Geoffrey Holder, the dancer, choreographer, actor, composer, designer and painter who used his manifold talents to infuse the arts with the flavor of his native West Indies and to put a singular stamp on the American cultural scene, not least with his outsize personality, died on Sunday in Manhattan. He was 84.
Charles M. Mirotznik, a spokesman for the family, said the cause was complications of pneumonia. Few cultural figures of the last half of the 20th century were as multifaceted as Mr. Holder, and few had a public presence as unmistakable as his, with his gleaming pate atop a 6-foot-6 frame, full-bodied laugh and bassoon of a voice laced with the lilting cadences of the Caribbean.
Mr. Holder directed a dance troupe from his native Trinidad and Tobago, danced on Broadway and at the Metropolitan Opera and won Tony Awards in 1975 for direction of a musical and costume design for “The Wiz,” a rollicking, all-black version of “The Wizard of Oz.”
His choreography was in the repertory of the Alvin Ailey American Dance Theater and the Dance Theater of Harlem. He acted onstage and in films and was an accomplished painter, photographer and sculptor whose works have been shown in galleries and museums. He published a cookbook.
Mr. Holder acknowledged that he achieved his widest celebrity as the jolly, white-suited television pitchman for 7Up in the 1970s and ’80s, when in a run of commercials, always in tropical settings, he happily endorsed the soft-drink as an “absolutely maaarvelous” alternative to Coca-Cola — or “the Un-Cola,” as the ads put it.
Long afterward, white suit or no, he would stop pedestrian traffic and draw stares at restaurants. He even good-naturedly alluded to the TV spots in accepting his Tony for directing, using their signature line “Just try making something like that out of a cola nut.”
Kenya’s Dennis Kimetto has broken the marathon world record in Berlin, winning the race in a time of two hours, two minutes and 57 seconds.
The 30-year-old shook off fellow Kenyan Emmanuel Mutai with just under three miles remaining to become the first man to run a marathon in less than two hours and three minutes.
Mutai, who finished second in 2:03:13, also broke the previous record.
“I feel good because I won a very tough race,” said Kimetto.
“I felt good from the start and in the last few miles I felt I could do it and break the record.”
Kimetto, who won marathons in Tokyo and Boston last year, had promised to attack the record in Berlin if conditions allowed.
And in weather perfect for long-distance running, with temperatures around eight degrees centigrade, Kimetto kept his promise, staying in the lead group throughout and sprinting to victory and a new world’s best time.
Mutai, meanwhile, believes a two-hour marathon is possible.
“From what I saw today, times are coming down and down. So if not today, then tomorrow,” the 29-year-old Kenyan said. “Maybe next time we’ll get 2:01.”
Mutai had run the fastest marathon in history in 2:03:02 in Boston in 2011, but it did not count as a world record because the course is considered too straight and downhill. article via bbc.com
The African Choir were a group of young South African singers that toured Britain between 1891 and 1893. They were formed to raise funds for a Christian school in their home country and performed for Queen Victoria at Osborne House, a royal residence on the Isle of Wight. At some point during their stay, they visited the studio of the London Stereoscopic Company to have group and individual portraits made on plate-glass negatives. That long-lost series of photographs, unseen for 120 years, is the dramatic centrepiece of an illuminating new exhibition called Black Chronicles II.
“The portraits were last shown in the London Illustrated News in 1891,” says Renée Mussai, who has co-curated the show at London’s Rivington Place alongside Mark Sealy MBE, director of Autograph ABP, a foundation that focuses on black cultural identity often through the use of overlooked archives. “The Hulton Archive, where they came from, did not even know they existed until we uncovered them while excavating their archive as part of my PhD project.”
The London Stereoscopic Company specialised in carte de visites – small photographs printed on cards that were often traded by collectors or used by performers for publicity purposes – and, as their name suggests, they were all in stereo which, when seen through a special viewer, gave the illusion of a three-dimensional photograph.
The enlarged portraits of the African Choir, which line one wall of the exhibition, were made by Mike Spry, a specialist in printing from glass plates who was coaxed out of retirement to undertake the meticulous process in his garden shed. They are arresting both for the style and assurance of the sitters – some of the women look like they could be modelling for Vogue – and for the way they challenge the received narrative of the history of black people in Britain.
“Black Chronicles II is part of a wider ongoing project called The Missing Chapter,” says Mussai, “which uses the history of photography to illuminate the missing chapters in British history and culture, especially black history and culture. There is a widespread misconception that black experience in Britain begins with the arrival of the Empire Windrush and the first Jamaican immigrants in 1948, but, as this exhibition shows, there is an incredible archive of images of black people in Britain that goes right back to the invention of photography in the 1830s.”
Near the African choir shots, there is an equally striking portrait of Major Musa Bhai, a Ceylon-born Muslim who was converted to Christianity in colonial India. He accompanied the family of William Booth, founder of theSalvation Army, to England in 1888 as a high-profile advocate for the organisation. As Mussai notes, there “are several intertwining narratives – colonial, cultural and personal – embedded in these images, but what is often startling is how confident and self-contained many of the sitters are as they occupy the frame.”
Sara Forbes Bonetta. Brighton, 1862. (Photograph: Courtesy of Paul Frecker collection/The Library of Nineteenth-Century Photography)
Black Chronicles II is punctuated by several such surprising shots, some of well-known people but many of ordinary individuals caught up in the indiscriminate sweep of colonial and postcolonial history. Among the former is Sara Forbes Bonetta, perhaps the most celebrated black British Victorian, who was photographed by two pre-eminent portrait photographers, Camilla Silvy and Julia Margaret Cameron.
Captured aged five by slave raiders in west Africa, Forbes Bonetta was rescued by Captain Frederick E Forbes, then presented as a “gift” to Queen Victoria. Forbes, who rechristened the child after his ship, the Bonetta, later wrote of the proud moment when he realised that Forbes Bonetta “would be a present from the King of the Blacks to the Queen of the Whites.”
More haunting is the portrait of Dejazmatch Alamayou Tewodros, an Ethiopian prince who was orphaned at the age of seven, when his father died rather than surrender to the British troops that had surrounded his castle in what was then Abyssinia. Alamayou was brought to England by Sir Robert Napier and adopted by the intriguingly named explorer Captain Tristram Speedy. Alamayou died in England of pleurisy in 1879.
David Adjaye photographed at his London office in Marylebone by Suki Dhanda for the Observer New Review.
I am looking at plans of the presidential palace in Libreville, Gabon, as existing and as proposed. The first shows gates, walls, guardhouses, accommodation for the president’s elite soldiers. The second shows public space, welcome zones, trees, landscaping, the elements of enlightened contemporary city planning. It is a diagram of liberalisation, of a new era assisted by design.
I am also looking at an image of a business school in Moscow, an unabashed work of oligarchic bling, that pre-empts its future rediscovery as a piece of ironic-lovable kitsch. There is a cool, white, slatted structure in an idyllic Mediterranean landscape, apartment blocks in Doha, and a composition of 10 inverted cones, to be arranged in a giant circle in Kampala. These are works of a realigned world, where the distribution of money and power ignores former distinctions of third and first worlds. They collectively offer the same reorientation as those world maps that dispense with the Eurocentric bias of Mercator’s projection. David Adjaye’s Buildings in Pictures
The location is a black-floored, black-walled office on the edge of Marylebone, London, with shelves of black files with small white lettering. Galvanised steel shelves denote work, but a black, oblong pool of water, bright green curtains, and an impressive bunch of lilies suggest more an exclusive club or hotel. Possibly the lair of a Bond villain, only more benign. Architectural models are displayed like artworks, although inopportune beige printers puncture the stylishness. The entrance to the office, as often in David Adjaye’s projects, is barely perceptible. David Adjaye with his wife, Ashley Shaw-Scott. Photograph: Alexander Tamargo/Getty Images for Design Miami
Adjaye is late, as he often is, but is then generous with his time, as he also often is. He says something nice about my personal life, as I make to sit down in the Eames chair by his desk. “Er, that’s mine,” he then says, directing me to a plywood seat opposite, which turns out to be a touch excruciating, in front of shelves bearing a discriminating selection of architectural books, and opposite a wall of inspirational images – great buildings, beautiful bodies, maps of Africa, the former model Ashley Shaw-Scott, whom he recently married. “Do you mind if I eat?” he asks, as he uncovers a late lunch from a local curry house, “I have to eat.” He is on the move, as usual. Where has he come from? “Just New York.” Diplomacy and charm are at work here and a tiny assertion of status, which have helped get him where is, but the warmth is also genuine. The Smithsonian National Museum of African American History and Culture
New York is where he has another office, a more informal, light-filled place above an old bank on Canal Street. He has a third in Accra. This tri-continental practice is not bad for an architect in his 40s who seven years ago, when the credit crunch hit, nearly went bust, but the nature of the commissions is more impressive. He has a knack for projects freighted with significance, the foremost of which is the Smithsonian National Museum of African American History and Culture on the highly charged turf of the National Mall in Washington DC, just across from the Washington Memorial. (To be more precise, Adjaye is one of a team of four architectural practices working on the museum, with his role described as “lead designer”.) It is due to open next year, a century after the idea of such a museum was first mooted by some black veterans of the civil war.
He also has a knack for associating with conspicuous and interesting people. In the early years of his practice these tended to be creative types – the artists Jake Chapman, Tom Noble and Sue Webster, Ewan McGregor, Alexander McQueen. Now it is more people like Kofi Annan, the former secretary-general of the United Nations, for whom Adjaye has designed a house in Ghana. Or the new mayor of New York, Bill de Blasio, who recently toured Adjaye’s housing development in Sugar Hill, Harlem, or Barack Obama.
He doesn’t want the latter connection to be exaggerated – “I am not on his speed dial” – and he scotches rumours that he is to design Obama’s presidential library: the choice of architect hasn’t been considered yet. But the Smithsonian museum will be the most significant architectural project of Obama’s presidency, and Adjaye has had more contact with the White House than most architects.
Adjaye’s friends praise the range of his influences and interests. “I was incredibly, incredibly inspired by the breadth of his vision,” says Thelma Golden, director of the Studio Museum in Harlem, of the time she first heard him speak. “There’s Bauhaus in it,” says the artist Lorna Simpson, for whom Adjaye designed a studio building in Brooklyn, “but also the places where he grew up as a child – ornament, pattern, the way light comes in, different things from different places.”
Adjaye was born in Tanzania to Ghanaian parents, his father a diplomat, so these formative places included parts of Africa, Saudi Arabia, and eventually London. It was in London that he studied architecture, launched his practice, and designed his first projects.
WASHINGTON (AP) — A program designed to foster a new generation of young African leaders will be renamed after former South African President Nelson Mandela.
President Barack Obama, who has said he was one of the untold millions of people around the world who were inspired by Mandela’s life, is set to announce the name change at a town hall-style event Monday in Washington with several hundred young leaders from across sub-Saharan Africa.
The youngsters are participating in the inaugural Washington Fellowship for Young African Leaders, part of the broader Young African Leaders Initiative that Obama launched in 2010 to support a new generation of leadership there. The fellowship is being renamed as a tribute to Mandela, who died last December at age 95.
Obama announced the fellowship during a stop in South Africa last summer. It connects young African leaders to leadership training opportunities at top U.S. universities.
In remarks at Monday’s event, Obama also was announcing new public-private partnerships to create more programs for young African leaders, including four regional leadership centers across Africa, online classes and other resources, the White House said.
Mandela spent 27 years in jail under apartheid, South Africa’s former system of white minority rule, before eventually leading his country through a difficult transition to democracy. In 1994, he became the first democratically elected leader of a post-apartheid South Africa.
This week’s events with the next generation of young African leaders are a lead-in to the inaugural U.S.-Africa Leaders Summit, being held Aug. 4-6 in Washington. About 50 African leaders are expected to attend what the White House says will be the largest gathering any U.S. president has held with African heads of state and government. article by Associated Press via newsone.com
Chimamanda Ngozi Adichie at the premiere, in Lagos, Nigeria, of the film “Half of a Yellow Sun,” based on her novel. (Credit: Akintunde Akinleye/Reuters)
More than a decade ago, when the young Nigerian writer Chimamanda Ngozi Adichie was struggling to get her first novel, “Purple Hibiscus,” published, an agent told her that things would be easier “if only you were Indian,” because Indian writers were in vogue. Another suggested changing the setting from Nigeria to America. Ms. Adichie didn’t take this as commentary on her work, she said, but on the timidity of the publishing world when it came to unknown writers and unfamiliar cultures, especially African ones.
These days she wouldn’t receive that kind of advice. Black literary writers with African roots (though some grew up elsewhere), mostly young cosmopolitans who write in English, are making a splash in the book world, especially in the United States. They are on best-seller lists, garner high profile reviews and win major awards, in America and in Britain. Ms. Adichie, 36, the author of “Americanah,” which won the National Book Critics Circle Award for fiction this year, is a prominent member of an expanding group that includes Dinaw Mengestu,Helen Oyeyemi,NoViolet Bulawayo,Teju Cole,Yvonne Adhiambo Owuor and Taiye Selasi, among others.
The Ethiopian-born novelist Dinaw Mengestu in 2010, when his book “How to Read the Air” was published. (Credit: Ed Ou for The New York Times)
There are reasons for the critical mass now, say writers, publishers and literature scholars. After years of political and social turmoil, positive changes in several African nations are helping to greatly expand the number of writers and readers. Newer awards like the Caine Prize for African Writing have helped, too, as have social media, the Internet and top M.F.A. programs. At the Iowa Writers’ Workshop, black writers with recent African roots will make up more than 10 percent of the fiction students come September. Moreover, the number of African immigrants in the United States has more than quadrupled in the past two decades, to almost 1.7 million.
And publishing follows trends: Women, Asian-American, Indian and Latino writers have all been “discovered” and had their moment in the sun — as have African-Americans, some of whom envy the attention given to writers with more recent links in Africa.
“People used to ask where the African writers were,” said Aminatta Forna, author of “The Hired Man” (2013, set in Croatia). “They were cleaning offices and working as clerks.”
Some writers and critics scoff at the idea of lumping together diverse writers with ties to a diverse continent. But others say that this wave represents something new in its sheer size, after a long fallow period. (There were some remarkable exceptions, like Wole Soyinka’s 1986 Nobel Prize in Literature and Ben Okri’s 1991 Booker Prize.) And it differs from the postcolonial wave, roughly beginning in the 1960s, which brought international acclaim to writers like Chinua Achebe and Nuruddin Farah, among others.
An 11-year-old in the U.K. found out he’s a genius after taking an IQ test. His 162 score makes him smarter than Bill Gates – and Albert Einstein – according to the Romford Recorder. Ramarni Wilford was invited to take the IQ test after writing an essay an essay snagged him an invitation to a graduation ceremony at Oxford University. Although he was very surprised and happy by the results – he’s in the top one percent in the U.K. – he remains modest.
“I can’t begin to compare myself to these great men whose hard work clearly proves that they are true geniuses,” Wilford says. RELATED: Child Prodigy Adam Kirby, 2, becomes Youngest Ever to Join Genius Club Mensa
A member of a gifted and talented program as well as the Brilliant Club, he can now add a membership to Mensa to his future college applications. Mensa, the world’s oldest IQ society, has invited Wilford to join so he can attend exclusive events and mingle with like-minded kids.
“I don’t really see having a high IQ as a big deal, but I do feel very privileged to be invited to join Mensa and can’t wait to attend some of the events,” he says.
Read more at the Romford Recorder. article by Teronda Seymore via clutchmagonline.com
Nelson Mandela (Photo: Getty Images)
Friday is Nelson Mandela Day, a day to celebrate the great humanitarian and former president of South Africa. And if you’re in the area, you totally ought to stop by Times Square in New York City and get in on the activist action taking place!
That’s because Global Citizen, Nelson Mandela’s grandson Kweku Mandela and tons of activists will be there to help put an end to extreme poverty. The get-together starts at 4, and at 4:15 they’ll start playing footage of Mandela on the giant billboards. You’ll also be able to watch the “Zero Poverty 2030” movie and you might even get a photo with Kweku Mandela. Plus, if you attend and are able to get 10 people to sign the Zero Poverty 2030 petition, you’ll receive 8 points on Global Citizen, which could help you get to the Global Citizen Festival this fall.
If you don’t live nearby or can’t make it for any other reasons, there are still ways you can take part. You could share a special #DayofAction video on Facebook (which, again, could help you get tickets to the Global Citizen Festival). You can also share on Twitter to help raise awareness.
What Global Citizen is doing on Nelson Mandela Day is a part of something bigger. They’re serious about ending extreme poverty by 2030, and we can all join in and help them. And creating a world without extreme poverty would be a great way to honor Nelson Mandela and continue his humanitarian mission. After all, Mandela himself said, “Like slavery and apartheid, poverty is not natural. It is man-made and it can be overcome and eradicated by the actions of human beings.” article by Danica Davidson via act.mtv.com
President Obama has taken a stance on the kidnapping of nearly 300 Nigerian girls.
In a statement released Tuesday, he said the U.S. will do everything to help Nigeria find the girls, most of whom were taken during an April 15 kidnapping from their school. Obama has said that the first priority is to find the missing girls, however there will be a focus on the alleged kidnappers, members of extremist group, Boko Haram.
“In the short term our goal is obviously is to help the international community, and the Nigerian government, as a team to do everything we can to recover these young ladies,” said Obama during a NBC Today interview. “But we’re also going to have to deal with the broader problem of organizations like this that…can cause such havoc in people’s day-to-day lives.”
President Obama also commented about the impact that the abductions have had on him as a parent, “Obviously, what’s happening is awful and as a father of two girls, I can’t imagine what their parents are going through,” he said.
The President revealed that the U.S. has been looking to work with Nigeria to contain Boko Haram for some time now and hopes that the recent incident will, “…mobilize the entire international community to finally do something against this horrendous organization that’s perpetrated such a terrible crime.”
The U.S. is gearing up to lend a helping hand, sending U.S. military and law enforcement personnel who specialize in investigations, hostage negotiation and victim assistance among other things.
The State Department has warned U.S. citizens against traveling to Nigeria for the time being.
To get involved and keep the conversation going use the #bringourgirlsback hashtag or visit change.org to sign the petition calling for the rescue of the girls.
#BringBackOurGirls Protest in Nigeria 5/2014
U.S. Attorney General Eric Holder is offering law enforcement assistance to help rescue more than 200 Nigerian schoolgirls kidnapped by the Islamist militant group Boko Haram, a senior Justice Department source told The Huffington Post on Monday.
Holder has also ordered an intelligence assessment of Boko Haram, which the United States designated as a terrorist organization in November 2013. The group, whose name means “Western education is sin,” receives training from al Qaeda and its affiliates.
“Let me be clear,” Secretary of State John Kerry said Saturday during a trip to the Democratic Republic of Congo. “The kidnapping of hundreds of children by Boko Haram is an unconscionable crime, and we will do everything possible to support the Nigerian government to return these young women to their homes.”
On April 14, members of Boko Haram invaded a boarding school in Nigeria, pulled 276 girls from their beds and packed them into trucks. At least 53 girls have escaped, while the rest are allegedly being sold as brides to local militants for $12, according to the girls’ relatives.
Abubakar Shekau, a man claiming to be the leader of Boko Haram, took credit for the kidnapping in a video obtained Monday by Agence France-Press and said he is selling the girls as wives to prevent them from receiving a Western education.
“I abducted your girls. I will sell them in the market, by Allah,” Shekau said, according to a CNN translation. “There is a market for selling humans. Allah says I should sell. He commands me to sell. I will sell women.”
Shekau added, “Girls, you should go and get married.”
The Nigerian government claims to be handling the situation, but weeks after the kidnapping, Nigerian officials appear to be no closer to finding the missing girls. The government’s perceived ineptitude has inspired international protests and the globally trending Twitter hashtag #BringBackOurGirls.
“Access to education is a basic right & an unconscionable reason to target innocent girls,” former U.S. Secretary of State Hillary Clinton wrote Sunday on Twitter. “We must stand up to terrorism. #BringBackOurGirls.”
The State Department’s annual report on global terrorism, released last week, found that Boko Haram “receives the bulk of its funding from bank robberies and related criminal activities, including extortion and kidnapping for ransoms.” The group has killed thousands of people in Nigeria since 2009, according to the report.
It is unclear whether Nigeria will accept Holder’s offer of help. CNN reported that Nigeria has not yet asked for help from the United States in finding the girls, possibly because they do not want “visible American forces in their country.” article by Laura Bassett via huffingtonpost.com
