According to huffingtonpost.com, Grammy-nominated rapper Craig Mack, who performed the 1994 hit “Flava in Ya Ear” for Sean “Diddy” Combs’ Bad Boy label, has died at age 46. The New York Daily News confirmed his death with Alvin Toney, the producer of Mack’s breakout album, “Project: Funk Da World.”
Mack succumbed Monday to heart failure at a hospital near his home in Walterboro, South Carolina, the producer said. He had been ill for some time. “It was a pleasure to know you & rock with you,” tweeted LL Cool J, who performed on Mack’s remix for “Flava in Ya Ear” with Notorious B.I.G., Busta Rhymes and Rampage.
The New York City-born rapper hit it big in his debut album for Bad Boy, “Project: Funk Da World,” which also generated a second single, “Get Down,” Billboard noted.
To read more about Craig Mack’s life and music, click here.
Danai Gurira, Florence Kasumba “Black Panther”(Photo by Marvel/Disney/Kobal/REX/Shutterstock) by Lori Lakin Hutcherson (@lakinhutcherson) “Black Panther” continues to dominate the North-American box office for the fourth weekend in a row, earning $41.1 million , according to Variety.com. In second place is the Ava DuVernay‘s family-friendly fantasy adventure “A Wrinkle in Time” with $33.5 million, not only giving Disney the two top movies for the weekend, but the first weekend in box office history where the top two movies are directed by African-Americans.
With $562 million in 24 days, “Black Panther” is now the seventh-highest domestic grosser of all time. It’s the first film since “Star Wars: The Force Awakens” to lead the North American box office for four straight weekends and it’s grossed $1.08 billion worldwide, 21st highest of all time. The Ryan Coogler tentpole is the 33rd movie to gross $1 billion. It’s the 16th Disney film to reach this milestone, and the fifth Marvel film to do so — joining the ranks of “The Avengers,” “Avengers: Age of Ultron,” “Iron Man 3,” and “Captain America: Civil War.”
CHARLESTON – A swift, cool breeze lifts off the Cooper River. It frisks through the crowns of the towering palm trees that line the paved walkway. Small boats wobble in the calm waters on the east side of the Charleston peninsula. A neatly manicured patch of grass provides a tranquil spot for a blanket and a book. In the distance, the steel cables of the Ravenel Bridge stretch in splendor. To the right, flags fly over Fort Sumter, where the first shots of the Civil War were fired.
Soon, this waterfront will be home to the International African American Museum. The $100 million, 40,000-square foot facility will bridge solemn history and modern magnificence. It will offer captivating exhibits, engaging events and a breathtaking view of the Charleston Harbor.
However, this land is more than prime riverfront real estate. It connects deeply to the heritage the museum aims to commemorate. Ship voyage records reveal that nearly half of the enslaved Africans who were shipped to North America disembarked in Charleston. Many slaves took their first steps on American soil on this patch of land, which was once the largest wharf in North America. Historians estimate that more than 90 percent of all African-Americans can trace at least one ancestor to this land.
Eighteen years ago, former Charleston mayor Joe Riley pledged to build an iconic museum that honors that heritage and illuminates the achievements cultivated from that regrettable past. Since then, 37 other museums dedicated to African-American history and culture have been constructed. However, IAAM supporters contend that this land grants it a distinctive, visceral magnetism.
Riley’s vision has attracted support from city, county and state government, local business owners, national organizations and historians. Yet, Riley and IAAM chief executive officer and president Michael Boulware Moore (who is the great-great-great grandson of Civil War Hero and Congressman Robert Smalls) must raise millions more before construction can begin.
Moore’s passion for this project is personal. When he walks this pristine patch of grass, he can hear the shackles rattling as they dragged against the wooden planks. He can see his great-great-great-great grandmother walking across the wharf. “We know that she landed here. That’s sort of my original anchor to Charleston. It’s really deep emotional territory for me,” Moore said. “Every time I go, it hits me.”
“I understand the history that occurred there,” he said. “I understand tens of thousands of people, including my ancestors, disembarked there in chains. I am confronted by the emotions that must have been felt on that space and just by the enormity of what happened.”
The land’s significance
This serene site was once the epicenter of America’s ugliest enterprise. Nearly 250 years ago, this area was merely brackish marsh. Charleston merchant Christopher Gadsden converted it into the largest wharf in North America. It covered 840 feet from the Charleston Harbor to East Bay Street, between what are now Calhoun and Laurens Streets. Initially, Gadsden’s Wharf primarily serviced the rice industry. Eventually, it became a hub of the international slave trade. From 1783 to 1808, approximately 100,000 enslaved African men, women and children were forced into ships and carried on a voyage through darkness across the Atlantic Ocean into the Charleston Harbor.
According to historian and former South Carolina Historical Society archivist Nic Butler, on Feb. 17, 1806, the City Council of Charleston passed an ordinance stipulating that all vessels importing enslaved Africans port in Gadsden’s Wharf. Enslaved Africans were stored like crops in a wharf warehouse. Shackled to despair, hundreds of men, women and children died from fevers or frostbite. They were buried unceremoniously in a nearby mass grave. Those who survived those subhuman conditions were advertised in newspapers, sold and dispersed.
“Some have described it as the enslaved Africans’ Ellis Island,” University of South Carolina history professor Bobby Donaldson said. “If you can imagine people who endured and survived the Middle Passage from West Africa across the Atlantic, Gadsen’s Wharf is where they see land, where they see a dark and unknown future.”
Slaves were taken to different corners of the fledgling country. They toiled in fields to quicken the economy and fostered a lineage of influential American inventors, educators, soldiers, politicians, writers, philosophers, entrepreneurs, entertainers, activists and athletes.
Jerrod Carmichael (left), Dapper Dan (Courtesy of NBCUniversal; Jon Wes)
by Mia Galuppo via hollywoodreporter.com
The life of Dapper Dan — the godfather of hip-hop fashion, who dressed everyone from LL Cool J to Jay Z — is coming to the big screen.
Sony is developing a biopic based on Dapper Dan’s upcoming memoir (due out in 2019 via Random House), which will be adapted by Jerrod Carmichael. Set in Harlem, the feature is described as a “high-stakes coming-of-age story.”
Carmichael, who is best known as the creator and star of the NBC critical darling The Carmichael Show, will also produce alongside Josh Bratman of Immersive Pictures. Dapper Dan and Jelani Day, his son and brand manager, are set to executive produce.
Daniel “Dapper Dan” Day is a streetwear pioneer that outfitted some of the biggest New York City-based stars of the ’80s and ’90s out of his iconic store on 125th Street in Harlem. His clientele included Eric B. & Rakim, Salt-N-Pepa, P. Diddy, Mike Tyson, Aaliyah and Floyd Mayweather.
His style of remixing high-end logos from the likes of Gucci and Louis Vuitton into his designs led to litigation that eventually prompted the closure of his store. Over two decades later, in September of last year, Dapper Dan struck a partnership with Gucci to relaunch his exclusive Harlem atelier that includes a Dapper Dan x Gucci capsule that will be available along with the fall 2018 collection. To read more: https://www.hollywoodreporter.com/news/dapper-dan-biopic-works-sony-jerrod-carmichael-1092914
Patricia Smith is the 2018 winner of the $100,000 Kingsley Tufts Poetry Award for her collection “Incendiary Art: Poems.” (Photo by Rachel Eliza Griffiths) via jbhe.com Patricia Smith, who teaches in the English department at the College of Staten Island of the City University of New York System, has been selected to receive the 2018 Kingsley Tufts Poetry Award. The award, which comes with a $100,000 prize, is given annually by Claremont Graduate University in California to a poet who “is past the very beginning but not yet reached the pinnacle of his or her career.” The $100,000 prize is the largest in the world for a single volume of poetry. Professor Smith was honored for her poetry collection Incendiary Art: Poems (Northwestern University Press, 2017), which explores tragedy and grief in black communities across America. It is her eighth published poetry collection.
Professor Smith was a finalist for the Neustadt Prize, a two-time winner of the Pushcart Prize, and a four-time individual champion of the National Poetry Slam, the most successful poet in the competition’s history.
Smith will receive the award April 19 at the Huntington Library in San Marino, California. The award is one of the largest annual monetary prizes given to a single book of poetry by a mid-career poet, according the Kingsley Tufts website. The award was established at Claremont in 1993 by Kate Tufts to honor her husband, an executive in Los Angeles-area shipyards who also wrote and published poetry. Source: https://www.jbhe.com/2018/02/patricia-smith-wins-the-100000-kingsley-tufts-poetry-award/
Nurse Ellen Harris (photo via theroot.com) by Ashleigh Atwell via blavity.com
A jury awarded Ellen Harris, a nurse in Honolulu, Hawaii, over $3.8 million in damages after she claimed her employer ignored her reports of racial harassment, according to a press release from Harris’ lawyer.
Harris, who is black, worked in the Medical Intensive Care Unit at The Queen’s Medical Center from 2006 to 2011. During her time there, she reported a “potentially fatal event” involving another nurse who was allegedly harassing her.
When she told officials about the incident, her supervisor told her to write a statement; which she did. The day after she turned in her statement, she found a note in her work mailbox that read “LAZY *SS N*GGER B*TCH.”
Harris made another report and mentioned that the nurse who was harassing her was also acting “erratic,” and may have been under the influence. That nurse later resigned after the supervisor discovered she had been stealing “tremendous” amounts of fentanyl, a highly addictive narcotic. Harris’ supervisor and the hospital’s human resources director investigated the matter, and concluded that the note wasn’t threatening, but rather “a comment on Harris’ work ethic and communication skills.”
It took seven weeks for the investigators to interview two parties related to the note, and on Christmas Eve 2011, the night after the second person was interviewed, Harris found a picture of a noose taped to her locker. The incident was reported to Honolulu Police and investigated as terror threat.
Harris, who worked the night shift, requested a security escort to her car, additional security in the MICU, the results of any investigations and an apology. The HR department denied her security escort because the incidents didn’t occur in the parking lot.
She filed a lawsuit in 2013. Five years later, after a five week trial, Harris got her day in court. The jury declared that Harris was entitled to $630,000 in general damages and $3.2 million in punitive damages. Harris was happy with the decision and expressed that her safety, along with that of her patients, was important to her.
“I am so grateful to this jury for hearing my case and understood this is wrong. No one should be degraded or threatened like this,” Harris said. “I was only trying to make sure my patients were safe and received critical care they needed. After I found the noose on my locker, I did not think my patients or I were safe. Nurses depended on each other in the MICU. I was afraid something would happen to one of my patients or me after receiving this threat of violence.”
Jordan Peele – Original Screenplay – ‘Get Out’ 90th Annual Academy Awards, Los Angeles, USA – 04 Mar 2018 (Photo by Rob Latour/REX/Shutterstock) by Lori Lakin Hutcherson (@lakinhutcherson)
At last night’s 90th Annual Academy Awards ceremony, “Get Out” writer/director/actor Jordan Peele won the Oscar for Best Original Screenplay, the first African American to ever earn this honor. On Saturday evening, Peele also won Independent Spirit Awards for Best Feature and Best Director.
Last year, “Moonlight” writers Barry Jenkins and Tarell Alvin McCraney won the Oscar for Best Adapted Screenplay, and the first African American to win an Oscar in either writing category was Geoffrey Fletcher for “Precious” in 2009. The only other African-American to win for writing is John Ridley in 2013 for the Adapted Screenplay to “12 Years A Slave.” “Mudbound” writer/director Dee Rees made her own bit of history this year by being the first African-American woman nominated in the Best Adapted Screenplay category; the first woman ever nominated in either category was Suzanne DePasse in 1972 for “Lady Sings The Blues.”
Retired NBA superstar Kobe Bryant took home the Oscar with his creative partner Glen Keane for “Dear Basketball,” the first nomination and win for an African American in the Best Animated Short category.
The complete list of last night’s winners is below:
Best Picture:“The Shape of Water” (WINNER)
“Call Me by Your Name”
“Darkest Hour”
“Dunkirk”
“Get Out”
“Lady Bird”
“Phantom Thread”
“The Post”
“Three Billboards Outside Ebbing, Missouri” Actress: Frances McDormand, “Three Billboards Outside Ebbing, Missouri” (WINNER)
Sally Hawkins, “The Shape of Water”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”
Meryl Streep, “The Post” Actor: Gary Oldman, “Darkest Hour” (WINNER)
Timothée Chalamet, “Call Me by Your Name”
Daniel Day-Lewis, “Phantom Thread”
Daniel Kaluuya, “Get Out”
Denzel Washington, “Roman J. Israel, Esq.”
Director: “The Shape of Water,” Guillermo del Toro (WINNER)
“Dunkirk,” Christopher Nolan
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“Phantom Thread,” Paul Thomas Anderson Original Song: “Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez (WINNER)
“Mighty River” from “Mudbound,” Mary J. Blige
“Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens
“Stand Up for Something” from “Marshall,” Diane Warren, Common
“This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul Original Score: “The Shape of Water,” Alexandre Desplat (WINNER)
“Star Wars: The Last Jedi,” John Williams
“Dunkirk,” Hans Zimmer
“Phantom Thread,” Jonny Greenwood
“Three Billboards Outside Ebbing, Missouri,” Carter Burwell Cinematography: “Blade Runner 2049,” Roger Deakins (WINNER)
“Darkest Hour,” Bruno Delbonnel
“Dunkirk,” Hoyte van Hoytema
“Mudbound,” Rachel Morrison
“The Shape of Water,” Dan Laustsen Original Screenplay: “Get Out,” Jordan Peele (WINNER)
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh
“The Big Sick,” Emily V. Gordon & Kumail Nanjiani
“Lady Bird,” Greta Gerwig
“The Shape of Water,” Guillermo del Toro, Vanessa Taylor
Richard T. Greener (image via harvardmagazine.com) via jbhe.com
Recently the University of South Carolina unveiled a nine-foot statue of Richard T. Greener on campus. The bronze statue, located between the library and the student health center, honors the first Black faculty member at the university. In 1870 Richard T. Greener became the first African American graduate of Harvard University. He taught high school in Philadelphia and Washington before joining the faculty at the University of South Carolina in 1873, which for a brief period during Reconstruction admitted Black students. Greener also studied law at the university while teaching philosophy, Latin, and Greek. After Blacks were purged from the University of South Carolina at the end of Reconstruction, Greener worked at the U.S. Treasury Department and taught at the Howard University School of Law. Katherine Reynolds Chaddock, a retired professor of education at the University of South Carolina, said that Greener “accomplished some worthwhile things at the university in the few years it was open during Reconstruction. He acquired scholarship money for poor students and established a preparatory program for freshmen. He even went to Howard University to recruit South Carolina students who had enrolled there, inviting them to return to their own state for a college education at the now-integrated university.”
Professor Chaddock is the author of a biography about Greener, Uncompromising Activist: Richard Greener, First Black Graduate of Harvard College (Johns Hopkins University Press, 2017). Source: https://www.jbhe.com/2018/02/university-of-south-carolina-honors-its-first-black-faculty-member/
(photo via deadline.com) by Patrick Hipes via deadline.com TriStar Pictures has acquired worldwide rights to The Woman King, a film inspired by true events that will star Oscar winners Viola Davis and Lupita Nyong’o. The original story is from Maria Bello, and Cathy Schulman’s Welle Entertainment will produce with Davis and Julius Tennon of JuVee Productions, and Bello of Jack Blue Productions.
Based on the true events that took place in The Kingdom of Dahomey, one of the most powerful West African states in the 18th and 19th centuries, The Woman King tells the story of Nanisca (Davis), general of the all-female military unit known as the Amazons, and her daughter Nawi (Nyong’o), who together fought the French and neighboring tribes who violated their honor, enslaved their people, and threatened to destroy everything they’ve lived for.
“The Woman King is the powerful true story of an extraordinary mother-daughter relationship,” TriStar Pictures president Hannah Minghella said. “And there’s no-one more extraordinary than Viola Davis and Lupita Nyong’o to bring them to life.”
Added Schulman: “Black Panther just showed us how the power of imagination and lore could reveal a world without gender and racial stereotypes. The Woman King will tell one of history’s greatest forgotten stories from the real world in which we live, where an army of African warrior women staved off slavery, colonialism and inter-tribal warfare to unify a nation.” Source: http://deadline.com/2018/03/the-woman-king-movie-viola-davis-lupita-nyongo-tristar-1202307588/
Mack succumbed Monday to heart failure at a hospital near his home in Walterboro, South Carolina, the producer said. He had been ill for some time. “It was a pleasure to know you & rock with you,” tweeted LL Cool J, who performed on Mack’s remix for “Flava in Ya Ear” with Notorious B.I.G., Busta Rhymes and Rampage.
In 1870 Richard T. Greener became the first African American graduate of Harvard University. He taught high school in Philadelphia and Washington before joining the faculty at the University of South Carolina in 1873, which for a brief period during Reconstruction admitted Black students. Greener also studied law at the university while teaching philosophy, Latin, and Greek. After Blacks were purged from the University of South Carolina at the end of Reconstruction, Greener worked at the U.S. Treasury Department and taught at the Howard University School of Law.