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Pharrell Williams to Perform Oscar-Nominated Song "Happy" at Academy Awards

By goodblacknews on February 4, 2014

Pharrell Williams

The Academy of Motion Picture Arts and Sciences announced Tuesday that Pharrell Williams will perform his Oscar-nominated song “Happy” at the 2014 Oscars.
“Happy,” which Williams wrote and produced for the animated film Despicable Me 2, is nominated for the original song category alongside “Ordinary Love” from Mandela: Long Walk to Freedom, “Let it Go” from Frozen and “The Moon Song” from Her.
“I wanted to send a reminder: There are lots of reasons to smile,” the 40-year-old told the Los Angeles Times in an interview in December on his nominated song. “You can be resilient with your smile. Why is it so cool to be mad all the time? Some songs, everybody’s so upset.”
The song “Happy” has a “lyric version” — a video featuring the film’s minions making mischief around the song’s words in bold fonts. It also has a website launched for the song, 24hoursofhappy.com, where the song is played on repeat for 24 hours straight.
“Each take starting every hour is me,” he told The Times. “So I did 24 four-minute takes of ‘Happy.’ From 1:00-1:04, I perform ‘Happy.’ Then at 1:04, the next person does it. We picked all kinds of people, all types. Every hour is 15 takes.”
Williams, a seven-time Grammy Award winner, was named Billboard’s producer of the decade in 2010. Most recently, he collaborated on two of 2013’s top Billboard hits: Robin Thicke‘s “Blurred Lines,” which he co-wrote and produced, and Daft Punk‘s “Get Lucky,” which he co-wrote and also sang.
The Oscars, hosted by Ellen DeGeneres, will be held March 2 at the Dolby Theatre in Hollywood and broadcast live on ABC.

http://www.latimes.com/entertainment/envelope/moviesnow/la-et-mn-pharrell-williams-oscars-20140204,0,5694271.story#ixzz2sONfjm7t

Pharrell Williams Tops Grammys with Producer, Record of the Year Wins

By goodblacknews on January 27, 2014

Pharrell Williams, Daft Punk and Nile Rodgers accept Best Duo/Group Grammy Award
Pharrell Williams, Daft Punk and Nile Rodgers accepting Best Duo/Group  Performance Grammy Award

Although he easily could have been remembered solely for his avant garde Vivienne Westwood hat this Grammy year, Pharrell Williams‘ musical forays trumped his sartorial whims last night, garnering him Producer of the Year, Record of the Year and Best Pop Duo/Group Performance honors.  Williams also has partial claim to the Album of the Year award, which electronic duo Daft Punk won for Random Access Memories (featuring two Pharrell collaborations.)  Other notable winners were Mackelmore & Ryan Lewis, (Best New Artist, Best Rap Performance, Best Rap Song, Best Rap Album), Alicia Keys (Best R&B Album), Bruno Mars (Best Pop Vocal Album), Ziggy Marley (Best Reggae Album) and Jay Z and Justin Timberlake, who won Best Rap/Sung Collaboration for “Holy Grail.”
Beyoncé and Jay Z opened the show with the steamy, risqué “Drunk in Love,” kicking off a night filled with larger-than-life performances including Pink‘s literal and vocal acrobatics on “Try” and “Just Give Me A Reason,” Katy Perry‘s witchy snap vibe on “Dark Horse” with Juicy J , Kendrick Lamar and Imagine Dragons‘ brilliant, burning mash up of “m.A.A.d City” and “Radioactive,” and Pharrell, Nile Rodgers and Daft Punk with Stevie Wonder on a version of “Get Lucky” that flawlessly blended in Chic’s “Le Freak” and Wonder’s “Another Star.”
One of the biggest, funnest surprises of the evening came late in the show when Queen Latifah introduced Mackelmore & Ryan Lewis, Mary Lambert and Trombone Shorty‘s performance of “Same Love.” Midway through the song, Latifah re-appeared to officiate a wedding ceremony for thirty-three couples – heterosexual and homosexual – in the aisles of the Los Angeles Staples Center.  As they said their “I dos”, Madonna strolled out in a white suit, hat and cane, melding the chorus of “Open Your Heart” into “Same Love.”
A full list of the Grammy winners follows below:
Album of the Year: “Random Access Memories,” Daft Punk

Record of the Year: “Get Lucky,” Daft Punk feat. Pharrell Williams
Song of the Year: “Royals,” Joel Little, Ella Yelich O’Connor (Lorde)
Best Country Album: “Same Trailer, Different Park,” Kacey Musgraves
Best Pop Vocal Album: “Unorthodox Jukebox,” Bruno Mars
Best Rap/Sung Collaboration: “Holy Grail,” Jay Z and Justin Timberlake
Best Pop Solo Performance: Lorde
Best Rock Song: “Cut Me Some Slack,” Dave Grohl, Paul McCartney, Krist Novoselic, Pat Smear
Best Pop Duo/Group Performance: “Get Lucky,” Daft Punk
Best New Artist: Macklemore & Ryan Lewis

Mariah Carey and Nick Cannon Team with Scholastic to Create A Holiday Children’s Book for 2014

By goodblacknews on January 26, 2014
The “Queen of Christmas,” known for her best-selling holiday digital single “All I Want for Christmas Is You,” makes it no secret that she loves the holidays, and is preparing to release the couple’s first book in fall 2014 — just in time for the holiday season.
The celebrity couple have paired up with children’s book heavyweight Scholastic Press to publish the festive picture book, Roc and Roe’s Twelve Days of Christmas. The book, which is a spin on the classic Christmas carol “The Twelve Days of Christmas,” will feature the couple’s twins Moroccan “Roc” Cannon and Monroe “Roe” Cannon. The illustrations will be handled by New York Times best-selling artist AG Ford.
The Carey-Cannon clan say they are “excited to work with the Scholastic team on our Roc and Roe picture book and we can’t wait until this holiday season. ”
“It’s been such a fun and collaborative process and we are thrilled to be working with Nick Cannon and Mariah Carey on this exciting project. Roc and Roe’s Twelve Days of Christmas is the perfect book to read with your little ones—an adorable spin on a classic tale, sprinkled with humor and heart,” said Ken Geist, VP and editorial director for Scholastic Press Picture Books.
This will be the first book for both Carey and Cannon, but knowing her love for Christmas this may not be her last festive collaboration. In the meantime, Carey is preparing her new album The Art of Letting Go to be released this spring. Cannon serves as the host of America’s Got Talent.
article by M.L. Ward via uptownmagazine.com

Library of Congress Acquires Papers of Legendary Jazz Drummer Max Roach

By goodblacknews on January 25, 2014
From Max Roach’s archive: a contract for a 1956 club date; an undated photo of Roach, at right, with Art Blakey, center; a 1964 letter from Maya Angelou. Lexey Swall for The New York Times

WASHINGTON — Max Roach, the great drummer and bandleader and paradigm-shifter of jazz, though he disliked that word, never finished an autobiography.  That’s a shame. He died in 2007 at 83, and his career spans the beginning of bebop, the intersection of jazz with the civil rights movement, free improvisation, and jazz’s current state of cross-disciplinary experiments and multimedia performances. Inasmuch as jazz is about change and resistance, he embodied those qualities: He fought anything that would contain or reduce him as an artist and a human being. He would have been well served by his own narrative, set in one voice.

Max RoachBut Roach was archivally minded, and, when he died, he left 400 linear feet of his life and actions to be read: scores and lead sheets, photographs, contracts, itineraries, correspondence, reel tapes and cassettes and drafts of an unfinished autobiography, written with the help of Amiri Baraka. On Monday, the Library of Congress will announce that it has acquired the archive from Mr. Roach’s family and that it will be made available to researchers.

“What I think he would hope people would see,” said the violist Maxine Roach, his daughter from his first marriage, “is that there was a lot about his life that was difficult, you know? The struggles. A lot about economics, and jazz as a word that we didn’t define ourselves.” (Roach felt that it was a pejorative term; he preferred to call it African-American music.)  “But aside from all of that,” she continued, “I hope that people see his excellence and his mastery of his skill, which helped him rise in this country that’s been so hard on black men especially, and how he went through it and what price he paid.”

Herbie Hancock Named Harvard’s 2014 Norton Professor of Poetry

By goodblacknews on January 15, 2014
Jazz Luminary Herbie Hancock (Photograph by Guillaume Laurent/Wikipedia)
World-renowned jazz musician and composer Herbie Hancock has been named Harvard University’s 2014 Norton Professor of Poetry.  Hancock will give six lectures this spring on topics that include “The Wisdom of Miles Davis,” “Breaking the Rules,” “Cultural Diplomacy and the Voice Of Freedom,” and “Innovation and New Technologies.”
“It is a great privilege to welcome Herbie Hancock as the Norton Professor,” said Homi Bhabha, Rothenberg Professor of the Humanities and Director of the Mahindra Humanities Center, which is hosting the lectures. “His unsurpassed contribution to the history of music has revolutionized our understanding of the ways in which the arts transform our civic consciousness and our spiritual aspirations. It would be no exaggeration to say that he has defined cultural innovation in each decade of the last half-century.”
Born on April 12, 1940, in Chicago, Hancock grew up in a family that wasn’t particularly musical, according to Biography.com. At the age of seven he began studying European classical music, which continues to influence both his playing and composing. At the same time, he was influenced by jazz pianists like George Shearing, Oscar Peterson, and Erroll Garner. As a young teenager, he was playing Mozart with the Chicago Symphony Orchestra. As a member of the Miles Davis Quintet (which he joined in 1963), Hancock performed on dozens of albums and established a reputation as an outstanding composer who explored genres outside traditional jazz, ranging from fusion to R&B to hip-hop.
Hancock has also provided scores for a number of TV and film projects, including Bill Cosby’s Fat Albert cartoon series and an accompanying album, as well as for the movies Death Wish (1974), A Soldier’s Story (1984), and Jo Jo Dancer, Your Life Is Calling (1986). He won an Academy Award for the score to ‘Round Midnight (1986); his other honors include 14 Grammy Awards, including Album Of The Year for River: The Joni Letters.

Beyoncé Advocates for Gender Equality in Shriver Report Essay

By goodblacknews on January 15, 2014

beyone-girls-run-press-617-409
Beyoncé may sing about girls running the world, but she’s under no delusion that it’s actually true. The superstar recently penned an article for The Shriver Report about the lack of equality between the sexes.
“We need to stop buying into the myth about gender equality,” Knowles-Carter writes, “It isn’t a reality yet.”
Beyoncé’s essay is a part of The Shriver Report: A Woman’s Nation Pushes Back from the Brink, a “multi-platform nonprofit media initiative led by Maria Shriver that seeks to modernize America’s relationship to women.” The report, which can be downloaded for free until January 15, features essays and photos by some of our nation’s preeminent thinkers, activists, entrepreneurs, and celebrities including Anne-Marie Slaughter, Howard Shultz, Sheryl Sandberg, Jada Pinkett Smith, Hillary Clinton, Dr. Nadine Burke Harris, LeBron James, and Tony Porter.
In her article, Beyoncé discusses the wage gap between the sexes and makes a passionate plea to men to step up to the plate and “demand that their wives, daughters, mothers, and sisters earn more.”
The essay marks yet another step in Beyoncé’s feminist journey. Recently, the singer made waves when she featured excerpts from Nigerian writer Chimamanda Ngozi Adichie’s TED talk, “We Should All Be Feminists,” on the song “Flawless,” causing many to wonder if Beyoncé was simply calling herself a feminist to sell records or if she was actually identifying as such.
Despite referring to herself as a “modern day feminist” in the past, this essay may silence her critics and perhaps lend some much-needed support to The Shriver Report, which attempts to tackle some of the most pressing issues that face women today.
Check out out Beyoncé’s essay, Gender Equality Is A Myth! below:

We need to stop buying into the myth about gender equality. It isn’t a reality yet. Today, women make up half of the U.S. workforce, but the average working woman earns only 77 percent of what the average working man makes. But unless women and men both say this is unacceptable, things will not change. Men have to demand that their wives, daughters, mothers, and sisters earn more—commensurate with their qualifications and not their gender. Equality will be achieved when men and women are granted equal pay and equal respect.
Humanity requires both men and women, and we are equally important and need one another. So why are we viewed as less than equal? These old attitudes are drilled into us from the very beginning. We have to teach our boys the rules of equality and respect, so that as they grow up, gender equality becomes a natural way of life. And we have to teach our girls that they can reach as high as humanly possible.
We have a lot of work to do, but we can get there if we work together. Women are more than 50 percent of the population and more than 50 percent of voters. We must demand that we all receive 100 percent of the opportunities.

Download The Shriver Report for free from January 12-15th here.
article by Britni Danielle via clutchmagonline.com

Outkast To Embark On 40-Date Festival Tour

By goodblacknews on January 14, 2014

Outkast on stage
Ingenious and iconic recording artists and performers, Antwan “Big Boi” Patton and André “3000″ Benjamin announced via Outkast’s newly launched social media platforms and www.Oukast.com that their return to the stage for their 20th anniversary will include festival dates around the world. After headlining Coachella this April, the influential group will be the marquee act at over 40 festivals around the world throughout the Spring/Summer of 2014.
“It’s truly an honor to celebrate 20 years and still be free to do music the way we choose,” said Big Boi. “Don’t just think outside the box, know that there is no box. I’m looking forward to rocking the stage with my Bro Ski and to all the fans – stank you smelly much, this is for y’all!”
“And imagine, all we wanted to do was rap,” said Andre 3000. “I am thankful to have been a part of a group that allowed me to explore anything that came to mind and have fun doing it. Returning to the stage together is the most exciting way for us to thank everyone for their 20 years of supporting Outkast.”
It is impossible to quantify the creative impact and influence of Grammy-Award winning rap duo, Outkast, or the work of its members, André “3000″ Benjamin and Antwan “Big Boi” Patton. Together and individually, these Atlanta natives have set the bar for originality, blasting genre boundaries and combining mediums since their debut album Southernplayalisticadillacmuzikwas released in 1994.
In January 2014, to celebrate Outkast’s 20th anniversary, the duo confirmed plans for a headlining festival run that will begin Friday, April 11 at the Coachella Valley Music and Arts Festival, then continue with dates throughout the spring and summer.
article by via theurbandaily.com

Prince to Guest Star on Fox's "New Girl" After Superbowl

By goodblacknews on January 14, 2014

prince-2012-australian-tour-announced_hAccording to E! News, Prince will be cast on New Girl, because he is a “huge fan.”  The ever enigmatic 58-year-old will appear in post Superbowl episode, which came about when he personally contacted the producers.  “He knows everything about the show. He contacted Zooey [Deschanel] and Hannah [Simone] directly and asked to do [it],” executive producer Brett Baer said. “He’s a Nick and Jess shipper!”

Prince’s role in the show will be “right in the middle of trying to help [Nick and Jess] work through some stuff.” Apparently, “his thing was all about getting to Jess and trying to bring out this inner part of her that hadn’t been brought to the forefront.”
article by Lauren Duca via huffingtonpost.com

Rapper Juicy J Awards $50K Scholarship To Biology Student Zaire Holmes (VIDEO)

By goodblacknews on January 13, 2014

Juicy J
Last summer rapper Juicy J announced that he was giving away $50,000 in scholarship money. The initial Tweet stated, “I’m giving out a 50K scholarship to the best chick that can twerk” and it illicit a firestorm of response–and applications.  After going through submissions Juicy has selected a winner, but insists that no twerking was required to win.  “50K is a lot of money and I don’t want to waste it on some chick twerkin’ her ass,” he says. “Next time I send a Tweet out about a scholarship take it serious and read the words!”
The winner is 19-year-old Zaire Holmes, a mother and student at the State College of Florida who did read the rules and submitted a video explaining why she deserved the money.  “I’m a biology major so the scholarship would be able to cover all of my lab expenses,” she said hopefully. “A lot of people thought you had to twerk, but you actually had to read the rules!”
Watch Juicy J present Holmes with the check:
http://youtu.be/9fc-vqqjZzs
article by Jerry L. Barrow via theurbandaily.com

Tupac Shakur-inspired Musical Heads to Broadway This Summer

By goodblacknews on January 9, 2014

Tupac ShakurA new musical inspired by the rap songs of the late Tupac Shakur is heading to Broadway. Holler If Ya Hear Me is scheduled to open at the Palace Theatre in New York on June 19, with preview performances set to begin on May 26. Holler isn’t a biographical account of Shakur, who was killed at the age of 25 in 1996 following a shooting in Las Vegas. Rather, the musical production will use the rapper’s lyrics to tell a story of contemporary inner-city lives.
Among the producers of the musical are Afeni Shakur, the rapper’s mother; movie and TV producer Eric L. Gold; and Chunsoo Shin, the prominent Korean theater producer who recently collaborated with the La Jolla Playhouse on another musical, Yoshimi Battles the Pink Robots. Kenny Leon (Steel Magnolias, A Raisin in the Sun), will direct Holler, which will feature a creative team that includes Wicked choreographer Wayne Cilento.  Rumors of the Shakur musical had been circulating for months, though no official announcement from producers had been made until Wednesday.
article by David Ng via latimes.com