article via thegrio.com
On Thursday, Yale University will honor its first black student by naming a divinity school classroom after him. James W.C. Pennington escaped from slavery to Maryland in 1837. At the time, it was illegal to educate African-Americans from other states, but Pennington was allowed to attend classes as long as he didn’t speak, use the library or earn a degree.
Divinity school graduate Lecia Allman led the push to honor Pennington, who later in life formed an organization to help former slaves receive their education.
Divinity School Dean Gregory Sterling said of the decision to rename the classroom that it “recovers part of our past that has been neglected.”
Posts published in “History”
article by Justin Fornal via news.nationalgeographic.com
PUBLISHED OCTOBER 7, 2016: A small group gathered today in a hotel suite on the outskirts of Gary, Indiana. The nine formally-dressed guests joined hands while standing around a table containing only a white box. Reverend John Jackson of Trinity United Church of Christ started the prayer. “Eternal God, we are gathered here today to honor you, and to honor the legendary liberator, emancipator of the enslaved, and revolutionary of righteous, the Reverend Nathaniel Turner.”
The gathering’s 83-year-old host, Richard Gordon Hatcher, who served as Gary’s mayor from 1968 to 1987, planned the event at which a skull alleged to be Turner’s was turned over to his descendants. The guests of honor, Shannon Batton Aguirre and Shelly Lucas Wood, both great-great-great-great granddaughters of Turner, flew in from Washington D.C. to accept the remains.
In 1831, after receiving what he believed to be prophecies from God, Nat Turner led the bloodiest slave revolt in American history. Accompanied by a small army of his brethren, the group fought their way through the countryside of Southampton County, Virginia, with hopes of ending the scourge of slavery. When the bloodletting ended, more than 55 whites lay dead.
The local militia quelled the uprising within 48 hours, but Turner managed to elude his pursuers. After two months he was captured, tried, and on November 11th, he was hanged from a tree in the town of Jerusalem, now Courtland, Virginia. It is here that the facts surrounding Turner end and speculation and lore begin. (Read about Turner’s complex legacy.)
Many stories have circulated about the fate of Turner’s remains after his hanging. Several versions claim that he was flayed, quartered, and decapitated before his torso was finally buried in the local pauper’s cemetery. His skull and brain were then sent away for study.
During the recent filming of the National Geographic Studios documentary Rise Up: The Legacy of Nat Turner, there were frequent discussions with descendants and historians about the fate of Turner’s remains. Several had heard reports or read newspaper articles stating that the skull had been donated to former mayor Hatcher at a 2002 charity gala for the Civil Rights Hall of Fame, a museum project Hatcher has long championed.
To read full article, go to: After 185 Years, Nat Turner’s Alleged Skull Returned to Family
article by Angela Bronner Helm via theroot.com
President Barack Obama signed the Survivors Bill of Rights Act into law on Friday, after being passed by Congress on Wednesday night. The Senate passed the bill in May.
The law was drafted in support of sexual assault survivors and provides specific rights to those who are survivors of rape in relation to law enforcement, counseling and how rape kits are handled.
Mother Jones reports that as of 2014 more than 100,000 rape kits have languished for years in police warehouses and crime labs, going untested.
Erykah Badu actually did a July concert in Detroit to raise money so that the more than 10,000 rape kits found in a warehouse in 2009 could be tested.
Fusion reports that the new legislation means that survivors will have access to sexual assault counselors, more information about their rights and will be able to track when and where their rape kit is tested by law enforcement, if they choose to submit one.
According to Mother Jones, survivors can no longer be charged fees or prevented from getting a rape kit examination, even if they have not yet decided to file a police report. The kits must be preserved, at no cost to the survivor, until the applicable statute of limitations runs out. Also, survivors will now be able to request that authorities notify them before destroying their rape kits, and if they choose to keep the evidence, it has to be preserved. Survivors will also have the right to be notified of DNA profile matches if a hit comes up on the kit.
The bill was partly drafted by 24-year-old Amanda Nguyen, a rape survivor who currently is a White House deputy liaison at the State Department. Nguyen is also founder of the sexual assault survivor advocacy organization, Rise.
Read more at Mother Jones and Fusion.
article by Gordon Cox via Variety.com
Ava DuVernay’s “13th” opened the 54th New York Film Festival with a jolt of topical urgency, shaking up tradition as the first documentary to kick off the festival and addressing head-on the issue of mass incarceration and its historical roots. The crowd at the premiere screening rose to its feet when the credits rolled — and then did it a couple more times after that: once when the lights came up on the filmmakers, activists and academics involved in the film, and again when DuVernay appeared for a brief talkback after the movie.
Heightened security measures, a reaction to the Sept. 17 bombing in Chelsea, made the opening the first in recent memory to involve bomb-sniffing dogs and security wands. Famous faces including Oprah Winfrey, Common and Don Lemon turned out for the film, which confronts issues at the forefront of the current political conversation: race, inequality, the fallout of slavery, police brutality and Black Lives Matter.
“This moment, this Black Lives Matter moment, it’s not a moment. It’s a movement,” said DuVernay on the red carpet before the film’s world premiere (in words she would later echo when she addressed the crowd in the theater). “People thought, ‘Oh, will it last?’ Well, it has lasted. It’s changed things. It’s forced candidates to talk about things that they did not talk about in previous elections. It’s opened people’s minds. It’s changed art-making. It’s changed music. People are seeing things through a different filter now.”
To read full article, go to: http://variety.com/2016/film/news/new-york-film-festival-2016-opening-13th-ava-duvernay-1201875308/
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In 2013, when the founders of the Smithsonian’s National Museum of African American History and Culture were seeking donors, people directed them to one man: Robert F. Smith.
“We kept wondering, ‘Who is this Robert Smith?’ ” said Adrienne Brooks, director of development for the museum. Meeting Smith became a priority, said Lonnie G. Bunch III, the museum’s founding director. “We wanted to meet him. And soon,” Bunch said, laughing.
Soon many more people will know Robert Smith by name as the museum celebrates its grand opening this weekend. The private-equity financier was the museum’s second-biggest private donor, with a $20 million gift. Oprah Winfrey was No. 1, with $21 million.
Smith has built a fortune that’s made him one of the nation’s richest men — worth $2.5 billion, according to Forbes — but until now he has kept his work and philanthropy relatively quiet.
Even the website of his company, Vista Equity Partners, does not have a picture of him. Better, he had thought, that investors and executives know him first by his abilities. If they saw only the caramel skin of an African American, he might lose out on opportunities.
As Vista’s chairman and chief executive, he is in the business of buying, growing and selling off software companies. Vista’s portfolio has 35 companies with $26 billion in assets under management. He is the majority shareholder of Vista’s management company.
Beyond Wall Street and Silicon Valley, Smith long enjoyed moving in relative obscurity. That changed last fall when Forbes magazine put him on its cover, with an article for which he declined to be interviewed.
Now in an exclusive interview with The Washington Post, he’s ready to talk about his life’s work and the powerful social force that has pulled him out of the shadows: the racial tension escalating across the nation. Smith said he grew fearful that the very fabric of the country that allowed his parents to earn doctorate degrees and him to build a successful business is vulnerable.
Watching TV news, he saw the unrest in Ferguson, Mo., after the 2014 fatal shooting of an unarmed black youth, Michael Brown, by police. Last year he watched the turmoil following Freddie Gray’s funeral in Baltimore. Across the land, he feared, a sense of opportunity is giving way to rising hopelessness and despair.
“The vision I was sold as a kid is unraveling. I see the little tears in the fabric of society every day. This cannot be,” Smith said in the interview.
[A peek inside the National Mall’s latest edition: Tour the museum]
His philanthropic efforts go back years. Through the Fund II Foundation, of which he is the founding president, he has supported nonprofit groups that focus on African American culture, human rights, music education and the environment.
It was time to emerge, he thought, and do more. “We have to do something,” he said. “We have to do something for our community.”
To read full article, go to: https://www.washingtonpost.com/national/who-is-this-robert-smith-a-quiet-billionaire-makes-some-noise-with-20-million-gift-to-the-african-american-museum/2016/09/23/547da3a8-6fd0-11e6-8365-b19e428a975e_story.html
https://youtu.be/uCNs9ZlquTM
In anticipation of its opening on September 24, the National Museum of African American History and Culture has launched a one-day giving campaign today, September 13th, to celebrate this momentous milestone for our nation and the African American community and to help ensure our future for all who follow.
We at GBN donated and signed up to aid this Giving Day effort, and will be posting and tweeting intermittently to help raise awareness and donations for NMAAHC. If you’d also like to go beyond donating, you too can sign up to become a Giving Day Champion in celebration of a museum that tells a more complete story of America.
Simply click the link above to join and reach out to your network of friends and share the story of this amazing Museum. NMAAHC provides all the tools you need to spread the word about the Museum and this giving opportunity.
Thank you and let’s continue to share this amazing story of the African American experience with our nation and the world for generations to come.
To donate now, click here: https://givenmaahc.org/?utm_source=nmaahc.linkfast.com_donate_button&utm_medium=referral&utm_campaign=giveNMAAHC_2016_SF
article by Graham Bowley via nytimes.com
Eleven years ago, Lonnie G. Bunch III was a museum director with no museum. No land. No building. Not even a collection.
He had been appointed to lead the nascent National Museum of African American History and Culture. The concept had survived a bruising, racially charged congressional battle that stretched back decades and finally ended in 2003 when President George W. Bush authorized a national museum dedicated to the African-American experience.
Now all Mr. Bunch and a team of colleagues had to do was find an unprecedented number of private donors willing to finance a public museum. They had to secure hundreds of millions of additional dollars from a Congress, Republican controlled, that had long fought the project.
And they had to counter efforts to locate the museum not at the center of Washington’s cultural landscape on the National Mall, but several blocks offstage. “I knew it was going to be hard, but not how hard it was going to be,” Mr. Bunch, 63, said in an interview last month.
In less than three weeks, though, with President Obama presiding, the new museum, a project that once thirsted for money, land and political support, is scheduled to open on the Mall.
Visitors to the $540 million building, designed to resemble a three-tiered crown, will encounter the sweeping history of black America from the Middle Passage of slavery to the achievements and complexities of modern black life.
But also compelling is the story of how the museum itself came to be through a combination of negotiation, diplomacy, persistence and cunning political instincts. The strategy included an approach that framed the museum as an institution for all Americans, one that depicted the black experience, as Mr. Bunch often puts it, as “the quintessential American story” of measured progress and remarkable achievement after an ugly period of painful oppression.
The tactics included the appointment of Republicans like Laura Bush and Colin L. Powell to the museum’s board to broaden bipartisan support beyond Democratic constituencies, and there were critical efforts to shape the thinking of essential political leaders.
Long before its building was complete, for example, the museum staged exhibitions off-site, some on the fraught topics it would confront, such as Thomas Jefferson’s deep involvement with slavery. A Virginia delegation of congressional members was brought through for an early tour of the Jefferson exhibition, which featured a statue of him in front of a semicircular wall marked with 612 names of people he had owned. “I remember being very impacted,” said Eric Cantor, then the House Republican leader, who was part of the delegation.
Mr. Bunch said that he hoped the Jefferson exhibition pre-empted criticism by establishing the museum’s bold but balanced approach to difficult material. “Some people were like, ‘How dare you equate Jefferson with slavery,’” he recalled. “But it means that people are going to say, ‘Of course, that is what they have to do.’”
And the museum began an exceptional effort to raise money from black donors, not only celebrities, like Michael Jordan ($5 million) and Oprah Winfrey ($12 million), but also churches, sororities and fraternities, which, Mr. Bunch said, had never been asked for big donations before.
article via abcnews.go.com
President Barack Obama on Sunday marked the 15th anniversary of the Sept. 11 attacks by calling on Americans to embrace the nation’s character as a people drawn from every corner of the world, from every religion and from every background. He said extremist groups will never be able to defeat the United States.
Obama spoke to hundreds of service members, and relatives and survivors of the attack that occurred at the Pentagon when American Airlines Flight 77 slammed into the Defense Department’s headquarters, killing 184 people. The youngest victim was only 3 years old.
In all, about 3,000 people lost their lives that day as a result of the planes that crashed into New York City’s World Trade Center and in a Pennsylvania field.
The president said extremist organizations such as the Islamic State group and al-Qaida know they can never drive down the U.S., so they focus on trying to instill fear in hopes of getting Americans to change how they live.
“We know that our diversity, our patchwork heritage is not a weakness, it is still and always will be one of our greatest strengths,” Obama said. “This is the America that was attacked that September morning. This is the America that we must remain true to.”
Obama spoke on warm, mostly sunny morning, noting that the threat that became so evident on Sept. 11 has evolved greatly over the past 15 years. Terrorists, he said, often attempt strikes on a smaller, but still deadly scale. He specifically cited attacks in Boston, San Bernardino and Orlando as examples.
In the end, he said, the enduring memorial to those who lost their lives that day is ensuring “that we stay true to ourselves, that we stay true to what’s best in us, that we do not let others divide us.”
“How we conduct ourselves as individuals and as a nation, we have the opportunity each and every day to live up to the sacrifice of those heroes that we lost,” Obama said.
article via jbhe.com
The department of athletics at the University of Mississippi has banned the playing of the song “Dixie” at all events on campus. The song, sometimes referred to as the Confederate National Anthem, has been played at football games and other campus events for at least the past 70 years. In 2015, the song was played by university bands during pregame tailgating parties and on the field before the game a total of 14 times.
In a statement, the athletics department said that they “asked the band to create a new and modern pregame show that does not include Dixie and is more inclusive for all fans.”
article by Rachel L. Swarns via nytimes.com
Nearly two centuries after Georgetown University profited from the sale of 272 slaves, it will embark on a series of steps to atone for the past, including awarding preferential status in the admissions process to descendants of the enslaved, officials said on Wednesday.
Georgetown’s president, John J. DeGioia, who will discuss the measures in a speech on Thursday afternoon, also plans to offer a formal apology, create an institute for the study of slavery and erect a public memorial to the slaves whose labor benefited the institution, including those who were sold in 1838 to help keep the university afloat.
In addition, two campus buildings will be renamed — one for an enslaved African-American man and the other for an African-American educator who belonged to a Catholic religious order. So far, Mr. DeGioia’s plan does not include a provision for offering scholarships to descendants, a possibility that was raised by a university committee whose recommendations were released on Thursday morning. The committee, however, stopped short of calling on the university to provide such financial assistance, as well as admissions preference.
To read full article, go to: Georgetown University Plans Steps to Atone for Slave Past – The New York Times