Opened just a year ago on Sept. 24, 2016, the National Museum of African American History and Culture (NMAAHC) became the 19th Smithsonian museum and the only national museum devoted exclusively to African American life, art, history and culture. The museum’s collections, which include art, artifacts, photographs, films, documents, data, books, manuscripts and audio recordings, represent all regions of the United States and acknowledge the cultural links of African Americans to the black experience around the world as well.
To commemorate NMAAHC, the United States Postal Service is issuing a Forever Stamp in its honor. The stamp art is based on a photograph of the museum showing a view of the northwest corner of the building. Text in the upper-left corner of the stamp reads “National Museum of African American History and Culture.”
The First-Day-of-Issue dedication ceremony will be held on Friday, October 13 in Washington DC at the NMAAHC, and the stamp will be available for purchase nationwide that same day.
The U.S. Postal Service will post a video of the event at facebook.com/USPS.Share the news on Twitter and Instagram using the hashtags #NMAAHC and #APeoplesJourney.
by Lori Lakin Hutcherson (@lakinhutcherson)
Civil Rights activist and grass roots hero Fannie Lou Hamer would have turned 100 years old this October 6. GirlTrek, the largest national public health nonprofit and movement for Black women and girls, is celebrating her legacy by hosting 100 national walks.
Known for her courage on the frontlines of the American Civil Rights Movement, Hamer stunned the world with her electrifying account of brutal attacks and local terror in the Jim Crow South. She stood strong, demanding the attention of U.S. President Lyndon B. Johnson by leading an unparalleled grassroots campaign and political party in Mississippi that delivered over 60,000 votes. Fannie Lou Hamer is responsible for helping secure the 1965 Voting Rights Act and changing the tide of justice.
The scale of her impact is made greater by her life story. Fannie Lou Hamer worked as a sharecropper from age 6. As a young woman, in an extralegal, violent act, she was given a forced hysterectomy. Unbroken, she adopted children. At 44 years old, Fannie Lou Hamer joined the American Civil Rights Movement. From church basements to the White House, Hamer was celebrated for her ability to inspire everyday people to action.
“In the iconic words of Fannie Lou Hamer, we’re ‘sick and tired of being sick and tired.’ She died too soon putting her body on the line for our freedom and we want to celebrate her life in a big way. In her honor, we are going to raise an army of sisters, #FanniesArmy, who will lead 100 walks across America at sunset on October 6th,” said GirlTrek cofounder T. Morgan Dixon.
To participate in #FanniesArmy, walk for 100 minutes at sunset on October 6th wherever you are with family and friends. To be counted, register your walk at https://rebrand.ly/fanniesarmy. The first 100 leaders to sign up will receive special edition #FanniesArmy T-shirts.
“While the country reels from conflict in Charlottesville, this is an opportunity to herald the legacy of an American hero who brought us together,” Dixon said. “Fannie Lou Hamer died too early at 59, her body riddled with heart disease and cancer. I’m reminded of the words of R. Boylorn, [Hamer] ‘never saw death coming because she was too busy taking care of others.’ She worked tirelessly in field offices and late hours registering people to vote. When pain rendered her homebound, she taught Freedom Riders the ways of resistance in her night gown from her front porch.”
Dixon and GirlTrek’s cofounder Vanessa Garrison, national staff and board of directors will travel to Hamer’s memorial statue in her hometown in Ruleville, Mississippi to walk with local trekkers on the centennial celebration of her birth.
NASA Legend Katherine Johnson with Dr. Yvonne Cagle (photo by Megan Shinn via 11alive.com) via 11alive.com
HAMPTON, Va. (WVEC) — An American treasure is being honored in Hampton. A new facility at the NASA Langley Research Center is named after Katherine Johnson. She’s the woman featured in the movie “Hidden Figures” for her inspiring work at NASA Langley. People knew the mathematician as a “human computer” who calculated America’s first space flights in the 1960s. “I liked what I was doing, I liked work,” said Katherine.
The 99-year-old worked for NASA at a time when it was extremely difficult for African-Americans — especially women — to get jobs in the science field. “My problem was to answer questions, and I did that to the best of my ability at all time,” said Katherine. She was awarded the Presidential Medal of Freedom in 2015. She said, “I was excited for something new. Always liked something new.” U.S. Sen. Mark Warner, Virginia GovernorTerry McAuliffe, Hampton Mayor Donnie Tuck, and “Hidden Figures” author Margot Lee Shetterly were among the dignitaries who were on hand to honor Johnson.
https://twitter.com/MeganShinn/status/911290544395079681
Governor McAuliffe said, “Thank goodness for the movie and the book that actually came out and people got to understand what this woman meant to our county. I mean she really broke down the barriers.” The Katherine G. Johnson Computational Research Facility (CRF) is a $23 million, 37,000-square-foot energy efficient structure that consolidates five Langley data centers and more than 30 server rooms. One NASA astronaut, Doctor Yvonne Cagle, said Katherine is the reason she is an astronaut today. “This is remarkable, I mean it really shows that when you make substantive contributions like this, that resonate both on and off the planet. There’s no time like the present.” Doctor Cagle said she’s excited the new building is named after Katherine. “Thank you all, thank everyone for recognizing and bringing to light this beautiful hidden figure,” said Cagle.
The facility will enhance NASA’s efforts in modeling and simulation, big data, and analysis. Much of the work now done by wind tunnels eventually will be performed by computers like those at the CRF. NASA Deputy Director of Center Operations, Erik Weiser said, this new facility will help them with their anticipated Mars landing in 2020. Source: NASA legend Katherine Johnson honored in Hampton | 11alive.com
NMAAHC Reflection Pool (Photo by anokarina) by Rachel Sadon via dcist.com
Since Ruth Odom Bonner joined President Barack Obama in ringing the bell to open the Smithsonian’s National Museum of African American History and Culture last year, more than 2.5 million people have visited the site.”What’s been so moving is that it’s clear after a year, the museum has already become a pilgrimage site,” says Director Lonnie Bunch, who began the “great adventure” of opening the museum in 2005. What followed was more than a decade of building a collection and a building from scratch. It culminated on September 24, 2016 when the daughter of a slave and the nation’s first black president tolled the 500-pound bell that had been lent by the historically black First Baptist Church in Williamsburg, Va. and ushered people in.
Visitors to the African American History and Culture Museum tend to stay more than triple the typical amount of time they spend at most museums. Even a year later, a pass system remains in place to prevent overcrowding, and the free tickets remain difficult to come by (they are released monthly, and a limited number of same-day tickets are available online starting at 6:30 a.m.). The cafe serves up over 1,500 meals a day. Bunch attributes the success in part to a pent up demand—generations worked to get the museum built, and the long-held dream was only fulfilled after more than a century of effort. But he also believes that the way the museum presents its subject matter has a lot to do with it.”It tells the unvarnished truth,” Bunch says. “I think there are people who were stunned that a federal institution could tell the story with complexity, with truth, with tragedy, and sometimes resilience. So I think the kind of honesty of it appeals to people.”
Museum officials know that even many Washingtonians still haven’t managed to get through its doors. So as they celebrate the year anniversary, much of the programming and performances they’ve planned are taking place outdoors. Music and tours of the grounds will take place on both Saturday and Sunday, and the museum’s hours have been extended for those who have passes to go inside.Ahead of the celebration, we spoke with Bunch about what it’s been like to shepherd the museum through its first year. Our conversation has been edited for length and clarity. Lonnie G. Bunch accepts The President’s Award onstage at the 48th NAACP Image Awards on February 11, 2017. (Photo by Frederick M. Brown/Getty Images ) Congratulations! You’ve made it to a year.
Thank you. That’s the easy part. The hard part was getting it open. You worked on this for more than a decade before it opened. What was it like to finally see it open after all that work, gathering all those artifacts, building this up from the ground (really a giant hole in the ground) up?
In many ways, it was probably one of the most emotional moments of my life, both professional and personal. To actually not only fulfill a dream of all the staff, but a dream of generations who wanted this, it was really very humbling. But quite honestly it was also very motivating. Whenever you hit a bump or you worry about how you’re going to pull it off, recognizing that I didn’t want to let down all these other generations who had tried, that was a great motivating factor. You had this moment celebrating the opening, you had the president and all these people who had traveled to D.C., and then it was day one on the grounds. What’s been your experience like shepherding it through this first year?
It’s been wonderful in that it’s become, within the first year already, part of the American lexicon. There’s almost no one that doesn’t know about the museum, doesn’t know about how hard it is to get in, or how much they enjoyed it. But also I think that what’s been so moving is that it’s clear after a year, the museum has already become a pilgrimage site—that there are thousands of people who come to share their story with their grandchildren or to connect over an object with people who shared maybe a comparable experience in the Civil Rights movement. I think it’s really become what we wanted, which was to be a place that was as much about today and tomorrow as it is about yesterday. You’ve had a long museum career. How has this particular museum been different from previous places you’ve worked at?
It’s different in that you had to start from scratch—you didn’t have a collection, you didn’t have a building. What it allowed us to do is say “what should a 21st century museum that explores race, what should it do?” So it helped us put the way that museums interpret race on its end. Instead of saying “this is a story about the African American community,” we’re saying “this is a story about America through the lens of the African American community.” And so that’s very different.Being able to start from scratch allowed us to think innovatively about how do you actually collect by working with communities and going into peoples homes, in their trunks and attics. In essence, because we had nothing, it forced us to be different than most museums. We have to be more creative, more nimble. I’ve heard you say this a number of times, that this is an “American story told through an African American experience.” That story is obviously still happening; what is the museum’s role in responding to that story as it occurs, as we’re seeing things like Charlottesville happen in real time.
First of all, part of the museum’s job is to collect today for tomorrow, so that there are things—like we’ve collected Black Lives Matter artifacts, we’ve collected things in Ferguson, things in Baltimore—and some of those are on display in the museum. Some maybe won’t be in display until a curator 30, 40, or 50 years from now wants to use it. Our goal is to make sure that it never happens, like it used to happen early in my career—there were exhibits I wanted to do, stories I wanted to tell, and museums didn’t have those collections. I wanted to make sure that future curators wouldn’t have that problem.
Black Panthers, New York, New York, November 17, 1969. The protesters were demanding the release of 21 Black Panther members suspected of plotting various bombing incidents around the city. (Photo by David Fenton/Getty Images) via blavity.com
Over the years, the Black Panther Party has gained a somewhat negative image, with its detractors highlighting its revolutionary nature and some of its more violent aspects. But the University of California Berkeley wants to change all of that, and is making a conscientious effort to honoring the legacy of BPP.
News One reports that the university will be receiving a federal funding grant of $98,000 for the “Black Panther Party Research, Interpretation & Memory Project.” Per the funding announcement, the project will last from August 30, 2017 to September 30, 2019, and will include “a comprehensive collection of local BPP history through acquisition of additional materials from diverse sources including video oral history, photographs, news coverage and other media; disseminating publications that incorporate primary sources from BPP organizational records.”
The project will be led by Dr. Ula Taylor, the chair of the Department of African American Studies at UC Berkeley. Dr. Taylor plans to involve several notable BPP members in the project, such as J. Tarika Lewis. Lewis was the first woman to join the BPP in Oakland.
The project also plans to “compile an annotated bibliography of information (oral histories, literature, art, exhibits or other media/format) as a resource for understanding the complex history of the Black Panther Party” and “will collect additional oral histories, and additionally, interviews will be conducted with people who were not yet born in 1966 but are eager to reflect on how the events affected their lives, their families and their future.”
Overall, the project hopes to “bridge generational, cultural and regional gaps in dialogue on race relations, economic inclusion and opportunity and other critical imperatives that divide diverse populations.” To read full article, go to: Power To The University Of California Berkeley: School Receives Federal Funds For Black Panther Party Legacy Project | BLAVITY
via jbhe.com Sojourner Truth Rutgers University in New Brunswick, New Jersey has renamed its College Avenue Apartments to honor Sojourner Truth. Born into slavery, Sojourner Truth became a leading abolitionist and advocate for women’s rights.
While a slave, Sojourner Truth and her parents were owned by relatives of the first president of Rutgers University. The Sojourner Truth Apartments house 440 upper-class students.
Azra Dees, a sophomore in the School of Arts and Sciences at Rutgers, stated that “it shows a dedication to the history that we have and moving forward. And I’ll always know that I have a meaning behind the building that I’m living in, rather than just being a beautiful new building.” James Dickson Carr (photo via libraries.rutgers.edu)
In addition, the former Kilmer Library on Rutgers-New Brunswick’s Livingston Campus in Piscataway has been renamed the James Dickson Carr Library after Rutgers’ first African-American graduate. James Dickson Carr completed his degree in 1892 and went on to attend Columbia Law School. To read more, go to: Rutgers University Honors African Americans Who Are Part of Its History : The Journal of Blacks in Higher Education
Ryan Mendoza, an American artist, in front of the exhibit he made in Berlin of the Rosa Parks house. (photo: Gordon Welters/NY TIMES) by Yonette Joseph via nytimes.com
LONDON — In a backyard in Berlin, a ramshackle house that was once a haven for the civil rights pioneer Rosa Parks is preparing for its third life — back in the United States. It had almost been lost to history, falling into blight, abuse and foreclosure, in Detroit. But in 2016, the American artist Ryan Mendoza shipped the dismantled facade in two containers to his home in Germany. There, it was restored as an art exhibit in his garden in the Wedding neighborhood.
Then the strange and itinerant journey of the wood-frame house took another turn recently, when a member of the Nash Family Foundation, based in Manitowoc, Wis., formally agreed to pay for its passage back.“I never wanted to rebuild it in my backyard,” Mr. Mendoza said by phone from Berlin. “But I wanted to protect it.”“ It’s time for the house to return home,” he added. “It’s needed for people to have another major point of reference for how to treat each other with dignity. This will be a marker on the ground.”
While the house has a ticket back to America, the question of where it would find a permanent home remains unanswered. The hurdles seem huge, the logistics daunting, but calls and emails have gone out for help to institutions including Brown University in Rhode Island, the Museum of Modern Art in New York, the Charles H. Wright Museum of African American History in Detroit and the Brooklyn Museum, among others, Mr. Mendoza said. At least two institutions — Brown and Wright — said they were seriously considering the project. “The house has a symbolic importance — it’s important in the narrative of her life,” said James Nash, a board member and the driving force behind the foundation’s pledge. “She suffered for a huge act of courage. It should be here, not in Berlin.” To read full article, go to: https://www.nytimes.com/2017/09/02/world/europe/rosa-parks-house-berlin.html?_r=0
Mélisande Short-Colomb (Marvin Joseph/The Washington Post) byTerrence McCoyvia washingtonpost.com
On the first day of class at Georgetown University, the 63-year-old freshman left her dorm room in Copley Hall, carrying highlighters and a legal pad. Walking down the hallway, her gray-blond dreadlocks swinging, her heavy bracelets chiming, Mélisande Short-Colomb gave her schedule a quick look. Today she’d attend the “Problem of God,” a course on the existence and nature of God. And tomorrow would bring the class she’d been waiting for: African American Studies.
It was a subject with which Short-Colomb had recently become more acquainted. The history of her own family was the history of African Americans, and, she has learned, proof of how deeply the roots of slavery go in America’s most prominent institutions and universities. At a time when the nation is undergoing a tumultuous reckoning with the darkest chapter of its past, when protests have turned deadly in Charlottesville and college students across the country are demanding the renaming of buildings linked to slavery, Short-Colomb was quietly coming to terms with her own place in that sweep of history.
Her ancestors were among the 272 slaves Georgetown priests had sold in 1838 to help pay off the university’s debts during a financially turbulent time. Now it was nearly two centuries later, the truth of what happened was finally out in the open and here she was, a member of her family, again in Washington but under very different circumstances. The university has granted legacy status to the slaves’ descendants as part of an effort to atone for the sale of their ancestors. But only two have taken up the offer so far. One is 20 years old. The other is Mélisande Short-Colomb. To read full article, go to: Her ancestors were Georgetown’s slaves. Now, at age 63, she’s enrolled there — as a college freshman – The Washington Post
John Thompson, Cleo Florence, Robert Thomas and Mack Haynes were honored on Saturday for their service as Marines. (WFMY) by Taryn Finlay via huffingtonpost.com
The first African Americans to ever serve in the United States Marine Corps were honored on Saturday during a special ceremony at Joe C. Davidson Park in Burlington, North Carolina. For the 75th anniversary of Montford Point Marine Day ― which marks the day President Franklin D. Roosevelt issued an executive order to intregrate the Marines ― the Corps honored the black men who were trained at Camp Lejeune in Jacksonville, North Carolina to become Marines in the 1940s.
Between 1942 and 1949, more than 20,000 servicemen received their basic training at Montford Point, according to the Camp Lejeune Globe. About 300 of them are still alive. Four of those men ― John Thompson, Cleo Florence, Robert Thomas and Mack Haynes ― were in attendance for Saturday’s ceremony, the Burlington Times News reports. “When I went in in 1947, how things was then and how things have progressed and how they are today… there’s been a great change, but there still be more change and we may be able to have one nation under God and one people.” To read full article and to see video, go to: First Black Men To Enlist As Marines Honored 75 Years Later | HuffPost
ASU Professor Matt Delmont (photo via twitter.com) via jbhe.com Matthew Delmont, a professor of history and Director of the School of Historical, Philosophical & Religious Studies at Arizona State University, has received a Guggenheim Fellowship that will allow him to conduct research on how African American viewed World War II at the time the war was being waged.
“African-Americans rallied around something called the ‘double-victory campaign,’ which meant victory over fascism abroad and victory over racism at home,” Professor Delmont said. “There was a great amount of hope that by proving their patriotism, by proving their service to the country in World War II, things would be different once they got home. In a lot of cases, that didn’t happen.” Dr. Delmont will conduct interviews but he notes that “Black newspapers will be one of the main sources. They had war correspondents embedded in Europe and Asia, and they were dodging enemy fire to bring these stories to the communities in the U.S.”
Professor Delmont is the author of several books including Why Busing Failed: Race, Media, and the National Resistance to School Desegregation (University of California Press, 2016) and The Nicest Kids in Town: American Bandstand, Rock ‘n’ Roll, and the Struggle for Civil Rights in 1950s Philadelphia(University of California Press, 2012). The tentative title for the book that he hopes will come from this research is To Live Half American: African Americans at Home and Abroad During World War II.
Originally from Minneapolis, Minnesota, Professor Delmont is a magna cum laude graduate of Harvard University and earned a master’s degree and a Ph.D. in American studies at Brown University. He joined the faculty at Arizona State University in 2014 after teaching for six years at Scripps College in Claremont, California. Source: Arizona State Historian Wins Fellowship to Study African Americans’ Views on World War II : The Journal of Blacks in Higher Education
