by Zeba Blay via huffingtonpost.com
The University of Mississippi is taking major strides in acknowledging its racist history. The institution, affectionately known as Ole Miss, announced plans on Thursday to recognize pre-Civil War campus buildings that were built by slaves.
According to NBC, in addition to placing plaques on buildings built by slaves, the university will also remove the name of white supremacist James K. Vardaman from a campus building. Vardaman was the governor of Mississippi from 1904 to 1908. “As an educational institution, it is imperative we foster a learning environment and fulfill our mission by pursuing knowledge and understanding,” Chancellor Jeffrey Vitter said in a news release.
Ole Miss famously became embroiled in racial tension and violence in 1962, when James Meredith became the first black student to attend the institution as the result of court-ordered integration. The move is part of an ongoing process on the campus to reconcile with its past, provide historical context, and create a more welcoming environment for a diverse student body.
To read and see more, go to: Ole Miss To Post Signs Recognizing Campus Buildings Built By Slave Labor | HuffPost
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by Elizabeth Wagmeister via Variety.com
Ava DuVernay is continuing her relationship with Netflix, bringing a limited series about the Central Park Five case to the streaming giant. Netflix has greenlit the five-part scripted series for a 2019 debut. DuVernay created the project and will write and direct all five installments.
Participant Media, Tribeca Productions and Harpo Films are behind the limited series with Oprah Winfrey, Jeff Skoll, Jonathan King, Jane Rosenthal and Berry Welsh serving as executive producers alongside DuVernay. The project is the latest collaboration for Winfrey and DuVernay who worked together on the Oscar-winning “Selma” and OWN’s “Queen Sugar.”
For DuVernay, the project marks a return to Netflix for the filmmaker who wrote and directed the platform’s 2016 documentary “13th.” “I had an extraordinary experience working with Netflix on ’13th’ and am overjoyed to continue this exploration of the criminal justice system as a narrative project with Cindy Holland and the team there,” said DuVernay. “The story of the men known as Central Park Five has riveted me for more than two decades. In their journey, we witness five innocent young men of color who were met with injustice at every turn — from coerced confessions to unjust incarceration to public calls for their execution by the man who would go on to be the President of the United States.”
Based on the true story of the notorious Central Park Five case, each part of the limited series will focus on one of the five teenagers from Harlem — Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana and Korey Wise — who were wrongly convicted of raping Trisha Meili in Central Park. The series will span from the spring of 1989, when each were first questioned about the incident, to 2014 when they were exonerated and a settlement was reached with the city of New York.
To read full article, go to: Central Park Five Limited Series From Ava DuVernay Greenlit at Netflix | Variety
by Elizabeth A. Harris via nytimes.com
The auditorium in the northwest Bronx was speckled with balloons. Balloons that said, “Congrats Grad!” and “You’re so special!” Balloons arranged on stage in columns of white, blue and yellow. Balloons in the shape of champagne bottles. And a parade of shiny floating letters that spelled out “Graduate of 2017.” Nearly 60 teenagers accepted diplomas from Bronx Preparatory High School there on Monday, amid all the usual trappings of a graduation ceremony. But for three men in their 40s who joined the teenagers onstage, wearing the same blue academic robes, the day was no less meaningful.
They were Yusef Salaam, Kevin Richardson and Raymond Santana Jr., three members of the Central Park Five. Years ago, they missed the graduation ceremonies for their own high schools because they were in prison for a crime they did not commit.On Monday, they received honorary diplomas and the capped, gowned feting they had been denied. “Even though we were not able to go back and right the wrong of not getting our high school diplomas outside, here we are being honored in such a way in front of our family and friends,” Mr. Salaam said from the stage, smiling broadly. “This is a blessing.”
The Central Park Five was a group of teenagers convicted of the brutal rape in 1989 of a woman who was jogging in Central Park. They refused plea bargains, insisting that incriminating statements they had made to the authorities had been coerced, and spent from seven to 13 years in prison. More than a decade after their conviction, the five men, all of whom are black or Hispanic, were exonerated. DNA evidence confirmed that the crime had been committed by another man, Matias Reyes, who confessed to acting alone.
The five have since reached settlements with New York City and the state totaling nearly $45 million, according to their lawyer. The youngest was 14 at the time of their arrest. The oldest was 16. A documentary about their ordeal called “The Central Park Five” was released in 2012, and a government teacher at Bronx Prep, Marielle Colucci, has used the movie as a tool to teach students about the justice system. This year, after her students asked if they could meet the men, Mr. Richardson spoke to their class.“The most important thing for me as a teacher is that they leave here knowing their rights and what they actually mean, and there is no one better to speak to that than these guys,”
Ms. Colucci said of her students, who are all members of minorities. “Because they could find themselves in that same situation right now when they walk out across the street.”Cassius Gil, the school’s assistant principal, said he had a conversation with Emmanuel George, the school’s executive director, after Mr. Richardson’s visit. Mr. Gil said they wondered: “Did they ever get a high school diploma? We should give them a high school diploma.”In fact, the three men did already have diplomas — each received a G.E.D., and then an associate degree, while still in prison. But they never had a ceremony, and a piece of paper in the mail is not the same.“It’s kind of emotional,” Mr. Santana said at the ceremony, which was at Lehman College in the Bronx.
To read full article, go to: https://www.nytimes.com/2017/06/26/nyregion/central-park-jogger-case-honorary-diplomas.html?_r=2
by Brennan Williams via (huffpost.com)
Earlier this month, the Hip Hop Hall of Fame Museum won a bid to acquire a Harlem building and development site for a new state-of-the-art facility that will “preserve, archive, exhibit, educate, and showcase hip-hop Music and culture from around the world.”
Phase one, which is set to begin in February 2018, of the museum’s development plan will include, among other things, a multimedia film production studio and a television content production center for students “that will be training for careers in tech and media, while producing real-life content for the museum, and the hip hop television channel network,” the museum’s founder, JT Thompson, said in a release.
Eventually the 20-story building will include 5-star hotel, retail mall, an arcade, restaurant and concert lounge. The organization has also launched a $150 million fundraising campaign to help complete funding for the entertainment complex.
Last year, Thompson ― who’s also an Army veteran ― told the New York Post that the museum’s progress has been a “labor of love.”
“Hip hop is about empowering yourself, moving beyond the music,” he said. “The HHHOF and I have a duty and responsibility to preserve this rich history of music and culture. [You need to] pull yourself up by your bootstraps to pursue your dreams.”
“This has been a labor of love. It’s had its valleys, mountains, peaks and falloffs. In the Army, I had leaders, mentors and brothers like teammates working to achieve something special. In life and in business, be disciplined and finish strong without quitting.”
For more info on the development of the Hip Hop Hall of Fame Museum, please visit the museum’s website.
Source: Harlem Will Soon Be Home To A 20-Story Hip Hop Museum | HuffPost
by thegrio.com
The Southern Poverty Law Center filed suit in federal court on Tuesday alleging that the poor performance of black students in Mississippi is the direct result of the state’s failure to live up to the terms of readmission to the Union at the end of the Civil War.
As part of the terms of readmission, Mississippi was required to create a “uniform system of free public schools” for all citizens, both black and white, in order to foster an environment of education that was necessary to democracy.“ Today, Mississippi schools are anything but uniform,” said Will Bardwell, a lawyer at the Southern Poverty Law Center.
“If you’re a kid in Mississippi, your chances of getting a good education depend largely on whether your school is mostly white or mostly black. That is not a uniform system.”
However, the state constitution changed several times until in 1890 it allowed only for “separate but equal” systems. According to the complaint, the constitution is now an “empty shell of the guarantee that Congress obligated Mississippi to preserve in 1870” and allows the state to severely underfund schools that serve African-American students.
To read more, go to: Black parents sue Mississippi for ‘inequitable’ schools | theGrio
by Dartunorro Clark via dnainfo.com
HARLEM — In an age of resistance and Black Lives Matter, a local writer is looking to the past to unpack present-day issues.In an ode to civil rights icon Malcolm X and playwright Lorraine Hansberry — both of whom share a May 19 birthday and a Harlem connection — writer Shaun Neblett is unveiling a play based on the pair’s works on Friday.
The play “Happy Birthday Malcolm and Lorraine!” will feature sets of vignettes performed by several up-and-coming playwrights who will discuss contemporary topics, such as gentrification. Since the two subjects share the same birthday, Neblett wanted to fold their ideas and words in with the work of current writers, whose “journeys have been paved by Malcolm and Lorraine’s spirit and relentless drive to sharpen the black psyche,” he said. “Beyond creating a great show, we are sending their spirits our gratitude and keeping their important teachings alive,” he added.
In doing research for the play, Neblett said he discovered a letter at Harlem’s Schomburg Center that Hansberry wrote to her local newspaper when she was living in Greenwich Village, saying that “people were coming into her community and trying to take over.” “It really speaks to the gentrification that people are dealing with today in Harlem,” said Neblett, who founded the Changing Perceptions Theater. Another captivating draw for Neblett is the play’s location: the home of Langston Hughes, another historic Harlem figure.
The East 127th Street home was renovated and has been leased by a group of artists — called the I, Too Arts Collective — since last year to preserve Hughes’ legacy. “It’s just all a real sort of nucleus for this event and the meaning of it and the purpose,” Neblett explained. “They all fought in their own way to empower the black psyche.” Hansberry and Malcom X also have Harlem ties. He spent some of his most formidable years in the neighborhood, and she moved there in the 1950s, later writing “A Raisin in the Sun,” whose title was based on a poem by Hughes.
“They were both revolutionaries and they just went about the way they fought for liberation in different ways,” Neblett said, “but their ideas and thoughts were the same.”
“Happy Birthday Malcolm and Lorraine!” premieres Friday, May 19, at 8 p.m. Doors open at 7:30 p.m. Tickets are $10 and can be purchased at the door or online. The show will take place at the I, Too Arts Collective at the Langston Hughes House, 20 East 127th St.
Source: Harlem Playwright to Honor Work of Malcolm X and Lorraine Hansberry – Central Harlem – DNAinfo New York
by Tambay Obenson via shadowandact.com
Speaking of “Hidden Figures,” here’s an intriguing upcoming documentary from filmmaker Sheila Dianne Jackson and her Eve’s Lime Productions shingle, that I think will be of interest to many of you. Promising to bring to light the mostly ignored story of black women in rock, the film is titled “Nice & Rough: Black Women IN Rock.”
Per the filmmaker, it will pay homage to the women who helped define the sound that emerged as rock n’ roll in the 1950s and 60s, and the generation of women that followed them, inspired by their contributions. It originally started as a documentary on background singers, and evolved into something more that will uncover a rarely talked about, and to many, likely entirely unknown history of black women in rock. Jackson says she was inspired by her sister, a multi-talented singer (opera, jazz, R&B, and metal rock), who was attracted to hardcore rock music, which the filmmaker was fascinated by, leading her to expand her original idea into one that chronicled a rich though “hidden” history.
To read more, go to: Doc: ‘Nice & Rough: Black Women IN Rock’
by Brennan Williams via huffpost.com
Antoine Fuqua is developing a film about the late activist and Black Panther affiliate Fred Hampton. The project is based on Jeffrey Haas’ 2009 book The Assassination of Fred Hampton: How the FBI and the Chicago Police Murdered a Black Panther, according to Variety. Beginning at the age of 15, Hampton inserted himself into the world of activism by organizing a chapter of the NAACP at his high school and later became the chairman of the Illinois Black Panther Party at age 20.
Haas’ book, adapted for the screen by screenwriter Chris Smith, uncovers the controversial events surrounding Hampton’s 1969 murder. The 21-year-old was shot dead in his bed as 14 officers opened fire during a police raid. Though Hampton’s death was ruled as a “justifiable” homicide by officials, Hampton’s surviving family members filed a civil lawsuit in 1970, which resulted in a settlement of $1.85 million in 1982. The untitled project is a part of Fuqua’s new production deal with Sony Studios.
For the filmmaker, the new deal is a homecoming of sorts as the film studio has helmed some of his biggest films including “The Equalizer,” “Training Day,” and his breakout feature, “The Replacement Killers.” “I started my feature film career almost 20 years ago at Columbia,” Fuqua said to Variety about rejoining Sony for his new deal. “Since then some of my biggest career achievements have been with the studio. I am proud of our work together and am very much looking forward to this new collaboration and our upcoming creative endeavors.”
As Fuqua continues to develop his Fred Hampton project, fans can expect the filmmaker to reteam with Denzel Washington for the sequel to their 2014 blockbuster, “The Equalizer,” which will hit theaters September 2018.
To read full article, go to: Antoine Fuqua To Develop Film Based On Black Panther Murdered By Police | HuffPost
by Lori Lakin Hutcherson (@lakinhutcherson)
The Jackie Robinson Museum is one step closer to becoming a reality.
The Jackie Robinson Foundation hosted a groundbreaking ceremony for donors on April 27, 2017. The 18,500-square foot space will honor the late sports legend Jackie Robinson, who broke the color barrier in Major League Baseball and played an active, pioneering role in the modern civil rights movement. “Jack lived his life with such great purpose,” said Rachel Robinson, JRF Founder and wife of Jackie Robinson. “I hope that visitors to the Museum will not only learn about his journey and experience his energy, but that they will be inspired to view each day as a chance to make a difference.”
The Jackie Robinson Museum will expand the Foundation’s mission to educate and expose current and future generations of Americans to a man and an era that were pivotal in forming the more inclusive society that we are today. Exciting, interactive exhibitions, educational outreach efforts, and dynamic programing to illuminate the life and character of one of the most storied athletes of all time are all on the Museum’s agenda. “We are proud to realize Rachel Robinson’s dream of establishing a fixed tribute to her husband’s rich legacy,” said Della Britton Baeza, JRF’s President & CEO. “Jackie Robinson’s contributions to our country propelled us through challenging social times and continue to encourage us to practice empathy and brotherhood toward others. The Jackie Robinson Museum will satisfy sports fans who will learn more about Jackie Robinson’s great accomplishments as an athlete and visitors of all walks of life who want to be inspired by a true humanitarian.”
Located in the heart of downtown Manhattan, just blocks north of the 9/11 Memorial, the Foundation has retained Gensler as Design Architect in collaboration with Ralph Appelbaum Associates, Exhibit Designer, to develop the Jackie Robinson Museum.
JRF has secured lead gifts from a diverse group of partners including: Nike, Inc., Phil Knight, the Yawkey Foundation, the City of New York, New York Mets, Citi, Strada Education Network, Los Angeles Dodgers, Major League Baseball, the Tull Family Foundation, New York Yankees, and Stephen Ross. Half way to its $42 million fundraising goal, which is inclusive of a Museum operating endowment, the Foundation plans to open the Museum’s doors in the spring of 2019.
JRF Welcomes Donations: visit www.jackierobinsonmuseum.org to support the Museum’s fundraising efforts.
About the Jackie Robinson Foundation
Established in 1973 to perpetuate Jackie Robinson’s memory, the Jackie Robinson Foundation (JRF), a national, public, non-profit organization, administers one of the nation’s premier education and leadership development programs for minority college students. In addition to generous financial assistance, JRF offers a comprehensive set of support services that includes mentoring, job placement, career guidance, leadership training and practical life skills. JRF’s celebrated four-year program yields a consistent, 98% college graduation rate. JRF has provided over $70 million in grants and direct program support to 1,500 students who have attended over 225 colleges and universities.
article by Tom Vitale via npr.org
Ella Fitzgerald, who would have turned 100 today, was one of the most beloved and versatile singers of the 20th century. In a career that spanned six decades, Fitzgerald recorded hundreds of songs, including definitive versions of many standards. Along the way, she influenced generations of singers.
But the first thing that strikes you about Fitzgerald is that voice.
Cécile McLorin Salvant, who won a Grammy last year for Best Jazz Vocal Album, says a combination of qualities made Fitzgerald’s voice unique. “When you hear the tone of her voice — which has kind of a brightness, kind of a breathiness, but it also has this really great depth, and kind of a laser-like, really clear quality to it — it hits you,” she says.
Salvant, 27, says she learned to sing jazz standards by listening to Fitzgerald’s versions.
“I remember being 17 and living in France and feeling really homesick and wanting to go back to Miami, and listening to Ella Fitzgerald singing ‘I Didn’t Know What Time It Was,’ ” Salvant says. “And I would listen to that all day. All day. For, like, weeks. And it felt — it created a home for me.”
Fitzgerald had perfect pitch, impeccable diction and a remarkable sense of rhythm. And it all came naturally to her, as she told the CBC in 1974. “What I sing is only what I feel,” she said. “I had some lady ask me the other day about music lessons and I never — except for what I had to learn for my half-credit in school — I’ve never given it a thought. I’ve never taken breathing lessons. I had to go for myself, and I guess that’s how I got a style.”
That style was an immediate hit. Fitzgerald was discovered at an amateur contest and began her professional career when she was only 16, singing with the Chick Webb Orchestra at Harlem’s Savoy Ballroom. When she was 21, she became internationally famous with a hit record based on a nursery rhyme, “A-Tisket, A-Tasket.”
Tony Bennett says that when he was starting out as a young singer, Ella Fitzgerald was his idol. “She was a complete swinger,” he says. “She just understood the whole art of jazz phrasing.”