During this time of unprecedented demands of civil rights, our Good Black News playlists have focused on African-American artists during the month of June. But Reggae artists from Jamaica, the U.K., and Africa have long had a thing or two to say about the triumphs and struggle of people of the African diaspora as well.
Reggae came into being in the 1960s as an evolution of the Rocksteady and Ska musical styles. (More on those forms in the weeks to come.) Reggae is a soulful export of Jamaica that expresses in words the pain, struggle, hope, and emotion that is felt by the average person.
Reggae is often marked by its lament-like chanting and emphasizes the syncopated beat. It leans heavily on the use of the Jamaican vernacular and African drumming style.
This collection features a wide range of international artists including, Bob Marley, Linton Kwesi Johnson, Alpha Blondy, Steel Pulse, Hortense Ellis, Bim Sherman, Judy Mowatt, John Holt, and many others.
Candice Carty-Williams and Bernardine Evaristo just won Book of the Year and Author of the Year at the British Book Awards, respectively, becoming the first Black authors to win these top prizes.
According to guardian.com, Carty-Williams won Book of the Year for Queenie, her debut novel about a young black woman navigating life and love in London. The award is judged on quality of writing, innovation of publishing, and sales.
“Carty-Williams said she was proud and grateful to win, but also “sad and confused” that she was the first Black writer to receive the top award.
“Overall, this win makes me hopeful that although I’m the first, the industry are waking up to the fact that I shouldn’t and won’t be the last,” said the author.
“The power of Queenie is the way it makes you feel: energised; moved; comforted. It is such an assured and original piece of debut fiction,” said judge Pandora Sykes. “Weighty issues about identity, race, family, heterosexuality and mental health are distilled into prose which is easily digestible, but extremely impactful.”
Evaristo, the joint winner of last year’s Booker prize for her polyphonic novel Girl, Woman, Other, was named author of the year at the British Book awards, also making her the first black writer to win in that category.
Evaristo also won the fiction category, beating her fellow Booker winner Margaret Atwood to the prize. The novelist, who became the first black British woman to top the fiction paperback charts earlier this month, said she was honoured.
“This is such an interesting moment in our cultural history because the Black Lives Matter movement has generated an unprecedented amount of self-interrogating in the publishing industry,” said Evaristo, who described her recent experience topping the charts as “quite surreal.”
According to cnn.com, Kennedy Mitchum, 22, emailed Merriam-Webster last month to let the renowned dictionary publisher know that she thought its definition of the word racism was inadequate. She was surprised when an editor responded and that the company agreed to update the entry.
“Merriam-Webster’s first definition of racism is ‘a belief that race is the primary determinant of human traits and capacities and that racial differences produce an inherent superiority of a particular race.’
Mitchum said many people she’s talked to use that to dismiss her concerns about racism and overlook broader issues of racial inequality because they don’t personally feel that way about people of color.
Mitchum said she sent her email on a Thursday night and got a reply from editor Alex Chambers the next morning.
After a few emails, Chambers agreed that the entry should be updated and said a new definition is being drafted.
“This revision would not have been made without your persistence in contacting us about this problem,” Chambers said in the email, which was provided to CNN. “We sincerely thank you for repeatedly writing in and apologize for the harm and offense we have caused in failing to address this issue sooner.”
Peter Sokolowski, an editor at large at Merriam-Webster, told CNN that their entry also defines racism as “a doctrine or political program based on the assumption of racism and designed to execute its principles” and “a political or social system founded on racism,” which would cover systematic racism and oppression.
“I think we can express this more clearly to bring the idea of an asymmetrical power structure into the language of this definition, but it’s there,” Sokolowski said.”
According to the Washington Post, global coffee corporation Starbucks, after telling its employees not to wear anything that said “Black Lives Matter,” has reversed course after news reports on their policy sparked a social media backlash.
“We see you. We hear you. Black Lives Matter. That is a fact and will never change,” the company said in a letter posted Friday. “This movement is a catalyst for change, and right now, it’s telling us a lot of things need to be addressed so we can make space to heal.”
Earlier this week, and first reported by BuzzFeed, the company turned down a request from baristas and other employees who wanted to show their support for the BLM movement.
In a memo to its 250,000-member workforce, Diversity Officer Zing Shaw said “there are agitators who misconstrue the fundamental principles of the Black Lives Matter movement — and in certain circumstances, intentionally repurpose them to amplifying divisiveness.”
The news sparked backlash on social media, including calls to boycott the company, just days after Starbucks had issued a “Black Lives Matter” statement of solidarity and committed $1 million to social justice groups as protests broke out across the country following the death of George Floyd, a black man, in police custody.
Good Black News has been honoring Stevie Wonder‘s 70th birthday with posts and playlists all month long (links below). On this last day of May and in light of this past week’s events, GBN finds it only fitting to close out our celebration with some of the most powerful, enduring, soul-stirring music Stevie’s ever created and offered to this world – his protest music.
From “Living For The City” to “Big Brother” to “Black Man” to “Love’s In Need of Love Today” to “Happy Birthday” to “Pastime Paradise” – even his early covers of “Blowin’ in The Wind” and “A Place In The Sun” – Stevie Wonder has always used his artistry to protest racism and injustice while striving for healing, equity, love and “Higher Ground.”
Thank you, Stevie Wonder for using your heart, mind and genius to speak for the voiceless and fight on behalf of the oppressed. May your music continue to help fortify us for the long journey ahead:
As Good Black News continues its month-long tribute to Stevie Wonder in his 70th year on planet Earth, Marlon West has compiled a new Spotify playlist celebrating the times Wonder has graciously and successfully shared the spotlight with other artists.
Although Wonder’s collaborative skills are most famously remembered from the 1986 Grammy-winning chart topper “That’s What Friends Are For” with Dionne Warwick, Elton John and Gladys Knight that raised over $3 million dollars for AIDS research and prevention, he’s been at it for decades with a wide variety of artists and in the name of so many worthy causes and ideas.
Stevie Wonder and Paul McCartney (photo via libraryofcongress.gov)
This playlist ranges from Stevie’s work with the Queen of the Beyhive (Beyoncé) on a heartfelt Luther Vandross tribute, to his duet with a former Beatle (Paul McCartney) to confront racism, a reworking one of his best-loved love songs with a Canadian diva (Celine Dion), to a loving back-and-forth with his first-born daughter (Aisha Morris, who famously made her debut on 1976’s “Isn’t She Lovely” when still a baby).
In Marlon’s words:
Hello and Happy Monday, you all! Stevie Wonder is one if the most distinctive and prolific voices in popular music. He is a singer, composer, and multi-instrumentalist.
The brotha is one of greatest solo artists and bandleaders of our times. That said, Stevie Wonder has made many collaborations with other artists. He’s done duets, been a guest artist, and even a session musician one dozens of records. This playlist is devoted to Stevie Wonder’s duets. Do enjoy!
It’s no secret how much the Good Black News team loves and reveres Stevie Wonder, as we have been celebrating him throughout May with various tributes, posts and playlists on the main page and across our social media.
But today, on May 13, Stevie Wonder’s actual birthday, we want to offer you links to all things Stevie, like his official website, Instagram (which is playing Stevie music live all day!) and Twitter, the biography written about him, as well as the Wikipedia and Biography entries that encapsulate the his life and career in words and video.
But really, to know Stevie all you have to do is listen to his music, especially the songs that comprise the majority of his offerings to this world – album tracks never released as singles – aka Stevie Wonder’s Deep Cuts.
Our newest playlist is comprised solely of these songs, and arguably they are as moving and meaningful as his tunes that topped the charts.
In fact, many of these songs (“You and I,” “Too High,” “Bird of Beauty,” “Love’s In Need of Love Today,” “Rocket Love”) are more popular with Stevie stans than many of his global hits.
They are sequenced in chronological order (like our companion playlist of chart releases and hits “The Age of Wonder”) so the listener can hear the evolution of Stevie Wonder’s writing, production and sound. Enjoy – and Happy Birthday, Stevie! We love you!
Princeton Class of 2020 Valedictorian Nicholas Johnson (Photo by Lisa Festa, Princeton Center for Career Development)
Nicholas Johnson from Montreal, Canada, has been named valedictorian of Princeton’s Class of 2020, according to princeton.edu. becoming the first black person to earn that academic honor since Princeton was founded in 1746.
Princeton will hold a virtual commencement for the Class of 2020 on Sunday, May 31, 2020, in which Johnson will participate. An in-person ceremony will be held in May 2021.
Johnson said he appreciates the encouragement he has received at Princeton in developing his academic interests. The University’s support through opportunities including international internships and cultural immersion trips to Peru, Hong Kong and the United Kingdom were especially significant, Johnson said. But most of all, he treasures his relationships with his classmates.
“My favorite memories of my time at Princeton are memories of time spent with close friends and classmates engaging in stimulating discussions — often late at night — about our beliefs, the cultures and environments in which we were raised, the state of the world, and how we plan on contributing positively to it in our own unique way,” Johnson said.
Johnson plans to spend this summer interning as a hybrid quantitative researcher and software developer at the D. E. Shaw Group before beginning Ph.D. studies in operations research at the Massachusetts Institute of Technology in fall 2020.
His research has focused primarily on sequential decision-making under uncertainty, optimization, and the ethical considerations that must be made given the increasing role of algorithmic decision-making systems.
His senior thesis, “Sequential Stochastic Network Structure Optimization with Applications to Addressing Canada’s Obesity Epidemic,” focuses on developing high-performance, efficient algorithms to solve a network-based optimization problem that models a community-based preventative health intervention designed to curb the prevalence of obesity in Canada.
In addition to serving as a writing fellow at Princeton’s Writing Center, Johnson is editor of Tortoise: A Journal of Writing Pedagogy. He is also a member of the Princeton chapter of Engineers Without Borders and served as its co-president in 2018.
As a rising senior, Johnson worked as a software engineer in machine learning at Google’s California headquarters.
He previously interned at Oxford University’s Integrative Computational Biology and Machine Learning Group, developing and implementing a novel optimization technique. He presented the project at Princeton’s inaugural Day of Optimization in October 2018 and at the 25th Conference of African American Researchers in the Mathematical Sciences in June 2019, where his project was recognized with the Angela E. Grant Poster Award for Best Modeling.
Good Black News joins in the honoring and remembrance of the women who gave us life, nurtured and raised us, and also offered us solace, counsel and wisdom.
Many of us can’t be with the mothers or mother figures in our lives today in person due to the global COVID-19 crisis, but we are with you in voice, online and always – in spirit!
To all the mothers out there – be they Aunties, Grandmothers, Cousins or Friends – thank you for all you do!
Stevie Wonder told us with his very first hit, ‘Fingertips,’ recorded when he was 12, that he was a harmonica master. Somehow, through all the genius songwriting, singing, production and keyboard innovation, we tend to forget about those harmonica skills.
But Stevie hasn’t.
His unmistakable harmonica blowing is right there, easy to find in such Stevie favorites throughout his career including ‘I Was Made to Love Her,’ ‘Isn’t She Lovely,’ ‘For Once In My Life,’ ‘That Girl,’ ‘We Can Work It Out,’ ‘Boogie On Reggae Woman,’ and even 1990s gems like ‘Treat Myself.’
Although he does play that Hohner Chromonica often on his own records, Wonder actually seems to utilize his harmonica skills most frequently as a means to collaborate with other artists.
From the 1960s to today, he’s played harmonica as a guest session man on over 150 songs from other artists. That’s more than 10 whole albums worth of additional Stevie-infused material!
To celebrate that part of Stevie’s career, today’s GBN Month of Stevie playlist is entitled “The Wonders of Stevie’s Harmonica,“ where we’ve amassed every Stevie Wonder harmonica guest appearance that we could find on Spotify into one huge list.
You’ll find a few famous hits – Chaka Khan’s ‘I Feel For You,’ Elton John’s ‘I Guess That’s Why They Call It The Blues,’ Sting’s ‘Brand New Day,’ R&B classics from DeBarge’s ‘Love Me In A Special Way’ to Jermaine Jackson’s smash ‘Let’s Get Serious’ (which Stevie also wrote and produced). And one of my personal favorites, the Eurythmics #1 UK hit ‘There Must Be An Angel (Playing With My Heart).’
And though he hasn’t released a full album of new work since 2005, Stevie Wonder has stayed relevant to the charts through these harmonica-based collabos. That’s Stevie’s harmonica on Drake’s ‘Take Care’ album – the #1 album of 2012.
He appears twice on the Mark Ronson 2015 album that contained the #1 song of that year, “Uptown Funk.” And just last year, that was Stevie’s harmonica again on rapper Travis Scott’s chart-topping album “AstroWorld.”
But going on Stevie Wonder’s harmonica journey through music takes you to more than just the top of the charts. One of the special things about being Stevie – a sonic force for nearly 60 years – is his wide-ranging love of music across all genres and generations, and his ability to play with all those people.
(photo via youtube.com)
While many associate the harmonica mostly with blues and folk sounds, Stevie takes the instrument to new places. To be expected, his harmonica is present in the work of his Motown compatriots from the Supremes to the Temptations to Smokey Robinson.
But he’s also played with the finest in rock music (Paul McCartney, James Taylor), popular standards (Barbra Streisand, Tony Bennett), world music (Sergio Mendes, Djavan), jazz (Robert Glasper, Herbie Hancock, Dizzy Gillespie), pop (NSync, 98 Degrees, Mariah Carey), hip hop (Drake, Snoop Dogg) and gospel (BeBe Winans, Andrae Crouch). (Stevie, of course, has also ventured into Broadway, but the version of Rent’s ‘Seasons of Love’ with his contributions isn’t available on Spotify. But you can hear it here.)
The list closes with another personal favorite, this one from Stevie’s own catalog – his harmonica infused take on the classical holiday piece ‘Ave Maria’ – written in 1825 and sung primarily by opera singers through the centuries.
The 45-second harmonica solo here is simple and majestic, and completely at home within a classical music space, something I think only Stevie Wonder could achieve with this instrument.
Come take a ride on Stevie’s harmonica highway – and listen out for that unmistakable sound. As with most musical adventures, we hope you will find something unexpectedly nice along with way.
Special thank you – assembling this playlist wouldn’t have been easily possible without the massive amounts of information on the fan website www.steviewonder.org.uk .
According to 
Evaristo, the joint winner of last year’s Booker prize for her polyphonic novel 
But today, on May 13, Stevie Wonder’s actual birthday, we want to offer you links to all things Stevie, like his 
His unmistakable harmonica blowing is right there, easy to find in such Stevie favorites throughout his career including ‘I Was Made to Love Her,’ ‘Isn’t She Lovely,’ ‘For Once In My Life,’ ‘That Girl,’ ‘We Can Work It Out,’ ‘Boogie On Reggae Woman,’ and even 1990s gems like ‘Treat Myself.’