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Posts published in “Music”

MUSIC MONDAY: “AfroPunk: Reggae Meets Punk” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

While Reggae is a true import from Jamaica, it really gained a global footing in England. It and Punk both arose out of the economic depression and social inequality in the late 1960’s and 1970’s.

Many Reggae songs of the time like Bob Marley’s “Punky Reggae Party” and “Concrete Jungle” were overt commentary on life in London, while many Punk artists adopted some of these traits and spreading a message of rebellion against the Establishment.

He was not the only one to see that punks and Rastas shared a same idea of freedom and of rebellion against social norms and the setting of said norms.

Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.

I’ve included tracks for the “Second Wave” of ska where bands like The Specials, English Beat, and Selector combined traditional ska song and grooves with a sped-up rhythms of punk music, introducing ska to new generations.

I’ve also included tracks from “Rocket To Kingston” credited to Bobby Ramone. It is a melding of the isolated vocal tracks from Bob Marley dropped over edited Ramones backing tracks. It shouldn’t work, but it does.

Marlon West

REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

by Lori Lakin Hutcherson, GBN Editor-in-Chief

I’m starting off straight up corny by saying I’ve been a “transparent soul” with anyone who’d listen to me about my anticipation of WILLOW’s sixth and latest solo LP, which finally dropped May 3rd.

My owning of my corniness, turns out, totally vibes with the messages about the freedom to express & accept your feelings, warts and all, coursing throughout the #greatalbum “empathogen” (2024).

Not only do I absolutely love how WILLOW wrestles lyrically (and musically) with Big Ideas such as existence, ego, anxiety, pain, self-sabotage, fear and love, she does so in such soul-felt, sophisticated & surprising ways, I have to compliment the precise production by WILLOW and her fellow producers Chris Greatti, Eddie Benjamin and Jon Batiste.

There are myriad sounds, echo effects and vocal arrangements involved in each track, even the stripped down ones, but none ever feel overdone — just purposeful and fresh. It’s as if WILLOW threw her hands into the cosmic river of music, tapped into its source, and allowed it to flow freely through her.

There’s a lot going on technically in the music I can’t speak on with any authority (e.g. the multiple time signatures, turnarounds, uncommon verse/chorus structures) but what I can talk about is how it hits the ears and how it feels — free, unexpected, relatable, or, in one word — embracing.

WILLOW is clearly a student of music and draws on varied influences (her IG post of her working her voice out to Ella Fitzgerald’s legendary scat on “How High The Moon” blew my mind a few months ago and still lives rent free in what’s left of my head), but right now she’s reminding me most of the great Esperanza Spalding, particularly during her “Emily’s D+Evolution” (2016) jazz/pop/rock era.

WILLOW’s own pop/rock/punk/soul explorations from the past few years also inform her current jazz/funk/fusion present (and hopefully future).

The singles released from the LP, “symptom of life” and “bigfeelings”, are the best ambassadors for this tight 12-song offering which literally begins with what sounds like an off-mic Jon Batiste screeching, as if being born, “I love everything!”

(BTW, could Batiste be on more of a roll? He also co-produces and co-writes “Ameriican Requiem”, the opening track on COWBOY CARTER. If I’m an artist, I’m thinkin get this man to help kick off my LP, stat, cuz greatness will surely follow!)

After Batiste, we hear steady rimshots underneath WILLOW’s “ah oo ah ah” breaths until she sings “I live my life” — and I didn’t conjure my previous cosmic music river metaphor out of nowhere as WILLOW then sings “I trust this river to carry me / home” in this mystifyingly captivating LP opener titled “home”.

MUSIC MONDAY: “Jazz Appreciation Month 2024” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Thanks to our Editor-In-Chief, Lori Lakin Hutcherson, for reminding me that it April is Jazz Appreciation Month. So, to that end, I’ve assembled this collection of new and recent Jazz releases.

Most of these track have been released in 2024. None of them is older than five years old. These tracks encompass a wide range of styles and showcase the creativity and artistry of today’s jazz musicians.

This collection features rom compelling compositions to virtuosic performances, by the likes of Ulysses Owens Jr. and Generation Y, Marlon Simon, Lawrence Fields, Kandace Springs and so many others.

Jazz is a most truly American art form, its soulful and rich roots go back to the 1890s. Jazz Appreciation Month (fondly known as “JAM“) was created at Smithsonian National Museum of American History in 2001.

According to their website, “to recognize and celebrate the extraordinary heritage and history of jazz for the entire month of April. JAM is intended to stimulate and encourage people of all ages to participate in jazz – to study the music, attend concerts, listen to jazz on radio and recordings, read books about jazz, and more.” Works for me!!

The roots of jazz can be found in the blues and that is true of this playlist too. The journey of jazz started in the deep south along back roads, spread to nearly every city in America and eventually the world.

The variety and richness of jazz is on full display on with this collection. Enjoy JAM!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Ring of Fire” – Black Voices in Rock And Country Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday! In the weeks since Beyoncé’s recent Country releases, there’s been much debate on her Country bona fides, though the sista has never been shy about voicing her Texas pride.

From Beyoncé’s history with the genre, from the song “Daddy Lessons”, from her 2016 album Lemonade, to the Stetsons worn by Destiny’s Child, many Country devotees ignore her roots and those of other Black artists.

While talking to a good friend and colleague last week, he pointed out that it’s not musicians that draw designations often based on race, it’s the so-called fans. It is also music writers and editors who act as gatekeepers.

Ray Charles, James Brown, Jerry Lee Lewis, B.B. King, Elvis Presley, Aerosmith, Love, Brittany Howard, Lola, Valerie June and so many others can’t be bothered. Music is music.

It has been a long-running theme of my playlist and missives here on GBN, that the roots and current impact of Black artists on Country Music and Rock ’n Roll is deep and continuing.

Rhiannon Giddens is present playing the banjo (an instrument whose roots go back to Africa), on “Texas Hold ‘Em”, and with The Carolina Chocolate Drops. As is Lil Nas X, who was also soundly rebuffed by Country music gatekeepers initially.

I’ve included The Black Pumas, TV On The Radio, Clarence Clemons, Tracy Chapman and of course Lenny Kravitz, who all reject rock music being the domain of white artists.

So, please enjoy this collection of artists that aren’t inclined to be labeled and defy labels.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “AfroStones” – A Blues and R&B-Filled Rolling Stones Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Back in the fall of 1981 when I was in my first semester at Columbia College, I became friends with a fellow from a Chicagoland suburb.

He was a dyed-in-the-wool Rolling Stones fan. One afternoon their version of “Just My Imagination” played on the radio near us. I recall mentioning it was a Temptations cover, and with some level of indignation, he told me that Jagger and Richards wrote EVERY song The Stones performed.

I was shocked. We were decades away from being able to Google such matters at the moment. I was forced to leave him to the dubious opinion. I can only hope in the decades since that he’s come to know better.

Not only was that song a cover but the Rolling Stones, for better or worse, have been the heralds of Blues and R&B for generations of Americans who would rather enjoy Black music through the filter of whiteness.

Here is AfroStones, a collection of essential songs performed by Black artists that the Rolling Stones covered.

You will find Chuck Berry, Robert Johnson, The Drifters, and Solomon Burke to name a few. Throughout this collection, the original songs are presented back to back with the Stone’s covers.

Needless to say, along with touring as the opening act for Little Richard, the Stones learned a lot from these songs and built a 50-year career on them.

Mick Jagger has long acknowledged his debt to Black America, but is not a one-way street. This collection also features Black artists covering the Stones.

Sharon Jones, Musiq Soulchild, Etta James, and others. Merry Clayton, who’s featured prominently on “Gimme Shelter”, is present with her own version of the Stones classic.

I’ve also included tracks by De La Soul, Little Simz, Snoop Dogg, and others that feature samples of their music.

As Muddy Waters said in an interview, “They stole my music, but they gave me my name.” Yet he also provided them with their name when they adopted the title of his song, “Rollin’ Stone.”

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “MLK Day 2024” – A Celebration Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy MLK Holiday and Music Monday. Here is our first playlist of 2024.

MLK Day 2024” is a collection of songs and music from across the globe. They are tracks devoted to struggle, liberation, and celebration.

I’ve included songs like “You’re A Winner,” “How I Got Over,” and “A Change Is Gonna Come” that were the real-time soundtracks to the America’s civil rights struggle in the 1960s.

There’s tracks from the turbulent 1970s and ‘80s from Marvin Gaye, Stevie Wonder, Freda Payne, Gil Scott-Heron and others.

We got new and old school hip-hop by Lupe Fiasco, KRS-One, M.I.A. and Kendrick Lamar to name a few.

This 13-hour exploration on shining a light into our societies dark places and making the world a better place features jazz, soul, reggae and afrobeat.

Nina Simone and Max Roach are here beside Uganda’s Bobi Wine and Ivory Coast’s Alpha Blondy.

Please enjoy this daylong celebration of tenacity and hope. See ya next month!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Soulful Christmas 2023” – a New Holiday Recordings Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Holidays, you all.

We are half way through Hanukkah, with Christmas and Kwanzaa coming up quick. We’ve offered several funky and soulful and jazz and reggae seasonal playlists over the years. Search Spotify by “marlonwest” and they are all still there to enjoy this Yuletide Season.

This Music Monday offering features holiday-themed songs that have all been dropped in 2023.

There are new tracks from new and emerging artists like Cliff Beach, Samara Joy, Fitz and The Tantrums, and the ever-versatile Keke Palmer.

There’s new offers from Mary J. Blige, Brandy, War, and Kirk Franklin. Plus releases from the likes of Johnny Mathis and Carla Thomas.

Hope and yours have a delightful holiday season. Please enjoy this soulful collection offering in the days and weeks to come.

It has been an utter delight to sling good music your way here at Good Black News. See ya in January!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Ultimate Soul of the Season” – The Black Christmas Soundtrack – Expanded Edition 2023

by Jeff Meier (FB: Jeff.Meier.90)

Welcome to the holiday season, Good Black News family!  We hope you had a wonderful Thanksgiving – and are counting down the 25 days of Christmas now that it’s December.

In what’s become a holiday tradition, we’ve updated our now massive Black Christmas music Spotify playlist with a whole heap of new songs. The month of November was spent searching far and wide across the internet for new releases, old classics now on Spotify, and other tunes and artists we missed in previous years.

So here it is – a refreshed and revived “Ultimate Soul of the Season – The Black Christmas Soundtrack – Expanded Edition 2023”.

We’ve now got over 700 songs across 40+ hours (and we’ll add more if some crucial tunes get released in the next few weeks) – with the goal to be one of the most definitive Black Christmas playlists around.

If you’re still subscribed to the list from a previous year, we’re here to let you know it’s now updated and bigger/better than ever.

If you’ve not subscribed, check it out while you are wrapping presents, baking cookies, decorating your tree, or just sitting cozily in front of a nice roaring fire, with football on mute in the next room.

As a reminder, we set out to make a mainstream Christmas radio station that you can use in the background all season long. But in the GBN tradition, the focus is on Black artists (plus occasional duet partners and a little Robin Thicke).

While other holiday radio focuses on Brenda Lee and Bing Crosby, we’ve got Ella Fitzgerald and Nat King Cole. When they play Michael Buble, we play John Legend, or Hamilton star Leslie Odom.

Of course, we’ve got The Jackson 5, Donny Hathaway, the original Eartha Kitt version of “Santa Baby,” Stevie Wonder, and two different renditions of The Temptations doing “Silent Night.” And just like everyone else, Mariah Carey!

We’ve sequenced the list carefully – so that you don’t overload on the same songs, tempos or artists too frequently. You can just let it play – or hit shuffle. Or you can even use it as a base of songs to edit down into your own personal list of favorites.

In addition to soul and pop, there’s some jazz, some gospel, some blues, some a capella, and even disco, reggae and Black country in the mix. Hopefully you find all the classics you need, and some brand new surprises you didn’t know you wanted.

This year’s big new Christmas releases include albums from Brandy (currently starring in the new Netflix hit Best. Christmas. Ever!), jazz star Gregory Porter, and hot new soul star October London.

Ace producer Adam Blackstone has assembled an album with friends that include Keke Palmer and Boyz II Men. And on the traditional side, Grammy-winning Best New Artist Samara Joy has issued an EP, and the legendary Johnny Mathis has issued new tracks as well. We’ve got a couple songs from all of these.

MUSIC MONDAY: “AfroBeatles” – A Soul-Filled Beatles Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday, y’all!

I’m back with another collection in my “Afro” playlist series — AfroBeatles.”

Earlier this month the first new Beatles song “Now And Then” dropped with the help of master filmmaker, Peter Jackson, and the surviving members. It is the first new release from the group in 45 years.

The Beatles are rightly known for the unmatched songwriting partnership of John Lennon and Paul McCartney. Towards their later years, George Harrison and Ringo Starr also pitched in with originals. Together, the group created a body of work that inspired no shortage of covers.

Few songwriters have been so thoroughly covered as Lennon/McCartney, and the diversity of Beatles covers is a tribute to their indelible mark on pop music. Here at Good Black News, we are going to focus on the covers by Black artists around the world.

The Beatles (and The Rolling Stones) cut their teeth opening for Little Richard; both bands came away forever altered by his singing style and stage presence.

Paul McCartney and Mick Jagger have made no secret of biting his vocal stylings and dance moves. When it came to doing covers they overt about acknowledging it.

On their first five albums of 1963-1965, almost all of the covers were originally recorded by Black soul artists, including Arthur Alexander’s “Anna (Go To Him)”, The Cookies“Chains”, The Shirelles“Boys” & “Baby It’s You”, The Top Notes“Twist & Shout”, The Marvelettes“Please Mr. Postman”, The Miracles“You Really Got A Hold On Me”, The Donays“Devil In Her Heart”, Barrett Strong’s “Money (That’s What I Want)” and Larry Williams“Dizzy Miss Lizzy.”

They are all included here, including their versions of Chuck Berry, Little Richard, and other greats of Soul giants, though the lion’s share of the collection is devoted to R&B, reggae, ska, and jazz covers of Beatles songs.

Here are hours of Beatles music by Stevie Wonder, Bill Withers, Nina Simone, Marica Griffiths, Gary Clark, Jr., and so many others. Please enjoy AfroBeatles!!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Kendrick Lamar’s pgLang and Global Citizen Partner to Establish 1st Major Touring Circuit Across African Continent

K Dot is making his mark on the world of music yet again.

According to Variety.com, Grammy Award and Pulitzer Prize-winning artist Kendrick Lamar and Dave Free‘s company, pgLang, is teaming up with philanthropic organization Global Citizen to create a major music touring circuit across the continent of Africa.

The initiative’s kickoff event Move Afrika: Rwanda,  is slated to take place Dec. 6 with Lamar as the headliner.

Additionally, over the next five years, pgLang has committed to curating more “Move Africa” shows, with an expansion to producing shows in Rwanda’s neighboring countries by 2025.

To quote from Variety.com:

“Global Citizen has been operating on the continent since our very inception,” says Global Citizen co-founder and CEO Hugh Evans, whose organization is renowned for its all-star consciousness-raiser concerts. “We were honored to be there to celebrate Mandela’s 100th anniversary in 2018, alongside Beyonce and Jay Z and so many incredible artists.

The CEO noted that Lamar has a history with his org that goes back to first performing at a Global Citizen Festival back in 2016. “I sat down recently with Kendrick and the pgLang team, and whether it’s Kendrick, Dave Free, Anthony or their entire team, they all share this massive passion to see that touring across the entire continent would become as prolific as it has become across Latin America, across North America, across Europe, across Australasia and across so many other continents.

“pgLang are going to be involved in every aspect of this initiative. They’re going to be involved from a musical curation point of view, helping to determine which artists are involved following in Kendrick’s footsteps. But they’re also going to be involved creatively as well, thinking through the creative rollout of the campaigns over the years, the look and feel, and the global broadcast. They really have become partners in this endeavor. And personally, I can’t think of anyone better on the planet than Kendrick Lamar and pgLang to be the curator. Kendrick has spent so much time on the continent himself; he’s so passionate about it. So when they said that the first performance that he does on the continent will be with Move Afrika, it’s a huge honor for this initiative.”

“The most exciting thing, honestly, is the hunger I see from the artist community to achieve this dream. I don’t think this is Global Citizen’s dream per se; I think this is the world’s dream,” he says. “I think everyone has dreamed of doing this, and we’re just working to modestly try to create some scaffolding around it. In fact, probably not a week goes by when I don’t speak to an artist about their dream to do more across Africa.”

To learn more about Move Afrika, including how to obtain tickets for the December show, go to this Global Citizen page, or via text on WhatsApp at +250 790 008 555.