by Dave McNary via Variety.com
Ava DuVernay is stepping into the superhero universe. The filmmaker has come on board to direct “New Gods” at Warner Bros. as part of the studio’s DC Extended Universe. “New Gods,” based on the DC Comics series of the same name, is aimed at creating a new universe of properties for the studio. Created and designed by Jack Kirby, the comic was first released in 1971.
The movie marks the second major superhero tentpole directed by a woman, following another DC property: Patty Jenkins’ “Wonder Woman.”
DuVernay directed Disney’s “A Wrinkle in Time,” becoming the first woman of color in Hollywood to helm a live-action film with a production budget of $100 million. The time-travel fantasy has grossed $42.2 million in its first six days in North America.
The New Gods are natives of the twin planets of New Genesis and Apokolips. New Genesis is an idyllic planet ruled by the Highfather, while Apokolips is a dystopia filled with machinery and fire pits ruled by the tyrant Darkseid. New Genesis and Apokolips call themselves gods, living outside of normal time and space in a realm known as the Fourth World.
Half a dozen “New Gods” series have been published following the original. The most recent, “The New 52,” was issued in 2011.
DuVernay also directed the Oscar-nominated documentary “13th” and the civil-rights drama “Selma.” She is the creator and executive producer of the OWN series “Queen Sugar.”
“New Gods” would be a major addition to the DC Extended Universe, which Warner Bros. launched in 2013 to take advantage of the massive DC library and compete with Disney’s Marvel Cinematic Universe. The DCEU launched with 2013’s “Man of Steel,” followed by “Batman v Superman: Dawn of Justice,” “Suicide Squad,” “Wonder Woman,” and “Justice League,” which was the lowest grosser of the five titles, with $657.9 million worldwide.
“Aquaman,” starring Jason Momoa, is the next title in the DC Extended Universe, set for release on Dec. 21. The studio is also moving ahead with a “Wonder Woman” sequel with Gal Gadot and director Jenkins returning. The pic hits theaters on Nov. 1, 2019.
In the wake of the box office under-performance of “Justice League,” Warner Bros. is re-organizing the DC film operations by promoting Walter Hamada to president of DC-based film production in an effort to exert more quality control over its big-screen efforts. Toby Emmerich, who was promoted in 2016 to president and chief content officer at Warner Bros., worked with Hamada at New Line, which he ran before moving over to the main studio.
To read more: http://variety.com/2018/film/news/ava-duvernay-superhero-movie-new-gods-dc-1202725043/
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by Nina Golgowski via huffingtonpost.com
The Salvation Army is adding healthy grocery shopping to its list of charitable endeavors.
The nonprofit opened its first full-service grocery store in Baltimore on Wednesday in what it hopes will be the first of many stores to help combat the nation’s number of “food deserts,” which are disadvantaged neighborhoods lacking stores that sell fresh meats and produce.
DMG Foods, which is named after the organization’s promise of “doing the most good,” opened in northeast Baltimore with the goal of providing local residents with nutritious, low-cost food as well as nutrition guidance, meal planning and job training. “If this works, Baltimore wants us to open two or three more stores,” Maj. Gene A. Hogg, the Salvation Army’s Central Maryland area commander, told HuffPost on Monday.
The store, which has an on-site butcher and deli, as well as prepared meals and salads by Maryland’s Food Bank, is in a former Salvation Army warehouse that was renovated to offer what Hogg described as “that upper-end grocery store experience” at affordable prices. Inside, it’s bright and spacious, he said, and it features food samplings, recipe ideas, cooking demonstrations and visits by guest chefs and city health department nutritionists.
Because it’s across the street from an elementary school, it also allows parents to pick up or drop off their children and shop for their family’s meals in the same trip, Hogg said. Previously, he said, people would have to travel more than a quarter of a mile to find a grocery store or market, which fits within the city’s definition of a food desert. The definition also includes more than 30% of the surrounding households having no vehicle access and the medium household income at or below 185% of the federal poverty level. “The idea is to strengthen the family table,” he said. “We want to do more than just sell groceries.”
Baltimore Mayor Catherine Pugh attended the store’s opening ceremony to cut the ribbon. She encouraged the Salvation Army’s efforts. “This serves as a beacon for the rest of this community. If we can do this here, we can do this in other parts of the city,” she said, according to local station WJZ.
In addition to providing fresh food, the store will also offer a workforce development program that will help train prospective employees. It will also have special offers and discounts for those who are part of the federal Supplemental Nutrition Assistance Program, also known as food stamps. Any money that is made from the operation will be donated to Catherine’s Cottage, a local facility run by the Salvation Army that offers support to human trafficking survivors, Hogg said. “What we’re trying to do is create an environment where the community feels welcome and where they’re engaging for the betterment of their community,” Hogg said.
The Baltimore store is considered the Salvation Army’s test site. It hopes to open more stores around the country if this one succeeds and there is eagerness among outside communities to get involved. Thus far, Hogg said, he’s received calls from around the world inquiring about their efforts.
“We think that we’re going to be successful, but you can’t make any judgment calls after four days of work.”
Source: https://www.huffingtonpost.com/entry/salvation-army-opens-grocery-store_us_5aa6a6b7e4b087e5aaec85d4
Source: https://www.huffingtonpost.com/entry/salvation-army-opens-grocery-store_us_5aa6a6b7e4b087e5aaec85d4
by Lori Lakin Hutcherson (@lakinhutcherson)
According to Variety.com, “Black Panther” has maintained its momentum at the domestic box office, winning its fifth consecutive weekend with $27 million earned at 3,834 locations. “Black Panther” has become only the seventh title to pass the $600 million milestone at the North American box office, and is the second-fastest film to do so. It’s the fourth-highest fifth weekend of all time, and the first time a film has held the top spot for five weekends in a row since 2009’s “Avatar.”
“Tomb Raider” finished second in its opening weekend in line with expectations with $23.5 million from 3,854 sites. Lionsgate-Roadside Attractions’ faith-based drama “I Can Only Imagine” outperformed forecasts with $17.1 million at 1,629 venues.
Disney’s second weekend of time-travel adventure “A Wrinkle in Time” followed in fourth place with $16.6 million at 3,980 locations, lifitng its 10-day total to $61.1 million. Fox’s launch of gay teen comedy-drama “Love, Simon” took fifth with $11.5 million at 2,402 venues.
“‘Black Panther’ continues to astonish as it shows incredible strength fully five weeks into its amazing run as it takes on another batch of notable newcomers and comes out on top,” said Paul Degarabedian, senior media analyst with comScore.
via thegrio.com
The Dora Milaje and their black girl magic are being turned into a comic book series thanks to the enormous success of the Black Panther movie. Now we’ll get a deeper look into the lives of the fierce women warriors holding things down in the world of Wakanda.
According to the Hollywood Reporter, Marvel Entertainment has enlisted the help of Nigerian award winning writer Nnedi Okorafor to pen the tale of the all-female bodyguard who are the backbone of Wakanda and ferocious protectors of King T’Challa. Okorafor looks forward to bringing the story to life.
“I’m super excited about writing this storyline. Powerful disciplined African women with futuristic spears who faced their shortcomings and changed a nation? Oh heck yeah, I’m so there,” Okorafor told Vogue, which initially broke the news of the new series. “Fans of the Dora Milaje can look forward to seeing them out in the world beyond T’Challa and the Wakandan throne’s shadow. They’ll get to see the Dora Milaje come into their own, while teaming up with the unexpected.”
Okorafora says the storyline will center around the Dora Milaje’s life outside of the Wakanda Kingdom. Can you imagine the kiss-ass ladies kicking it in Manhattan? The story will venture outside of Wakanda when a threat born in the African nation ends up surfacing in the New York City borough.
If you watched Black Panther then you were likely captivated by the strength and overall badass-ness of the all-women Wakandan army, Dora Milaje. What you may not know is that the five-women crew–led by Danai Gurira‘s character Okoye–is actually based on a real tribe of fighters known as the Dahomey Amazons.
There will be three stand-alone issues on newstatnds and in comic book stores: Wakanda Forever: Amazing Spider-Man, illustrated by Alberto Jimenez Albuerquerque, Wakanda Forever: X-Men and Wakanda Forever: Avengers.
The publisher, editor Will Moss said in a statement, “We’re lucky to have Nnedi on board for this — she’s an incredible novelist, and her recent Black Panther: Long Live the King digital series proved that she’s a great comic book writer too. She’s come up with a crazy-tough problem for the Dora Milaje to solve — but if anyone can, it’s these crazy-tough women.”
Source: https://thegrio.com/2018/03/17/wakanda-forever-introduces-the-dora-milaje-to-the-rest-of-the-marvel-universe/
by Melissa Healy via latimes.com
When a customer opens the well-worn door to Eric Muhammad‘s barbershop in Inglewood, he’ll be looking to relax in the comfort and camaraderie of a neighborhood meeting place and maybe to take a little off the top or sides. If that visitor is among the close to 40% of African American men with high blood pressure, he might also get a little taken off the top of that vital health reading.
New research suggests that shops like Muhammad’s A New You Barber and Beauty Salon might be just the place to rescue African American men from an epidemic that has ravaged their ranks: uncontrolled hypertension.
The study found that when a group of African American men with untreated high blood pressure got a screening and a friendly nudge from their barber, as well as a visit to the shop from a pharmacist, close to two-thirds of the men brought their blood pressure into a healthy range. Their systolic blood pressure — the top-line number that measures the pressure in your vessels when the heart beats — fell by an average of 27 points. In addition, their diastolic blood pressure — the bottom number that measures pressure on the vessels’ walls between heart beats — fell by an average of nearly 15 points.
The 132 men who got a barbershop visit from a pharmacist were almost six times more likely to bring their blood pressure under control than were those who just got a barber’s advice to eat better, exercise more and see a doctor. Fewer than 12% of the 171 men in the latter group brought their blood pressure under control. (Their average reductions in systolic and diastolic blood pressure readings were too small to be considered statistically significant.)
The clinical trial was conducted from February 2015 to July 2017 in 52 black-owned barber shops across Los Angeles County. Two pharmacists specially trained to treat high blood pressure shuttled across a 450-square-mile area bringing advice and an array of medications to the study’s participants. “Bringing rigorous medicine directly to men in a barbershop, and making it so convenient for them, really made a difference,” said Dr. Ronald G. Victor, who led the new study.
“We had hoped for maybe a seven-point difference” between the two groups in their systolic blood pressure, the one that is considered a better predictor of heart attack and stroke risk, Victor said. “But this was a really big difference” — the kind that “could make an impact on a national level” if the initiative were scaled up, he said. “We were really ecstatic.”
The trial results were published in the New England Journal of Medicine and presented Monday at the American College of Cardiology‘s annual meeting. Victor said that the inclusion of two pharmacists — a white woman and a woman of color, each of whom turned in similar results — was the “secret special sauce” that appeared to bring participants’ blood pressure in check. But skilled as these pharmacists were, Victor said they might not have gained the trust and influence they eventually enjoyed if they had not been welcomed into barbershops and introduced by their trusted proprietors.
“I can’t emphasize enough how much the barbers’ buy-in made all the difference,” said Victor, the associate director of Cedars-Sinai’s Smidt Heart Institute. The African American shop owners who participated in the study had been in business an average of 17 to 18 years, and the men they enrolled had typically been coming to their shops for more than a decade, typically once every two weeks.
Muhammad was among the first to sign on to the study. The proprietor of his shop for 18 years, Muhammad helped recruit nearly half of the other barbers who participated in the trial. At the busy corner of La Brea and Florence avenues, Muhammad presides over a “refuge” whose door is open “whether you’re a doctor or a gang member.” For a lot of people, he said, “just being here is a blessing.” Muhammad said he has always considered himself a potential agent of health promotion. But “it certainly surprised me for a doctor to come up with that idea,” he said.
Victor said that his own hypertension had been diagnosed by a barber during a training session for an earlier version of this study in Texas. When Victor protested that he must have been momentarily tense while getting tested, the barber gently admonished him. “If you can’t relax in my barber chair, Doc, you’ve got a problem,” the stylist told him. “Now if you’re gonna talk the talk, you gotta walk the walk.”
Close to 40% of African American men have high blood pressure, a higher rate than any other ethnic group. And about one-third of those men — compared with 43% of white men and almost 50% of black women — have brought their hypertension under control with medication. This exacts a breathtaking toll among African American men in terms of death and disability. Their high rates of heart attack and stroke largely explain the 3.4-year difference in the life expectancy between blacks and whites in the United States.
Victor was optimistic that barbershops could help close that gap. “These are magical places,” he said. “They’re a window into some of the most positive aspects of black men’s social lives: loyalty, friendship, inclusiveness. There are dads bringing their sons in, customers who have come to the same place since they were children. These men were not in the clinic, that’s for sure.”
In African American communities, “we can map the places of black barbers right there alongside black ministers” as agents of trust and authority, said Vassar College history professor Quincy T. Mills.
Prospective patients might ordinarily view physicians and pharmacists with a suspicion borne of years of systemic abuses, Mills said. But in the familiar environment of their barbershop, “I suspect the men were comforted that these interactions were happening in a crowd of people, giving them space to ask others, to push back.”
Mills, the author of “Cutting Along the Color Line: Black Barbers and Barber Shops in America,” said that a man’s health is not a subject that routinely comes up while he is in the chair. But a barber’s position of leadership, his association with personal care and the connections he forges over time with his customers may allow him to stretch the bounds of what is permissible.
“That level of trust in the barber is the first critical piece here,” he said.
Source: http://www.latimes.com/science/sciencenow/la-sci-sn-barber-blood-pressure-20180312-story.html
by Alanna Vagianos via huffingtonpost.com
Rep. Hakeem Jeffries (D-N.Y.) brought down the House on Tuesday with a loving tribute to female hip-hop and rap artists.
“Throughout the years, artists such as Elvis Presley, Frank Sinatra and Bruce Springsteen have been recognized on the floor of the House of Representatives,” Jeffries said. “Today, I rise to honor the top 10 female MC hip-hop collaborations of all time.”
Jeffries’ top 10 includes Eve’s “My Chick Bad,” Lauryn Hill’s “Ready Or Not” and, of course, Lil’ Kim’s “Quiet Storm” remix. He also shouted out the legendary Queen Latifah, MC Lyte and Salt-N-Pepa.
“As we celebrate Women’s History Month here in the United States’ Congress, these dynamic women are worthy to be praised,” Jeffries said.
This isn’t the first time the Brooklyn-native congressman has honored rap artists on the House floor. Last year, Jeffries paid tribute to New York rapper The Notorious B.I.G. on the 20th anniversary of his death.
To watchJeffries’ speech, click below:
To watchJeffries’ speech, click below:
via newsone.com
One of the nation’s most renowned performing arts institutions has taken a major step in recognizing hip-hop culture’s influence on society. The Kennedy Center for the Performing Arts in Washington, D.C. recently announced the creation of its hip-hop culture council.
The council was developed in efforts to bring more hip-hop-focused programming to the institution. Through an array of different events, hip-hop culture will be examined through the lens of workshops, film screenings, panels, and virtual programs. Rapper Q-Tip will spearhead the council which is made up of a collective of influential individuals that are connected to hip-hop. Amongst some of the individuals who will sit on the council are Questlove of The Roots, rapper Common, rapstress MC Lyte, producer Mimi Valdes, DJ Bobbito Garcia and Interactive One’s own Kierna Mayo. Rapper LL Cool J—who was honored by Kennedy Center last year—will also be a part of the council.
“We are thrilled to be collaborating with such an extraordinary group of icons, innovators, and contributors to the Culture,” said Simone Eccleston, Director of Hip Hop Culture and Contemporary Music at the Kennedy Center in a statement. “As we continue to build the complex ecosystem that supports this program, the Council becomes an integral piece in sustaining Hip Hop’s presence at the Center.” Events that are lined up include a screening of the film Wild Style and a live performance inspired by Ta-Nehisi Coates’ Between the World and Me.
The creation of the council comes at a time where many institutions are bringing hip-hop’s influence to the forefront. In November 2017, it was announced that the Smithsonian in Washington, D.C. planned on creating an anthology to capture the essence of hip-hop history and highlight how its culture has left an indelible mark on the world. Check out Q-Tip’s introduction to the Kennedy Center’s hip-hop culture council below.
by Lori Lakin Hutcherson (@lakinhutcherson)
According to huffingtonpost.com, Grammy-nominated rapper Craig Mack, who performed the 1994 hit “Flava in Ya Ear” for Sean “Diddy” Combs’ Bad Boy label, has died at age 46. The New York Daily News confirmed his death with Alvin Toney, the producer of Mack’s breakout album, “Project: Funk Da World.”
Mack succumbed Monday to heart failure at a hospital near his home in Walterboro, South Carolina, the producer said. He had been ill for some time. “It was a pleasure to know you & rock with you,” tweeted LL Cool J, who performed on Mack’s remix for “Flava in Ya Ear” with Notorious B.I.G., Busta Rhymes and Rampage.
The New York City-born rapper hit it big in his debut album for Bad Boy, “Project: Funk Da World,” which also generated a second single, “Get Down,” Billboard noted.
To read more about Craig Mack’s life and music, click here.
by Lori Lakin Hutcherson (@lakinhutcherson)
The National Museum of Women in the Arts (NMWA) announces the acquisition of two works by Mildred Thompson (1939–2003) in celebration of the museum’s 30th-anniversary year. With a career spanning more than four decades, Thompson created paintings, drawings, prints and sculptures with a signature approach to abstraction.
Inspired by the Atlanta-based Thompson’s inclusion in the recent exhibition Magnetic Fields: Expanding American Abstraction, 1960s to Today, the Georgia Committee of NMWA purchased a painting from her “Magnetic Fields” series for the museum. Camille Ann Brewer gifted a second work by Thompson to the museum to honor the memory of the artist.
“We are thrilled that donor Camille Ann Brewer and the Georgia Committee—one of 20 outreach committees around the world that support NMWA—have both donated to the museum’s collection incredible works by Mildred Thompson from the earlier and later parts of her career,” said NMWA Director Susan Fisher Sterling. “It is an honor to announce this gift today, on her birthday, and during the museum’s third annual #5WomenArtists social media campaign, which aims to increase awareness of gender inequity in the art world.”
After living in Europe to escape the racism and sexism that she had experienced in the United States, Thompson moved back permanently and began her series of “Magnetic Fields” paintings in the early 1990s. The painting gifted to NMWA, as well as the series as a whole, reflects Thompson’s quest to create a personal visual language for depicting phenomena and effects not visible to the naked eye. She studied, and had a longstanding interest in, quantum physics, cosmology and theosophy. Through her art, she sought to connect scientific knowledge and metaphysical philosophy.
Thompson’s interest in scientific phenomena and theories ran counter to expectations of what ‘black art’ should be during her lifetime, causing her work to be chronically overlooked by critics, galleries and museums. Today, thanks to the dedicated efforts of her partner, Donna Jackson, and estate curator, Melissa Messina, her works are finally gaining the recognition that eluded them for so long.
In “Magnetic Fields,” the composition exudes a frenetic, pulsating energy of vivid yellows, reds and blues thanks to Thompson’s command of color theory. Simultaneously, her color choices imbue the composition with an emotional exuberance that complements its scientific inspiration.
Even before the Magnetic Fields exhibition opened, Brewer was inspired to gift the second work by Thompson to NMWA. That work, an untitled “wood picture” from Thompson’s European period, along with the newly gifted painting, mark important additions to the museum’s collection. Thompson’s wood pictures, which she began making in the 1960s while living in Germany, mark the artist’s decision to focus solely on non-representational art-making. Thompson’s use of found wood segments assembled into deceptively simple compositions brought about her first mature series of non-representational sculptural works. Made with salvaged wood, these works combine the aesthetic of Minimalism and found-object assemblage techniques like those of Louise Nevelson. With the addition of these works to the collection, NMWA is able to expand the narrative surrounding abstract artists as well as artists of color.
NMWA is located at 1250 New York Avenue, NW, Washington, D.C. It is open Mon.–Sat., 10 a.m.–5 p.m. and Sun., noon–5 p.m. Admission is $10 for adults, $8 for visitors 65 and over and students, and free for NMWA members and youths 18 and under. Admission is free the first Sunday of each month. For information, call 202-783-5000, visit nmwa.org, Broad Strokes Blog, Facebook, Twitter or Instagram.
by Lori Lakin Hutcherson (@lakinhutcherson)
“Black Panther” continues to dominate the North-American box office for the fourth weekend in a row, earning $41.1 million , according to Variety.com. In second place is the Ava DuVernay‘s family-friendly fantasy adventure “A Wrinkle in Time” with $33.5 million, not only giving Disney the two top movies for the weekend, but the first weekend in box office history where the top two movies are directed by African-Americans.
With $562 million in 24 days, “Black Panther” is now the seventh-highest domestic grosser of all time. It’s the first film since “Star Wars: The Force Awakens” to lead the North American box office for four straight weekends and it’s grossed $1.08 billion worldwide, 21st highest of all time. The Ryan Coogler tentpole is the 33rd movie to gross $1 billion. It’s the 16th Disney film to reach this milestone, and the fifth Marvel film to do so — joining the ranks of “The Avengers,” “Avengers: Age of Ultron,” “Iron Man 3,” and “Captain America: Civil War.”