Charlie Parker started playing as a boy, when his mother gave him a saxophone to cheer him up after his father left. He went on to spearhead a musical revolution.
Charlie “Bird” Parker was one of the most influential musicians of the 20th century. In his brief life, Parker created a new sound on the alto saxophone and spearheaded a revolution in harmony and improvisation that pushed popular music from the swing era to bebop and modern jazz.
In Kansas City Lightning: The Rise and Times of Charlie Parker, scholar and author Stanley Crouch tells the story of Parker’s early years and his rise to prominence. But Crouch says he didn’t want to tell the same old story of young black musicians overcoming obstacles.
“These guys, they thought about life,” he says. “Oh yes, they thought about being colored, but they also thought about life. And people came to hear you because you played life. It wasn’t because you played, ‘Oh, I’m just a poor colored man over here, just doing some poor colored things. I’m thinking about my poor colored girl and how the white man is not going to let us blah blah.’ That wasn’t what they were playing.”
‘I Put Quite A Bit Of Study Into The Horn’
Crouch’s book opens with a triumphant moment in Parker’s career. It’s February 1942 and the 21-year-old alto player is on the bandstand at Harlem’s Savoy Ballroom, performing with the Jay McShann Orchestra for a live radio broadcast. He steps up to solo and Crouch explains what happens next:
When the band started throwing up stock riffs behind him, Parker sidestepped the familiar shapes, issuing his responses from deep in left field.
… Each chorus was getting hotter; it was clear, from the position of his body and the sound of his horn, that Charlie Parker was not going to give in. All the nights he had worked on it, the flubs, the fumblings, the sore lips, mouth, and tongue, the cramped fingers — they all paid off that afternoon. Suddenly, the man with the headphones was signaling McShann, Don’t stop! Don’t stop! Keep on playing!
In 1980, the late pianist and bandleader Jay McShann described how Parker’s sound grabbed him the first time he heard it. “One particular night, I happened to be coming through the streets and I heard the sound coming out. And this was a different sound, so I went inside to see who was blowing,” he said. “So I walked up to Charlie after he finished playing and I asked him, I said, ‘Say man,’ I said, ‘where are you from?’ I said, ‘I thought I met most of the musicians around here.’ Well, he says, ‘I’m from Kansas City.’ But he says, ‘I’ve been gone for the last two or three months. Been down to the Ozarks woodshedding.’ “
NASHVILLE, Tennessee (AP) — Stevie Wonder, Alicia Keys, Kings of Leon, and John Mayer have volunteered their time to attend the second Global Citizen Festival in New York’s Central Park, and organizers hope you will, too. 
Composer and educator Adolphus Hailstork has established an endowed scholarship fund at historically Black Norfolk State University in Virginia. The fund will support undergraduate music students at the university, where Hailstork taught from 1977 to 2000.
Old friends and family spoke at the event. Author-Biographer Quincy Troupe followed reading excerpts from his works describing Miles. Next up was composer/ arranger son of Jimmy Heath, Mtume, who expressed his experiences with the “genius.” Others who spoke were Lee Konitz, Gary Bartz, Wallace Roney, Phil Schaap, George Coleman and Miles’ nephew from Los Angeles drummer Vince Wilburn, Jr. Also present were Bill Saxton owner of Harlem’s Bill’s Place, Noah Evans son of arranger Gil Evans, Juini Booth bassist for Thelonious Monk and SunRa plus Sandra Trim-DaCosta (former Director of Marketing, Columbia Records/SONY Music) who worked closely with Miles for several years, after being assigned by the late legendary music industry executive Dr. George Butler (former Sr. Vice President, A&R, Columbia Records) to develop the overall marketing campaign for Miles and his recordings for the label … Dr. Butler played a significant role in the jazz icon’s return to the music scene and we are forever grateful to him for his tenacity and vision for Miles.
The clip, entitled “Cherishing Life’s Special Moments,” seeks to raise awareness about the importance of speaking with your doctor about prostate cancer.
Ella Fitzgerald (April 25, 1917 – June 15, 1996), also known as the “First Lady of Song”, “Queen of Jazz”, and “Lady Ella”, was an American jazz vocalist with a vocal range spanning three octaves (D♭3 to D♭6). She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a “horn-like” improvisational ability, particularly in her scat singing.
As Google honors Ella with her own Google Doodle today (pictured left), learn more about her life and music on