When Brian Mooney’s students struggled in March to digest the literary themes and dense language in Toni Morrison’s novel “The Bluest Eye,” Mr. Mooney sought inspiration from an unorthodox teacher of his own: the two-time Grammy winner and world-famous rapper Kendrick Lamar.
Mr. Mooney, who teaches freshman English at High Tech High School in North Bergen, N.J., played Mr. Lamar’s album (edited, of course) “To Pimp a Butterfly” to draw correlations to Ms. Morrison’s novel.
Using a literary lens called “hip-hop ed” that he learned during his graduate courses at Teachers College at Columbia University, Mr. Mooney asked his students to reflect on the dichotomy of black culture in America — the celebration of itself and its struggle with historic oppression. His students’ sudden understanding shined through essays, colorful canvases and performance art.
Mr. Mooney, 29, blogged about his curriculum and shared his students’ work online. The blog racked up over 10,000 Facebook shares, and hardly a month passed before Mr. Lamar discovered it.
On Monday, Mr. Lamar not only became a guest lecturer in Mooney’s small classroom at High Tech, but he also became a pupil. Mr. Lamar’s manager sent a note to Mr. Mooney in April saying the performer was interested in visiting. He did not charge a fee, but the school and its foundation paid for the stage setup.
“I was feeling incredibly grateful and humbled that my work received that much exposure and reached that wide of an audience that Kendrick himself read it,” Mr. Mooney said.
The woman who teamed with Marvin Gaye on a string of 1960s Motown hits before dying of a brain tumor at age 24 is getting her own biopic. Tammi Terrell will be played by The Vampire Diaries star Kat Graham, who also is working her debut album with producer Babyface. Maryam Myika Day wrote the untitled project, which marks Graham’s feature debut and is being produced by Robert Teitel, Rose Ganguzza and Hilary Shor. Shooting is set for next year.
The film follows the brief but memorable career of Terrell, who started out as a backup singer in the James Brown Revue before scoring a few minor pop hits as a solo act. But she struck gold after being paired with hit-making singer Gaye in early 1967, a teaming that produced such Motown classics as “Ain’t No Mountain High Enough,” “Your Precious Love” and “Ain’t Nothing Like The Real Thing.” In October 1967, Terrell collapsed onstage while performing with Gaye, and doctors diagnosed her with a brain tumor. She continued to record with Gaye and scored a few more solo hits before dying in 1970.
“I immediately connected to Tammi and her story in many ways and have felt the incredible need to tell it,” Graham said. “Tammi Terrell defined passion and soul itself. … Getting lost in the music enabled her to override life’s punishments — for when she sang, she could use the hurt to create greatness and give the world hope that maybe they could overcome their pain as well.” article by Erik Pedersen via deadline.com
Akon at the second United Nations Sustainable Energy for All Forum (SE4A) on May 21, 2015. [Photo via akonlightingafrica.com)
As the second United Nations Sustainable Energy for All Forum (SE4A) paid tribute in its closing session to the progress generated by the Akon Lighting Africa initiative launched in February 2014, its founders Akon, Thione Niang and Samba Bathily were already looking to the future and next steps. They have just announced the creation of a “Solar Academy” to develop skills and expertise in this field in Africa. This professional training center of excellence is a first on the continent and targets future African entrepreneurs, engineers and technicians. It will open its doors this summer in Bamako, Mali and welcome any Africans wanting to help develop the use of solar power.This project is being introduced under the patronage of Solektra international, a partner of Akon Lighting Africa, in collaboration some European experts who will supply training equipment and programs. It aims to reinforce expertise in every aspect of installing and maintaining solar-powered electric systems and micro-grids in particular, which are really taking off in rural Africa. With its 320 days sunshine a year, the continent is perfectly suited to the development of solar power, particularly since 622 million Africans still do not have access to electricity.
“We have the sun and innovative technologies to bring electricity to homes and communities. We now need to consolidate African expertise and that is our objective” explained Samba Bathily at the SE4All. “We are doing more than just investing in clean energy. We are investing in human capital. We can achieve great milestones and accelerate the African transformation process on condition that we start training a new generation of highly qualified African engineers, technicians and entrepreneurs now” he added.
With 70% of the population aged under 35, Africa is the continent with the youngest population today. One of the biggest challenges it faces is training and creating sustainable employment. “We expect the Africans who graduate from this center to devise new, innovative, technical solutions. With thisAcademy,we cancapitalizeon Akon Lighting Africa and go further,” Thione Niang said. Indeed, Akon Lighting Africa adopted a sustainable business model from the outset – providing training and creating jobs enabling local populations to embrace technical solutions and become self-sufficient. The Solar Academy will help to extend this business model and promote inclusive growth throughout Africa. article via akonlightingafrica.com
Hip-hop icon Grandmaster Flash is set as an associate producer and adviser on The Get Down, Baz Luhrmann’s upcoming Netflix series about the 1970 NYC music scene and the birth of rap. “I can’t tell you just how much joy and great spirit we are getting from working with some of the founding fathers of the form,” Luhrmann said in a statement. “Not only in music, dance and graffiti but the culture of the time in general. The whole team is absolutely thrilled to have Grandmaster Flash on board.” Netflix also said today that newcomer Mamoudou Athie will play the DJ legend on the show (see photo above). Best known to mainstream audiences for the 1982’s “The Message,” Grandmaster Flash emerged from the ’70s Bronx scene along with fellow DJs Kool Herc and Afrika Bambaataa as a pioneer of the fledgling genre. “Flash developed a host of specific techniques that allowed DJs to move seamlessly from one break beat to another,” said author-journalist Nelson George, part of The Get Down writing team. “Flash’s innovations, developed in his Bronx apartment bedroom, are the bedrock of club spinning, even in the age of (vinyl emulation program) Serato.”
Flash’s involvement with Get Down follows VH1’s announcement last month of The Breaks, an original movie and potential backdoor pilot about the 1990s NYC hip-hop scene. Gang Starr’s DJ Premier will serve as music producer for that project, becoming the latest music great to oversee soundtracks for TV series including Timbaland on Fox’s Empire and T Bone Burnett on ABC’s Nashville. article via Erik Pedersen via Deadline.com
The United Negro College Fund (UNCF) is putting the icon status of Michael Jackson and Ray Charles towards a great cause with the establishment of two new scholarship programs.
A press release reveals the Michael Jackson scholarship will provide financial assistance to communication arts and social science students attending a UNCF college/university during the upcoming academic year.
To qualify for the scholarship, high school seniors must plan on enrolling at a UNCF member school in the fall. Proof of acceptance at the UNCF college/university must be submitted. Depending on the financial need of the student as verified by the attending University or College, the scholarship will provide an award totaling up $5,000.
In addition to the Michael Jackson scholarship, the release detailed the intent of the Ray Charles Endowed Scholarship, which is set up to help African-American students with high academic promise that have significant financial need.
Endowment scholarships, which are renewable for up to one year, will be awarded to students who meet the recommended eligibility criteria. Criteria includes students being an African-American junior enrolled full-time at a UNCF member HBCU and having a minimum cumulative grade point average of 3.0 on a 4.0 scale. In addition, students must have a demonstrated unmet financial need that is verified by their college or university.
For more details on the Michael Jackson UNCF Scholarship, click here. More information on the Ray Charles Endowment Scholarship can be found here. article by Qwest7 via eurweb.com
Beyoncé recently traveled to Haiti in an effort to assist the United Nations on a humanitarian mission.
According to Vibe, with her organization BeyGood, Beyonce visited towns throughout the country to help with food, water and other imperative resources including medical attention from the UN doctors.
Haiti U.N. mission spokeswoman Sophie Boutaud de la Combe said Saturday that Beyonce made the visit to see what progress has been made since the 2010 earthquake that devastated the country.
De la Combe says the singer visited Haiti with Valerie Amos, undersecretary general for humanitarian affairs and emergency relief coordinator and that she was also able to “meet some of the people who were affected by it.”
Beyonce posted several pictures to her Instagram account documenting her trip to Haiti with a simple caption that reads, “Haiti. Humanitarian Mission with the UN.”
It wasn’t immediately clear how long Beyonce’s stop in Haiti was or exactly where she visited.
The country is still recovering from the 2010 tragedy that shattered Haiti’s capital and surrounding areas and claimed as many as 300,000 lives.
Philanthropist, rapper and hip-hop pioneer MC Lyte has taken her community involvement to new heights, as she now sits on the board of trustees for Dillard University in New Orleans.
Through herHip Hop Sisters Foundation, Lyte had previously providedcollege scholarships to four young women, and this time around, sought to take on a different mission, encouraging black men to pursue their education through the organizations signature initiative, “Educate Our Men,” (#EducateOurMen) born within Dillard.
“More than just a necessity, given the percentages of men to women at Dillard, immediately we just thought how can we raise the awareness of the education to be had at an HBCU [which] is like none other,” said Lyte.
According to Dr. Walter Kimbrough, President of Dillard University, what began a simple meeting of the minds turned into a full fledged opportunity for Lyte to leverage her renowned platform, and implement change on Dillard’s campus.
Dr. Kimbrough passionately shares how he and Lyte’s partnership began.
“Last April MC Lyte’s foundation president, Lynn Richardson, reached out and said MC Lyte wanted to meet with me. I told her okay, let me know what her schedule looks like and I will come out. She said no, we’re coming to you. So they came and indicated that MC Lyte wanted to do something with HBCUs, and has done a scholarship in the past (U. of Wisconsin). So, the idea was to do scholarships for young men to attend Dillard, explains Dr. Kimbrough, “A pleasant surprise. But we kept talking and they wanted to be more involved in Dillard. So we ended up talking about doing a course- I Cram to Understand: Hip Hop, Sex, Gender and Ethical Behavior. It was already on the books at Dillard (minus hip hop) so we just refreshed it. She came and did an open lecture for the campus plus a special session for the class.”
Lyte lectured the course at no costs to the university and stayed in touch with Dr. Kimbrough after the lecture to further discuss the schools needs and how she and her platform may be of assistance.
“Because of her sincere interest, we thought it would be great to have her be part of the board of trustees, said Kimbrough, “ It will be a new experience for her, and I think a good one to learn more about higher education, and she has a platform that can benefit Dillard.”
Lyte speaks highly of Dr. Kimbrough’s sincere passion as well, and both seem excited for the fruits of their blossoming partnership.
“He’s [Dr. Kimbrough’s] always had a really great relationship with hip hop in general, with the culture and a mass amount of respect for what it is that we do, said Lyte,“It feels like a natural collaboration.”
Through this particular initiative with Dillard, the two, are seeking to bring male enrollment numbers up and improve learning outcomes. Lyte believes Dr. Kimbrough’s moxie and dynamic understanding for the #EducateOurMen cause, makes Dillard the perfect inaugural home for the initiative.
“For me, there is no other school to do it with but, Dillard,” said Lyte, “Education gives one opportunity, gives an outlook and allows someone to dream of something better– of making their circumstances better, of providing for their families and providing for their children.”
Lyte explained her reason for becoming an artist was always to inspire others and to use any influence gained along the way to shine light on issues that deserved acknowledgment– and hopefully with the help of Dr. Kimbrough, and Dillard University, they will do just that, for a community of people, who Lyte believes, have been overlooked.
Recently, she oversaw the 2015 graduation where acclaimed actor Denzel Washington was the commencement speaker and received an honorary degree. article by Brittany Dandy via blackenterprise.com (additions via eurweb.com)
WINSTON-SALEM — Award-winning hip-hop recording artist and actor Common encouraged nearly 1,000 graduating students from Winston-Salem State University to follow and trust in their paths to achieve their dreams.
“You want to surround yourself with people who believe in your path,” Common said Friday. “Belief is contagious. As you climb up the mountain, it will be difficult at times.”
Common, who was born Lonnie Rashid Lynn Jr., was the keynote speaker at WSSU’s graduation ceremony, which was held at Bowman Gray Stadium before about 12,000 people.
During his 27-minute speech, Common talked about his career as an actor, author and a hip-hop artist.
He mixed humor with his remarks that elicited laughter from the crowd. Some women in the audience screamed as he spoke.
He told the graduates that he was inspired by NBA star Michael Jordan, media mogul Oprah Winfrey, President Barack Obama and Jesus.
Common said he learned as a youth playing for a basketball team in Chicago that he had to practice and work hard to achieve greatness. Common said he dropped out of college to pursue a career as a hip-hop artist over the objection of his mother.
“I had found my path,” he said. “This voice of hip-hop would take me around the world.”
Common released his first album, “Can I borrow a Dollar,” in 1992, and he has since recorded nine others.
Common, 43, won a Grammy Award in 2003 for his song, “Love of My Life,” with singer-songwriter Erykah Badu. Common won a second Grammy for his 2007 album, “Southside.” He’s also a noted social activist.
During his speech, a young woman yelled to Common from the grandstand: “Here’s your wife.” Common replied, “Where are you; I want to meet you.”
The crowd laughed at the exchange.
Common told the graduating students they will face challenges in their lives, and they will not achieve their goals as quickly as they want. “If you see the mountaintop, you know you will get there,” he said.
After his speech, the WSSU Choir and Symphonic Band performed the song “Glory” from the 2014 movie “Selma.” The song, by Common and singer John Legend, won the Academy Award in February for Best Original Song.
Afterward, WSSU Chancellor Elwood Robinson presented Common with an honorary doctorate of humane letters. Common said he appreciated receiving the degree. “This is one of the best days of my life to get this honor for you all,” Common said. “I’m grateful. I got a doctorate.” article via news-record.com
B. B. King, whose world-weary voice and wailing guitar lifted him from the cotton fields of Mississippi to a global stage and the apex of American blues, died Thursday in Las Vegas. He was 89.
His death was reported early Friday by The Associated Press, citing his lawyer, Brent Bryson, and by CNN, citing his daughter, Patty King.
Mr. King married country blues to big-city rhythms and created a sound instantly recognizable to millions: a stinging guitar with a shimmering vibrato, notes that coiled and leapt like an animal, and a voice that groaned and bent with the weight of lust, longing and lost love.
“I wanted to connect my guitar to human emotions,” Mr. King said in his autobiography, “Blues All Around Me” (1996), written with David Ritz.
In performances, his singing and his solos flowed into each other as he wrung notes from the neck of his guitar, vibrating his hand as if it were wounded, his face a mask of suffering. Many of the songs he sang — like his biggest hit, “The Thrill Is Gone” (“I’ll still live on/But so lonely I’ll be”) — were poems of pain and perseverance.
The music historian Peter Guralnick once noted that Mr. King helped expand the audience for the blues through “the urbanity of his playing, the absorption of a multiplicity of influences, not simply from the blues, along with a graciousness of manner and willingness to adapt to new audiences and give them something they were able to respond to.”
B. B. stood for Blues Boy, a name he took with his first taste of fame in the 1940s. His peers were bluesmen like Muddy Waters and Howlin’ Wolf, whose nicknames fit their hard-bitten lives. But he was born a King, albeit in a sharecropper’s shack surrounded by dirt-poor laborers and wealthy landowners.
Mr. King went out on the road and never came back after one of his first recordings reached the top of the rhythm-and-blues charts in 1951. He began in juke joints, country dance halls and ghetto nightclubs, playing 342 one-night stands in 1956 and 200 to 300 shows a year for a half-century thereafter, rising to concert halls, casino main stages and international acclaim.
He was embraced by rock ’n’ roll fans of the 1960s and ’70s, who remained loyal as they grew older together. His playing influenced many of the most successful rock guitarists of the era, including Eric Clapton and Jimi Hendrix.