Daryl Homer celebrates victory over Matyas Szabo of Germany in the men’s individual saber quarterfinal at the Rio 2016 Olympic Games at Carioca Arena 3 on Aug. 10, 2016 in Rio de Janeiro. (photo via teamusa.org) article by Rebecca Harris via teamusa.org
RIO DE JANEIRO — As he was being chased down, nearly tripping off of the strip entirely, American saber fencer Daryl Homer somehow snuck his blade into German fencer Matyas Szabo’s ribs for a point during his quarterfinal bout. The point was heralded with chants of “U-S-A” from the audience, with the painted faces and bodies usually reserved for American football games, not for what could be called modern-day dueling.
Homer lost the gold-medal bout to Aron Szilagyi of Hungary, 15-8. He became the first U.S. medalist in men’s saber since Peter Westbrook won a bronze medal in 1984 and the first U.S. men’s silver medalist since William Grebe in 1904.
The U.S. has never won gold in men’s saber.“I wouldn’t have found an access point to fencing without Peter,” he said. Homer’s journey into fencing was a happy accident and he owes partial thanks to Westbrook. Homer came across the sport in a book one day. He took one look at the shiny masks and vests and told his mom he wanted to fence. She wasn’t a fan of the idea until she saw Westbrook in a TV commercial. Westbrook actually gave Homer entrée into the sport through his Peter Westbrook Foundation, which teaches fencing to New York area kids of color. To read more, go to: Daryl Homer Scores Team USA’s First Men’s Saber Silver Since 1904
Simone Biles flying high during Olympic Vault finals in Women’s Gymnastics (photo via nytimes.com)
article by Bill Chappell via npr.org
With two main goals already accomplished – gold medals in both the team competition and in the individual all-around – Simone Biles turned to the vault to grab more Olympic gold Sunday.
Going last in a field of eight gymnasts, Biles needed an average score of more than 15.253 to claim gold. She unleashed a soaring Amanar on her first vault, taking only a small hop backwards as she landed. Score: 15.900.
For her next vault, Biles turned to a Cheng — a difficult vault that, compared to the Amanar, is worth an extra tenth of a point on the judges’ scale — and performed it nearly flawlessly. Her score was the highest of the group: 16.033.
In the final, each athlete performs two vaults; the scores are then averaged. For instance, while Switzerland’s Giulia Steingruber started strong with a 15.333, she scored a 14.900 on her second attempt, dropping her final score to 15.216. She held on for a bronze medal behind Maria Paseka of Russia.
As U.S. Gymnastics tells us, with today’s gold medal, Biles sets a U.S. record for the most gymnastics gold medals in one Olympics for a female athlete. She also becomes the first American woman to win gold on the vault.
If you’re unsure what an Amanar and a Cheng are, NBC can help clear that up:
“The Amanar consists of a round-off onto the springboard, back handspring onto the vault table and then a flip with two and a half twists in the straight body position. It’s the vault that McKayla Maroney made famous at the London Olympics and is worth 6.300 points.”
“The Cheng is worth 6.400 points. It consists of jumping onto the springboard, doing a half twist before pushing off the vault with your hands, then doing a flip with one and a half twists.”
U.S. swimmer Simone Manuel ties for gold in women’s individual 100M freestyle race at 2016 Rio Olympic Games (photo via dailymail.co.uk) article by Lori Lakin Hutcherson (follow @lakinhutcherson)
First and foremost, the headline above is the main story. Team U.S.A. member Simone Manuel made Olympic and U.S. history by becoming the first African-American female to win gold in an individual swimming event when she tied Canadian swimmer Penny Olesiak for first place in the 100-meter freestyle at the Rio de Janeiro Olympics Thursday night, with a time of 52.70. We congratulate her heartily, and are as proud as we can be of and for her.
According to theroot.com, Manuel used her time and her platform afterwards to speak on the ongoing racial issues the United States grapples with as she addressed the importance of her historic win. United States’ Simone Manuel shows off her gold medal during the medal ceremony for the women’s 100-meter freestyle final during the swimming competitions at the 2016 Summer Olympics, Friday, Aug. 12, 2016, in Rio de Janeiro, Brazil. (AP Photo/Michael Sohn)
“It means a lot, especially with what is going on in the world today, some of the issues of police brutality,” the young swimmer said. “This win hopefully brings hope and change to some of the issues that are going on. My color just comes with the territory.”
Manuel acknowledged that her race does carry a bit of weight, especially as a swimmer, given the stereotype that black people cannot or should not be able to swim well.
“It is something I’ve definitely struggled with a lot,” she said. “Coming into the race, I tried to take [the] weight of the black community off my shoulders. It’s something I carry with me. I want to be an inspiration, but I would like there to be a day when it is not ‘Simone the black swimmer.’
“The title of black swimmer suggests that I am not supposed to win golds or break records, but that’s not true because I train hard and want to win just like everyone else,” Manuel added.
The ensuing story surrounding this momentous event and its coverage has also been historic in its own right. Thanks to social media, the calling out of the faulty, biased reporting by the mainstream media on this unprecedented triumph has been equally thrilling to behold. Not only was NBC’s lack of coverage been taken to task by colorlines.com and scores of twitter fans, so has the San Jose Mercury News‘ initial insulting headline of “Michael Phelps Shares Historic Night with African-American” been dragged via a great Huffington Post article.
Personally, I am very satisfied to see a growing trend on speaking out against systemic racism in mainstream reporting and for apologies having to be publicly made and headlines re-written. Please click through the links above and enjoy the tweets and comments in their entirety.
In the meantime, I’m setting my DVR for Manuel’s next race tonight in the 50-meter freestyle to see if NBC, etc. can do better by this undeniable champion for the ages.
NBA Legend Michael Jordan (photo via biography.com) article via theurbandaily.com
Following his generous contributions of $1 million to the Institute for Community-Police Relations and $1 million to the NAACP Legal Defense Fund, Michael Jordan is doing a lot more sharing these days.
According to reports, Jordan has donated $5 million to the National Museum of African American History and Culture Museum. Officials revealed that the gift is the largest from a sports figure to the 19th Smithsonian museum and pushes private donations to $278 million. Including federal aid, the museum, which President Obama will open in September, has raised more than $548 million.
The NBA legend said in a statement, “I am grateful for the opportunity to support this museum. I also am indebted to the historic contributions of community leaders and athletes such as Jesse Owens, whose talent, commitment and perseverance broke racial barriers and laid the groundwork for the successful careers of so many African Americans in athletics and beyond.” Source: Michael Jordan Donates $5 Million To African-American Museum | The Urban Daily
(Image via musicalpassage.org) article via jbhe.com
Scholars at Duke University in Durham, North Carolina, have debuted an interactive website that chronicles what is believed to be among the earliest examples of the music of the African diaspora. The website Musical Passage tells the story of an important, but little known record of early African diasporic music.
The project focuses on two pages of sheet music from Hans Sloane’s 1707 Voyage to the Islands of Madera, Barbados, Nieves, S. Christophers and Jamaica It is believed to be the first transcription of African music in the Caribbean, and possibly, in the Americas.
The project was created by Mary Caton Lingold, a doctoral candidate in English at Duke, Laurent Dubois, a professor of Romance studies and history at Duke, and David K. Garner, a composer with Ph.D. from Duke who has been hired as an assistant professor of music at the University of South Carolina.
Lingold says that “you’d be hard pressed to name a living genre of music that enslaved musicians didn’t help to create or transform. Jazz, country, rock, blues, reggae and the list goes on. Turn on the radio and you are hearing these musicians’ story. But we don’t know a lot about their early music because it was not preserved in conventional ways. And that is why a little artifact like this is so important, because it helps us to know more about what their performances may have sounded like.”
COURTESY OF JIM BRITT/THE MICHAEL ORE COLLECTION/GETTY IMAGES article by Lori Lakin Hutcherson (follow @lakinhutcherson)
According to Variety.com, the life and art of legendary musician Marvin Gaye is being developed int a feature documentary by Noah Media Group and Greenlight called, “Marvin, What’s Going On?” The film will center on Gaye’s creation of his seminal 1971 album “What’s Going On” and marks the first time that his children — Nona Gaye, Marvin Gaye III and Frankie Gaye — along with his former wife, Janis Gaye, have supported and contributed to such a project.
The documentary is slated to go into production this year and is intended to be “the defining portrait of this visionary artist and his impeccable album,” according to a statement from the film’s producers.
The album, which was recorded at the zenith of Detroit’s Motown era, was heavily influenced by the troubling Vietnam War and the assassination of Martin Luther King, Jr. Gaye produced an album that “challenged America and the world to self-reflect, going on to inspire a generation of artists and music lovers,” the producers said. “The relevance of [his] masterpiece…is as strong as ever.”
The project will be filmed in Detroit, Los Angeles and Washington, and will feature exclusive interviews with several top Motown artists and never-before-seen archive footage unearthed by Gaye’s children and former wife. The film is set to be released in 2017.
In a joint statement, Gaye’s children commented: “We would like to express our excitement about the upcoming documentary feature film about our father and the creation of his amazing ‘What’s Going On’ album. We are proud that his relevance remains intact, and we look forward to being a part of this cinematic journey.
“Our father was complex, but we are confident that with Noah Media Group’s attention to detail and their dedication to the truth, the positive, inspirational and aspirational aspects of his life will be handled and shared with the world in a way never seen before.
“We look forward to participating and sharing what we can through friends, family, photos, footage and priceless stories that only those who knew our father up close and personal would know, as well as his contemporaries, purists and fans who have studied him and his art over decades.
“’What’s Going On?’…something many of us find ourselves asking today, 45 years later. Peace.”
Jerald Gary (Photo credit: Melanie L. Brown for Steed Media Service) article by Melanie L. Brown via rollingout.com Rolling out interviewed Jerald Gary, the new owner of the New Regal Theater in Chicago. The 30-year-old talked about his memories of the Regal and how he came to acquire this historic building on the South Side. Who is Jerald Gary? I am a private equity investor. I bought the Regal Theater in 2014 toprovideaccess to the performing arts for the community. I created the Chicago Regal Foundation to use the theater as a cultural asset that the community can leverage through various arts nonprofits. My day to day is figuring out how to render capital of the community more active and productive. What is some history that you’ve heard about the Regal?
When I was growing up, the Regal was really in its prime. It reopened in 1987. It revived in 85′. I think it took them two years to do renovation, reopened it in 1987, and got it a landmark right there in ’92. Matter of fact, Mayor Harold Washington facilitated some money because doing the political thing for office in return was bringing dollars into the community. I got a picture of Ed Gardner and Harold Washington right there in the lobby. Harold was giving Ed a million-dollar check for the restoration. I saw a flyer the other day, it was Tupac and Biggie’s first time in Chicago on the Regal Theater stage. They were introducing a new [act], 17-year-old Kanye West, at the bottom of the flyer. Crucial Conflict was at the show, Da Brat was at the show, Common was at the show and a couple of other artists, at one show. That was the type of stuff that was going on. I [saw] Common and told him I was about to buy the Regal Theater and he stated how he thought Beyoncé and Jay were going to buy it. There was no Regal Theater from the mid ’70s until Avalon Theater was restored and they did the New Regal in 1987. Who were some of the people that got their start with plays here? Tyler Perry got his start at the Regal Theater. I was too young to go to his stuff but I remember his bus being in the parking lot. He was sleeping in his bus. It was a lot of church plays here. Have you thought about changing the name from the New Regal Theater?
Yes, so we are going to change the name to Avalon Regal Theater because the building we’re in is the Avalon, which was from 1927 up until the mid ’70s. It was the Operation Regal Theater in Bronzeville so at the time so we had a lot of Irish German immigrants who lived here who came here for shows. Somebody came to me and said ” Wait right here.” The person came back and gave me a flyer from 1929 of a silent movie/music dance with the orchestra pit. They would do that type of stuff here until like the ’60s. It was mostly a movie house before they had multiplexes, this was the spot to come and see movies. A lot of white people come to me and say they use to come to Avalon and use to watch cartoons on Saturday. That’s the heritage as well, we want to preserve. The whole legacy of the Avalon Regal Theater (ART) is what we’re trying to get trending, the rich heritage of the South Side. The concept we have is we really feel this could be a Beale Street like in Memphis, [Tennessee]. They got like 20 or 30 music joints like on one strip, [along with] restaurants and bars. You can’t just have a venue and people can’t go get dinner before the show, a cocktail after the show. What you gonna get? Are you going to get robbed after the show? That’s what’s going to happen here now. Why can’t we have this [be] Beale Street? I feel like the South Side is like the Africa of the city. I think we have the opportunity to do crazy stuff like they did in Dubai. It’s cheap to do. We bought the Regal for $100,000. When I say “we” I mean the companies I chair. We bought it from the FDIC. It took us about nine months to negotiate because it’s a landmark. We had to get a blessing from a commissioner. We got about $7 million dollars worth of work to do. Three million dollars of that is on the facade. We probably are going to do a Kickstarter campaign. When do you plan on opening?
We hope to be running by 2017. How can people get more information about the Regal?
They can go towww.regaltheater.org and it has a lot of information about the project and the Regal itself. To read full article, go to: http://rollingout.com/2016/06/03/new-regal-theater-868707/
article via hbcubuzz.com
Tuscaloosa, AL – Stillman College has been designated an Alabama historic district. On June 23, 2016, The Alabama Historical Commission listed Stillman College to the Alabama Register of Landmarks and Heritage as “Stillman College Campus Historic District, Tuscaloosa, Tuscaloosa County”.
The Alabama Register is a prestigious listing of historic, architectural, and archaeological landmarks. Stillman College was favorably reviewed and selected by the Alabama Historical Commission for inclusion as an Alabama landmark worthy of both recognition and preservation. Dr. Peter Millet, President of Stillman College, states, “I am exceedingly pleased that Stillman College has been designated as an Alabama historic district. This identification will be featured prominently as we continue to tell the story of Stillman College. With 140 years of service and scholarship behind it, we eagerly look forward to the next 140 years of this storied and historic institution”.
Founded in 1876, Stillman College is a liberal arts institution with a covenantal relationship with the Presbyterian Church, USA. Stillman is committed to fostering academic excellence and to providing high quality educational opportunities for all students. With emphasis on three Centers of Excellence: Science, Technology, Engineering, Arts, and Mathematics (STEAM), Education, and Religion; Stillman has a proud and evolving tradition of preparing students for leadership and service in society. To read full article, go to: http://hbcubuzz.com/2016/07/stillman-college-designated-historic-district/
Yesterday I was tagged in a post by an old high school friend, asking me and a few others a very public, direct question about white privilege and racism. I feel compelled not only to publish his query but also my response to it, as it may be a helpful discourse for more than just a handful of folks on Facebook. Here’s his post:
“To all of my Black or mixed race FB friends, I must profess a blissful ignorance of this “White Privilege” of which I’m apparently guilty of possessing. By not being able to fully put myself in the shoes of someone from a background/race/religion/gender/nationality/body type that differs from my own makes me part of the problem, according to what I’m now hearing. Despite my treating everyone with respect and humor my entire life (as far as I know), I’m somehow complicit in the misfortune of others. I’m not saying I’m colorblind, but whatever racism/sexism/other-ism my life experience has instilled in me stays within me, and is not manifested in the way I treat others (which is not the case with far too many, I know).
So that I may be enlightened, can you please share with me some examples of institutional racism that have made an indelible mark upon you? If I am to understand this, I need people I know personally to show me how I’m missing what’s going on. Personal examples only. I’m not trying to be insensitive, I only want to understand (but not from the media). I apologize if this comes off as crass or offends anyone.”
Here’s my response:
Hi, Jason. First off, I hope you don’t mind that I’ve quoted your post and made it part of mine. I think the heart of what you’ve asked of your friends of color is extremely important and I think my response needs much more space than as a reply on your feed. I truly thank you for wanting to understand what you are having a hard time understanding.
Coincidentally, over the last few days I have been thinking about sharing some of the incidents of prejudice/racism I’ve experienced in my lifetime – in fact I just spoke with my sister Lesa about how to best do this yesterday – because I realized many of my friends – especially the white ones – have no idea what I’ve experienced/dealt with unless they were present (and aware) when it happened. There are two reasons for this : 1) because not only as a human being do I suppress the painful and uncomfortable in an effort to make it go away, I was also taught within my community (I was raised in the ‘70s & ‘80s – it’s shifted somewhat now) and by society at large NOT to make a fuss, speak out, or rock the boat. To just “deal with it,” lest more trouble follow (which sadly, it often does). 2) Fear of being questioned or dismissed with “Are you sure that’s what you heard?” or “Are you sure that’s what they meant?” and being angered and upset all over again by well-meaning-but-hurtful and essentially unsupportive responses.
So, again, I’m glad you asked, because I really want to answer. But as I do, please know a few things first: 1) This is not even close to the whole list. I’m cherrypicking because none of us have all day. 2) I’ve been really lucky. Most of what I share below is mild compared to what others in my family and community have endured. 3) I’m going to go in chronological order so you might begin to glimpse the tonnage and why what many white folks might feel is a “Where did all of this come from?” moment in society has been festering individually and collectively for the LIFETIME of pretty much every black or brown person living in America today regardless of wealth or opportunity. 4)Some of what I share covers sexism, too – intersectionality is another term I’m sure you’ve heard and want to put quotes around, but it’s a real thing, too, just like white privilege. But you’ve requested a focus on personal experiences with racism, so here it goes:
1. When I was 3, my family moved into an upper-middle class, all-white neighborhood. We had a big backyard, so my parents built a pool. Not the only pool on the block, but the only one neighborhood boys started throwing rocks into. White boys. One day my mom ID’d one as the boy from across the street, went to his house, told his mother and fortunately, his mother believed mine. My mom not only got an apology, but also had that boy jump in our pool and retrieve every single rock. No more rocks after that. Then Mom even invited him to come over to swim sometime if he asked permission. Everyone became friends. This one has a happy ending because my mom was and is badass about matters like these, but I hope you can see that the white privilege in this situation isbeing able to move into a “nice” neighborhood and be accepted not harassed, made to feel unwelcome, or prone to acts of vandalism and hostility.
2. When my older sister was 5, a white boy named Mark called her a “nigger” after she beat him in a race at school. She didn’t know what it meant but in her gut, she knew it was bad. This was the first time I’d seen my father the kind of angry that has nowhere to go. I somehow understood it was because not only had some boy verbally assaulted his daughter and had gotten away with it, it had way too early introduced her (and me) to that term and the reality of what it meant – that some white people would be cruel and careless with black people’s feelings just because of our skin color. Or our achievement. If it’s unclear in any way, the point here is if you’ve NEVER had a defining moment in your childhood or your life, where you realize your skin color alone makes other people hate you, you have white privilege.
3. Sophomore year of high school. I had Mr. Melrose for Algebra 2. Some time within the first few weeks of class, he points out that I’m “the only spook” in the class. This was meant to be funny. It wasn’t. So, I doubt it will surprise you I was relieved when he took medical leave after suffering a heart attack and was replaced by a sub for the rest of the semester. The point here is if you’ve never been ‘the only one’ of your race in a class, at a party, on a job, etc. and/or it’s been pointed out in a “playful” fashion by the authority figure in said situation – you have white privilege.
4. When we started getting our college acceptances senior year, I remember some white male classmates pissed that another black classmate had gotten into UCLA while they didn’t. They said that affirmative action had given him “their spot” and it wasn’t fair. An actual friend of theirs. Who’d worked his ass off. The point here is if you’ve never been on the receiving end of the assumption that when you’veachieved something it’s only because it was taken away from a white person who “deserved it” – that is white privilege.
5. When I got accepted to Harvard (as a fellow AP student you were witness to what an academic beast I was in high school, yes?), three separate times I encountered white strangers as I prepped for my maiden trip to Cambridge that rankle to this day. The first was the white doctor giving me a physical at Kaiser: Me: “I need to send an immunization report to my college so I can matriculate.” Doctor: “Where are you going?” Me: “Harvard.” Doctor: “You mean the one in Massachusetts?” The second was in a store, looking for supplies I needed from Harvard’s suggested “what to bring with you” list. Store employee: “Where are you going?” Me: “Harvard.” Store employee: “You mean the one in Massachusetts?” The third was at UPS, shipping off boxes of said “what to bring” to Harvard. I was in line behind a white boy mailing boxes to Princeton, and in front of a white woman sending her child’s boxes to wherever. Woman, to the boy: “What college are you going to?” Boy: “Princeton.” Woman: “Congratulations!” Woman, to me: “Where are you sending your boxes?” Me: “Harvard.” Woman: “You mean the one in Massachusetts?” I think: “No bitch, the one downtown next to the liquor store.” But I say, gesturing to my LABELED boxes: “Yes, the one in Massachusetts.” Then she says congratulations but it’s too fucking late. The point here is if no one has ever questioned your intellectual capabilities or attendance at an elite institution based solely on your skin color, that is white privilege.
Serena Williams ended her yearlong pursuit of Steffi Graf’s mark for Open-era Grand Slam wins by defeating Angelique Kerber in straight sets in the Wimbledon final Saturday. (Credit: Andy Rain/Agence France-Presse — Getty Images)
by Lori Lakin Hutcherson, GBN Editor-in-Chief (@lakinhutcherson)
I don’t know about anyone else, but I really needed this today. I specifically set my alarm this morning to wake me at 6AM (PST) to watch Serena Williams compete for her seventh – yes, take that in – seventh Wimbledon title, and to tie Steffi Graf for the most Grand Slams won in the Open Era.
I’ll admit, regardless of the week of continued brutality and violence by police against black citizens and the gut-wrenching retaliation in Dallas because of such violence, as a lifelong fan, I most likely would have been up and watching Serena anyway. But because of its timing, this victory – this continued rising, this perseverance – was that much more coveted, and that much sweeter.
Although Williams did not mention or comment on what’s been happening in America as she accepted her trophy, don’t think she’s remained silent in the media about it. On her Twitter (which we here at GBN happily follow), she spoke directly to the recent atrocities and let us know they were on her mind days before this most crucial, career-defining match:
In London I have to wake up to this. He was black. Shot 4 times? When will something be done- no REALLY be done?!?! pic.twitter.com/OaLn60G6nm
This tweet leads me to speculate that Serena was that much more focused, that much more centered and that much more desirous of the outcome that occurred – because she knew in her heart she wasn’t just winning her 22nd Grand Slam and making history for herself, but for all of us.
So thank you, Serena – for playing your best tennis today and being so damned undeniable. You have been and are a shining light and the G.O.A.T. and a champion for the ages. You are loved and supported in all of your endeavors. You are #blackexcellence. (And P.S. having Beyoncé and Jay Z in your box was on point, too! #Freedom #Formation)
Now, to the tennis facts, courtesy of Naila-Jean Meyers via theNew York Times: