GBN Contributor Marlon West is back once again with an excellent curation of songs that help define the breadth of music and culture of the diaspora. This week’s focus is a playlist that mixes genres but is tied together by the concept known as “Afrofuturism.”
In Marlon’s words:
“Hope this Monday finds you all staying safe, sane, and kind. Here’s another playlist from your friend and selector, Marlon. Afrofuturism addresses themes and concerns of the African diaspora through technoculture and science fiction. Afrofuturist ideas have been explored though literature, visual arts, film, and of course music. Hope you dig this playlist of artists working in that mode from the 1950s to the present-day.”
GBN Contributor Marlon West is back again this week with his excellent curation of a sub-genre known as “Soul Jazz.”
In Marlon’s words:
“Heavily influenced by funk, gospel, and R&B, Soul Jazz emerged in the late 1950 and ‘60s. Artists like Jimmy Smith, Shirley Scott, and Art Blakey were not going to take the popularity of soul music laying down. They created music designed for jukeboxes of the time, and is still endlessly sampled and influential today.”
GBN delights in the opportunity to commemorate the birth of Billie Holiday, one of America’s most talented singing artists, on what would have been her 105th birthday.
Born Eleanora Fagan on April 7, 1915 and raised primarily in Baltimore, MD, Holiday is best known for her signature songs “God Bless The Child,” which she co-wrote with Arthur Herzog, Jr. and “Strange Fruit,” the anti-lynching protest song she first recorded in 1939.
Slightly older generations may have become acquainted with Holiday through the 1972 film Lady Sings The Blues, which garnered Diana Ross an Academy Award nomination for the title role.
Above you can watch Lady Day in 1957 on CBS’ The Sound of Jazz performing “Fine and Mellow,” the blues standard she wrote and first recorded in 1939, with Jazz All Stars such as Lester “Prez” Young, Ben Webster, Roy Eldridge, Gerry Mulligan, Milt Hinton and Mal Waldron.
Below you can experience a comprehensive compilation of Billie Holiday’s recordings in a Spotify playlist called Loving Lady Day: The Best of Billie Holiday. Click through to follow and/or download. Enjoy!
GBN would like to take a moment to commemorate the birth of one of the most talented musicians to ever grace planet Earth, Aretha Louise Franklin, on what would have been her 78th birthday.
Although 2020 will offer memorials to the Queen in the form of MGM‘s theatrical movie “Respect”starring Jennifer Hudson and the limited series under National Geographic Channel’s “Genius” banner starring Cynthia Erivo, it’s doubtful either will focus on an oft-overlook aspect of Franklin’s myriad talents: her songwriting.
Above you can watch Aretha performing “Think,” one of her best-known compositions in a clip from The Blues Brothers, while below you can listen to even more gems penned by Aretha in a Spotify playlist called “Rock Steady”: Songs Aretha Franklin Wrote:
McCoy Tyner, a cornerstone of John Coltrane’s groundbreaking 1960s quartet and one of the most influential pianists in jazz history, died on Friday at his home in New Jersey at age 81, according to the New York Times.
His death was announced by a spokesman for the Tyner family. No other details were provided. Mr. Tyner’s survivors include his wife, Aisha; his son, Nurudeen, who is known as Deen; and his brother, Jarvis.
To quote from the article:
Along with Bill Evans, Herbie Hancock, Chick Corea and only a few others, Mr. Tyner was one of the main expressways of modern jazz piano. Nearly every jazz pianist since Mr. Tyner’s years with Coltrane has had to learn his lessons, whether they ultimately discarded them or not.
Mr. Tyner’s manner was modest, but his sound was rich, percussive and serious, his lyrical improvisations centered by powerful left-hand chords marking the first beat of the bar and the tonal center of the music.
That sound helped create the atmosphere of Coltrane’s music and, to some extent, all jazz in the 1960s. (When you are thinking of Coltrane playing “My Favorite Things” or “A Love Supreme,” you may be thinking of the sound of Mr. Tyner almost as much as that of Coltrane’s saxophone.)
Mr. Tyner did not find immediate success after leaving Coltrane in 1965. But within a decade his fame had caught up with his influence, and he remained one of the leading bandleaders in jazz as well as one of the most revered pianists for the rest of his life.
Alfred McCoy Tyner was born in Philadelphia on Dec. 11, 1938, to Jarvis and Beatrice Tyner, both natives of North Carolina. His father sang in a church quartet and worked for a company that made medicated cream; his mother was a beautician. Mr. Tyner started taking piano lessons at 13, and a year later his mother bought him his first piano, setting it up in her beauty shop.
He grew up during a spectacular period for jazz in Philadelphia. Among the local musicians who would go on to national prominence were the organist Jimmy Smith, the trumpeter Lee Morgan and the pianists Red Garland, Kenny Barron, Ray Bryant and Richie Powell, who lived in an apartment around the corner from the Tyner family house, and whose brother was the pianist Bud Powell, Mr. Tyner’s idol. (Mr. Tyner recalled that once, as a teenager, while practicing in the beauty shop, he looked out the window and saw Powell listening; he eventually invited the master inside to play.)
Just before Coltrane’s death in 1967, Mr. Tyner signed to Blue Note. He quickly delivered “The Real McCoy,” one of his strongest albums, which included his compositions “Passion Dance,” “Search for Peace” and “Blues on the Corner,” all of which he later revisited on record and kept in his live repertoire.
According to the Los Angeles Times, Diahann Carroll, star of stage and screen who changed the course of television history as the first African American woman to star in a TV series (1968’s ground-breaking sitcom “Julia”) and to win a lead actress Tony Award, has passed away. She was 84.
The Oscar-nominated actress and breast cancer survivor, who also starred in “Paris Blues” with Sidney Poitier, Paul Newman and Joanne Woodward, primetime soap “Dynasty” and “White Collar,” died of cancer, her daughter Suzanne Kay said Friday.
Born Carol Diahann Johnson in 1935 in the Bronx, Carroll moved to Harlem with her parents at a young age. With their support, she enrolled in dance, singing and modeling classes and attended Music and Art High School with Billy Dee Williams, who would later costar with her in “Dynasty.” By 15, Carroll was modeling for Ebony, and by 18 she got her big singing break after winning the televised talent show “Chance of a Lifetime” in 1954.
Carroll debuted as an actress in 1954’s Oscar-nominated adaptation of “Carmen Jones,” a retelling of the Bizet opera with an all-black cast alongside Dorothy Dandridge, Harry Belafonte and Pearl Bailey. In 1959, she headlined the musical “Porgy and Bess” with Dandridge, Sidney Poitier and Sammy Davis Jr.
Carroll was nominated for a lead-actress Oscar for her turn as a single mother in the 1974 comedy “Claudine” opposite James Earl Jones, and earned a Tony Award in 1962 for Richard Rodgers’ “No Strings.”
In the late 1960s, Carroll was cast in “Julia,” the enormously successful NBC sitcom that featured her as a war-widowed nurse raising a son.
Carroll won a Golden Globe for female TV star and a nomination for best TV show, among other nods. She also earned a lead actress in a comedy Emmy nomination in 1969. Because the show was sponsored by toymaker Mattel, she served as the model for one of the first black Barbie dolls and found her likeness plastered on a variety of merchandise, including lunch boxes and coloring books.
The National Trust for Historic Preservation, through its African American Cultural Heritage Action Fund, announced a crowdfunding campaign to support the restoration and preservation of Nina Simone’s childhood home in Tryon, NC.
This campaign, supported by artists, actors, and musicians including John Legend, will raise funds integral to the exterior restoration of the home where the celebrated singer, pianist and Civil Rights icon’s life began. The home, which has fallen into disrepair requiring urgent revitalization, was designated a National Treasure in June of 2018.
“Spaces devoted to the history and legacy of people of color, especially women of color, are far too few in America today,” said John Legend. “Preserving places like the Nina Simone childhood home will help keep her powerful story alive. This campaign pays tribute to Nina Simone’s unapologetic pursuit of musical, personal, and political freedom and I am proud to be a part of it.”
The National Trust’s crowdfunding campaign will run onIndieGoGo, beginning today, giving the public an opportunity to make donations to this effort, and to purchase newly designed Nina Simone-inspired merchandise including t-shirts, artist prints, pins, and postcards with artwork by Dare Coulter — a North Carolina-based artist working to create positive imagery of people of color. The campaign will also include the option to acquire additional merch donated by musicians including Talib Kweli and actors Mahershala Ali and Issa Rae.
“Our culture is embodied in old places and the history and stories they keep,” said Brent Leggs, executive director of the African American Cultural Heritage Action Fund at the National Trust for Historic Preservation. “This modest home in Tryon, North Carolina embodies the story of a young black girl who transcended the constraints placed on her in the Jim Crow south, to become the voice of the Civil Rights Movement. Nina Simone’s childhood home provides an important lens for examining the contours of her life, and through its preservation, we hope to celebrate and cement her legacy in our American narrative.”
In 1933, Eunice Waymon, aka Nina Simone, was born in Tryon, North Carolina. It was in this home that Simone first taught herself the piano at the age of three, performed in public for the first time at the neighborhood church where her mother preached, and where she experienced the constraints placed on African Americans in the rural Jim Crow South. This home would become the inspiration of some of her most influential music and political activism, including songs such as “Mississippi Goddam” and “Four Women.”
In recent years, the three-room, 660-square foot clapboard pier and beam house had fallen in disrepair. The vacant property was put on the market in 2016. Alarmed by the condition of the home and the risk of losing this connection to Nina Simone entirely, four African American visual artists—conceptual artist and painter Adam Pendleton, the sculptor and painter Rashid Johnson, the collagist and filmmaker Ellen Gallagher, and the abstract painter Julie Mehretu—purchased the property in 2017.
“When three fellow artists and I purchased Nina Simone’s childhood home in 2017, we did so with the desire that the site be transformed into a piece of living history, “ said artist Adam Pendleton. “This space, so integral to Nina Simone’s music and activism, can serve to carry forward her legacy and inspire future artists and musicians.”
Nina Simone’s career spanned multiple genres, four decades, several continents, and earned 15 Grammy nominations. Her songs have been professionally sampled and covered more than 500 times.
This week, the National Trust will be bringing the Nina Simone Crowdfunding campaign to the 25th annual Essence Festival, where attendees can claim exclusive perks and learn more about this National Treasure.
Natalie Maria Cole was born on February 6, 1950, and grew up in a heavily musical atmosphere in Los Angeles’ exclusive Hancock Park area. In addition to her famous father, jazz and pop musical legend Nat King Cole, Natalie’s mother Maria had been a background vocalist with Duke Ellington.
Cole’s own breakthrough as a musical artist came via her early 1970s association with Chuck Jackson and Marvin Yancy, who once worked with one of Natalie’s real-life idols, Aretha Franklin. Her debut album “Inseparable” came out in 1975, which included two of her signature hits – “This Will Be” (#6 on the pop charts and the title track. Her debut also garnered her Grammy Awards for Best R&B female vocals and Best New Artist.
Cole subsequently had hits with “Sophisticated Lady,” “Mr. Melody,” “I’ve Got Love on My Mind,” “Our Love,” “Stand By,” “What You Won’t Do for Love,” “Hold On” and “Nothing But a Fool,” along with more platinum and gold albums. Acute drug problems, however, hindered her career and Cole eventually took time off time for recovery.
In 1985, Natalie released, in what was the start of a comeback, her album “Dangerous” for Modern Records. Late 1980s pop singles included “Jump Start My Heart,” “Miss You Like Crazy”, “Pink Cadillac” and “I Live for Your Love.”
In the midst of her ebb-and-flow R&B success, in 1991 Cole shifted into her familial jazz roots to record a new CD, “Unforgettable…with Love,” paying homage to her late father. With the help and encouragement of family, Cole re-arranged and re-recorded some of his greatest songs in the same studio that he recorded (Capitol Studios), used some of the same musicians and even recreated one of his signature songs, the title tune “Unforgettable,” with a technological effect that appeared as if they were dueting together.
Never before or since has this been pulled off and marketed so successfully. Not only did it sell well over 30 million copies, it would become an eight-time over platinum winner. It earned several awards on Grammy night, including “Album of the Year” and “Record of the Year,.”
Over time Natalie began covering more jazz standards. A jazz CD in 1994 also captured a Grammy. In addition, Cole branched out into occasional acting roles, including the social drama Lily in Winter (1994) and the autobiographical feature film Livin’ for Love: The Natalie Cole Story (2000) in which she played herself. She has also made infrequent acting appearances on such shows as “I’ll Fly Away,” “Law & Order,” “Touched by an Angel” and “Grey’s Anatomy.”
Cole passed away from congestive heart failure on December 31, 2015 in Los Angeles. She was 65 and is survived by one son, Robert Adam Yancy.
According to the Seattle Times, musical artist, counterculture figure and guitar legend Jimi Hendrix will have a post office renamed for him in his Washington state hometown.
In late December a bill was signed into law re-christening the Renton Highlands Post Office the James Marshall “Jimi” Hendrix Post Office. The bill, which was passed unanimously, was sponsored by Rep. Adam Smith, D-Bellevue, and supported by both of Washington’s U.S. senators, Patty Murray and Maria Cantwell.
Jimi Hendrix statue in Seattle (photo via pinterest.com)
“I am honored to join in paying tribute to rock and roll icon and Seattle native Jimi Hendrix with the renaming of the Renton Highlands Post Office as the James Marshall ‘Jimi’ Hendrix Post Office Building,” Congressperson Smith said in a statement. “This designation will further celebrate Hendrix’s deep connection to the Puget Sound region and help ensure that his creative legacy will be remembered by our community and inspire future generations.”
Hendrix grew up in Seattle, spending much of his formative years in the Central District. There are several other Hendrix tributes in Seattle – from a statue on Broadway Street to his namesake park adjacent to the Northwest African American Museum (NAAM) – undeniably putting “Seattle’s most recognizable son,” as the museum’s director LaNesha DeBardelaben described him, into the city’s history.
The Renton post office is less than a mile from the Jimi Hendrix Memorial in the Greenwood Memorial Park cemetery, where the guitar hero is buried.
Though he lived a short life, Hendrix’ impact on music and American culture is still felt today. Hendrix is best known for his hits and virtuoso guitar playing on “Hey Joe,” “Purple Haze,” and “The Wind Cries Mary,” along with “All Along the Watchtower,” “Foxy Lady,” and “Voodoo Child.”
He achieved widespread fame in the U.S. after his performance at the Monterey Pop Festival in 1967, and in 1968 his third and final studio album, Electric Ladyland, reached number one in the U.S. The world’s highest-paid performer at the time, Hendrix headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970. Check out his still-mesmerizing, revolutionary version of “Star-Spangled Banner” from 50 years ago:
Fabolous made Christmas come early for kids in the Madison Square Boys and Girls Club of Brooklyn this year with his annual Christmas Toy Drive. The event was made possible by the Brooklyn rapper’s foundation A Fabolous Way (which is designed to merge communities and the arts), Def Jam and D’usse.
“On behalf of The Boys and Girls Club, we would like to thank Fabolous and Lisa for bringing joy to some of our families this holiday season,” said the Director of Clubhouse Operations, Antonio Fort. “Fab has visited us in the past and we appreciate his positive message of inspiration to the youth.”
The event was held at the lavish Red Rabbit in New York City’s Meat Packing District neighborhood. According to Page Six, Fab spent over 100K on the presents. “I don’t put a money amount on Christmas — I just want to show people that they are special to me,” he said. “But, it is safe to say I have spent over $100,000.”
Although he’s definitely generous, he admits that doing the actual shopping is tough for him because of his busy life. What matters most to him is making sure he’s giving someone a thoughtful gift.
