article via jbhe.com
In 2014 Oregon State University received the African American Railroad Porter Oral History Collection. The audio recordings made between 1983 and 1992 tell the stories of Black railroad porters in Oregon in the early and mid-twentieth century.
The collection includes 29 reel-to-reel tapes of interviews conducted by filmmaker Michael Grice that were used as background for his documentary Black Families and the Railroad in Oregon and the Northwest.
Now the university has received a grant from the Oregon Cultural Trust to digitize the collection and create a website to feature the digitized recordings and their transcripts.
To read more, go to: https://www.jbhe.com/2016/03/oregon-state-university-to-digitize-oral-histories-of-black-railroad-porters/
Posts published in “History”
article via jbhe.com
Virginia Commonwealth University in Richmond has more than 175,000 volumes in its Comic Arts Collection, including more than 125,000 comic books. The university recently acquired a rare copy of All-Negro Comics No. 1, the first comic book written and drawn solely by African American writers and artists.
The 48-page comic book was published in 1947 and features characters such as police detective Ace Harlem and Lion Man, a college-educated scientist and superhero. All-Negro Comics No. 1 was published by Philadelphia newspaperman Orrin C. Evans.
A letter from the publisher in All-Negro Comics No. 1 reads: “Dear Readers: This is the first issue of All-Negro Comics, jam-packed with fast action, African adventure, good clean humor and fantasy. Every brush stroke and pen line in the drawings on these pages are by Negro artists. And each drawing is an original: that is, none has been published ANYWHERE before. This publication is another milestone in the splendid history of Negro journalism. All-Negro Comics will not only give Negro artists an opportunity gainfully to use their talents, but it will glorify Negro historical achievements.”
It was the first and only published comic in the series.
article by Nick Prevenas via uanews.arizona.edu
Ever since he can remember, Rick Kittles always wanted to know where he came from.
Born in Sylvania, Georgia, and raised near Long Island, New York, a great deal of his academic interest was sparked by the desire to trace his ancestral lineage as far back as it could go. This proved to be exceedingly difficult, for a number of reasons.
“There simply wasn’t a strong database in place or any kind of access to information on African genetics,” Kittles said. “Records were either inaccurate or nonexistent, so there were a number of hurdles in place for African-Americans to try to figure out their ancestry.”
An aptitude for biology, coupled with a deep exploration of Alex Haley’s novel, “Roots,” led Kittles on a path that eventually would help thousands of people like him clear these hurdles. He is the director of the Division of Population Genetics at the University of Arizona, which he joined in July 2014.
Developing and implementing a comprehensive African genealogy database seemed daunting at first, but during his graduate studies at the George Washington University School of Medicine and Health Sciences and, later, though his work at Howard University’s College of Medicine in the late 1990s, Kittles met the historians, archaeologists, anthropologists and fellow geneticists who could help turn this dream into a reality.
“I was looking at my own DNA profile, analyzing my Y-chromosome lineage, and I noticed my Nigerian lineage didn’t track with the other Y-chromosome samples from West Africa,” Kittles said.
The image above is a powerful one. This black power salute is embedded in our history. In 1968 Olympics athletes Tommie Smith (gold) and John Carlos (bronze) made history during the Olympic games in Mexico City. With the world watching the sprinters stood on the medal podium and raised their black-gloved fists in the air in silent protest for human rights and for black Americans to stand in solidarity.
It’s that powerful image that was the inspiration for Puma’s capsule collection honoring Tommie Smith and Black History Month. What I didn’t realize is that gold medalist Tommie Smith removed his suede Pumas right before he stepped onto the podium shoeless in black socks, to represent poverty and slavery. After that subtle statement, he then raised his fist. With that unmistakable gesture, Tommie Smith altered the course of history and dedicated his life to change. Emblazoned with Tommie Smith’s silhouette, with fist raised, the Black History Month Pack honors a legacy on the track and off. I must applaud Puma for honoring this hero.
http://us.puma.com/en_US/men/featured/black-history-month
Sheikh Shoes:
http://www.shiekhshoes.com/m-9-puma.aspx
http://time.com/3880999/black-power-salute-tommie-smith-and-john-carlos-at- the-1968-olympics/
article via newsone.com
On Wednesday, Congressional leaders honored the “Foot Soldiers” of the Selma to Montgomery Marches in 1965 with the nation’s highest civilian award, the Congressional Gold Medal.
Anecdotally, Paul Ryan – Speaker of the House of Representatives, who also spoke during the ceremony and praised the foot soldiers for their part in the passage of the Voting Rights Act of 1965 – will not act on a bill to restore the Voting Rights Act that was essentially gutted by the Supreme Court nearly two years ago.
The ceremony, held in the U.S. Capitol’s Emancipation Hall, featured speeches by Sen. Cory Booker (D-NJ), Rep. John Lewis (D-GA), and Rev. Frederick D. Reese, the former president of the Dallas County Voters League.
Thursday morning, Congresswoman Terri Sewell (D-AL), who introduced the bill to honor the foot soldiers; Charles Mauldin, former president of the Student Movement; and Joyce O’Neal, a member of the Student Movement, joined Roland Martin on NewsOne Now to discuss the award.
Rep. Sewell told Martin, “Yesterday was about making sure this nation’s history is righting a wrong, they (the foot soldiers) should be given all of the credit [for] forcing this nation to live up to its ideals of equality and justice for all.”
Congresswoman Sewell continued, “I think it’s up to us, this generation and future generations, to continue the fight,”because there is so much more needed to be done to “strengthen the Voting Rights Act.”
In reflecting on yesterday’s ceremony, Mauldin thanked Congresswoman Sewell for introducing the bill and said, “This is probably the first time in about 51 years in my being involved in things that we’ve gotten recognition” from government officials.
He added, “We are certainly invited to the protests to demonstrate, but seldomly invited to the celebration. This is the first time that people like us have been invited to the celebration.”
To read more, go to: http://newsone.com/3359436/selma-foot-soldiers-receive-the-congressional-gold-medal/
The history of African Americans is typically thought of as people and events, but those could not come together without places and spaces. In an effort to preserve many of the sites where Black History…
To see more, go to: A Walk Through the Sites of African American History via ebony.com
article by Ed Pilkington via theguardian.com
“Although I was looking forward to proving my innocence at a new trial, concerns about my health and my age have caused me to resolve this case,” he said.
Woodfox, who many consider a political prisoner, had spent more than 43 years under solitary confinement for Miller’s death, a practice that many criminal justice advocates, human rights groups and the United Nations equate to torture.
Woodbox was the longest-standing solitary confinement prisoner in America, held in isolation in a six-by-nine-foot cell almost continuously for 43 years.
Woodfox has always professed his innocence and marked his 69th birthday on Friday by being released from West Feliciana parish detention center. It was a bittersweet birthday present: the prisoner finally escaped a form of captivity that has widely been denounced as torture, and that has deprived him of all meaningful human contact for more than four decades.
“The Black Panthers: Vanguard of the Revolution,” a documentary by Stanley Nelson which aired on PBS Tuesday, shined a necessary light on the contributions, convictions and struggles of members in the party. Nelson’s informative film took a deep dive into discussing the truth behind the Black Panthers and underscored the heavy institutional backlash the liberation movement received from police and the government.
From the group’s radical inception in 1966 to it’s dissolve in 1982, here are a few important things you must know to better understand the Black Panthers.
1. The Black Panthers’ central guiding principle was an “undying love for the people.
The Black Panther Party for Self-Defense, otherwise known as the Black Panther Party (BPP), was established in 1966 by Huey Newton and Bobby Seale. The two leading revolutionary men created the national organization as a way to collectively combat white oppression. After constantly seeing black people suffer from the torturous practices of police officers around the nation, Newton and Seale helped to form the pioneering black liberation group to help build community and confront corrupt systems of power.
2. The Black Panthers outlined their goals in a 10-point program.
The Black Panthers established a unified platform and their goals for the party were outlined in a 10 point plan that included demands for freedom, land, housing, employment and education, among other important objectives.
3. Black Panthers monitored the behavior of the police in black communities.
In 1966, police violence ran rampant in Los Angeles and the need to protect black men and women from state-sanctioned violence was crucial. Armed Black panther members would show up during police arrests of black men and women, stand at a legal distance and surveil their interactions. It was “to make sure there was no brutality,” Newton said in archival footage, as shown in the documentary. Both Black Panther members and officers would stand facing one another armed with guns, an act that agreed with the open carry law in California at the time. These confrontations, in many ways, allowed the Panthers to protect their communities and police the police.
4. The party grew tremendously and drew attention in cities everywhere.
The party’s goal in increasing membership wasn’t aimed at recruiting church goers, as explained in the documentary, but to recruit the everyday black person who faced police brutality. When black people across the nation saw the Panther’s efforts in the media, especially after they stormed the state capitol with guns in Sacramento in 1967, more men and women became interested in joining. The group also took on issues like housing, welfare and health, which made it relatable to black people everywhere. The party grew rapidly — and didn’t instill a screening process because a priority, at the time, was to recruit as many people as possible.
5. “Free Huey” became an infectious rallying cry following Huey Newton’s arrest in 1987.
In 1967, Newton was charged in the fatal shooting of a 23-year-old police officer, John Frey, during a traffic stop. After the shooting, Newton was hospitalized with critical injuries while handcuffed to a gurney in a room that was heavily guarded by cops. As a result of his hospitalization and arrest, Eldrige Cleaver took leadership of the Panthers and demanded that “Huey must be set free.” The phrase was eventually shortened to “Free Huey,” two words which galvanized a movement demanding for Huey’s release.
6. The Black Panthers affirmed black beauty, which helped to attract more members.
The sight of black men and women unapologetically sporting their afros, berets and leather jackets had a special appeal to many black Americans at the time. It reflected a new portrayal of self for black people in the 1960s in a way that attracted many young black kids to want to join the party — some even wrote letters to Newton asking to join. “The panthers didn’t invent the idea that black is beautiful,” former member Jamal Joseph said in Stanley’s documentary. “One of the things that Panthers did was [prove] that urban black is beautiful.”
To read the rest of this article, go to: http://www.huffingtonpost.com/entry/27-important-facts-everyone-should-know-about-the-black-panthers_us_56c4d853e4b08ffac1276462?
article by Lilly Workneh and Taryn Finley via huffingtonpost.com
article via clutchmagonline.com
The New Yorker recently unveiled its latest illustrated cover, and it’s gorgeous.
Featuring Kadir Nelson’s stunning “Harlem On My Mind” painting, the Feb. 16 issue pays homage to the Schomburg Center for Research In Black Culture.
Nelson said he wanted his painting to be “a stylistic montage” that honors “the great Harlem Renaissance painters: Aaron Douglas, William H. Johnson, Norman Lewis, Jacob Lawrence, Elizabeth Catlett, Archibald Motley, and Palmer Hayden.”
Also included in the beautiful illustration are Black cultural giants Zora Neale Hurston, Malcolm X, James Baldwin, Billie Holiday, Duke Ellington, and the Nicholas Brothers.