Press "Enter" to skip to content

Posts published in “Jazz/Blues/Folk”

MUSIC MONDAY: “Summer Breeze” – Summer Songs Playlist for 2023 (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

This July, as we endure the latest triple digit temperature heatwave, or navigate flight cancellations in our attempts at a vacation, we can always count on summer music to lighten the mood and keep our heads cool in the comfort of our own backyard.

So, with that in mind, we’re back again this holiday week with the latest update to our popular playlist entitled Summer Breeze – Soulful Summer Songs.” We introduced this playlist a few years ago and have been updating it annually with both new and old musical finds uncovered deep in the recesses of Spotify.

[spotifyplaybutton play=”https://open.spotify.com/playlist/1xgE7qFwobhbEshljcxyPs?si=f9ead573a45d4295″]

The goal of the playlist is simple – find music by Black artists (or, in a few cases, soul-influenced artists of various ethnic backgrounds) that have the word “summer” in their song title – these songs are literally written about summer.

Some are big BBQ standards, like “Summer Breeze” by the Isley Brothers, Will Smith‘s “Summertime”, Sly & The Family Stone‘s “Hot Fun in the Summertime” and “Summer” by War.

But many are lesser known from across the decades, from artists ranging from Nat King Cole and Nancy Wilson to Anderson.Paak and Aloe Blacc – all unified by their seasonal theme.

This year we’ve added 35 new songs, sprinkled throughout the list. Some are fresh out of the oven, like Chris Brown‘s “Summer Too Hot” and “Summer Renaissance” by Beyoncé. Others include older songs we found anew on Spotify since our last update, from name artists like Uncle Charlie Wilson (“Just Like Summertime”), Rick James (“Summer Love”), Tony! Toni! Toné! (“Til Last Summer”), reggae group Big Mountain (“Reggae Inna Summertime”) and Kelly Rowland (“Summer Dreaming”).

For this OG soul music fan, the most fun, perhaps, is uncovering via the magic of Spotify all sorts of artists new to my ears. Many are already successful with millions of monthly Spotify listeners, such as SiR (“Summer in November”), Fana Hues (a lovely cover of Stevie’s “Never Dreamed You’d Leave in Summer”), girl group FLO (“Summertime”), Khruangbin (a cool new take on “Summer Madness”) and KYLE (“SummertimeSoul”). 

We’ve also got songs from newcomers like Kenya Vaun (“Summer”), Tay Iwar with Juls (“Summer Breeze”), and NoMBe (“Summer’s Gone” remix with Sonny Alven and Thutmose).

Spotify has opened up American ears to artists from all over the globe that we may never have heard before the internet. South Africa’s Soweto-born DJ Kent brings us the hypnotic “Summer Heartbreak.” Suriname-born Jeangu Macrooy (“Summer Moon”) has represented Netherlands in Eurovision. Pheelz (“Pheelz Like Summer”) is a prolific Nigerian producer/artist with a following in both his home country and throughout Europe. And from the UK comes newcomer Debbie, with her tune “Summer in December.”

Of course, we also had to dig for a few more deep classics. Those include the Chic-like British soul tune “Summer Grooves” by Mirage, doo-wop classics from Ruby & The Romantics (“My Summer Love”), The Danleers (“One Summer Night”), and The Tymes (“Summer Day”), and some newly found standards, including a lovely version of “The Summer Knows” from Leslie Uggams and Sarah Vaughan‘s “The Green Leaves of Summer.” And, love it or hate it, you simply must check out LGBT icon Sylvester‘s version of the Porgy & Bess standard “Summertime” in which the disco star merges Gershwin with Soft Cell’s “Tainted Love.”

If you’ve enjoyed this playlist in the past, here’s the annual reminder to check in with it again for some fresh additions. And if you are new to it, check out all the above and more on what is now a full day’s worth of summer songs with a soulful sensibility to explore. Feel free to let us know in the comments your favorite “summer” songs, including any we’ve missed!

Enjoy!

MUSIC MONDAY: “Move on Up” – The Best of Curtis Mayfield (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

This June 3rd was the 81st anniversary of Curtis Mayfield’s birth. Today, on Juneteenth, we offer Move On Up: The Best of Curtis Mayfield playlist to celebrate the Chicago native who made an indelible mark on popular music through his protest songs and on the movie soundtrack album in particular.

[spotifyplaybutton play=”https://open.spotify.com/playlist/0CutRP38OfPOv3ojI39Cpa?si=98026abc77084c71″]

As a singer, songwriter, and producer, Mayfield is widely regarded as one of the most influential figures in soul and R&B music. His early days with The Impressions showcased his distinctive falsetto vocals and he penned hits like “I’m So Proud” “It’s All Right,” and “Woman’s Got Soul,” among others.

However, it was his solo career that solidified his place as a musical pioneer and visionary. Beyond his musical contributions, Mayfield was a vocal advocate for civil rights and social equality.

His songs, including “Move On Up,” “People Get Ready,” “Keep On Pushing,” “Choice of Colors” and “We’re a Winner” became anthems for the Civil Rights Movement. They have empowered marginalized communities and inspired change for decades.

The soundtrack of Superfly was a smash by any measure. The record’s first single, “Freddie’s Dead” came out in July 1972, before the full album and the movie, and hit No. 4 on the Billboard Hot 100 chart.

Mayfield also crafted and composed the 1976 soundtrack to Sparkle, on which Aretha Franklin recorded the now classic #1 R&B hit “Something He Can Feel.” En Vogue remade the song in 1992 and repeated that feat, along with taking their cover to No. 6 on the Hot 100 chart.

This collection features his many hits, collaborations, remixes of his work and covers made in tribute to his impact. Enjoy.

Happy Juneteenth!! Stay sane, safe, and kind. See ya next month, y’all.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Speak No Evil: The Best of Wayne Shorter” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday, you all. This collection celebrates another recently departed great, Wayne Shorter. He was a giant of jazz for six decades. He was a well-regarded improviser, bandleader, composer, and thinker.

[spotifyplaybutton play=”https://open.spotify.com/playlist/76tvVHnlNP252TmRHgXlDp?si=f990ba9037854921″]

From his teen years with Art Blakey and Miles Davis to his work as a founder of Weather Report, to leading his own landmark quintet Shorter was among the greatest.

A well-known figure on the jazz circuit since the late 1950s, Shorter would go on to take a strong hand in shaping much of 20th Century jazz music.

The 12-time Grammy award winner played alongside several greats, including Carlos Santana, Steely Dan, Joni Mitchell, and Herbie Hancock.

In 1964 he was swooped away after several attempts by jazz legend Miles Davis to become part of Davis’ “Second Great Quintet.”

Wayne Shorter would also release solo albums by 1959, including the acclaimed Speak No Evil, Night Dreamer, and JuJu.

Among the dozen Grammy awards he won, Shorter received a Lifetime Achievement award in 2015

In 2018, Shorter received the Kennedy Center Honors Award from the John F. Kennedy Center for the Performing Arts for his lifetime of contributions to the arts.

Hope you enjoy the collection. As usual, stay safe, sane, and kind. See ya next month!

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: Soulful Thanksgiving 2022 Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

The holiday season fast approaches, and I’m back with a collection to gather around the table with family and friends.

Here’s a Thanksgiving playlist that includes new music by Rihanna from the BLACK PANTHER: WAKANDA FOREVER soundtrack, and food-centered classics like Cab Calloway’s “Everybody Eats When They Come To My House” from way back in the day.

[spotifyplaybutton play=”https://open.spotify.com/playlist/21kETv2UnVKnydn4bIQfnV?si=c19aa43679904c20″]

This musical journey features soul, jazz, reggae, and gospel, all good music to cook, eat, and clean that kitchen to.

Here’s Ella Fitzgerald and Nat King Cole singing songs about autumn, and several artists like Sly Stone, Massive Attack, and Otis Redding offering songs of thanks.

Plus Little Eva, Fantasia, Louis Jordan and others praising grits, stuffed turkey, mashed potatoes, greens, cornbread, and collards to name a few. Hungry yet?

Happy Early Thanksgiving, y’all. I’ll see you soon with a funky holiday season offering next month.

Until such time, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: The “In” Crowd: A Celebration of Jazz Legend Ramsey Lewis (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday, you all. It’s your friend and selector, Marlon West, back with another dose of fine music.

Earlier this month we lost jazz legend, Ramsey Lewis. He can be credited with extending the life of jazz on the pop charts with his cover of Dobie Gray’s “The ‘In’ Crowd.”

[spotifyplaybutton play=”https://open.spotify.com/playlist/5ZdslhMZ54cowXDVIAStvb?si=01734c9375504d03″]

It spent 16 weeks on the Billboard Top 100 and rose as high as No. 5. The album spent 12 weeks in the top spot among best-selling R&B albums.

Throughout his decades-long career, Lewis was the maestro of jazz crossover. Ramsey Lewis’ trio included bassist Eldee Young and drummer Red Holt.

They received not only chart success with “The ‘In’ Crowd” but also cultural acclamation: the cut earned him the Grammy award for Best Instrumental Jazz Performance.

“Improvisation that should swing, have some forward motion to it, even if it’s a ballad, to have some movement about it. Where are you going to find that spontaneous improvisation in the moment except in jazz?” Lewis told Molly Murphy in a 2006 interview for the National Endowment For the Arts.

Lewis was born in Chicago on May 27, 1935 and grew up in the Cabrini Green housing project. He started taking piano lessons at a young age and played at church, where his father was choir director.

Throughout his life he always returned to his hometown and as a teacher and mentor. Here’s some of the best of Ramsey Lewis. Enjoy!

“See” ya next month! Just in time for a soulful and funky Halloween offering.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Juneteenth” – an African American Holiday Playlist for 2022 (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I couldn’t believe I hadn’t done a #Juneteenth playlist for GBN. This year it shares a Sunday with Father’s Day.

While I didn’t grow up with the holiday, it’s believed to be the oldest African-American holiday, with annual celebrations on June 19th in some parts of the country dating back to 1866. Well.

[spotifyplaybutton play=”https://open.spotify.com/playlist/1W6idXYtb7tgnLuxNowXtL?si=7263a049c70f4c77″]

Since becoming aware of it, I’ve been all-in for years. As a father and son, I am thrilled with the one-two holiday punch.

I’ve tried to gather a set of tunes that can be enjoyed while the grill is full of food, with folk sitting around the table, or when you’re chilling around the crib.

From its Galveston, Texas roots, is now one of five date-specific federal holidays along with New Year’s Day (January 1), Independence Day (July 4), Veterans Day (November 11), and Christmas Day (December 25).

Juneteenth will coincide with Father’s Day not only this year, but also in 2033, 2039, 2044, and 2050. It’s the first new federal holiday since Martin Luther King Jr. Day was declared a holiday in 1986.

Do enjoy another free-wheeling and eclectic collection celebrating this uniquely American holiday by your friend and selector.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “It’s Your Thing” – The Best of Ronald Isley and the Isley Brothers (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

“With the possible exception of the Beatles, no band in the history of popular music, and certainly no African American act, has left a more substantial legacy on popular music than the Isley Brothers.” — Bob Gulla, Icons of R&B and Soul

While they’re well respected enough to be in the Rock & Roll Hall Of Fame since 1992, The Isley Brothers are not afforded their proper place of widespread esteem in the pantheon of popular music.

[spotifyplaybutton play=”https://open.spotify.com/playlist/6u11OosJolq31zJQcRlyuC?si=d5c3a38ba94a41a4″]

They’re the only group in the history of music to have a demonstrable influence on both the Beatles (who covered the Isleys’ take of “Twist And Shout” for one of their biggest early hits) and Ice Cube (who rapped over “Footsteps In The Dark, Pts. 1 & 2” on “It Was A Good Day”).

Over a 60-year run the group changed – one brother, Vernon, died young, while another, Rudolph, became a church minister, to be replaced by a family member – one aspect has remained constant: Ronald’s instantly recognizable, golden voice.

Ronald Isley (photo: commons.wikipedia.org)

Last month he turned 81 years old. Any listener to the playlists I’ve created for GBN knows I’ll slip an Isley Brothers track into a collection whenever possible.

This one is an unapologetic tribute to the vocalist that fronted the most essential band this nation has produced. He’s mastered a series of genres and has also sung the modern American of songbooks.

Ronald Isley has song standards from Broadway, Hollywood, and Tin Pan Alley. He has gifted us definitive versions of classics penned for the Motown production line by Brian Holland, Lamont Dozier, and Eddie Holland, as well as delicate reinterpretations of ballads by Burt Bacharach and Hal David.

Enjoy this hours-long collection of the best of one of America’s greatest and most enduring vocalists.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Written by Wonder, First Sung by Another” – a Stevie Wonder-Composed Playlist (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

If you are a regular listener of Good Black NewsMusic Monday playlists, we’re sure you’ve noticed by now that we’ve got some serious Stevie Wonder fans in the house. In 2020, we even celebrated his 70th birthday with a whole month of fantastic playlists (some links below).

And now that Mr. Wonder’s birthday week again (on this Friday the 13th), we’ve got a new playlist to share – this one built around songs that he composed for other artists – it’s called “Written By Wonder, First Sung By Another”:

[spotifyplaybutton play=”https://open.spotify.com/playlist/6GAkiGK8QJRFyHcOdnCQmv?si=7b9eb6f8dd184912″]

This playlist is comprised of over 90 songs spanning from the mid-60s when he was still just a teenage songwriter, up through the list’s most recent composition, a 2011 release from smooth jazz vocalist Maysa called “Have Sweet Dreams.”

Many people already know of the hits Stevie wrote for others – classics such as The Spinners’ “It’s A Shame,” Jermaine Jackson’s “Let’s Get Serious,” Third World’s “Try Jah Love,” Rufus feat. Chaka Khan’s “Tell Me Something Good,” and of course, Smokey Robinson & The Miracles’ “The Tears of a Clown.”

But his writing legacy goes so much deeper than that.

Good Black News Wishes You and Yours Happy Mother’s Day 2022 and Offers a Mother’s Day Playlist — from Our Mom! (LISTEN)

[Photo: GBN Contributor Joyce Lakin (l) and GBN Editor-in-Chief Lori Lakin Hutcherson (r) in Maui, 2005]

Good Black News wants to take a moment on this day to honor and remember the women who gave us life, who nurtured and raised us, and also offered us solace, counsel, wisdom, humility and humor.

To all the mothers out there – be they Aunties, Grandmothers, Cousins or Friends – thank you for all you do!

And to one mom out there in particular — Joyce Lakin — we want to thank you for all of the above and also for agreeing to put together a playlist of some of your all-time favorite songs to share with all the other moms and children out there who grew up on their mom’s music!

[spotifyplaybutton play=”https://open.spotify.com/playlist/2GPh8RMXYweW8a8VkRFG6M?si=bf6c5e2d1cd24447″]

On this list there’s clearly songs you grew up on (Johnny Mathis, Etta James, Sammy Davis, Jr.), songs that were your jams that became our jams (Teddy Pendergrass, Marvin Gaye, Prince) and songs that are refreshing surprises — Jay Z and J. Lo — who knew?!

If anyone out there is still lucky enough to have their mom, we encourage you to ask them for their playlist — and you’ll learn more about your mom and yourself than you’d imagine!

Thanks, Mom.  And Happy Mother’s Day!

Celebrating Jazz Architect, Genius and Legend Louis Armstrong to Close Out #JazzAppreciationMonth (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

We end our celebration of #JazzAppreciationMonth today with a short tribute to a seminal architect of the sound, the legendary New Orleans son, Louis Armstrong.

To read about Armstrong, read on. To hear about him, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Saturday, April 30th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Today, we’d like to close out #JazzAppreciationMonth, with a short tribute to a primary architect of the sound, the legendary New Orleans son, Louis Armstrong:

[“St. Louis Blues” by Louis Armstrong]

“No him, no me,” is how jazz innovator Dizzy Gillespie described the impact of musician Louis Armstrong.

Widely believed to be the first great jazz soloist, Armstrong’s improvisations on the cornet and trumpet influenced every jazz musician after him and elevated the musical style to a new, exciting standard.

Born in August of 1901, during one of the more challenging times of his childhood, Armstrong was sent to a home for boys in 1912 after firing his stepfather’s gun in the air during a New Year’s Eve celebration.

While at the “Colored Waifs Home for Boys” as it was called, Armstrong learned how to play the cornet. When Armstrong was released, as he worked odd jobs he was mentored on his horn by one of the best players in town — Joe “King” Oliver – and eventually replaced Oliver on cornet in Kid Ory’s band.

Armstrong soon reunited with Oliver when Oliver formed his own band in Chicago, which lead to Armstrong’s first recorded solo on record, 1923’s “Chimes Blues.”

[Excerpt of “Chimes Blues”]

Armstrong soon left his mentor to join Fletcher Henderson’s Orchestra, the top  Black big band in New York. But the big city lifestyle and creative restraints Armstrong encountered lead him back to New Orleans to play with his wife Lil Armstrong’s band at the Dreamland Café.

Armstrong also began recording with his studio band – first the Hot Five and then Hot Sevens – even though they weren’t who he played with for live performances.

These recordings with smaller groups of musicians were an early influence on what would that become the norm after the swing band/orchestra’s hey day in the 1930s that ushered in the bebop era in the 1940s.

Armstrong’s stop-time solos on numbers like “Cornet Chop Suey” and “Potato Head Blues” changed jazz history, featuring daring rhythmic choices, swinging phrasing and incredible high notes.

[Excerpt “Potato Head Blues”]

Armstrong also innovated with his vocals, and his riff-style “scat” singing was emulated by popular singers like Ella Fitzgerald and Billie Holiday.

[Excerpt of “Heebie Jeebies”]

Armstrong’s influence on other musicians was impactful and immediate. A young pianist from Pittsburgh, Earl Hines, assimilated Armstrong’s ideas into his piano playing, and together, they made some of the greatest recordings in jazz history in 1928, including their duet on “West End Blues”:

[Excerpt of “West End Blues”]

“West End Blues” proved without a doubt that popular dance music like jazz music was also capable of producing high art.

As Armstrong’s reputation grew, he toured in Europe, began recording hit songs of the day and appeared in Hollywood movies such as Pennies From Heaven and High Society with Bing Crosby, The Glenn Miller Story with Jimmy Stewart and New Orleans with Billie Holiday. Armstrong also recorded with a smaller six-piece combo, the All Stars.

The personnel of this combo would frequently change, but Armstrong would perform live with his All Stars until the end of his career. Members, at one time or another, included Jack Teagarden, Earl Hines, Sid Catlett, Barney Bigard, Trummy Young, Edmond Hall, Billy Kyle and Tyree Glenn, among other jazz legends.

During this time in the 1940s and 1950s, Armstrong had hits with his versions of songs such as “That Lucky Old Sun,” “A Kiss to Build a Dream On,” “Blueberry Hill” “La Vie En Rose” and one of the biggest hits of his career, his version of “Mack The Knife”:

[Excerpt from “Mack The Knife”]

As times advanced and changed, Armstrong’s style was seen as outmoded and outdated. He received criticism for remaining silent on politics and not lending his voice to the fight against racism and for civil rights.

Even when Armstrong did speak up, as in 1957 when he called out President Eisenhower for allowing Governor Orval Faubus to use the National Guard to prevent the Little Rock Nine from integrating Little Rock Central High School, he was met with criticism from whites and Blacks alike – the former for saying anything and the latter for seeming to speak out too late.

Yet and still, Armstrong kept on with doing what he wanted to do musically and defying all odds and at the height of the British invasion of the rock and roll era, he scored a #1 Billboard pop hit in 1964 at the age of 63 with his version of “Hello, Dolly”:

[Excerpt of “Hello, Dolly”]

In 1965, Armstrong started performing the Fats Waller tune “Black and Blue” live again a decade after removing it from his repertoire. He changed a lyric from being “I’m white inside” to “I’m right inside” and turned it into a protest that he would continue to play for the rest of his life:

[1965 version of “Black and Blue” from East Germany]

Three years later however, Armstrong’s version of “What A Wonderful World” did not get the same reception in the United States. But it was a number one hit overseas in England and South Africa in 1967, and after its appearance almost two decades later in the 1986 movie Good Morning, Vietnam, “What a Wonderful World” became a signature tune and perennial favorite of Armstrong’s, known the world over to this day.

[Excerpt of “What a Wonderful World”]

Armstrong’s home in Corona, Queens, which he shared with his fourth wife Lillian from 1943 until his passing in 1971, was declared a National Historic Landmark in in 1977. Today, the house is home to the Louis Armstrong House Museum, which annually receives thousands of visitors from all over the world.

Even though his most famous nickname was “Satchmo” for his “satchel mouth,” New Orleans native Armstrong was more lovingly known among musicians as “Pops,” as he was the father of it all.

[excerpt from “When The Saints Go Marching In”]

To learn more about Louis Armstrong, check out his 1936 autobiography, Swing That Music, his 1954 autobiography Satchmo: My Life in New Orleans, 1999’s Louis Armstrong in His Own Words, and other written offerings such as Satchmo: The Genius of Louis Armstrong by Gary Giddins from 2001, Pops: The Life of Louis Armstrong from 2009 by Terry Teachout, and All of Me: The Complete Discography of Louis Armstrong by Jos Willems from 2006. And of course, buy or stream his music.

You can also watch the 1957 documentary Satchmo the Great which is currently posted on YouTube, Ken Burn’s Jazz miniseries on PBS, and be on the lookout for what Apple Original Films announced last year would be the definitive Louis Armstrong documentary produced by Imagine Entertainment where the story will be told entirely through Armstrong’s own words titled Black & Blues: The Colorful Ballad of Louis Armstrong.

And speaking of Louis Armstrong’s words, let’s hear a bit of him speaking about love and life from an audio clip posted on louisarmstronghouse.org:

[Clip of Louis Armstrong speaking]

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

Excerpts from Louis Armstrong’s music are included under fair use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(amazon links are paid links)