via onbeing.org
Nikki Giovanni was a revolutionary poet of the Black Arts Movement that nourished civil rights. She had a famous dialogue with James Baldwin in Paris in 1971. As a professor at Virginia Tech, she brought beauty and courage by the way of poetry after the shooting there.
Today, she is a self-proclaimed space freak and a delighted elder — an adored voice to hip-hop artists and the new forms of social change this generation is creating.
Check out Ms. Giovanni’s On Being Podcast from August 24, 2017 by clicking below:
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Source: Nikki Giovanni — Soul Food, Sex, and Space | On Being
Posts published in “History”
via jbhe.com
The College of William and Mary in Williamsburg, Virginia, is commemorating the fiftieth anniversary of the first Black residential students on campus by creating a mural that will be permanently displayed at the university’s Swen Library.
In the fall of 1967, Lynn Briley, Karen Ely, and Janet Brown became the first African American students to live in residential housing. All three graduated four years later in 1971. The three women all came to the university last month to have bronze casts made of their faces, which will be included on the mural.
Bob Leek, a local potter who participated in the creation of the bronze masks, stated that “this is an amazing process, and what we’re going to create is just going to be amazing; it’s just going to be very powerful.” The mural will be unveiled on August 31.
A video about the making of the masks of the three women can be seen below:
Source: College of William and Mary Honoring the First Black Students Who Lived on Campus : The Journal of Blacks in Higher Education
via jbhe.com
Andrew W. Kahrl, an associate professor of history at the University of Virginia, who is affiliated with the Carter G. Woodson Institute for African American and African Studies at the university, is using local tax records to document the history of racial discrimination and residential segregation in the state. Dr. Kahrl is conducting research on how tax liens and tax sales became a tool used by predatory land speculators to acquire Black-owned land.
“Many of these places were legally stolen from Black people by private investors working in concert with local officials,” Dr. Kahrl found.Dr. Kahrl discovered that local officials assessed Black property owners at highly inflated rates in an effort to tax them off the land. “This practice was pervasive,” Dr. Kahrl said. “It was something that was taking place throughout the South and it is clear that it is discriminatory in nature. African-Americans were consistently taxed higher on their property than White homeowners and landowners in the same neighborhood.”
In some states, if the Black landowners missed a tax payment, a lien would be put on the property – and the lien or the property would eventually be sold at a tax sale, where speculators could purchase the debt, add legal fees to it and eventually seize the property for much less than it was worth. Dr. Kahrl is the author of The Land Was Ours: How Black Beaches Became White Wealth in the Coastal South (University of North Carolina Press, 2016).
Source: University of Virginia Historian Documents How Black-Owned Land Was Stolen : The Journal of Blacks in Higher Education
by Lori Lakin Hutcherson (@lakinhutcherson)
According to blavity.com, Octavius Valentine Catto will be honored with a statue outside of Philadelphia’s city hall this September. Catto’s statue will be the first monument built to honor an African American erected on public land in the City of Brotherly Love. Although Catto’s memorial has been in the works for years, in the wake of the push to take so many Confederate statues down across the nation, the timing for this statue’s unveiling could not be better.
In Charleston, South Carolina on February 22, 1839, Catto was born a free black man. Catto excelled at his studies, attending a school for black children in Philadelphia, the Institute for Colored Youth, an institution he later led.
According to phillyvoice.com, in his early 20s, Catto was already an active leader in the African American community. He was a member of the 4th Ward Black Political Club, the Union League Association, the Library Company and the Franklin Institute. He demanded that African Americans fight in the Civil War and helped get their regiments inducted into the war. In 1863, at the height of the Civil War, he joined the army and enlisted as a volunteer in defense of the state of Pennsylvania.
Catto was also a major in the Pennsylvania National Guard and played baseball as captain and second baseman for the Pythians, an African American baseball team. He was inducted into the Negro League Baseball Museum’s Hall of Fame.
Beyond being an educator, ball player and a war hero, Philadelphia is celebrating Catto for his local civil rights activism, which went into full gear after he was kicked off of a segregated horse-drawn trolley. He staged a sit-in on the streetcars, refusing to move off of the car. The driver drove the car off of its track and unhitched its horses, unsure how else to get rid of Catto. Catto remained aboard; the other passengers and the driver left him there. Catto also defended several black women who were forcibly ejected from the city’s streetcars, and used a fine levied against his fiancée to drum up publicity for his cause. Finally, in 1867, due in large part to Catto’s pressure, the city desegregated its streetcars.
“In Philadelphia, at that time, you could be wearing a Civil War uniform and not have been able to get on that trolley car,” said Philadelphia Mayor Jim Kenney, who has been hoping to bring a statue of Catto to the city since at least 2003, after he learned the story of Catto’s life. “[Knowing this] you realize, this struggle isn’t just a 1960s struggle. It’s a struggle from the beginning of the country.”
by Justin Kroll via variety.com
NBA superstar LeBron James is continuing to make moves off the court. James’ production company, SpringHill Entertainment, is adding the first scripted drama to its growing slate. The project also boasts Oscar-winning talent: Octavia Spencer.
Spencer is attached to star in the limited series about entrepreneur and social activist Madam C.J. Walker’s life, with James executive producing along with his company’s co-founder, Maverick Carter. Sources tell Variety that Netflix is interested in the series and is the likely destination. The steaming service had no comment on their involvement in the project.
Nicole Asher is on board to write and co-exec produce and “Black Nativity” helmer Kasi Lemmons will direct the pilot and also executive produce. The series is based on the book “On Her Own Ground” by A’Lelia Bundles, Walker’s great-great-granddaughter, who will also serve as a consultant on the series.
Walker, the daughter of slaves, was orphaned at age seven, married at 14, and widowed at 20. She spent two decades laboring as a washerwoman, earning $1.50 a week. However, everything changed following Walker’s discovery of a revolutionary hair care formula for black women. By the time she died in 1919, she had built a beauty empire from the ground up, amassing wealth unprecedented among black women. She counted W.E.B. Du Bois and Booker T. Washington among her friends.
Zero Gravity Management’s Mark Holder and Christine Holder optioned the book from Bundles in early 2016. Spencer got wind of the project and aggressively pursued the part. Once word spread that Spencer was attached, WME, who reps both Spencer and James, pitched the series to James as his production company’s entryway into the prestige genre.
SpringHill president Jamal Henderson brought the project to Carter’s attention and the two moved quickly to land the property. With Nicole Asher set to write, Spencer starring, and James and Springhill on board as producers, the package was presented to potential buyers, with Netflix acting fast and the favorite to land the series. “I am really proud of this project and that SpringHill will be partnering with Octavia to tell this important story,” James said. “Every American should all know the story of Madam C.J. Walker. She was an innovator, entrepreneur, social activist, and total game changer whose story has been left out of the history books. I hope this project lives up to her legacy with a story that will educate and inspire.”
To read full article, go to: Octavia Spencer, LeBron James Team on TV Series About Madam CJ Walker | Variety
by Nellie Andreeva (with Mike Fleming) via deadline.com
A century and a half after slavery was abolished in the U.S., the wounds left by one of the darkest periods in American history are far from healed, as evidenced by the controversy surrounding the recent announcement of HBO’s upcoming drama series Confederate, from Game Of Thrones creators David Benioff and D.B. Weiss, which explores an alternate timeline of seceded southern states where slavery is legal and has evolved into a modern institution.
Another alternate history drama series, which has been in the works at Amazon for over a year, also paints a reality where southern states have left the Union but takes a very different approach. Titled Black America, the drama hails from top feature producer Will Packer (Ride Along, Think Like A Man) and Peabody-Award winning The Boondocks creator and Black Jesus co-creator Aaron McGruder.
It envisions an alternate history where newly freed African Americans have secured the Southern states of Louisiana, Mississippi and Alabama post-Reconstruction as reparations for slavery, and with that land, the freedom to shape their own destiny. The sovereign nation they formed, New Colonia, has had a tumultuous and sometimes violent relationship with its looming “Big Neighbor,” both ally and foe, the United States.
The past 150 years have been witness to military incursions, assassinations, regime change, coups, etc. Today, after two decades of peace with the U.S. and unprecedented growth, an ascendant New Colonia joins the ranks of major industrialized nations on the world stage as America slides into rapid decline. Inexorably tied together, the fate of two nations, indivisible, hangs in the balance.
The Packer/McGruder project was announced back in early February, but at the time, it was untitled, and the producers would not divulge any details about the storyline beyond it revolving around an alternate universe in the vein of Amazon’s flagship The Man in the High Castle. It was HBO’s announcement of Confederate this month that prompted the Black America team to reveal the project’s premise.
“It felt this was the appropriate time to make sure that audiences and the creative community knew that there was a project that preexisted and we are pretty far down the road with it,” Packer told Deadline. Black America, which Packer said is in “very, very active development” with McGruder “off and writing,” originated at Amazon Studios. The service’s head of content Roy Price called Packer more than a year ago while the producer was on the set of his latest box office hit, Girls Trip.
Price soon reached out to McGruder with whom Packer had briefly worked in the past on Think Like A Man and had been looking to team up again. “Being a fan of Aaron, I thought he definitely had the right tone, the right voice, the right wit to handle a project like this,” Packer said. “Aaron and I sat together and talked about what a huge opportunity and responsibility it would be to do this project and do it right.” As for the tone of the hourlong series, it’s “a drama, but it wouldn’t be Aaron McGruder without traces of his trademark sardonic wit,” Packer said.
Black America creates the kind of utopia that has been on the minds of generations of black Americans for whom the series may have a sense of wish-fulfillment. “It was something that was personally intriguing for me as a black American,” Packer said. “You would be hard pressed to find many black Americans who have not thought about the concept of reparation, what would happen if reparations were actually given. As a content creator, the fact that that is something that has been discussed thoroughly throughout various demographics of people in this country but yet never been explored to my knowledge in any real way in long-form content, I thought it was a tremendous opportunity to delve into the story, to do it right.”
by Adam Smith via metro.co.uk
There is a museum like no other in Philadelphia. You would not have heard it, it is not listed anywhere and there are no signs from the motorway. Only the hand carved wooden sign in the garden hinted that the Victorian house was not like any other home in the world – and the woman who opened the door had the smile of someone who knew she was about to amaze you.
For years Vashti Dubois was sick of not seeing any images of black girls or women in museums and art galleries, so three years ago she decided to do something about it. The 56-year-old turned her house into The Colored Girls Museum, celebrating everything about black women and their place in the universe. Standing in the hallway, which screams with colour due to every inch being painted, she said: ‘If things ain’t right you got to make them right, and if you can change things, you gotta change them.’
After opening one room to the public, she decided to turn her bedroom, the bathroom, the kitchen and her son’s bedroom into art galleries. Dubois said: ‘There are a lot of museums about a lot of different things, so we thought there should be one about the colored girl because there are no places that look at their experiences. We want to show who she is in her day-to-day life as a sister, a lover, a friend, an artist, a victim. We want to show that if there were no coloured girls, the system would collapse.’
As well as the museum’s collection of artefacts, paintings, dolls, textiles and sculptures, artists take over rooms and spaces for art installations. At first Dubois sought the help of artists she knew personally – but word soon spread, and soon she was being contacted by some of the world’s best upcoming artists.
To see related video, click here: http://metro.co.uk/video/lack-female-images-exhibited-led-woman-create-gallery-1502225/?ito=vjs-link
And unlike most museums, this is personal. There are no walking tours headsets, no bored-looking security guards, and not a gift shop in sight.
So to enjoy culture for culture’s sake in Vashti’s home felt like an honor.
The Colored Girls Museum is a memoir museum, which honours the stories, experiences, and history of black girls. And it is Vashti’s story too.
She said: ‘Colored girls are an important part of the universe. You see us walking down the street. Everyday colored girls. You walk past us, but here we are in all of our extraordinary splendor doing the things that we do to make this world a great place to live.
‘We aren’t all Michelles (Obama) and Beyoncés. But look at how we are holding everything together for families across the world.’
When visitors arrive, Vashti explains to them that she started collecting paintings and sculptures three years ago after a personal tragedy. Then she takes them a tour of the house.
‘She distinguishes herself by exclusively collecting, preserving, honoring, and decoding artifacts pertaining to the experience and “her story” of colored girls,’ Vashti said.
by Rachael Dane via news.harvard.edu
S. Allen Counter, the founding director of the Harvard Foundation for Intercultural and Race Relations and a noted neurophysiologist, educator, and ethnographer, died on July 12. According to wikipedia.com, Counter was also known for his achievements as an explorer. In 1971, he located a group of people living in the rain forest in northern Brazil, Surinam and French Guiana; the group was descended from African slaves who had escaped from slave ships. In 1986, Counter located descendants of earlier U.S. explorers of the arctic, Matthew A. Henson and Robert E. Peary. Counter was elected to The Explorers Club in 1989. Counter also designed Arthur Ashe‘s memorial at Woodland Cemetery in Richmond, Virginia, dedicated on what would have been Ashe’s 50th birthday on July 10, 1993.
“Harvard has lost a great champion of inclusion and belonging in Dr. Allen Counter,” said President Drew Faust. “Through his leadership of the Harvard Foundation, he advanced understanding among members of our community and challenged all of us to imagine and strive for a more welcoming University and a more peaceful world. We remember today a campus citizen whose deep love of Harvard, and especially our undergraduates, leaves a lasting legacy.”
“During my years as president of Harvard, no one did more than Allen to make minority students feel welcome and at home at Harvard, to promote fruitful interaction among all races, and to serve as understanding adults to whom many undergraduates could turn in order to register their concerns, answer their questions, and have their legitimate problems communicated to the Harvard administration so that they could be understood and acted upon in appropriate ways,” recalled Derek Bok, who led the University from 1971–91 and from 2006–07. “Much of what he accomplished was unrecognized, but his contributions were invaluable, and I will always feel a great debt of gratitude for his service to the University.”
Counter did his undergraduate work in biology and sensory physiology at Tennessee State University and his graduate studies in electrophysiology at Case Western Reserve University, where he earned his Ph.D. He earned his M.D. at the Karolinska Institute in Sweden. He came to Harvard in 1970 as a postdoctoral fellow and assistant neurophysiologist at Harvard Medical School and Massachusetts General Hospital. Early in his University career, Counter lived in a student residence hall as dormitory director, resident tutor, and biological sciences tutor.
In the early 1970s, the U.S. Secretary of Health, Education, and Welfare (now the Department of Health and Human Services) named him to the National Advisory Mental Health Council of the National Institute of Mental Health. In 1975, several proposals came before the council requesting funding for projects involving psychosurgery and electrode implants in human brains. At that time, the government’s rules protecting human subjects were still evolving, and Counter believed the projects were inherently racist. He insisted the council not approve them, and they were not acted upon.
In the same decade, Counter taught inmates at MCI Concord with the Massachusetts Correctional Concord Achievement Rehabilitation Volunteer Experience, where he said he gave inmates the same advice his grandmother had given him: “Read a book. Develop your mind.” A later study showed that participants in the program had a lower recidivism rate than prisoners who did not take part. After a sabbatical fellowship at UCLA with neuroscientist Alan D. Grinnell in the late 1970s, Counter returned to Cambridge, where his research at Harvard Medical School focused on clinical and basic studies on nerve and muscle physiology, auditory physiology, and neurophysiological diagnosis of brain-injured children and adults.
by Mike Fleming Jr. via deadline.com
Remember the Titans scribe Gregory Allen Howard has teamed with Chris Columbus’ 1492 production company to tell the story of Fannie Lou Hamer, a sharecropper with a sixth-grade education who became an important voting-rights advocate and founded the first integrated political party in the South in mid-’60s Mississippi.
Hamer grew up in a family of 20 kids and picked cotton for most of her life. After going to a doctor to have a tumor removed, she discovered she was given a hysterectomy at age 47 by a white doctor, without her consent, because of a movement by the state to sterilize women to reduce the number of poor blacks in Mississippi.
Hamer became a Civil Rights activist, surviving assassination attempts
and a near-fatal beating to get her moment at the Democratic National Convention, where she challenged President Lyndon B. Johnson in 1968 with her legendary, “Is This America?” speech.
While LBJ hastily called a ruse press conference in the hope of diverting attention away from her speech, Hamer’s powerful words were widely broadcast and reverberated around the world. Howard, who studied Hamer’s accomplishments as a college student, has long been obsessed with bringing her story to the screen. Hamer died in 1977.
To read more, go to: Civil Rights Icon Fannie Lou Hamer Movie; Gregory Allen Howard script | Deadline
via jbhe.com
The University of Arkansas has debuted a new online archive of materials relating to Southland College in Phillips County, Arkansas. The school, established in 1864, was the first institution of higher learning for African Americans in the United States founded west of the Mississippi River.
Original funding for the school was provided by Quakers from Indiana. Funding and labor for the first buildings of the college were provided by veterans of the 56th U.S. Colored Infantry Regiment.
After a decade, the school’s enrollment reached 200. Southland College closed in 1925 due to financial difficulties. Hundreds of alumni graduated with teaching degrees from the college.
The new online exhibit includes photographs and scanned images of letters, forms, newspaper articles, course catalogs, a commencement program and a diploma. The online archive entitled, “Lives Transformed: the People of Southland College,” may be accessed here.
Source: University of Arkansas’ New Historical Digital Archive Tells the Story of an Early HBCU : The Journal of Blacks in Higher Education