Beyhive, pat yourselves on the back. Thanks to your unwavering support of Queen Bey, according to MTV News, at the end of the Mrs. Carter Tour Beyoncé will be highest paid Black musician of all time.
According to estimates, the Mrs. Carter tour is expected to make well over $200 million which would make it Beyonce’s most successful tour ever and lead to her being crowned the highest paid Black musician of all time. This is on top of the Mrs. Carter tour already taking the honor of the highest-grossing concert by a female artist in 2013.
As MTV news points out, this feat would be an especially big one for Bey considering she’s the director and executive producer of the tour, via her production company, Parkwood Entertainment. That same company is also responsible for creating her self-titled visual album and her 2013 HBO documentary Life Is But A Dream.
The Mrs. Carter tour wraps March 27 in Portugal — unless Bey decides to extend it again — so it won’t be long before we see if she makes her mark.
See more at: http://madamenoire.com/402663/beyonce-highest-paid-black-musician-time-end-mrs-carter-tour/#sthash.KjVKdH5U.dpuf
Posts published in “History”
BALTIMORE —This month the Great Blacks in Wax Museum in east Baltimore is celebrating Black History Month as well as the 50th anniversary of equal rights for all. The folks at the museum said Black History Month is all about teaching others about black culture. “It’s about teaching, specifically our children, about the accomplishments of great individuals of African descent, so we hope to get a lot of school kids and other people, as well, coming into the museum,” said museum spokesman Jon Wilson.
The museum’s exhibits and life-like wax figures chronicle the history of black people in America. This year for Black History Month, it’s focusing on the Civil Rights movement because of the 50th anniversary of the Equal Rights Bill. “This legislation by Lyndon B. Johnson made the law that you had to do things more equally and give people their rights no matter what their ethnicity,” Wilson said. The museum is also offering “Civil Sights for Civil Rights” tours for groups that get visitors out and about in Baltimore to see historic venues.
“Baltimore has a very, very rich heritage as it related to Civil Rights, basically because of the Mitchell family and Thurgood Marshall being a Baltimorean. You can go to a lot of historical churches in this area. The Niagara Movement, which was the beginning of the NAACP — you can go to these different churches,” Wilson said.
Museum officials said they expect 8,000-10,000 people to come through the doors in February. They hope each visitor takes away understanding and an acceptance. “We want people to walk away with an understanding that, for us to work together, the community has to work together and have respect for different cultures,” Wilson said.
The museum is open every day in February, but it operates year-round.
Read more: http://www.wbaltv.com/news/maryland/baltimore-city/museum-offers-civil-rights-tours-during-black-history-month/24540596#ixzz2tuxWTYFu
We all know Martin Luther King Jr. was quite the speaker but, apparently, he was also something of a poet. On this Valentine’s Day, take a look back in time at his and Coretta Scott King’s incredible love story through a love letter he wrote her in the summer of 1952, a year before they were married. From Stanford University’s Martin Luther King, Jr., Papers Project:
Dearest,
Fortunately, I am in a better mood today. your letter was sweet and refreshing to my heart, which had well-nigh grown cold toward you. Of course I have become convinced in the last few days that my love for you is based on such a solid foundation that the stormy winds of anger cannot blow it assunder. Love is such a dynamic force isn’t it? It is the most inexplicable and yet the most beautiful force in life. O how joyous it is [to?] be in it.
Darling I miss you so much. In fact, much to much for my own good. I never realized that you were such an intimate part of my life. My life without you is like a year without a spring time which comes to give illumination and heat to the atmosphere which has been saturated by the dark cold breeze of winter. Can you imagine the frustration that a King without a throne would face? Such would be my frustration if I in my little kinghood could not reign at the throne of Coretta. O excuse my darling. I didn’t mean to go off on such a poetical and romantic flight. But how else can we express the deep emotions of life other than in poetry. Isn’t love to ineffable to be grasped by the cold calculating heads of intellect?
Read more.
article via newsone.com
PHOENIX (AP) — Mary Scanlon had no idea a $3 purchase from a Goodwill store in Phoenix would turn out to be a rare link to the civil rights movement’s most revered leader. Last April, Scanlon was at the thrift store when she spotted a pile of 35 vintage reel-to-reel tapes, including one labeled with the Rev. Martin Luther King Jr.’s name. Despite the moldy and torn packaging, she snapped up all of them. “I didn’t really necessarily have any expectation that this tape would be rare,” Scanlon said.
Arizona State University archivists have found that tape is the only known recording of speeches the slain civil rights leader gave at ASU and at a Phoenix church in June 1964. The hour-long audio has since been digitized and is now available for listening on ASU’s website through June 30.
The tape illustrates that King had been eager to visit supporters in Arizona, a state that would draw criticism more than 20 years later for rescinding the Martin Luther King Jr. holiday. Scanlon, who donated all the tapes to the school, said the find is one of the high points of her life. “To have anything about myself connected in any way to Martin Luther King, what more could a person ask for? I’m so proud,” Scanlon said.
Rob Spindler, a university archivist and curator, said it’s miraculous that the audio was still intact. When he first spoke with Scanlon, he immediately warned her not to try and play the tape. “When the material is that old, sometimes you only get one shot to preserve it,” Spindler said.
The tapes were taken from the Ragsdale Mortuary, which was owned by Lincoln Ragsdale, a civil rights leader in Phoenix who died in 1995, Goodwill employees said. Spindler sent the tapes to a company in Kentucky to copy them to a digital format. On May 17, Spindler, Scanlon, a university librarian and two ASU professors who have researched King gathered to listen to the recording for the first time. Hearing King’s voice brought most of them to tears.
“It answers a question we’ve had for decades,” said Spindler, who believes it was King’s first public appearance in Arizona. “What did Martin Luther King say to us that night and how did he arrive here in Phoenix? Now we have a much better idea of those things.”
Arizona was the last stop on a West Coast tour King had been doing, Spindler said. The university and the local chapter of the National Association for the Advancement of Colored People worked to get the preacher to come. About 8,000 people attended the June 3 speech at Goodwin Stadium that started about 8 p.m. In his remarks, King focused on the Civil Rights Act, which at the time was stuck in a filibuster in the U.S. Senate.
Arizona State University archivists have found that tape is the only known recording of speeches the slain civil rights leader gave at ASU and at a Phoenix church in June 1964. The hour-long audio has since been digitized and is now available for listening on ASU’s website through June 30.
The tape illustrates that King had been eager to visit supporters in Arizona, a state that would draw criticism more than 20 years later for rescinding the Martin Luther King Jr. holiday. Scanlon, who donated all the tapes to the school, said the find is one of the high points of her life. “To have anything about myself connected in any way to Martin Luther King, what more could a person ask for? I’m so proud,” Scanlon said.
Rob Spindler, a university archivist and curator, said it’s miraculous that the audio was still intact. When he first spoke with Scanlon, he immediately warned her not to try and play the tape. “When the material is that old, sometimes you only get one shot to preserve it,” Spindler said.
The tapes were taken from the Ragsdale Mortuary, which was owned by Lincoln Ragsdale, a civil rights leader in Phoenix who died in 1995, Goodwill employees said. Spindler sent the tapes to a company in Kentucky to copy them to a digital format. On May 17, Spindler, Scanlon, a university librarian and two ASU professors who have researched King gathered to listen to the recording for the first time. Hearing King’s voice brought most of them to tears.
“It answers a question we’ve had for decades,” said Spindler, who believes it was King’s first public appearance in Arizona. “What did Martin Luther King say to us that night and how did he arrive here in Phoenix? Now we have a much better idea of those things.”
Arizona was the last stop on a West Coast tour King had been doing, Spindler said. The university and the local chapter of the National Association for the Advancement of Colored People worked to get the preacher to come. About 8,000 people attended the June 3 speech at Goodwin Stadium that started about 8 p.m. In his remarks, King focused on the Civil Rights Act, which at the time was stuck in a filibuster in the U.S. Senate.
- Russell Wilson hoists the Lombardi Trophy in just his second season as an NFL quarterback. (ROBERT SABO/NEW YORK DAILY NEWS)
He didn’t dominate, and he didn’t dazzle. He just won. Again. And this time, Seattle Seahawks quarterback Russell Wilson did it on the biggest stage possible, in Super Bowl XLVIII at MetLife Stadium, leading his underdog Seattle Seahawks to a 43-8 demolition of Peyton Manning’s Denver Broncos on Sunday night.
In a game where he was supposed to be the “other” quarterback, the second-year pro did exactly what he had to do to win the Lombardi Trophy. Very quietly, he passed for 206 yards and two touchdowns, becoming the first African-American quarterback to win a Super Bowl since Doug Williams led the Washington Redskins to victory in Supe XXII.
“It’s something I think about, to be the second African-American to win the Super Bowl,” Wilson said. “That’s history right there, man. It’s something special and it’s real. There are so many guys before (me) who have tried to change the game and have done a great job of it.”
While Manning bumbled his way to two interceptions and meaningless Super Bowl passing records, Wilson never tried to do too much. He just calmly completed seven of his first 10 passes on the first two drives — including a 37-yarder to Doug Baldwin — to set up a pair of early field goals and set the tone in the runaway win. He was efficient the entire evening, completing 18 of 25 passes.
Not bad for a quarterback who said he routinely faced doubts because he stands just 5-11. “I think the biggest thing is playing great situational football,” Wilson said. “We want to be smart. I just try to do my part. When we need a big play, I always try to make it, and keep the guys going.”
“It’s something I think about, to be the second African-American to win the Super Bowl,” Wilson said. “That’s history right there, man. It’s something special and it’s real. There are so many guys before (me) who have tried to change the game and have done a great job of it.”
While Manning bumbled his way to two interceptions and meaningless Super Bowl passing records, Wilson never tried to do too much. He just calmly completed seven of his first 10 passes on the first two drives — including a 37-yarder to Doug Baldwin — to set up a pair of early field goals and set the tone in the runaway win. He was efficient the entire evening, completing 18 of 25 passes.
Not bad for a quarterback who said he routinely faced doubts because he stands just 5-11. “I think the biggest thing is playing great situational football,” Wilson said. “We want to be smart. I just try to do my part. When we need a big play, I always try to make it, and keep the guys going.”
Elizabeth “Bessie” Coleman was an American civil aviator. She was the first female pilot of African American descent and the first person of African-American descent to hold an international pilot license. Coleman was born in Atlanta,Texas, the tenth of thirteen children to sharecroppers George, who was part Cherokee, and Susan Coleman.
In 1915, at the age of 23, she moved to Chicago, Illinois, where she lived with her brothers and she worked at the White Sox Barber Shop as a manicurist, where she heard stories from pilots returning home from World War I about flying during the war. She could not gain admission to American flight schools because she was black and a woman. No black U.S. aviator would train her either. Robert S. Abbott, founder and publisher of the Chicago Defender, encouraged her to study abroad.
[youtube http://www.youtube.com/watch?v=wckEiKzCBqc&w=560&h=315]
Coleman raised money, studied French, and then traveled to Paris on November 20, 1920. She learned to fly in a Nieuport Type 82 biplane, with “a steering system that consisted of a vertical stick the thickness of a baseball bat in front of the pilot and a rudder bar under the pilot’s feet.” On June 15, 1921, Coleman became not only the first African-American woman to earn an international aviation license from the Fédération Aéronautique Internationale, and the first American of any gender or ethnicity to do so, but the first African-American woman to earn an aviation pilot’s license. Determined to polish her skills, Coleman spent the next two months taking lessons from a French ace pilot near Paris, and in September 1921 sailed for New York. She became a media sensation when she returned to the United States.
To learn more about Coleman’s life and career, click here or watch the Smithsonian Channel video above.
article via wikipedia.com
WASHINGTON — Max Roach, the great drummer and bandleader and paradigm-shifter of jazz, though he disliked that word, never finished an autobiography. That’s a shame. He died in 2007 at 83, and his career spans the beginning of bebop, the intersection of jazz with the civil rights movement, free improvisation, and jazz’s current state of cross-disciplinary experiments and multimedia performances. Inasmuch as jazz is about change and resistance, he embodied those qualities: He fought anything that would contain or reduce him as an artist and a human being. He would have been well served by his own narrative, set in one voice.
But Roach was archivally minded, and, when he died, he left 400 linear feet of his life and actions to be read: scores and lead sheets, photographs, contracts, itineraries, correspondence, reel tapes and cassettes and drafts of an unfinished autobiography, written with the help of Amiri Baraka. On Monday, the Library of Congress will announce that it has acquired the archive from Mr. Roach’s family and that it will be made available to researchers.
“What I think he would hope people would see,” said the violist Maxine Roach, his daughter from his first marriage, “is that there was a lot about his life that was difficult, you know? The struggles. A lot about economics, and jazz as a word that we didn’t define ourselves.” (Roach felt that it was a pejorative term; he preferred to call it African-American music.) “But aside from all of that,” she continued, “I hope that people see his excellence and his mastery of his skill, which helped him rise in this country that’s been so hard on black men especially, and how he went through it and what price he paid.”
According to Variety.com, British actor John Boyega will portray Olympic athlete Jesse Owens in the biopic Race, with shooting set to start in May in Berlin and Montreal. Stephen Hopkins (Judgment Night, The Life and Death of Peter Sellers) who will direct from a script by Anna Waterhouse and Joe Shrapnel, said, “John Boyega is definitely one of the most exciting young actors working today and I am thrilled to have him on board to play the iconic role of Jesse Owens in Race.”
The 21-year-old Boyega stars in Malik Vitthal’s inner-city drama Imperial Dreams, which premiered Jan. 17 at the Sundance Film Festival. He debuted in feature films in 2011′s Attack the Block and appeared in 2012′s Half of a Yellow Sun opposite Thandie Newton and Chiwetel Ejiofor.
Race will focus on how Owens, the son of an Alabama sharecropper, shattered Adolf Hitler’s myth of Aryan supremacy at the 1936 Berlin Olympics by winning a record four gold medals in the 100-meter dash, the 200-meter dash, the long jump and the 400-meter relay. Owens’ victories are considered among the greatest atlhetic feats of all time. Hitler had insisted Jews and Blacks not be allowed to participate in the games, but relented when threatened with a boycott. He shook hands only with the German victors on the first day of competition and then skipped all further medal presentations.
Shooting locations include the actual Berlin Olympic stadium where Owens won the four gold medals. Producers are aiming for a release in the spring of next year. Race is supported by the Jesse Owens Foundation, the Jesse Owens Trust and the Luminary Group, and has been been in development for the past two years. Race is a different project from the Disney biopic about Owens, which has Antoine Fuqua (Training Day, Olympus Has Fallen) attached to direct.
article by Lori Lakin Hutcherson
Shooting locations include the actual Berlin Olympic stadium where Owens won the four gold medals. Producers are aiming for a release in the spring of next year. Race is supported by the Jesse Owens Foundation, the Jesse Owens Trust and the Luminary Group, and has been been in development for the past two years. Race is a different project from the Disney biopic about Owens, which has Antoine Fuqua (Training Day, Olympus Has Fallen) attached to direct.
article by Lori Lakin Hutcherson
On March 22, 1956, the 27-year-old Dr. Martin Luther King, Jr. was having a horrible day. He’d just been convicted for his role in the Montgomery Bus Boycott and sentenced to pay $1,000 or spend 386 days in jail. After the ruling and motion to appeal, he walked out of the courthouse a temporarily free man, but his spirit was shaken.
All of a sudden, his wife Coretta rushed at him, threw her arms around him, and kissed him in front of about 300 people who’d gathered outside. The biggest smile ever captured on King swept across his face, and his eyes lifted to the heavens with the giddiness of a young man in love.
In the photo that caught this moment, we see a side of him that sometimes gets lost in our remembrances. For all the important things that Dr. King would go on to do in his life, that day he was just a regular young man whose rough day was made better by a little sugar from the one he loved.
Remembering King as a man, not just a legend
Today, the nation pauses for a moment to pay homage to the legacy of Dr. King. During his less than fifteen years in the national spotlight, he became the voice and embodiment of the Civil Rights Movement in America. Our perception of him is deeply influenced by the iconic pictures and films of King delivering powerful speeches, leading marches in the Deep South, and with his hand outstretched towards the sea of people at the 1963 March on Washington.
These many images and the society-shifting changes that his efforts helped bring about have elevated him to a heroic status with a larger-than-life character. This deification pushed him into a place in our memories that sometimes feels beyond our reach of comprehension as fellow mortals.
Think of trailblazing black TV shows, and The Cosby Show immediately comes to mind. But before the Cliff Huxtable, there was Fat Albert, Bill Cosby’s beloved animated creation that became famous for his catchphrase, “Hey, hey, hey!” Fat Albert and the Cosby Kids began airing in 1972, around the same time that other cartoons and animated shows finally began featuring black characters that weren’t all embodiments of negative stereotypes. “It wasn’t until the early 1970’s that Saturday Morning television cartoons started to feature image affirming Black characters with a modern look and positive story lines that delivered culturally relevant messages,” writes Pamela Thomas, aka SistaToFunky, on the website of her online Museum of UnCut Funk.
The museum, which I discovered thanks to a recent NPR story, is a treasure trove of African-American pop cultural artifacts and ephemera, from Blaxploitation movie posters to black comic books. Perhaps the most extensive is the black animation collection, which includes extensive explanatory texts, YouTube links, and original production cels and drawings. Thomas, who has a degree in black history from City College and is a former art dealer, focuses not just on shows with all-black casts, like Fat Albert and The Jackson 5ive cartoon, but on black characters that popped up in other shows, like Josie and the Pusscats’ Valerie Brown, whom she dubs the “first positive Black female character in a Saturday morning cartoon series”; and the “first Black male superhero character in a Saturday morning cartoon,” Schoolhouse Rock’s Verb (“I can question like: What is it? / Verb, you’re so demanding,” the song goes).
The Museum of UnCut Funk is an internet rabbit hole that you can (and should) easily get lost in for hours. It has no physical home yet, but I can only hope it will one day. In the meantime, Thomas has organized a physical exhibition, Funky Turns 40: Black Character Revolution, focused on black characters in Saturday morning cartoons. It opens at New York’s Schomburg Center for Research in Black Culture in February, and will travel to Chicago’s DuSable Museum of African American History and Seattle’s Northwest African American Museum afterwards.
article by Jillian Steinhauer via hyperallergic.com