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Queen Latifah's Bessie Smith biopic "Bessie" Set to Debut May 16th on HBO (VIDEO)

Official Still of Queen Latifah as Bessie Smith in HBO's biopic
Queen Latifah as Bessie Smith in HBO’s biopic (Courtesy: HBO)

Queen Latifah stars as legendary blues singer Bessie Smith in the HBO Films drama “Bessie,” which is directed by Dee Rees, from a screenplay written by Rees, Christopher Cleveland & Bettina Gilois.
With a story by Rees and Horton Foote, the film focuses on Smith’s transformation from a struggling young singer into “The Empress of the Blues,” one of the most successful recording artists of the 1920s.
HBO has announced its movie will debut on Saturday, May 16 at 8PM.
The cast includes Michael Kenneth Williams as Bessie’s husband, Jack; Khandi Alexander as Bessie’s older sister, Viola; Mike Epps as Richard, a bootlegger and romantic interest; Tika Sumpter as Lucille, a performer and romantic interest; Tory Kittles as Bessie’s older brother, Clarence; Oliver Platt as famed photographer and writer Carl Van Vechten; Bryan Greenberg as renowned record producer and music critic John Hammond; with Charles S. Dutton as Ma Rainey’s husband, William “Pa” Rainey; and Mo’Nique as blues legend Ma Rainey.
The film will offer an intimate look at the determined woman whose immense talent and love for music took her from anonymity in the rough-and-tumble world of vaudeville to the 1920s blues scene and international fame, capturing her professional highs and personal lows, and ultimate legend.
Described by HBO as a labor of love for the filmmakers, “Bessie” has been 22 years in the making. The first draft was written by playwright Horton Foote. Queen Latifah was approached by producers Richard and Lili Fini Zanuck to take on the role of Bessie when she was just launching her acting career. She eventually came on board as an executive producer, along with producing partner Shakim Compere.
Director Dee Rees caught HBO’s attention with the buzz around her award-winning film, “Pariah.”
Says Latifah, “I have been excited about this project since the very beginning. When HBO got involved, we were thrilled and we worked together to make something that would capture Bessie’s life honestly and respectfully.”
Watch the telepic’s first full-length trailer below:
[youtube https://www.youtube.com/watch?v=8FhmzwXfgz8&w=560&h=315]
original article by Tambay A. Obenson via blogs.indiewire.com

Vanderbilt University Renames Black Studies Research Center After Former Slave and Early Reparations Activist Callie House

Early Reparations Activist Callie House
19th Century Reparations Activist Callie House

The African American and Diaspora Studies Program at Vanderbilt University in Nashville, Tennessee, recently renamed its research arm the Callie House Research Center for the Study of Black Cultures and Politics. The center was founded in 2012 and sponsors lectures, conferences, working groups, professional development and academic seminars.
Callie House was born a slave in Rutherford County, Tennessee, in 1861. After she was freed, she worked as a seamstress and washerwoman in Nashville. She became interested in social justice and politics and led the first mass slave reparations movement in the United States. In 1898, she helped found the National Ex-Slave Mutual Relief, Bounty and Pension Association.
Mary Frances Berry, the Geraldine R. Segal Professor of American Social Thought and professor of history at the University of Pennsylvania, gave the keynote address at the renaming ceremony. Professor Berry is the author of My Face Is Black Is True: Callie House and the Struggle for Ex-Slave Reparations (Alfred A. Knopf, 2005).
article via jbhe.com

World's 1st Black Flight Attendant Léopoldine Doualla-Bell Smith Honored by Black Flight Attendants of America

Léopoldine Doualla-Bell Smith
Léopoldine Doualla-Bell Smith honored in Denver. (PHOTO COURTESY DANIEL SMITH)

Léopoldine Doualla-Bell Smith vividly remembers her first flight at the tender age of 17.

“I was yelling and screaming and [the other flight attendant] was telling me to calm down,” she recalls, laughing at the memory of the first time she’d experienced soaring amid the clouds in an airplane. “I kept thinking, ‘what if I die?'”

Doualla-Bell Smith had no idea that first flight – as terrifying as it seemed – would mark the beginning of an illustrious aviation industry career that would ultimately span nearly five decades and earn the honorable distinction of being known as one of the world’s first black flight attendants.

In celebration of their 40th anniversary, the Black Flight Attendants of America recently honored Doualla-Bell Smith, 76, now retired in Denver, for her years of service at the Flight Path Museum at the Los Angeles International Airport.

Léopoldine Doualla-Bell Smith
Léopoldine Doualla-Bell Smith honored in Denver by the Black Flight Attendants of America. (PHOTO COURTESY DANIEL SMITH)

“When I heard of Mrs. Smith’s generous humanitarian efforts and spirit of volunteerism, I knew she had to have been a woman of substance of whom we all should be proud,” explains event chairperson Diane Hunter. “Everyone should know of her ‘journey’ to become the first black flight attendant in the world: on every continent and particularly in this country where we were emerged in a historic struggle for equal civil rights under the laws of the [U.S.] Constitution.”

History buffs may know that Ruth Carol Taylor is on record as the first African-American flight attendant in the United States. Her initial flight was reportedly February 11, 1958 on a Mohawk Airlines flight from Ithaca to New York. Unfortunately her career abruptly ended six months later due to a common practice among airlines of the day of releasing flight attendants who got married or became pregnant.

As a stewardess with Union Aéromaritime de Transport (UAT) Doualla-Bell Smith, who was born in the West African nation of Cameroon, actually took flight for the first time the year before Taylor in 1957.

“When I was young there were only white men and women working on the plane,” she remembers. “I was one of the first blacks to be hired and it was a big deal; everybody in my town was talking about it. It was even in the newspaper.”

Her aviation career took off early on when Doualla-Bell Smith, a princess of the royal Douala family of Cameroon, accepted an after-school job as a ground hostess with UAT (which later merged into the Union de Transports Aériens or UTA), the airline that, along with Air France served, France’s African routes. She stayed on for two years and after graduating from high school in 1956 at the age of 17, Doualla-Bell Smith was recruited and sent to Paris for flight training by Air France.

She joined UAT a year later as an “hôtesse de l’air,” what flight attendants were called then. By 1960, she was recruited by Air Afrique, a Pan-African airline mainly owned by many West African countries created to serve 11 newly independent French-speaking nations.

In fact, her stellar credentials as an African with French aviation experience helped her stand out so much she became the airline’s first official hire (in fact, her employee identification card literally read “no. 001”). It didn’t take long for her to get promoted to Air Afrique’s first cabin chief position.

Dr. Olivia Hooker, 1st Black Woman in U.S. Coast Guard, Honored with Training Facility & Dining Hall Dedications

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In 1945, Olivia Hooker, a 30-year-old black woman from Tulsa, Oklahoma, joined the U.S. Coast Guard. The now-Dr. Olivia Hooker holds a PhD in psychology, worked until she was 87, and just turned 100 in February. But 70 years ago when she enlisted she became the Coast Guard’s first African-American woman on active duty.
Screen Shot 2015-03-16 at 1.00.06 PMThursday, Coast Guard brass honored her by naming a dining hall on Staten Island in her honor. But the commandant of the Coast Guard announced that a training center at Coast Guard Headquarters in Washington, D.C., would also bear the name of this 100-year-old pioneer.
“Oh, this is beyond my wildest dreams. I’d never even imagine,” Dr. Hooker said. “It’s still astonishing to me. I’m so grateful that the sun was shining today and we were able to get here.”
To see Fox5NY video of this story, click here.
Hooker grew up in a home that Klan members ransacked during the Tulsa race riot of 1921.
Basic training in Manhattan Beach and the duties of a yeoman first class at the Boston separation office where she worked — and from which she later wrote her own separation letter — looked and felt a lot different than Tulsa in 1921 or White Plains, N.Y., in 2005.
“I learned a lot more about people who grew up in different kinds of situations,” she said. “There are many, many more opportunities but there are still more challenges.”
Hooker’s goddaughter Diane Harris and a roomful of Coast Guard leadership traveled to Staten Island for Thursday’s ceremony.
“She doesn’t act like a 100-year-old to me,” Harris said.
“When I try to reach my toes and I can’t quite reach them, then I’m reminded,” Dr. Hooker said.
Five years ago, at age 95, Dr. Hooker joined the Coast Guard Auxiliary, the service’s civilian reserve.
article by Mac King via myfoxny.com

New Book Series Planned on the Morehouse College Martin Luther King Jr. Collection

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Dr. King’s briefcase and other items from the Morehouse MLK Collection

The University of Georgia Press and Morehouse College have announced that they will develop a new book series based on the Martin Luther King Jr. collection held at Morehouse. The archive at Morehouse contains more than 10,000 items including handwritten letters, manuscripts, memorabilia, speeches and sermons, and 1,000 books from Dr. King’s personal library, many of which have handwritten notes on the pages.
The new book series will use the items in the archives to provide new analysis on Dr. King’s views on poverty, racial discrimination, nonviolence, capitalism, education, civil rights, and the Vietnam War.
crawford.Vicki L. Crawford, director of the Morehouse Martin Luther King Jr. Collection, said that “we are excited about the opportunity to collaborate with the University of Georgia Press to publish a series of books inspired by the unparalleled documents in the Morehouse College Martin Luther King Jr. Collection. As a gathering of teachable texts, this series is an important step in our mission to foster greater understanding of Dr. King and the movement for civil and human rights.”
Dr. Crawford is the co-editor of Women in the Civil Rights Movement: Trailblazers and Torchbearers, 1941-1965  (Indiana University Press, 1993). She holds a Ph.D. in American studies from Emory University in Atlanta.
article via jbhe.com

Tony Winner Audra McDonald Announces Broadway Return Alongside George C. Wolfe and Savion Glover for 2016 Musical "Shuffle Along"

Audra McDonald will return to Broadway in 2016, in collaboration with George C. Wolfe and Savion Glover.
Audra McDonald will return to Broadway in 2016, in collaboration with George C. Wolfe and Savion Glover. (© David Gordon)

Six-time Tony Award winner Audra McDonald will return to Broadway in spring 2016 in a new collaboration with Tony-winning director George C. Wolfe and Tony-winning choreographer Savion Glover. The collaboration is called Shuffle Along, or, The Making of the Musical Sensation of 1921 and All That Follows. The production begins previews March 14, 2016, at the Music Box Theatre, with opening night set for April 21.
McDonald will play Lottie Gee, the 1920s performer who appeared in the cast of Shuffle Along. This 1921 musical by Flournoy Miller, Aubrey Lyles, Eubie Blake, and Noble Sissle altered the face of Broadway in giving several black performers their first Broadway credits. The show helped launch the careers of Josephine Baker, Florence Mills, and Paul Robeson, among many others.
Ninety-five years later, this backstage musical will explore the creation of this now-forgotten show. Wolfe directs and pens the book, while Glover choreographs. It marks their first collaboration since their 1996 hit Bring in ‘Da Noise, Bring in ‘Da Funk. The production will have music supervision, arrangements, and orchestrations by Daryl Waters, scenic design by Santo Loquasto, costume design by Ann Roth, and lighting design by Jules Fisher and Peggy Eisenhauer. Scott Rudin serves as producer.
Additional information about the production will be revealed in the coming months.
article by David Gordon via theatermania.com

Suzan-Lori Parks Wins 2015 Edward M. Kennedy Prize for Drama Inspired by American History

Award Winning Playwright and Professor Suzan-Lori Parks
Award Winning Playwright and Professor Suzan-Lori Parks

Pulitzer Prize-winning playwright Suzan-Lori Parks, who teaches creative writing at the Tisch School of the Arts at New York University, has been selected as the winner of the 2015 Edward M. Kennedy Prize for Drama Inspired by American History. The prize was established by Jean Kennedy Smith, the sister of Senator Edward Kennedy, and is administered by the Center for New Media Teaching and Learning at Columbia University in New York City.
Parks was honored for her play “Father Comes Home From the Wars, Parts 1, 2 & 3,” which was first staged at The Public Theater in New York last October. The Kennedy Prize comes with a $100,000 cash award.
Parks is a graduate of Mount Holyoke College in South Hadley, Massachusetts. She is a former MacArthur Foundation “Genius Award” winner. Professor Parks was awarded the Pulitzer Prize in 2002 for her play “Topdog/Underdog.”
article via jbhe.com

Duke University Debuts Website Documenting SNCC & the Voting Rights Struggle

Vq1ywrurDuke University in Durham, North Carolina, has just debuted a new website documenting the struggle of the Student Nonviolent Coordinating Committee (SNCC) to secure voting rights for African Americans. The site, entitled “One Person, One Vote: The Legacy of the SNCC and the Fight for Voting Rights,” went live one week before the 50th anniversary of the “Bloody Sunday” voting rights march in Selma, Alabama on March 7, 1965.
Students and faculty at Duke University worked with veterans of SNCC and other civil rights leaders to develop the website. The site includes a timeline, profiles of the key figures in the struggle to secure voting rights, and stories relating to the struggle.
5193ppoofzL._SY344_BO1,204,203,200_Wesley Hogan, the director of the Center for Documentary Studies at Duke University and the author of Many Minds, One Heart: SNCC’s Dream for a New America (University of North Carolina Press, 2007), stated that “this is an enormous achievement, to find ways to bring these experts who were so central to the voting rights struggle, into the formal historical record through their own words and on their own terms. The project comes at a moment when our nation is both commemorating key victories of the civil rights movement and seeing those victories challenged by new restrictive voting laws in many states.”
 
[vimeo 87707071 w=500 h=281]
article via jbhe.com

Obama Heads To Selma For 50th Anniversary Of Voting Rights March on Saturday

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Fifty years ago, several hundred peaceful protesters marched across the Edmund Pettus Bridge from Selma, Ala., to Montgomery to underscore the need for Black voting rights.
Demonstrators were brutalized and beaten by White police officers in what has become known as “Bloody Sunday.” This weekend, scores of civil rights leaders, clergy, elected officials, and peaceful demonstrators will converge on Selma to mark the 50th anniversary of the march that helped spark a movement.
U.S. Rep. John Lewis (D-Ga.) will be there just as he was on March 7, 1965, when he was hit on the head, left bloody and unconscious. He will be accompanied Saturday by President Barack Obama. A second march, organized by local leaders, is scheduled for Sunday.
The event comes at a time when voting rights are once again under attack in the U.S., especially after the Supreme Court gutted a key provision of the Voting Rights Act in 2013. It also comes at a time when protesters have launched an online petition to change the name of the historic bridge, which was named for Edmund Winston Pettus, a Confederate general and U.S. senator who lived in Selma after the Civil War.

“Fifty years ago this week, brave activists embarked upon the Selma to Montgomery March to bring attention to the fight for voting rights,” NAACP President and CEO Cornell William Brooks said.
The Selma to Montgomery Jubilee is more than a commemorative occasion—ever present in our minds is that voting rights continue to be impinged,” Brooks continued. “And this new assault on voting rights is being ignored by the same lawmakers who are coming to Selma to celebrate the jubilee. Selma is now—and the NAACP will not rest until every American has unfettered access to the ballot box. I stand with NAACP state leadership in demanding that our most vulnerable voters be protected by the law—in every state.”

Lewis said in an interview last month with USA Today that he and U.S. Reps. Terri Sewell (D-Ala.) and Martha Roby (R-Ala) have assembled what will be the largest congressional delegation participating in the pilgrimage to Selma in its 17-year history. The delegation will participate in a series of civil rights-related events in Birmingham on March 6, Selma and Marion on March 7, and Montgomery on March 8, the report says.
“When President (Bill) Clinton came (in 2000) we had more than 20,000 people,” Lewis said, according to USA Today. “With President Obama, it could be many more. It’s going to be wonderful.”
article by Lynette Holloway via newsone.com

Mississippi State Hosts “African American Treasures” From the Kinsey Collection Starting this March

msu art
Bernard and Shirley Kinsey have one of the largest private collections of African-American art, artifacts, and documents, spanning the seventeenth through twenty-first centuries. From March 21 to June 20, items from the collection will be on display at the Mitchell Memorial Library on the campus of Mississippi State University in Starkville. The exhibit, “African American Treasures from the Kinsey Collection” is free and will be open to the general public.
Among the items that will be on display are an early copy of the Emancipation Proclamation and a signed copy of the Brown v. Board of Education Supreme Court decision. The collection does not focus on the struggles faced by African Americans over their history but rather their achievements.

article via jbhe.com