by Lori Lakin Hutcherson (@lakinhutcherson)
According to blavity.com, Octavius Valentine Catto will be honored with a statue outside of Philadelphia’s city hall this September. Catto’s statue will be the first monument built to honor an African American erected on public land in the City of Brotherly Love. Although Catto’s memorial has been in the works for years, in the wake of the push to take so many Confederate statues down across the nation, the timing for this statue’s unveiling could not be better.
In Charleston, South Carolina on February 22, 1839, Catto was born a free black man. Catto excelled at his studies, attending a school for black children in Philadelphia, the Institute for Colored Youth, an institution he later led.
According to phillyvoice.com, in his early 20s, Catto was already an active leader in the African American community. He was a member of the 4th Ward Black Political Club, the Union League Association, the Library Company and the Franklin Institute. He demanded that African Americans fight in the Civil War and helped get their regiments inducted into the war. In 1863, at the height of the Civil War, he joined the army and enlisted as a volunteer in defense of the state of Pennsylvania.
Catto was also a major in the Pennsylvania National Guard and played baseball as captain and second baseman for the Pythians, an African American baseball team. He was inducted into the Negro League Baseball Museum’s Hall of Fame.
Beyond being an educator, ball player and a war hero, Philadelphia is celebrating Catto for his local civil rights activism, which went into full gear after he was kicked off of a segregated horse-drawn trolley. He staged a sit-in on the streetcars, refusing to move off of the car. The driver drove the car off of its track and unhitched its horses, unsure how else to get rid of Catto. Catto remained aboard; the other passengers and the driver left him there. Catto also defended several black women who were forcibly ejected from the city’s streetcars, and used a fine levied against his fiancée to drum up publicity for his cause. Finally, in 1867, due in large part to Catto’s pressure, the city desegregated its streetcars.
“In Philadelphia, at that time, you could be wearing a Civil War uniform and not have been able to get on that trolley car,” said Philadelphia Mayor Jim Kenney, who has been hoping to bring a statue of Catto to the city since at least 2003, after he learned the story of Catto’s life. “[Knowing this] you realize, this struggle isn’t just a 1960s struggle. It’s a struggle from the beginning of the country.”
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by Justin Kroll via variety.com
NBA superstar LeBron James is continuing to make moves off the court. James’ production company, SpringHill Entertainment, is adding the first scripted drama to its growing slate. The project also boasts Oscar-winning talent: Octavia Spencer.
Spencer is attached to star in the limited series about entrepreneur and social activist Madam C.J. Walker’s life, with James executive producing along with his company’s co-founder, Maverick Carter. Sources tell Variety that Netflix is interested in the series and is the likely destination. The steaming service had no comment on their involvement in the project.
Nicole Asher is on board to write and co-exec produce and “Black Nativity” helmer Kasi Lemmons will direct the pilot and also executive produce. The series is based on the book “On Her Own Ground” by A’Lelia Bundles, Walker’s great-great-granddaughter, who will also serve as a consultant on the series.
Walker, the daughter of slaves, was orphaned at age seven, married at 14, and widowed at 20. She spent two decades laboring as a washerwoman, earning $1.50 a week. However, everything changed following Walker’s discovery of a revolutionary hair care formula for black women. By the time she died in 1919, she had built a beauty empire from the ground up, amassing wealth unprecedented among black women. She counted W.E.B. Du Bois and Booker T. Washington among her friends.
Zero Gravity Management’s Mark Holder and Christine Holder optioned the book from Bundles in early 2016. Spencer got wind of the project and aggressively pursued the part. Once word spread that Spencer was attached, WME, who reps both Spencer and James, pitched the series to James as his production company’s entryway into the prestige genre.
SpringHill president Jamal Henderson brought the project to Carter’s attention and the two moved quickly to land the property. With Nicole Asher set to write, Spencer starring, and James and Springhill on board as producers, the package was presented to potential buyers, with Netflix acting fast and the favorite to land the series. “I am really proud of this project and that SpringHill will be partnering with Octavia to tell this important story,” James said. “Every American should all know the story of Madam C.J. Walker. She was an innovator, entrepreneur, social activist, and total game changer whose story has been left out of the history books. I hope this project lives up to her legacy with a story that will educate and inspire.”
To read full article, go to: Octavia Spencer, LeBron James Team on TV Series About Madam CJ Walker | Variety
by Nellie Andreeva (with Mike Fleming) via deadline.com
A century and a half after slavery was abolished in the U.S., the wounds left by one of the darkest periods in American history are far from healed, as evidenced by the controversy surrounding the recent announcement of HBO’s upcoming drama series Confederate, from Game Of Thrones creators David Benioff and D.B. Weiss, which explores an alternate timeline of seceded southern states where slavery is legal and has evolved into a modern institution.
Another alternate history drama series, which has been in the works at Amazon for over a year, also paints a reality where southern states have left the Union but takes a very different approach. Titled Black America, the drama hails from top feature producer Will Packer (Ride Along, Think Like A Man) and Peabody-Award winning The Boondocks creator and Black Jesus co-creator Aaron McGruder.
It envisions an alternate history where newly freed African Americans have secured the Southern states of Louisiana, Mississippi and Alabama post-Reconstruction as reparations for slavery, and with that land, the freedom to shape their own destiny. The sovereign nation they formed, New Colonia, has had a tumultuous and sometimes violent relationship with its looming “Big Neighbor,” both ally and foe, the United States.
The past 150 years have been witness to military incursions, assassinations, regime change, coups, etc. Today, after two decades of peace with the U.S. and unprecedented growth, an ascendant New Colonia joins the ranks of major industrialized nations on the world stage as America slides into rapid decline. Inexorably tied together, the fate of two nations, indivisible, hangs in the balance.
The Packer/McGruder project was announced back in early February, but at the time, it was untitled, and the producers would not divulge any details about the storyline beyond it revolving around an alternate universe in the vein of Amazon’s flagship The Man in the High Castle. It was HBO’s announcement of Confederate this month that prompted the Black America team to reveal the project’s premise.
“It felt this was the appropriate time to make sure that audiences and the creative community knew that there was a project that preexisted and we are pretty far down the road with it,” Packer told Deadline. Black America, which Packer said is in “very, very active development” with McGruder “off and writing,” originated at Amazon Studios. The service’s head of content Roy Price called Packer more than a year ago while the producer was on the set of his latest box office hit, Girls Trip.
Price soon reached out to McGruder with whom Packer had briefly worked in the past on Think Like A Man and had been looking to team up again. “Being a fan of Aaron, I thought he definitely had the right tone, the right voice, the right wit to handle a project like this,” Packer said. “Aaron and I sat together and talked about what a huge opportunity and responsibility it would be to do this project and do it right.” As for the tone of the hourlong series, it’s “a drama, but it wouldn’t be Aaron McGruder without traces of his trademark sardonic wit,” Packer said.
Black America creates the kind of utopia that has been on the minds of generations of black Americans for whom the series may have a sense of wish-fulfillment. “It was something that was personally intriguing for me as a black American,” Packer said. “You would be hard pressed to find many black Americans who have not thought about the concept of reparation, what would happen if reparations were actually given. As a content creator, the fact that that is something that has been discussed thoroughly throughout various demographics of people in this country but yet never been explored to my knowledge in any real way in long-form content, I thought it was a tremendous opportunity to delve into the story, to do it right.”
by Adam Smith via metro.co.uk
There is a museum like no other in Philadelphia. You would not have heard it, it is not listed anywhere and there are no signs from the motorway. Only the hand carved wooden sign in the garden hinted that the Victorian house was not like any other home in the world – and the woman who opened the door had the smile of someone who knew she was about to amaze you.
For years Vashti Dubois was sick of not seeing any images of black girls or women in museums and art galleries, so three years ago she decided to do something about it. The 56-year-old turned her house into The Colored Girls Museum, celebrating everything about black women and their place in the universe. Standing in the hallway, which screams with colour due to every inch being painted, she said: ‘If things ain’t right you got to make them right, and if you can change things, you gotta change them.’
After opening one room to the public, she decided to turn her bedroom, the bathroom, the kitchen and her son’s bedroom into art galleries. Dubois said: ‘There are a lot of museums about a lot of different things, so we thought there should be one about the colored girl because there are no places that look at their experiences. We want to show who she is in her day-to-day life as a sister, a lover, a friend, an artist, a victim. We want to show that if there were no coloured girls, the system would collapse.’
As well as the museum’s collection of artefacts, paintings, dolls, textiles and sculptures, artists take over rooms and spaces for art installations. At first Dubois sought the help of artists she knew personally – but word soon spread, and soon she was being contacted by some of the world’s best upcoming artists.
To see related video, click here: http://metro.co.uk/video/lack-female-images-exhibited-led-woman-create-gallery-1502225/?ito=vjs-link
And unlike most museums, this is personal. There are no walking tours headsets, no bored-looking security guards, and not a gift shop in sight.
So to enjoy culture for culture’s sake in Vashti’s home felt like an honor.
The Colored Girls Museum is a memoir museum, which honours the stories, experiences, and history of black girls. And it is Vashti’s story too.
She said: ‘Colored girls are an important part of the universe. You see us walking down the street. Everyday colored girls. You walk past us, but here we are in all of our extraordinary splendor doing the things that we do to make this world a great place to live.
‘We aren’t all Michelles (Obama) and Beyoncés. But look at how we are holding everything together for families across the world.’
When visitors arrive, Vashti explains to them that she started collecting paintings and sculptures three years ago after a personal tragedy. Then she takes them a tour of the house.
‘She distinguishes herself by exclusively collecting, preserving, honoring, and decoding artifacts pertaining to the experience and “her story” of colored girls,’ Vashti said.
by Rachael Dane via news.harvard.edu
S. Allen Counter, the founding director of the Harvard Foundation for Intercultural and Race Relations and a noted neurophysiologist, educator, and ethnographer, died on July 12. According to wikipedia.com, Counter was also known for his achievements as an explorer. In 1971, he located a group of people living in the rain forest in northern Brazil, Surinam and French Guiana; the group was descended from African slaves who had escaped from slave ships. In 1986, Counter located descendants of earlier U.S. explorers of the arctic, Matthew A. Henson and Robert E. Peary. Counter was elected to The Explorers Club in 1989. Counter also designed Arthur Ashe‘s memorial at Woodland Cemetery in Richmond, Virginia, dedicated on what would have been Ashe’s 50th birthday on July 10, 1993.
“Harvard has lost a great champion of inclusion and belonging in Dr. Allen Counter,” said President Drew Faust. “Through his leadership of the Harvard Foundation, he advanced understanding among members of our community and challenged all of us to imagine and strive for a more welcoming University and a more peaceful world. We remember today a campus citizen whose deep love of Harvard, and especially our undergraduates, leaves a lasting legacy.”
“During my years as president of Harvard, no one did more than Allen to make minority students feel welcome and at home at Harvard, to promote fruitful interaction among all races, and to serve as understanding adults to whom many undergraduates could turn in order to register their concerns, answer their questions, and have their legitimate problems communicated to the Harvard administration so that they could be understood and acted upon in appropriate ways,” recalled Derek Bok, who led the University from 1971–91 and from 2006–07. “Much of what he accomplished was unrecognized, but his contributions were invaluable, and I will always feel a great debt of gratitude for his service to the University.”
Counter did his undergraduate work in biology and sensory physiology at Tennessee State University and his graduate studies in electrophysiology at Case Western Reserve University, where he earned his Ph.D. He earned his M.D. at the Karolinska Institute in Sweden. He came to Harvard in 1970 as a postdoctoral fellow and assistant neurophysiologist at Harvard Medical School and Massachusetts General Hospital. Early in his University career, Counter lived in a student residence hall as dormitory director, resident tutor, and biological sciences tutor.
In the early 1970s, the U.S. Secretary of Health, Education, and Welfare (now the Department of Health and Human Services) named him to the National Advisory Mental Health Council of the National Institute of Mental Health. In 1975, several proposals came before the council requesting funding for projects involving psychosurgery and electrode implants in human brains. At that time, the government’s rules protecting human subjects were still evolving, and Counter believed the projects were inherently racist. He insisted the council not approve them, and they were not acted upon.
In the same decade, Counter taught inmates at MCI Concord with the Massachusetts Correctional Concord Achievement Rehabilitation Volunteer Experience, where he said he gave inmates the same advice his grandmother had given him: “Read a book. Develop your mind.” A later study showed that participants in the program had a lower recidivism rate than prisoners who did not take part. After a sabbatical fellowship at UCLA with neuroscientist Alan D. Grinnell in the late 1970s, Counter returned to Cambridge, where his research at Harvard Medical School focused on clinical and basic studies on nerve and muscle physiology, auditory physiology, and neurophysiological diagnosis of brain-injured children and adults.
by Mike Fleming Jr. via deadline.com
Remember the Titans scribe Gregory Allen Howard has teamed with Chris Columbus’ 1492 production company to tell the story of Fannie Lou Hamer, a sharecropper with a sixth-grade education who became an important voting-rights advocate and founded the first integrated political party in the South in mid-’60s Mississippi.
Hamer grew up in a family of 20 kids and picked cotton for most of her life. After going to a doctor to have a tumor removed, she discovered she was given a hysterectomy at age 47 by a white doctor, without her consent, because of a movement by the state to sterilize women to reduce the number of poor blacks in Mississippi.
Hamer became a Civil Rights activist, surviving assassination attempts
and a near-fatal beating to get her moment at the Democratic National Convention, where she challenged President Lyndon B. Johnson in 1968 with her legendary, “Is This America?” speech.
While LBJ hastily called a ruse press conference in the hope of diverting attention away from her speech, Hamer’s powerful words were widely broadcast and reverberated around the world. Howard, who studied Hamer’s accomplishments as a college student, has long been obsessed with bringing her story to the screen. Hamer died in 1977.
To read more, go to: Civil Rights Icon Fannie Lou Hamer Movie; Gregory Allen Howard script | Deadline
via jbhe.com
The University of Arkansas has debuted a new online archive of materials relating to Southland College in Phillips County, Arkansas. The school, established in 1864, was the first institution of higher learning for African Americans in the United States founded west of the Mississippi River.
Original funding for the school was provided by Quakers from Indiana. Funding and labor for the first buildings of the college were provided by veterans of the 56th U.S. Colored Infantry Regiment.
After a decade, the school’s enrollment reached 200. Southland College closed in 1925 due to financial difficulties. Hundreds of alumni graduated with teaching degrees from the college.
The new online exhibit includes photographs and scanned images of letters, forms, newspaper articles, course catalogs, a commencement program and a diploma. The online archive entitled, “Lives Transformed: the People of Southland College,” may be accessed here.
Source: University of Arkansas’ New Historical Digital Archive Tells the Story of an Early HBCU : The Journal of Blacks in Higher Education
by Zeba Blay via huffingtonpost.com
The University of Mississippi is taking major strides in acknowledging its racist history. The institution, affectionately known as Ole Miss, announced plans on Thursday to recognize pre-Civil War campus buildings that were built by slaves.
According to NBC, in addition to placing plaques on buildings built by slaves, the university will also remove the name of white supremacist James K. Vardaman from a campus building. Vardaman was the governor of Mississippi from 1904 to 1908. “As an educational institution, it is imperative we foster a learning environment and fulfill our mission by pursuing knowledge and understanding,” Chancellor Jeffrey Vitter said in a news release.
Ole Miss famously became embroiled in racial tension and violence in 1962, when James Meredith became the first black student to attend the institution as the result of court-ordered integration. The move is part of an ongoing process on the campus to reconcile with its past, provide historical context, and create a more welcoming environment for a diverse student body.
To read and see more, go to: Ole Miss To Post Signs Recognizing Campus Buildings Built By Slave Labor | HuffPost
by Elizabeth Wagmeister via Variety.com
Ava DuVernay is continuing her relationship with Netflix, bringing a limited series about the Central Park Five case to the streaming giant. Netflix has greenlit the five-part scripted series for a 2019 debut. DuVernay created the project and will write and direct all five installments.
Participant Media, Tribeca Productions and Harpo Films are behind the limited series with Oprah Winfrey, Jeff Skoll, Jonathan King, Jane Rosenthal and Berry Welsh serving as executive producers alongside DuVernay. The project is the latest collaboration for Winfrey and DuVernay who worked together on the Oscar-winning “Selma” and OWN’s “Queen Sugar.”
For DuVernay, the project marks a return to Netflix for the filmmaker who wrote and directed the platform’s 2016 documentary “13th.” “I had an extraordinary experience working with Netflix on ’13th’ and am overjoyed to continue this exploration of the criminal justice system as a narrative project with Cindy Holland and the team there,” said DuVernay. “The story of the men known as Central Park Five has riveted me for more than two decades. In their journey, we witness five innocent young men of color who were met with injustice at every turn — from coerced confessions to unjust incarceration to public calls for their execution by the man who would go on to be the President of the United States.”
Based on the true story of the notorious Central Park Five case, each part of the limited series will focus on one of the five teenagers from Harlem — Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana and Korey Wise — who were wrongly convicted of raping Trisha Meili in Central Park. The series will span from the spring of 1989, when each were first questioned about the incident, to 2014 when they were exonerated and a settlement was reached with the city of New York.
To read full article, go to: Central Park Five Limited Series From Ava DuVernay Greenlit at Netflix | Variety
by Elizabeth A. Harris via nytimes.com
The auditorium in the northwest Bronx was speckled with balloons. Balloons that said, “Congrats Grad!” and “You’re so special!” Balloons arranged on stage in columns of white, blue and yellow. Balloons in the shape of champagne bottles. And a parade of shiny floating letters that spelled out “Graduate of 2017.” Nearly 60 teenagers accepted diplomas from Bronx Preparatory High School there on Monday, amid all the usual trappings of a graduation ceremony. But for three men in their 40s who joined the teenagers onstage, wearing the same blue academic robes, the day was no less meaningful.
They were Yusef Salaam, Kevin Richardson and Raymond Santana Jr., three members of the Central Park Five. Years ago, they missed the graduation ceremonies for their own high schools because they were in prison for a crime they did not commit.On Monday, they received honorary diplomas and the capped, gowned feting they had been denied. “Even though we were not able to go back and right the wrong of not getting our high school diplomas outside, here we are being honored in such a way in front of our family and friends,” Mr. Salaam said from the stage, smiling broadly. “This is a blessing.”
The Central Park Five was a group of teenagers convicted of the brutal rape in 1989 of a woman who was jogging in Central Park. They refused plea bargains, insisting that incriminating statements they had made to the authorities had been coerced, and spent from seven to 13 years in prison. More than a decade after their conviction, the five men, all of whom are black or Hispanic, were exonerated. DNA evidence confirmed that the crime had been committed by another man, Matias Reyes, who confessed to acting alone.
The five have since reached settlements with New York City and the state totaling nearly $45 million, according to their lawyer. The youngest was 14 at the time of their arrest. The oldest was 16. A documentary about their ordeal called “The Central Park Five” was released in 2012, and a government teacher at Bronx Prep, Marielle Colucci, has used the movie as a tool to teach students about the justice system. This year, after her students asked if they could meet the men, Mr. Richardson spoke to their class.“The most important thing for me as a teacher is that they leave here knowing their rights and what they actually mean, and there is no one better to speak to that than these guys,”
Ms. Colucci said of her students, who are all members of minorities. “Because they could find themselves in that same situation right now when they walk out across the street.”Cassius Gil, the school’s assistant principal, said he had a conversation with Emmanuel George, the school’s executive director, after Mr. Richardson’s visit. Mr. Gil said they wondered: “Did they ever get a high school diploma? We should give them a high school diploma.”In fact, the three men did already have diplomas — each received a G.E.D., and then an associate degree, while still in prison. But they never had a ceremony, and a piece of paper in the mail is not the same.“It’s kind of emotional,” Mr. Santana said at the ceremony, which was at Lehman College in the Bronx.
To read full article, go to: https://www.nytimes.com/2017/06/26/nyregion/central-park-jogger-case-honorary-diplomas.html?_r=2