Mulatu Astatke was born in 1943, and is widely sighted as being the greatest innovator of Ethiopian jazz. Astatke took the fusion of traditional Ethiopian folk music and American jazz to a new level.
‘There are tribes in the south called the Derashe They are surrounded by people who play five tone music but they have created a diminished 12-tone scale. Diminished scales are very important in jazz music especially for improvising. We learn how Charlie Parker came up with diminished scales as well as Claude Debussy and Bach. But always on my mind is the question of who were first with the scale, these people or the Derashe tribe?”
By the late 1960s, he helped create a ‘golden age’ in Addis Ababa. It was in full swing in 1973 when American jazz legend, Duke Ellington, came to town and performed with with Mulatu Astatke.
Much of that thriving Ethiopian jazz scene came crashing down the following year, when a Soviet-backed military junta known as the Derg overthrew the government. It left tens of thousands dead and nearly destroyed the thriving musical community.
When the Soviet Union broke apart in 1991, and the Derg was subsequently overthrown, and the budding democracy quickly became a thriving home of musical creativity.
Ethiopian Jazz hit new global audiences through CD releases that included the Ethiopiques series and Rough Guide albums. Astatke’s songs fueled the soundtrack of Jim Jarmusch‘s film Broken Flowers in 2005.
Samples of his were used by Nas, Damian Marley, Kanye West, Cut Chemist, Quantic, Madlib, and Oddisee.
Today, Mulatu Astatke is still active, and collaborating with a new generation of artists including The Heliocentrics and Black Jesus Experience. His most recent album was released in 2020 at age 76.
Bunny Wailer, born Neville O’Riley Livingston, died on March 2nd. He was an original member of The Wailers along with Bob Marley and Peter Tosh, and a lifelong standard-bearer of reggae music.
“The Wailers are to reggae what the Beatles are to rock ‘n roll and pop music,” according to Jamaican music-business veteran Copeland Forbes.
This collection is devoted to the work of The Wailers, and the solo work of Rita Marley, Peter Tosh, and of Bunny Wailer himself.
In the 1960s The Wailers hit their initial stride with Coxsone Dodd’s Studio One label, often called Jamaica’s Motown. They recorded for several producers, including Leslie Kong and, most notably, Lee “Scratch” Perry.
I’ve included several of those songs, and ones The Wailers went on to release on their own Wail ‘N Soul ‘M and Tuff Gong labels.
By 1974, Tosh and Wailer both would leave the group for solo careers. Bob Marley would use The Wailers name for his backup band.
Hope you enjoy this collection of music by greats artist done together and separately.
Stay stay, sane, and kind, you all. Until such time.
International supermodel, activist and philanthropist Naomi Campbell welcomes musician, record producer, songwriter, singer, fashion designer and entrepreneur Pharrell Williams for an iconic conversation on “No Filter with Naomi,” a limited-time series under her “Being Naomi” YouTube channel, live today at 3pm EST / 12pm PST.
With more than 500,000 views, the web series has invited fans to #stayhome during this pandemic to save lives and has focused on intimate conversations on multiple topics between Naomi and a diverse collection of her friends, including a variety of designers, musicians, activists, actors and media personalities. Recently, during Black History Month 2021, Campbell used her platform to highlight the “New Black Talent You Need to Know in the Fashion Industry”:
The series debuted on April 6, 2020 and has since featured guests Tracee Ellis Ross, Demi Moore,Mariah Carey,Chelsea Handler,Cameron Diaz, Lenny Kravitz, Whoopi Goldberg,James Charles,Charlamagne Tha God,Mary J. Blige,Gabrielle Union,Kate Hudson,Cynthia Erivo, Cindy Crawford, Marc Jacobs, Nicole Richie, Ashley Graham, Pierpaolo Piccoli, LeeDaniels, Christy Turlington, Adut Akech, Sharon Stone, Paris Hilton, Serena Williams and Venus Williams, Karlie Kloss, Anna Wintour, and Sean “Diddy” Combs.
The “No Filter with Naomi” series returned after hiatus on June 23rd and featured a select group of episodes focused on impactful conversations dedicated to #BlackLivesMatter, social justice issues, racial and human inequalities. These critical conversations included featured guests: Opal Tometi, Rev. Al Sharpton, Alphonso Reed, Cleo Wade, Bethann Hardison, Tyler Mitchell, Indya Moore, Chase Strangio and Tori Cooper.
WHERE: Streaming live on Naomi Campbell’s YouTube Channel. View all “No Filter with Naomi” episodes here.
African popular music (often called Afropop, Afro-pop or Afro pop), like African traditional music, is vast and varied.
This playlist centered contemporary genres of African music build the cross-pollination with western popular music like: rhythm & blues, hip-hop, jazz, salsa, and reggae.
Afrobeats (not to be confused, as I was, with Afrobeat) and Afro-pop is less of a style and more of a descriptor for the fusion of sounds flowing out of Ghana and Nigeria.
Here’s a collection of mainly recent releases from a variety of artists. Hope you enjoy.
This is Ida B. Wells. Best known for being a late 19th/early 20th-century journalist, anti-lynching crusader and women’s rights advocate. In 2020, Wells received a posthumous Pulitzer Prize for journalism, and her face honored the centennial of the U.S. Suffragist Movement in a mosaic art installation in Washington D.C.’s Union Station.
Wells is a helluva historical figure who still far too few people know about. Her whole life is fascinating, so I’ll try to keep it short and focussed on her work. If you don’t have time for it now, right below is a great quote summing up Wells’ importance in the fight for equality and justice from the New York Times review of the 1999 biography on Wells:
“Linda O. McMurry‘s important new biography, To Keep the Waters Troubled, tells the story of an extraordinary American who would have been at the very summit of our national pantheon except for two things: her sex and her race. But then again, being born into a society that promised individual freedom and personal power — just not to blacks, not to women and above all not to black women — was the source of Ida B. Wells’s remarkable story.”
Wells was one of the first African-American female journalists to run her own newspaper, was an outspoken feminist, suffragist, an international figure and speaker, and early leader in the Civil Rights Movement who helped found the NAACP with W.E.B. DuBois and others, and helped women get and consolidate their power around voting in Illinois when they won the right.
But what fascinates me the most is her near one-woman crusade against lynching, and how she used her investigative, reporting, and oratory skills not only to document lynchings in the 1890s, but also to disprove the lie that Black men were raping white women or committing crimes that justified their mob hangings.
Wells offered real proof that lynching was being used in the South as a way to control or punish Black people who competed with whites. Even after the offices of her newspaper, Free Speech and Headlight, were burned down and she had to relocate from Memphis to Chicago to escape death threats, Wells persisted with her work.
Although there was major resistance in the U.S., Wells garnered support from the British, who after reading her work and hearing her speeches (they also witnessed her being dragged unfairly in the American press), offered monetary support and formed the British Anti-Lynching Committee, which included prominent members such as the Duke of Argyll, the Archbishop of Canterbury, members of Parliament, and the editors of The Manchester Guardian, who put international pressure on the U.S. to address these horrific crimes against Black Americans.
Wells’ crusade against lynching started in 1889, when her friend Thomas Moss opened the Peoples Grocery in the “Curve,” a Black neighborhood just outside Memphis city limits. It did well and competed with a white-owned grocery store across the street.
In 1892, while Wells was out of town, a white mob invaded her friends’ store. During the altercation, three white men were shot and injured. Moss and two other black men were arrested and jailed pending trial. A white lynch mob stormed the jail and killed the three men.
After the lynching of her friends, Wells wrote an editorial and became an ersatz civil rights leader and firebrand, urging Blacks to leave Memphis altogether. More than 6,000 black people did leave Memphis; others organized boycotts of white-owned businesses. After being threatened with violence, Wells bought a pistol. She later wrote, “They had made me an exile and threatened my life for hinting at the truth.”
Wells began her investigation by looking at the charges given for her friends’ murders, which officially started her anti-lynching campaign. She spoke at various Black women’s clubs, and raised more than $500 to investigate lynchings and publish her findings. Wells found that Blacks were lynched primarily for social control reasons such as failing to pay debts, not appearing to give way to whites, competing with whites economically, or being drunk in public.
She found little basis for the frequent claim that Black men were lynched because they had sexually abused or attacked white women. This alibi seemed to have partly accounted for white America’s collective acceptance or silence on lynching, as well as its acceptance by many in the educated African-American community.
Wells published her findings in a pamphlet called Southern Horrors: Lynch Law in All Its Phases. She followed it with an editorial that said, unlike the myth that white women were sexually at risk of attacks by Black men, most liaisons between Black men and white women were consensual.
Her editorial enraged white men in Memphis. On May 27, 1892, while she was away in Philadelphia, a white mob destroyed the offices of the Free Speech and Headlight.
To quote again from the 1999 New York Times Review:
“Wells exposed as false the most common justification for these lynchings: that they were necessitated by sexual ”outrages” committed by Black men against white women. Perhaps only a woman could have spoken out effectively against these charges, but doing so exposed Wells to attacks against her sexual character. Her willingness to talk openly about rape and interracial sex kept her from succeeding the aging Frederick Douglass as ”leader of the Afro-American race,” the most respected Negro in the United States among whites. This role went instead to a man and a nonmilitant, Booker T. Washington.”
In continued efforts to raise awareness and opposition to lynching, Wells spoke to groups in New York City, where her audiences included many leading African-American women.
On October 5, 1892, a testimonial dinner held at Lyric Hall, organized by political activists and clubwomen, Victoria Earle Matthews and Maritcha Remond Lyons, raised significant funds for Wells’ anti-lynching campaign. The Women’s Loyal Union of New York and Brooklyn was formed to organize Black women as an interest group who could act politically.
Wells toured Europe in her campaign for justice, but the first tour in 1893 didn’t go so well. Wells went to Great Britain at the invitation of Catherine Impey, a British Quaker. An opponent of imperialism and proponent of racial equality, Impey wanted to ensure that the British public learned about the problem of lynching in the U.S.
Wells accompanied her speeches with a photograph of a white mob and grinning white children posing near a hanged Black man; her talks created a sensation, but some in the audiences remained doubtful of her accounts. Wells intended to raise money and expose the U.S. lynching violence, but received so little funds that she had difficulty covering her travel expenses.
Before her second visit to Britain in 1894, the enterprising Wells worked to get some backing. Wells called on William Penn Nixon, editor of Daily Inter-Ocean, a Republican newspaper in Chicago, the only major white paper that persistently denounced lynching.
After Wells told Nixon about her planned tour, he asked her to write for the newspaper while in England, making her the first African-American woman to be a paid correspondent for a mainstream white newspaper. This time, Wells was highly effective in speaking to European audiences, who were shocked to learn about the rate of violence against Black people in the U.S.
Wells called for the formation of groups to formally protest the lynchings and helped catalyze anti-lynching groups in Europe, which tried to press the U.S. government to guarantee the safety of Black people in the South.
When she spoke at home to Black crowds, Wells was a one-woman precursor to the 1950s Deacons of Defense or the 1960s Black Panthers or even Malcolm X: she recommended that Black people arm themselves to defend against lynching:
“The lesson this teaches and which every Afro-American should ponder well, is that a Winchester rifle should have a place of honour in every black home, and it should be used for that protection which the law refuses to give. When the white man who is always the aggressor knows he runs as great a risk of biting the dust every time his Afro-American victim does, he will have greater respect for Afro-American life. The more the Afro-American yields and cringes and begs, the more he has to do so, the more he is insulted, outraged and lynched.”
Wells subsequently published The Red Record(1895), a 100-page pamphlet describing lynching in the U.S. since the Emancipation Proclamation of 1863. It also covered Black people’s struggles in the South since the Civil War. The Red Record explored the alarmingly high rates of lynching in the United States (which was at a peak from 1880 to 1930).
Wells gave 14 pages of statistics related to lynching cases committed from 1892 to 1895; she also included pages of graphic accounts detailing specific lynchings. She notes that her data was taken from articles by white correspondents, white press bureaus, and white newspapers.
The Red Record had far-reaching influence in the debate about lynching. Her accounts grabbed the attention of Northerners who knew little about lynching or accepted the common explanation that black men deserved this fate.
(Ida B. Wells in Chicago in 1909 with her children: Charles, Herman, Ida and Alfreda Archivio GBB/Redux)
During this time, Wells also had to deal with dust-ups with white women suffragists such as Susan B. Anthony and Frances Willard. Anthony was critical of Wells for getting “distracted” by her young son who she had to bring with her on occasion to speaking engagements.
Willard went out of her way to try to discredit Wells in the press after Wells called Willard out for being silent lynching and for making racist statements where she said Black people drank too much and threatened the safety of women. Wells clapped back at Willard in The Red Record with an entire chapter dedicated to discussing “Miss Willard’s Attitude.”
In 1896, Wells founded the National Association of Colored Women’s Clubs and the National Afro-American Council. In Chicago, Wells also worked to improve conditions for its rapidly growing African-American population due to the Great Migration to northern industrial cities.
Wells worked on urban reform in Chicago during the last thirty years of her life. Wells began writing her autobiography, Crusade for Justice, in 1928 but never finished it; she died of uremia (kidney failure) in Chicago on March 25, 1931, at the age of 68.
In her hometown of Holly Springs, Mississippi, the Ida B.Wells-Barnett Museum acts as a cultural center of African American history. Awards have been established in Wells’s name by the National Association of Black Journalists, the Medill School of Journalism at Northwestern University, and the New York County Lawyers Assn., among others.
Earlier this month was the 76th anniversary of the birth of Robert Nesta Marley.
It is hard to overstate his impact on popular music and culture. Marley was a Rastafari icon, and he infused his music with a sense of social consciousness and spirituality.
He is still a global symbol of Jamaican music, culture, and Pan-Africanism. He co-founded The Wailers vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.
They created early ska and rocksteady in the studios of legendary producers Coxsone Dodd and Lee “Scratch” Perry.
Marley would go on to bring reggae music to an international audience, and was inducted into the Rock and Roll Hall of Fame in 1994.
Rolling Stone has ranked him No. 11 on its list of the 100 Greatest Artists of All Time.
Here’s a collection includes his many classics, early recordings, live performances, and remixes, and dub reworkings. This playlist is a testament to the lasting impact of Bob Marley.
Stacey Abrams has been nominated for the Nobel Peace Prize for her work to promote voting rights via Fair Fight in Georgia and the United States overall.
“Abrams’ work follows in Dr. Martin Luther King Jr.’s footsteps in the fight for equality before the law and for civil rights,” said Lars Haltbrekken, a member of Norway’s parliament.
“Abrams’ efforts to complete King’s work are crucial if the United States of America shall succeed in its effort to create fraternity between all its peoples and a peaceful and just society,” Haltbrekken said.
Other candidates this year include the Black Lives Matter movement, the World Health Organization, U.S. Congresswoman Barbara Lee and climate campaigner Greta Thunberg.
According to Reuters the Nobel Committee in Norway, which decides who wins the award, does not comment on nominations but nominators can choose to reveal their picks.
Massive Attack was formed in Bristol, England, in the late 1980s, coalescing out of a sound-system culture of D.J.s and musicians.
It is hard to overstate the impact his collective, originally known as The Wild Bunch, would go on to have on electronic and popular music. They would knit together previously disparate styles of hip-hop, post-punk, dub reggae, electronica and just enough pop to provide melodic discipline and skeletal structure.
Their first three records Blue Lines, Protection, and Mezzanine were part of the vanguard of artists that created the “Trip Hop” movement. The group launched Tricky and collaborated with others like Elizabeth Fraser of the Cocteau Twins and the reggae songwriter Horace Andy.
Petter Eide, a member of Norway’s parliament, nominated Black Lives Matter for a Nobel Peace Prize in recognition of the movement’s continuous work towards manifesting racial justice in the U.S. and across the globe.
“To carry forward a movement of racial justice and to spread that to other countries is very, very important. Black Lives Matter is the strongest force today doing this, not only in the U.S. but also in Europe and in Asia,” Eide told USA TODAY.
Dr. Martin Luther King, Jr. won the Nobel Peace Prize in 1964 in recognition for his work and mission of non-violent protest during the Civil Rights Movement.
Albert Luthuli and Nelson Mandela won in 1960 and 1993, respectively, for their campaigns against racial discrimination and apartheid in South Africa.
Additionally, the Black Lives Matter Global Network Foundation has won Sweden’s Olof Palme human rights prize for 2020, for promoting “peaceful civil disobedience against police brutality and racial violence” according to the prize’s organizers.
Patrice Cullors, one of the original founders of Black Lives Matter, will accept the $100,000 on behalf of BLM during an online ceremony today.
Legendary beauty entrepreneur and influencer Pat McGrath was named a Dame by Queen Elizabeth II on New Year’s Day, becoming the first makeup artist ever to receive a damehood.
“I am truly delighted and humbled to be given this wonderful honor,” McGrath said of receiving the title. “My mother’s obsession with beauty and fashion ignited my passion for this amazing industry, and I feel blessed to have the privilege of working with some of the most extraordinary people throughout my career.”
Born in 1970 in London to a single mother and first-generation Jamaican immigrant, McGrath’s journey to becoming a beauty powerhouse began in the 1980s, when she found herself immersed in the city’s colorful nightlife scene, drawing inspiration from the Blitz Kids and New Romantics.
It was here that she met some of the figures who would be key collaborators throughout her life, including stylists Kim Bowen and Edward Enninful, the latter of whom kickstarted her career by naming her beauty director ati-D magazine.
In the decades since, McGrath has become famous for her boldly experimental and iconoclastic approach to beauty, with her avant-garde makeup looks for John Galliano’s Dior coutureshows across the late 1990s and 2000s remaining among the most-referenced of all time.
In 2015, she launched her own beauty line, Pat McGrath Labs, which has swiftly become one of the biggest disruptors in the industry and was valued in 2018 as worth $1 billion. The label is known for its inclusive range of skin tones and kaleidoscopic color palettes, allowing her fans and followers to approach beauty in the same playful and inventive mode as McGrath herself.