try to build my own with a plank of wood and wheels from Mom’s ancient metal roller skates. It travels six inches, I fall off and it falls apart. When my dad gets a housekeeper for his new townhouse, she cleans my room and asks him how old his son is. Suddenly Dad won’t buy me any more model cars.

As puberty dawns, boys are still getting the better deal. Most of them grow into muscles and height and undeniable physical dominance. But should this give them more rights? Should more strength automatically equal more power? Boys (and several girls) seem to think so and this thinking is validated at every turn. In government, in movies, in the workplace, in classrooms. They can pick up girls at random and the girls squeal and laugh and cajole the boys to put them down instead of throwing them into the ocean/pool/sofa cushions. All in good fun, right? Not at all a display or reminder of dominance, right? Boys get to act on crushes and initiate kisses and ask for dates without being considered “fast” or “sluts” or “whores.” They also get no periods, no pregnancies, no abortions.

I am handed deodorant, pads and Judy Blume books as my teenage girl starter kit. I dislike the changes and growing pains and expectations of “blossoming into a young woman.” I focus on grades instead of gregariousness—studying instead of a social life. My big sister Lesa, a natural at young womanhood, follows in our grandmother and mother’s kick steps and becomes a varsity cheerleader. I scoff and diminish her choice by saying I’d rather be who people cheer for. Because some girls make fun of other girls for being too “girly.” I do not see the insidious danger of this for decades.

By 1986 I am a senior in high school, and being in the “smart girl” category has been a boon for me. I am not offered a cent for a cute outfit or a good hair day, but Dad pays good money for As and Bs. I also get to wear pants and sneakers and no make up everyday and no one cares. Mom and Lesa are officially the “pretty girls” with pretty power and that is alright by me. I have no jealousy or longing for “pretty” status— though most girls aspire to this, it seems more like a curse than a gift to me. Yes, my mother and sister get preferential treatment and constant compliments, which they enjoy. But I also see them experience the flip side. Men and boys would stalk them both. Put their hands on them without permission. Recklessly follow after them in traffic. This was weekly if not daily for them; for me it was rarely, but it should have been never. It should always be never. But as 99 percent of girls and women will tell you, it’s never never. I am approached by a pimp on a bus who tells me I look sad and he can take care of me. I exit at the next stop and walk the extra mile home to escape him. I am told to smile more times than I am asked for my opinion. One afternoon I’m followed by a man who screams I should be walking behind him and don’t know my place. I run into a 7-11 and stay huddled near the Ms. Pacman machine until he disappears. Oh hell no. Screw being treated like prey. Screw pretty.

Instead I want to be strong and quick. And thanks to Title IX, I can put my body in service to sports—softball, basketball, cross country. I do them all and excel at none. I am average in every way, but the existence of these girls’ teams does not live or die by any one of us having to prove exceptional ability. We have the freedom to suck and stay funded, just like the boys’ teams. This makes me wonder if society needs a version of Title IX not just for the sports field, but for every field. Shouldn’t we demand and legislate programs that provide equal opportunity for both sexes everywhere? So then over time, like with sports, this parity would become the norm? Why not try this out in politics, I think—like maybe in the Senate? After all, there are 100 senators, two from each state, so why not make them 50:50, one male and one female? Wouldn’t that be true equal representation? But I don’t know what to do with these notions, so I keep them to myself. What kind of power do I have to make them happen, anyway? I don’t my want my “smart girl” rep to become a “naive, silly, pie-in-the-sky girl” rep.

High school also offers me a lifelong mentor in the unlikely form of tough-as-nails, no nonsense, AP U.S. history teacher Mr. Safier. He values effort, intelligence and discipline above gender, race, class… or anything else, really. Finally I am celebrated for what I believe counts. Safier is more than safe harbor. He is an equalizer. After repeatedly killing it in his classes, one boy writes in my senior yearbook he’s lived in academic fear of me for almost two years. I love this. Now I have proof. Brains are my field-levelling power. And they are what get me into a top-notch university.

At first, college feels different than high school—better—like there is gender parity. Like “smart” is all that matters. Smart whomevers travel to Boston from wherever to spend four focused years getting smarter. But then the parties start. The blue lights, safety phones and shuttle bus stops are pointed out. Boys casually notice, girls mark their maps. We have political debates. Ideological tangles. We openly protest to take back the night. I make male and female friends of every race and religion and orientation and it all feels equitable and the way the real world should be. I don’t shave my legs all winter. I march with the Black Student Union to the freshman quad to demand I don’t remember what from the Dean. One Christmas I fly home sporting fake Malcolm X glasses, leather Africa medallions and a lot of opinions. My dad picks me up at the airport and later asks everyone in the family but me if I’m a lesbian. Dressed like that, politicized like that, with my “tomboy” history—what else could I be?

What my father does ask me about is what I want to do after college. Whatever it is, I’m told, I should want my boss’ job. That’s where the power is. If you don’t want your boss’ job, you have the wrong job. So if I still want to be a doctor, become Chief of Surgery. If I want to teach, become Teacher of the Year. I do journalism for fun at college because there’s no television station, so I tell him maybe I want to write. Then, Dad says, become the publisher. He sends me articles on mastery and how to achieve it. The bar is set high—as high for me as for the boy he never had, I think, so I accept his challenge. I try to jump that high. Into top positions. Into leadership. Into power.

Unlike Dad though, I think public sector work is for the birds, even when in the “power position.” Dad had achieved that – he rose from community college counsellor to assistant Dean, Dean (the youngest dean in California ever at the time), Vice President, President, then Chancellor of an entire district. He was the top dog, the leader. But then sometimes he would say if he were in the private sector, he would be a CEO making ten times as much money. But it just so happened his heart was in education, and he chose it over what could have been real wealth. Another mixed message I struggled to process. Go for heart or for money or for power? And do they have to be separate?

My power equation, I came to realize, extended beyond my father’s. Mine was leadership, plus affinity, plus money. And, luckily, I told myself, my heart was in writing—television to be specific—a very lucrative field. (Journalism, I’d discovered, paid even less than teaching). So I told him I wanted to follow the Hollywood path. I wanted to come back to California. Come back home.

REVIEW: Why Robin Thede’s "The Rundown" on BET Could Be Late Night’s Next Must-Watch

Comedian and host Robin Thede (photo via vanityfair.com)

by Laura Bradley via vanityfair.com
When Larry Wilmore’s Nightly Show got canceled last year, many fans were understandably frustrated. Wilmore’s was one of only two programs in late night to feature a black host—and at the time, it was the only one with a female head writer. Perhaps it’s fitting, then, that Wilmore’s head writer herself, Robin Thede, has moved on to host her own late-night show.
The Rundown with Robin Thede premiered Thursday night on BET, and although it’s got a few kinks to work out—as any new show does—its host has already honed a distinct comedic voice and spirit. And that sensibility gives her program must-watch potential, even in its first week. Thede’s series opened with a tone-setting sketch: Thede spotting an extremely attractive man . . . who is, unfortunately, wearing a Trump/Pence T-shirt. She then embarks on an ill-fated quest to win his attention—first by wearing a Make America Great Again hat, and eventually by getting a Confederate flag tattoo on her bicep. Then she spots his wedding ring and scolds him for wasting her time before turning to her tattoo artist and asking, “Can you turn that into a Kaepernick jersey or something?”
The Rundown is true to its name; it’s a beat-by-beat recap of the week’s news, as curated by Thede and her team. Naturally, their curation yields a different mix of stories from those chosen by the various Jimmies on network TV.In her premiere episode, Thede zoomed her way through several topics, including Eminem’s anti-Trump rap, Jemele Hills’s suspension from ESPN, and a fireman who was dismissed from his predominantly black fire station after he brought a watermelon with a pink bow on it as a gift.
“It’s no surprise that Trump came for Jemele,” Thede said as she wrapped up her opening monologue. “Remember how he attacked Ms. Texas when she criticized him for not calling out the white supremacists in Charlottesville? Of course you don’t, because he didn’t. Trump likes his targets like we like our Magic Johnson theaters: black and loud.” Thede’s show is undeniably guided by her outlook as a black woman, which enables and guides her to tackle topics other programs might ignore.

As the comedian recently told Variety, “I’m going to be able to give a perspective that’s definitely not happening simply because I am a black woman, but I don’t want people to watch just because of that. If that’s the reason you tune in, that’s great, but the reason you’ll stay is because of what I’m saying,” she says. “The jokes will be pointed. The jokes will be sharp.”
Take, for example, this moment during her opening monologue, in which Thede introduced a viral video of one man’s confrontation with local police in California: “Does anyone else feel like they’re watching a magic show happen when white people interact with the cops?” Thede asked. “Well, abra kadabra, here’s a trick you haven’t seen before—and don’t worry, he lives!” The twist? The subject of the video actually was not a white man at all; he was later identified as 22-year-old Yaroub Assad. “He’s brown!” Thede said incredulously. “This cop thought he was letting a white guy work through a temper tantrum, but he was actually proving a great point: cops aren’t afraid of brown people—just brown skin.”
The Rundown could easily shoot to the top of late night’s must-watch list. Its success could come down to how the show uses its digital platform, which will likely attract fans who might not think to turn on BET for their late-night viewing. With a weekly podcast already set to launch Friday, though, it seems Thede and her staff know the game they’re playing—though as of Monday morning, it’s surprisingly difficult to find clips of the show anywhere but BET’s own Web site, which could hinder the show’s growth.
Once the network expands The Rundown’s web presence, though, it seems only a matter of time before a clip from it goes viral—which will go a long way toward establishing this show as the must-watch it looks like it’s going to be.
To read full article, go to: Why Robin Thede’s The Rundown Could Be Late Night’s Next Must-Watch | Vanity Fair

BEAUTY: LUX HAIR Wigs by Sherri Shepherd Offers Stylish, Fun and Affordable Wigs

For many reasons (health-related hair loss, vanity, convenience) wigs have found their place into the mainstream allowing versatile options with a relatively easy and sometimes fun way to protect your natural hair from those daily doses of heat and style damage. Wigs are so on-trend currently that they are popping up on more heads than ever before. And there is something a little refreshing nowadays about being able to freely admit “It’s a wig.” No taboo… no judgments, no strange feelings.

Lesa Lakin in the Lite Touch

LUX HAIR wigs by Sherri Shepherd offers a great variety of style choices. I know first hand because I wore this one and loved it. I’m sort of new to the wig game and really loving the simplicity and versatility that comes with just putting one on and going.

The great thing about Lux Hair wigs by Sherri Shepherd is that each wig is made of soft keralon fibers so that they look and feel like real hair. Every wig is ready-to wear and pre-styled. They can be cut curled to create custom looks and styled with heat tools up to 325 degrees.
Check out the styles here:
https://www.luxhair.com
also available on QVC

REVIEW: Jordan Peele Provokes Thought in His Comedy-Horror Masterpiece “Get Out”

“Get Out” written and directed by Jordan Peele (photo courtesy Universal)

by Flynn Richardson

Jordan Peele is the quiet superhero I’ve been waiting for. I say quiet because his movie “Get Out” sneaked up on me. Not that there wasn’t noise surrounding this film… there was… everyone was talking about it. It had a perfect positive review score on Rotten Tomatoes until one guy’s negative take ended the streak. What can I say… everyone’s a critic – including me.
To summarize, “Get Out” is about a young, black photographer named Chris who is dating a white girl named Rose, and the duo depart for the weekend to visit Rose’s family (the Armitages) at their sprawling, suburban estate. Chris has initial concerns about the trip because Rose never mentioned to her family that she was dating a black man; however, Rose assures Chris that her family is not racist, and he therefore should not have anything to worry about.
Upon arrival the family seems normal enough; they are progressive, nice, and even border on entertaining. But as the plot furthers and their racism becomes increasingly revealed, the movie transforms from a fish-out-of- water “meet the parents” story into a spine-chilling thriller involving blood, murder, and hypnotic enslavement.
Among the film’s numerous allusions to racism – the policeman’s unwarranted request for Chris’s ID; the family’s employment of only black help; Rose’s brother’s assessment of Chris’s inherent athletic abilities – one quotation that particularly piqued my interest was the ending line of the official trailer: “A Mind is a Terrible Thing to Waste.”
This slogan, coined in 1972 by Arthur Fletcher, head of the United Negro College Fund, was important for two reasons: 1) it was created to promote the funding of scholarships for underprivileged black youth who would otherwise be unable to afford college and 2) it acknowledged that the potential of a mind does not hinge upon the race of its host, and that every mind should thereby be entitled to further cultivation.
What I find most interesting about Peele’s inclusion of this slogan (and its periodic repetition throughout the film and trailer) is that it perfectly echoes the commentary Peele makes about racism through this movie. Minds of black people are literally wasted as they are hypnotically enveloped within “The Sunken Place” – a darkness in which the mind is deprived of control over the body, and this imposed deprivation is largely representative of the systemic racism that plagues our society.
Although the capability of a mind is not dictated by race, the system has nonetheless created the illusion of white superiority by marginalizing black people and casting them into a void of shadows. And, while an occasional glimmer of reality (in this case, provided by the flash from Chris’s camera) may motivate black people to sometimes fight against it, the system ultimately triumphs in restoring its prejudiced order.
Speaking from my perspective – a bi-racial, brown-skinned teenager living in Los Angeles – I have been fortunate enough to not have personally experienced the same degree of marginalization as other members of the black community, or even within my own family. But this movie nonetheless still displays several facets of my experience. I attend a school of predominantly white students, and I can attribute many of my own feelings of being “other” to a feeling of being overshadowed by my white peers. I say many, and not all, because the alternative is a feeling of scrutinization that stems from being the only black kid in the room. Peele illustrates this aspect extremely well through the Armitages’ fixation on Chris. What I think therefore is so special about this film is that it weaves together these (and so many other) different dimensions of discrimination, and pretty much anyone of color can find some identification with Chris’s experience.
For those who still have not seen this movie, the purchase of that ticket would undoubtedly be money well-spent. If thought-provoking and intelligently constructed films intrigue you, watch “Get Out.” If films that tackle racism move you, watch “Get Out.” Even if you are merely into the horror genre, watch “Get Out.” From its amazing acting – Chris (Daniel Kaluyaa), Rose (Allison Williams), the brilliantly hilarious TSA agent Rod (Lil Rel Howery), etc. – to its perfect pacing, “Get Out” merits its commercial and critical success for its unique, alluring, and thoughtful portrayal of the underlying horrors that constitute being black in America.
Note: If my antistrophe in the last paragraph was not enough to persuade you (did I mention I’m a college-bound high school senior? Words like “antistrophe” live in my brain daily, so I can’t pass up a chance to use one in context), hopefully the trailer linked below will be: