Bernard and Shirley Kinsey have one of the largest private collections of African-American art, artifacts, and documents, spanning the seventeenth through twenty-first centuries. From March 21 to June 20, items from the collection will be on display at the Mitchell Memorial Library on the campus of Mississippi State University in Starkville. The exhibit, “African American Treasures from the Kinsey Collection” is free and will be open to the general public.
Among the items that will be on display are an early copy of the Emancipation Proclamation and a signed copy of the Brown v. Board of Education Supreme Court decision. The collection does not focus on the struggles faced by African Americans over their history but rather their achievements.
Posts published in “History”
The University of California, San Diego, recently unveiled a new life-size bronze sculpture of Sojourner Truth. Born into slavery, Sojourner Truth became a leading abolitionist and advocate for women’s rights.
The statue, displayed on the campus of Marshall College, is the work of local artist Manuelita Brown, a graduate of the University of California, San Diego. Brown stated that “Sojourner Truth serves as a drum major for social justice, equity and voting rights. It is my hope that the brilliant students and graduates of UC San Diego will be reminded each day as they walk past her of what they can accomplish with a superior education.”
At the ceremony unveiling the new sculpture, Pradeep K. Khosla, chancellor of the University of California San Diego noted that “centrally located, hundreds of campus and local community members will pass by Sojourner Truth each day. Her presence will serve to start conversations about who she was and what she stood for, a reminder of her influence and the need to continually address racial and gender equality.”
According to the latest U.S. Department of Education figures, Blacks make up only 1 percent of the undergraduate student body at the University of California, San Diego. Under state law, race cannot be considered in admissions decisions at the university.
article via jbhe.com
Almost 50 years ago, El-Hajj Malik El-Shabazz, more popularly known as Malcolm X, who had risen to prominence as one of the most outspoken and public faces of the Nation of Islam, was gunned down inside the Audubon Ballroom in New York. And ever since his death Feb. 21, 1965, there has been speculation as to who had the civil rights leader murdered.
Some have argued that the government was complicit in his death; others have argued his public feud with NOI leader Elijah Muhammad may have led to his assassination. On Tuesday at 9 p.m., CNN premieres Witnessed: The Assassination of Malcolm X, a special report which asks some of those who were there when the shooting occurred—Earl Grant, former radio reporter Gene Simpson, Malcolm X’s daughter Ilyasah Shabazz and Peter Bailey, an associate of Malcolm’s—to share their memories.
“We failed him, I tried to help him,” photographer and friend Grant cries, when describing the horrifying day inside the Audubon Ballroom, and “describes the chaotic moments after the shooting.” Grant takes viewers inside his private photo collection, sharing never-before-seen images of the civil rights icon.
Zaheer Ali, who served as project manager of the Malcolm X Project at Columbia University, leads an online experience at cnn.com that delves into the unanswered questions surrounding the assassination. Bailey describes Malcolm’s plan to expose injustices against black Americans before he was gunned down, and Simpson, who was in the front row of the Audubon Ballroom when Malcolm took the stage, discusses the first time he interviewed the civil rights leader.
article by Stephen A. Crockett Jr. via theroot.com
article by Stephen A. Crockett Jr. via theroot.com
As a handsome period miniseries, “The Book of Negroes,” which premieres tonight on BET and continues through Wednesday, is a first for a network whose original offerings have often seemed something less than ambitious. That the miniseries is Canadian-made, based on a novel by African Canadian author Lawrence Hill, who co-wrote the screenplay with Jamaican-born Canadian director Clement Virgo, is noteworthy but does not diminish the moment. What would PBS be without the BBC?
The series’ provenance does mean that, as a story of slavery and escape from slavery, it differs in substance and theme from American tellings. The road here, which begins in Mali in 1761 and ends in London in 1807, runs through snowy Nova Scotia (by way of South Carolina, New York and Sierra Leone); in its recounting of the American Revolution, from the black (and Commonwealth) perspective, the British are better than villains and the colonists not quite heroes.
“The Book of Negroes,” which refers to a historical ledger of colonial African Americans granted freedom by the British for their help in the war, is itself a paean to names, words, storytelling and literacy, as containers of the past, organizers of the present and keys to the future. Its heroine is Aminata Diallo (Aunjanue Ellis, “The Help”), the bright, independent child of bright, independent parents; she has been trained as a midwife but dreams of being a jeli, or griot, an oral historian of her people.
The first hour, which follows Aminata from Mali to South Carolina, is the series’ most original and compelling. It’s powered by a deep, serious and at surprising times sweet performance by Shailyn Pierre-Dixon, now 11, who plays the young Aminata. The scenes in which she is captured and hustled on her way, through one strange experience after another, toward American slavery, have a sharp-focus dreaminess to them, a kind of horrible beauty. With little exposition, seen as they are from the point of view of one lacking words or context, they feel less played than lived through.
As the series progresses and history moves more swiftly by, its points are made more explicitly; the ironies float on the surface. (Colonial white Americans describe themselves as “slaves” to the British.) For some characters, the story arcs, whether of sin and redemption or of just desserts finally served, are fairly mathematical — sometimes at the expense of an emotional payoff. The story stays novel enough, nevertheless, and the understated tone of the production and performances keep the drama grounded. Hill and Virgo catch the ordinariness even in the awfulness — the creepy dailiness of the business of slavery, and the capability of those who profit from it to regard themselves just and even tender people. In the same way, to the opposite effects, they allow their protagonists daily lives and love; they are not victims all the time.
At the same time, “The Book of Negroes” is an adventure story, a straight-up classic romance. Lyriq Bent plays Chekura, Aminata’s longtime love interest.
The heroine’s fearless and clever character, the self-knowledge and self-possession her tormentors lack, and her gift for survival are fixed from first to last. She is sometimes thwarted but never altered. If this makes “The Book of Negroes” less psychologically complex than it otherwise might be, there are real pleasures and comforts to be had from it.
“The most capable woman I’ve ever seen,” New York innkeeper Sam Fraunces (Cuba Gooding Jr.), of Fraunces Tavern fame, calls her. (There is an old tradition, without much scholarly support, that Fraunces, who was nicknamed Black Sam, was of African descent; in any case, Hill goes with it.) Aminata holds on to her name; she trades slap for slap; no one can tell her what to do. She asks George Washington (a bit of an officious boob in this rendering), “Do you think the Negro will one day have his freedom like you Americans?”
“I’m afraid the general must be on his way,” his flack responds.
review by Robert Lloyd via latimes.com
If there is one thing we should know, it’s that Black History is made every day. For example, Madame C.J. Walker, who created specialized hair products for African-American hair, paved the way for many women such as Lisa Price, founder of Carol’s Daughter, to start their own haircare companies. Frank Greene, considered one of the first black technologists, cleared the path for future innovators like Chinedu Echeruo, the Founder of Hopstop.com and Tripology.com. And without a doubt, knowledge of your history can empower you to forge successfully into the future.
If you’re looking to learn more about history or discover other African Americans making their mark on the world, check out this list of Black History apps for your smartphone or tablet.Black Inventors Match Game: Celebrate African American inventors with best friends Myles and Ayesha as you learn who earned patents for everyday items such as the doorknob, the traffic light and lemon squeezer. Then test your IQ with a matching game. (Available for Android and iOS)
- Then and Now Series: Black History: The Then and Now Series apps shed light on facts about different cultures. In the Black History edition, you can learn about 100 different people through biographies, images and links to video or music. Print or email the bios to share the knowledge with friends. (Available for iOS)
- More Than a Mapp: Explore an interactive map and bring black history close to home—literally. Set your location, and nearby historically significant sites will illuminate on the map. Check out related links, photos and videos. Know of a significant location not shown? Send it in, wait for verification and create your own pinpoint for all to see and learn. (Available for Android and iOS)
- Black History Quiz: Test your knowledge of important black figures with multiple-choice questions. If you don’t know an answer, learn as you go—you won’t be able to move onto the next question until you get it right. (Available for Android and via the Amazon App Store)
- The Root: Update your perspective with The Root, an inclusionary news source that features writing by prominent African American writers. In addition to political, social, cultural and racial commentary, tune in to podcasts and view slideshows for an interactive, visual news experience. (Available for Android and iOS)
article by Kandia Johnson via blackenterprise.com
NEW YORK –– SiriusXM announced the launch of “African Ancestry Radio,” a three-week series of live, call-in shows during which the hosts help listeners and celebrities of African descent in their quest to reconnect with their heritage.
Hosted by Gina Paige, co-founder of African Ancestry, and award-winning producer Shirley Neal, “African Ancestry Radio” launched live on Sunday, February 8 at 12:00 pm ET on SiriusXM Urban View channel 126 with Louis Gossett Jr. and Aunjanue Ellis as their first celebrity guests. EURweb.com’s founder Lee Bailey also joins in each week as special entertainment correspondent.
Scheduled in celebration of Black History Month, the hosts lead conversations on ancestry and heritage and guide SiriusXM listeners who are looking to more accurately and reliably trace their African roots. Themed around music, the February 15 show will feature Grammy award-winners and alternative hip hop group Arrested Development.
In addition, “African Ancestry Radio” will feature discussions on how a person’s roots influence personality, who they are and how they act. Each show will include at least one celebrity guest who has previously taken the tests and whose African ancestry will be revealed during the broadcast.
“‘African Ancestry Radio’ promises to be enlightening, empowering, and inspirational for SiriusXM listeners across the country,” said Dave Gorab, Vice President and General Manager, Talk Programming, SiriusXM. “We are pleased to present this exclusive series as part of our special programming commemorating Black History Month.”
After the broadcast, “African Ancestry Radio” will be available on SiriusXM On Demand for subscribers listening via the SiriusXM Internet Radio App for smartphones and other mobile devices or online at siriusxm.com. Visit www.siriusxm.com/ondemand for more information.
Gina Paige is co-founder of African Ancestry, Inc., pioneering a new way of tracing African lineage using genetics. Paige resides in Washington, D.C. and holds a degree in Economics from Stanford University and an MBA from the University of Michigan’s Ross School of Business.
As centennial commemorations of DW Griffith’s “Birth of a Nation” gear up, a new book by historian Cara Caddoo proves African Americans helped invent the movies a decade before the first Hollywood film. Published by Harvard University Press, “Envisioning Freedom: Cinema and the Building of Modern Black Life” uncovers the forgotten history of black inventors, filmmakers, and exhibitors.
“A lot of people assume that African Americans just followed in the footsteps of white filmmakers,” says Caddoo, an Assistant Professor at Indiana University, Bloomington, “That’s really a whitewashing of American film history.”
Years before the 1915 debut of Griffith’s pro-KKK film, which is widely credited for inaugurating “modern American cinema,” African Americans produced their own films and built their own theaters. Caddoo explains that this began in the 1890s–more than a decade before Hollywood, and long before the rise of better-known black filmmakers like Oscar Micheaux.
The first African American films featured themes like the “American Negro and the Negro abroad.” In “The Devil’s Cook Kitchen,” a minister named H. Charles Pope used movies to highlight black contributions to American history, and to explain the “26 sins” involved in dancing.
Some black filmmakers were former slaves, others just a generation removed. Faced with racial discrimination and shoestring budgets, these black film pioneers relied on their wit. Segregation limited African Americans’ access to public space so they turned black churches, lodges, and schools into motion picture theaters during off hours.
“Envisioning Freedom” is packed with colorful characters such as Fleetwood Walker, the first–and last–major league baseball player before Jackie Robinson. Caddoo writes that Walker became an inventor and traveling motion picture exhibitor after his baseball career. One of his most important inventions was an alarm system that enabled film projectionists to switch seamlessly between reels of film.
When “Birth of a Nation” debuted, African Americans launched the first mass black protest movement of the twentieth century. By that time, motion pictures were deeply integrated into black life. African Americans had produced films and used them to fundraise, build businesses, construct theaters, and socialize in an era of racial segregation. Caddoo explains, “They were fighting to reclaim a form of popular culture that they had helped create. Tens of thousands of African Americans participated–housewives, gangsters, ministers, and schoolchildren, from Hawaii to Massachusetts, and from the Panama Canal to Canada.”
Pick up a copy of the book via Amazon here.
article by Tambay A. Obenson via blogs.indiewire.com
On this day in 1995, Bernard Harris Jr. became the first African American to walk in space. After logging 198 hours and 29 minutes in space and completing 129 orbits, he traveled more than 4 million miles total throughout his career as an astronaut.
Harris was born in Temple, Texas, on June 26, 1956. He graduated from high school in San Antonio, and later went on to receive a Bachelor of Science from the University of Houston. He earned a doctorate in medicine at Texas Tech University in 1982. He also earned a master’s in biomedical science from the University of Texas Medical Branch at Galveston in 1996. Harris has won numerous awards and honors including the 1996 Honorary Doctorate of Science, Outstanding Young Men of America in 1984, the University of Houston Achievement Award in 1978, the National Research Council Fellowship in 1986 and 1987, and many, many more.
Harris joined the NASA Johnson Space Center as a scientist and flight surgeon after completing his fellowship in 1987; he held the title of project manager. He was selected by NASA in January 1990 to become an astronaut, and he qualified for a space mission. During his time on flight STS-63 that departed Feb. 2, 1995, and returned Feb. 11, he made by becoming the first African American to touch down and walk in space. He left NASA the following April; he is currently chief scientist and vice president of Science and Health Services.
article by Cristie Leondis via blackenterprise.com
Empire, the hip-hop drama that stars Terrence Howard and Taraji P. Henson, has broken a ratings record that stood for more than 23 years, according to Entertainment Weekly.
The show is averaging 14 million viewers and a strong 5.6 rating among adults 18-19, so far for the first two weeks of the season with total DVR data available, the report notes. Fox says the show is the only primetime scripted series to grow in total viewers over each of its first five telecasts since at least 1991 and is the strongest hour-long show this season, the news outlet reports.
While the record may have stood for longer than that, the report notes, Nielsen revised its measuring system 23 years ago “and so comparisons can only be properly calculated that far back.”
Further to its credit, Empire is technically the only series—not just scripted—to have earned such an accomplishment, the entertainment news site writes. ABC’s game show Who Wants to Be a Millionaire grew through each of its first five telecasts in 1999, but they were technically considered “specials” when the show first started instead of regular episodes, according to the news outlet.
article by Lynette Holloway via theroot.com
article by Lynette Holloway via theroot.com
#BlackLivesMatter grew from a hashtag to a movement and is now a college course at Dartmouth College.
This spring, the Ivy League college will offer a new class, “10 Weeks, 10 Professors: #BlackLivesMatter,” which will examine race, violence and inequality through current events and throughout history.
The 2014 deaths of Michael Brown in Ferguson, Missouri, and Eric Garner in New York during confrontations with police sparked conversations on social media and protests around the world, including Dartmouth’s Hanover, New Hampshire, campus.
“Even though we might be sort of cloistered away in the ivory tower or something, we felt very much moved by, incited by, inspired by a lot of the activists’ work following the failure to indict Darren Wilson after the events in Ferguson,” said Aimee Bahng, an assistant professor of English at Dartmouth. “We wanted to not leave this behind after winter break.”
Then, around Martin Luther King Jr. Day, Missouri Rev. Starsky Wilson, co-chairman of the Ferguson Commission, spoke with Dartmouth faculty about “teaching Ferguson.” By the end of Wilson’s two-hour workshop, faculty members were already brainstorming how to integrate the events and the response into coursework and campus life.
The result was a teaching collective that draws faculty from geography, history, English, math and other areas, and the idea for an interdisciplinary course crafted and taught by all of them. The course is also expected to draw outside speakers and to explore ways to engage the community beyond parading professors in front of lecture halls.
“There is a special energy around this,” said Abigail Neely, an assistant professor of geography at Dartmouth. “It’s designed to transgress the boundaries between disciplines in an effort to do some really deep, sustained critical thinking about some of the most important issues in the country and world at this moment.”
The course came together quickly with support from college leaders and Dartmouth’s African and African-American Studies Program, Neely and Bahng said. Enrollment opened on Friday, but faculty members are still finalizing the syllabus and deciding how many students will be admitted.
An early lesson is expected to focus on St. Louis and its racial history. Another will consider poetry, prose, music and religious sermons. Still others will look at how events in Ferguson were documented through different media and how black activism has evolved, “from hip-hop to hashtags.”
As word spread about the course, there’s been an outpouring of support on campus, Bahng and Neely said. Far more than 10 faculty have signed on — as of Wednesday, 21 are “thinking together, teaching together, working together” — and students have approached to ask whether they can sit in on the course, even if they aren’t enrolled.
In planning the course, “we’ve already begun the work as a teaching collective,” Neely said. “I’m so excited to see what happens when the students join.”
article by Jamie Gumbrecht via cnn.com