
The French haute couture house has quickly become the talk of the fashion blogs following the announcement of its Spring-Summer 2014 brand ambassador. Givenchy’s creative director Riccardo Tisci chose the infinitely charismatic soul singer Erykah Badu. The two first images from the campaign were unveiled on Givenchy’s brand new Instagram campaign, showing the forty-something actress in a striped long dress and a tribal-inspired tunic.
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Of course, the fact that the album was available exclusively through iTunes and not via any other digital music service helped push along the sales. Additionally, fans couldn’t buy single songs for the usual 99 cent price; instead they were forced to buy the whole album for $15.99. The album, however, included more than just 14 songs. It also came with 17 videos. You could watch only 30 second snippets of each video clip on YouTube. Called Beyoncé’s first visual album, it also included tracks from her husband Jay-Z, R&B singer Frank Ocean and rapper Drake. Another big draw? The closing track, “Blue,” features her daughter Blue Ivy in the video.
Next year’s Essence Festival is getting a dose of music royalty from Prince. The “Purple Rain” singer-songwriter is headlining the 20th annual Essence, a celebration of music and culture being held July 3-6 in New Orleans. Prince, who performed at Essence in 2004, also headlined this year’s South By Southwest Music Festival in Austin, Texas. His newest single, “Screwdriver,” debuted earlier this year. Still, Prince is best known for chart-topping hits like “1999,” “Kiss” and “Purple Rain.”
article by Associated Press via Variety.com

The rapper Nas made his first appearance at Harvard University on Thursday, not to perform but to give his blessing to a new fellowship in his name – formally, the Nasir Jones Hip-Hop Fellowship. The fellowship will be awarded to two scholars or artists annually, chosen by a Harvard faculty committee. It is primarily a research fellowship, although Marcyliena Morgan, a professor of African and African American Studies and the founder and director of the Hip-Hop Archive and Research Institute, which will administer the fellowship, said on Friday that fellows could teach courses as well. The application process, she said, has just started.
“The main purpose of the fellowship,” Ms. Morgan said, “is to support people doing work that has to do with the ways hip-hop itself reaches out to youth through the world, and particularly how it brings together issues of social justice, art and politics. That relationship – and how difficult it can be – is an important aspect of what we’re looking at. Hip-hop has been a way of getting the word out in very difficult situations.”

The King of Pop still reigns.
According to Forbes magazine, the late Michael Jackson has earned more money in the past year than any other musician — dead or alive. Between June 2012 and June 2013, Jackson’s estate earned $160 million. This surpassed the second-place earner, MJ’s living rival Madonna, who made $125 million in that time span, by $35 million. “It’s the third time in the past five years that the top-earning celebrity in the world has come from the graveyard,” reports Forbes.
According to Entertainment Weekly, Jackson’s earnings come from ”two Cirque du Soleil shows — one that tours, one housed at the Mandalay Bay Hotel & Casino in Vegas — and his half of the Sony/ATV song catalog, which includes his own hits as well as tunes like ‘When a Man Loves a Woman.’”
On the list of deceased earners, Elvis Presley comes in a distant second (with $55 million), followed by Peanuts creator Charles Schultz ($37 million), Elizabeth Taylor ($25 million), and Bob Marley ($18 million).
article via thegrio.com

Charlie Parker started playing as a boy, when his mother gave him a saxophone to cheer him up after his father left. He went on to spearhead a musical revolution.
Charlie “Bird” Parker was one of the most influential musicians of the 20th century. In his brief life, Parker created a new sound on the alto saxophone and spearheaded a revolution in harmony and improvisation that pushed popular music from the swing era to bebop and modern jazz.
In Kansas City Lightning: The Rise and Times of Charlie Parker, scholar and author Stanley Crouch tells the story of Parker’s early years and his rise to prominence. But Crouch says he didn’t want to tell the same old story of young black musicians overcoming obstacles.
“These guys, they thought about life,” he says. “Oh yes, they thought about being colored, but they also thought about life. And people came to hear you because you played life. It wasn’t because you played, ‘Oh, I’m just a poor colored man over here, just doing some poor colored things. I’m thinking about my poor colored girl and how the white man is not going to let us blah blah.’ That wasn’t what they were playing.”
‘I Put Quite A Bit Of Study Into The Horn’
Crouch’s book opens with a triumphant moment in Parker’s career. It’s February 1942 and the 21-year-old alto player is on the bandstand at Harlem’s Savoy Ballroom, performing with the Jay McShann Orchestra for a live radio broadcast. He steps up to solo and Crouch explains what happens next:
When the band started throwing up stock riffs behind him, Parker sidestepped the familiar shapes, issuing his responses from deep in left field.
… Each chorus was getting hotter; it was clear, from the position of his body and the sound of his horn, that Charlie Parker was not going to give in. All the nights he had worked on it, the flubs, the fumblings, the sore lips, mouth, and tongue, the cramped fingers — they all paid off that afternoon. Suddenly, the man with the headphones was signaling McShann, Don’t stop! Don’t stop! Keep on playing!
In 1980, the late pianist and bandleader Jay McShann described how Parker’s sound grabbed him the first time he heard it. “One particular night, I happened to be coming through the streets and I heard the sound coming out. And this was a different sound, so I went inside to see who was blowing,” he said. “So I walked up to Charlie after he finished playing and I asked him, I said, ‘Say man,’ I said, ‘where are you from?’ I said, ‘I thought I met most of the musicians around here.’ Well, he says, ‘I’m from Kansas City.’ But he says, ‘I’ve been gone for the last two or three months. Been down to the Ozarks woodshedding.’ “
Usher Raymond is on double movie duty with his credit as executive producer of the upcoming education documentary Undroppable, as well as his role in Hands of Stone as legendary boxer Sugar Ray Leonard. The project, written and directed by Jason Pollock, will explore the dropout epidemic in the U.S. educational system with direct feedback from American students. The film will be supported by a social media/video campaign that will allow them to discuss the issues they face in school.
Raymond will executive produce with Scooter Braun (Justin Bieber‘s manager) who introduced him to the project, as well as Adam McKay, Sharon Chang, Alex Soros andJohn Powers Middleton. “I knew Usher was very passionate about the issue of education, so I felt this was a great project to bring him into,” said Braun. “His expertise will be invaluable as we continue this film and movement.”
Undroppable will be completed this year for a 2014 release.
article by via uptownmagazine.com
According to Variety.com, Cleveland’s Rock and Roll Hall of Fame announced an eclectic lineup of nominees for 2014 induction today, including rap acts LLCoolJ and N.W.A., disco band Chic and New Orleans funk group the Meters.
Other newly-anointed candidates include Chicago’s blues-rocking Paul Butterfield Blues Band, British hard rock act Deep Purple, U.K. singer-songwriter Peter Gabriel, blue-eyed soul duo Hall & Oates, costumed Detroit metal act KISS, Seattle grunge icons Nirvana, Minneapolis’ shambolic punks the Replacements, vocalist Linda Ronstadt, singer-songwriter Cat Stevens, pathfinding guitarist Link Wray, Brit prog-rock kings Yes, and ‘60s British Invasion group the Zombies.
Stevens, LL Cool J, Butterfield Blues Band, Chic, Deep Purple, KISS, N.W.A. and the Meters are all repeat nominees; it is the first time in the running for the remainder of the field. Gabriel is already a member of the Rock Hall via his association with Genesis, inducted in 2010. The induction ceremony is set for April in New York, and will be presented on HBO in May.
Inductees are select by a panel of 600 music biz authorities, including musicians, execs and writers. Beginning today through Dec. 10, fans can vote online at rockhall.com/vote; the top five vote recipients will constitute a “fan’s ballot” counting toward the final vote tally.
article by Lori Lakin Hutcherson

ATLANTA (AP) — Patti Labelle and Queen Latifah both will be among those honored as part of the Black Girls Rock! awards show on BET in November. Black Girls Rock! founder Beverly Bond announced the show’s honorees in a statement Monday. Other honorees include tennis champion Venus Williams, screenwriter-producer Mara Brock Akil, ballet dancer Misty Copeland, community organizer Ameena Matthews and children’s rights advocate Marian Wright Edelman.
Actresses Tracee Ellis Ross and Regina King return as hosts of the ceremony, which will air Nov. 3. It will be taped later this month at the New Jersey Performing Arts Center in Newark, N.J. Black Girls Rock! is a nonprofit organization that mentors young black girls and works to fight negative images of black women in the media.
Copyright 2013 The Associated Press via thegrio.com

SAN FRANCISCO — Microsoft is first out with its 2013 top search trends list, with pop star Beyoncé bumping Kim Kardashian as the 