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Madam C.J. Walker's "Villa Lewaro" Estate in New York Protected as National Treasure with Preservation Easement

By goodblacknews on December 21, 2017
Madame CJ Walker; Villa Lewaro, exterior and interior (photos: David Bohl; Walker Family Archives)

by Lori Lakin Hutcherson (@lakinhutcherson)

On the heels of launching the African-American Cultural Heritage Action Fund, the largest preservation campaign ever undertaken on behalf of African-American history, the National Trust for Historic Preservation announced a preservation easement on Madam C.J. Walker’s estate, Villa Lewaro. A powerful preservation tool, the easement prevents current and future owners from making adverse changes to or demolishing the estate’s historic, cultural and architectural features.

Madam C.J. Walker (December 23, 1867–May 25, 1919), America’s first self-made female millionaire, commissioned Villa Lewaro, her “Dream of Dreams,” at the height of her wealth and prominence as inventor and entrepreneur of haircare products for African-American women. Constructed in 1918, alongside the Hudson River in Irvington, New York, Madam Walker’s elegant residence was built to inspire African-Americans to reach their highest potential.

Designed by Vertner Tandy—the first African-American registered architect in the state of New York and one of the seven founders of  Alpha Phi Alpha Fraternity, Inc.—the 34-room mansion served as the intellectual gathering place for notable leaders of the Harlem Renaissance, such as W. E. B. Du Bois and Langston Hughes.

“On the 150th anniversary of her birth, we are delighted to have played a lead role in the lasting protection of Madam C.J. Walker’s tangible legacy,” said Brent Leggs, director of the National Trust’s African-American Cultural Heritage Action Fund. “The legal protection of irreplaceable historic sites like Villa Lewaro, one of the most significant places in women’s history, is essential in telling the full American story and inspiring future generations.”

Since designating the site as a National Treasure in 2014, the National Trust has worked with Villa Lewaro’s current owners and exceptional stewards, Ambassador and Mrs. Harold E. Doley, Jr., to recognize its architectural and historical significance and secure long-term protections before the property changes hands. The easement marks a successful culmination of those efforts.

Villa Lewaro stands as a living monument to Madam Walker’s entrepreneurial spirit and remains central to understanding her unprecedented achievement during an era when neither women nor African Americans were considered full citizens. Soon to be portrayed by award-winning actress Octavia Spencer in a series produced by LeBron James, Madam Walker’s story of persistence continues to inspire a growing number of African-American women taking leadership roles in business, politics, philanthropy, and other industries.

To learn more about the National Trust’s commitment to expand America’s view of history and bring attention to centuries of African-American activism and achievement, please visit: www.savingplaces.org/african-american-cultural-heritage

Charleston-Born Artist Sunn M'Cheaux to Teach Gullah Language Class at Harvard

By goodblacknews on December 21, 2017

COURTESY OF SUNN M’CHEAUX

by  via charlestoncitypaper.com
A renewed interest in Gullah has propelled the language to one of the highest rungs in academia.
Charleston native and performance artist Sunn m’Cheaux spent the fall semester at Harvard teaching an introductory version of a course on Gullah: A language indigenous to the Lowcountry region often described as a combination of English and Central and West African languages.
The pidgin language originally allowed enslaved African people from various tribes to communicate with each other and with their overseers, and is still spoken by African-American communities across coastal regions of South Carolina, Georgia, and Florida.
The Gullah class is the first of its kind at the Ivy League school. It’s part of the African Language Program within the Department of African and African American Studies.
The class is the brainchild of a graduate student who knows m’Cheaux. The student phoned him and asked if he would be willing to meet with the head of the program, Dr. John Mugane. M’Cheaux, who graduated from Goose Creek High School and didn’t go to college, found that Dr. Mugane was impressed with how quickly m’Cheaux was able to teach him some Gullah basics.
“He starts talking about getting my information and taking a picture for the website, and I’m thinking to myself, ‘Wait a minute — did I just get hired?'” m’Cheaux said in a phone interview with CP.
Mugane argues that offering Gullah, along with the 44 other languages taught in the program, increases students’ chances of accurately portraying different communities. “To engage in intellectual and professional work in the Gullah community, we deem it necessary even critical that scholars be literate in Gullah whose basic demonstration is an ability to hold non-trivial conversations with the people they write about, including (and especially) in Gullah, the language of the people they write about,” Dr. Mugane said in an e-mail to CP.
M’Cheaux says that his time bouncing between Charleston, Los Angeles, and New York as an artist and activist influenced his teaching methods. “Ultimately, my arts and entertainment career kind of dovetailed into social activism and commentary, and in a sense, I feel like this is an extension of that as well,” m’Cheaux said. “How to use literal and figurative language to communicate with people and teach people how to make it their own.”
This kind of approach is especially necessary with Gullah — a language that is passed down orally without established standards for grammar and spelling. Aspects of the language may be familiar to English speakers, such as “han’ baby,” which means small infant, and “knee baby,” which can be interpreted as toddler in English.
“I want to build these students’ intuition in order to know when to apply something literally and figuratively, because that will help bring the language to life,” m’Cheaux said. “Those are figurative terms, not necessarily literal terms, but once you look at them literally, it makes total sense.”
M’Cheaux uses the few Gullah reference books and literature available as course materials, but has largely stuck to developing his own curriculum throughout the semester, which includes video chats between students and native speakers.
To read more, go to: https://charlestoncitypaper.com/TheBattery/archives/2017/12/19/harvard-introduces-gullah-class-taught-by-a-charleston-born-artist

All-Female Ethiopian Airlines Crew Makes Historic Flight to Nigeria

By goodblacknews on December 20, 2017

(Photo: girltalkhq.com)

by Frederick Ngugi via face2faceafrica.com
Ethiopian Airlines, the national flag carrier of Ethiopia made history on Saturday when it deployed an all-female crew for a special flight from Bole International Airport in Addis Ababa, Ethiopia to Murtala Mohammed International Airport in Lagos, Nigeria.
The historic airlift, which is the airline’s first flight to Nigeria in the hands of an all-female crew, has grabbed headlines across the world, with some people lauding it as a major milestone for the womenfolk.
Under the supervision of Captain Amsale Gualu and First Officer Tigist Kibret, the 13-member crew flew 391 passengers to the Nigerian capital on Boeing B777-300 ER, an exciting journey that took approximately four and a half hours.
Speaking at the reception party in Lagos, the chairperson of the Nigerian House Committee on Aviation Mrs. Nkiru Onyejeocha thanked Captain Gualu and the rest of her crew for the successful flight, saying it was enough proof that women can achieve great things when given the chance.
Onyejeocha added that the historic flight is an inspiration to Nigerian women to venture into the aviation sector and have the courage to hold key positions in the lucrative industry.
Speaking at the event, Captain Gualu, who called on women to have passion in what they do, said flying aeroplanes was her childhood dream. “Since I was a child, I wanted to be a pilot. After my University education, I joined Ethiopian Airlines as a first officer and flew the Fokker 50 and the Boeing B737 and then became a captain,” Captain Gualu was quoted by Nigerian news portal This Day.
Since the momentous flight on Saturday, many people have taken to social media to congratulate Ethiopian Airlines, which is the most profitable airline in Africa, for giving women an opportunity to prove their potential.

Some are even calling on other airlines, especially in countries and regions with a reputation of clamping down on women’s rights to follow suit.

To read more, go to: https://face2faceafrica.com/article/female-ethiopian-airline-crew-break-gender-barriers-historic-flight-nigeria

New Study Shows News Outlets Skew Towards Negative Portrayals of Black Families, Contrary to Government Data

By goodblacknews on December 15, 2017
Photo: ABC
Photo: ABC
via blavity.com
According to the Washington Post, a recent Color of Change and Family Story study found that the news media has had a significant hand in negatively skewing the perceptions of black families.
The study’s researchers reviewed over 800 local and national news pieces published or aired between January 2015 and December 2016, sampling major networks such as ABC, CBS, NBC, CNN, Fox News and MSNBC as well as major print publications such as The Washington Post, Wall Street Journal, New York Times, USA Today, Los Angeles Times and the Chicago Tribune.
The study — conducted by  University of Illinois at Urbana-Champaign communications professor Travis L. Dixon — found that national news outlets were more likely to show black families as broken and dysfunctional while white families were depicted as possessing social stability.
These images are not only distorted, but contradict government data.
Dixon found that black families represented 59 percent of poor people portrayed in media, but actually only make up of 27 percent of Americans living in poverty. In contrast, white families only make up 17 percent of the poor representated in media, but make up 66 percent in reality. As far as criminal depictions go, black criminals represented 37 percent of the media’s criminals while only 26 percent of those arrested on criminal charges are black in real life. White criminals represented 28 percent the criminals portrayed in the media, but make up 77 percent of real life’s crime suspects.
The report argues that constant depictions of black people living in poor, welfare-dependent and broken homes due to absentee fathers has created a negative image of black families in general.
“This leaves people with the opinion that black people are plagued with self-imposed dysfunction that creates family instability and therefore, all their problems,” said Dixon.
Further, these depictions can affect black families on a systematic level. Dixon noted that the images can spark political rhetoric and the powerful buying into these narratives are what causes Congress to “gut social safety net programs,” bosses to implement harsher work and drug testing requirements and general disdain for welfare programs.
The study also notes that during the Great Depression, white families suffering from poverty were presented in the media as having run into “hard luck,” and that there were campaigns to “help them through tough times.”
However, over time, the media and political leaders have “worked to pathologize black families in the American imagination to justify slavery, Jim Crow, mass incarceration, widespread economic inequity and urban disinvestment — as well as to gain and maintain political and social power,” argues Nicole Rodgers, founder of Family Story.
And this effort has borne terrible fruit, according to Color of Change’s executive director, Rashad Robinson, who said, “There are dire consequences for black people when these outlandish archetypes rule the day: abusive treatment by police, less attention from doctors, harsher sentences from judges.”
Overall, the report concluded that in order to make real change in the news industry, stricter sourcing requirements will have to be implemented, journalists must be encouraged to provide social and historical context and the editorial standards process should include people of color.
Source: https://blavity.com/color-change-study-news-outlets-promote-false-negative-portrayals-black-families-reality

In Honor of Rosa Parks Day, TV One Premieres "Behind The Movement" Trailer; Movie Slated to Air in February 2018

By goodblacknews on December 1, 2017


by Fisher Jack via eurweb.com
Rosa Parks’ refusal to give up her bus seat 62 years ago was only the beginning.
Premiering on TV One in February, Behind the Movement offers a closer look at how the history-making Montgomery Bus Boycott was planned in just three days and ultimately led to the Civil Rights Movement of the 1950s and 1960s.
A new trailer released today, provides a glimpse into Mrs. Parks’ thoughts as she sat on the bus that December evening.
“It was reported that I was tired and that wasn’t true,” states Meta Golding as Rosa Parks in the trailer. “I was tired of all the injustice, all the fear and indignity that they were putting us through. That’s the truth.”

meta golding as rosa parks
Meta Golding stars as Rosa Parks in TV One’s ‘Behind The Movement’ (photo via TV One)

Starring Meta Golding (“The Hunger Games”) as Rosa Parks, Isaiah Washington (“The 100”) as E.D. Nixon, Loretta Devine (“Waiting to Exhale”) as Jo Ann Robinson, Roger Guenveur Smith (“American Gangster”) as Raymond Parks and Shaun Clay as Dr. Martin Luther King, Jr., Behind the Movement reveals the untold story of how a group of everyday people decided this incident was the right time to take a stand for their civil rights and demand equal treatment.
Premiering during Black History Month, this original made-for-television movie honors the contributions of many unsung heroes of this watershed moment in the Civil Rights struggle. The film recounts the inner workings and behind the scenes preparation that took place during three intense days between the fateful evening when Parks refused to give up her seat through the launch of this significant protest. While Dr. Martin Luther King Jr. was a prominent leader of the Montgomery Bus Boycott, there was a chorus of lesser-known heroes, including Rosa Parks, who galvanized the most successful boycott of its time.

meta golding as rosa parks1
In a scene from TV One’s ‘Behind the Movement,’ Rosa (Golding) is finally allowed to make her one phone call to let her husband know she’s in jail (photo via TV One)

Behind the Movement is written by Katrina M. O’Gilvie and directed by Aric Avelino.  For TV One, Karen Peterkin is Director of Scripted Original Programming and shares Executive in charge of production duties with Tia A. Smith, Sr. Director of Original Programming & Production. Donyell McCullough is Senior Director of Talent & Casting; Robyn Greene-Arrington is VP of Original Programming, and D’Angela Proctor is Head of Original Programming and Production.
To read more, go to: http://www.eurweb.com/2017/12/in-honor-of-rosa-parks-day-tv-one-premieres-behind-the-movement-trailer-watch/

National Museum of African American History and Culture Digitizes Vintage Photos For Black Families

By goodblacknews on November 19, 2017
Museum of African American History
NMAAHC created the Community Curation Program to help Black families digitize old photos and footage. (photo via newsone.com)
via newsone.com

The National Museum of African American History and Culture (NMAAHC) in Washington D.C. harbors pieces of history that illustrate the story of the Black experience in America, and now the institution is giving African American families the opportunity to preserve memories of their own, The Baltimore Sun reported.
The museum launched a free program—dubbed the Community Curation Program—which provides Black families with the tools and equipment needed to preserve old photographs and footage by converting them into digital records, the news outlet writes. The program is supported by the Robert Frederick Smith Fund and travels to different cities across the country. The museum also provides the same equipment at the institution in Washington. One of the project’s latest stops was at the Impact Hub Baltimore in Station North, Maryland.
“In a very radical way, we recognize the importance of these vernacular, homemade images, this folk cinema, as an alternate history to the kinds of history that the mass media tells,” museum media archivist Walter Forsberg told The Baltimore Sun. “We wanted to render a public service free of charge because we knew there was a lot of material out there trapped on obsolete formats.”
Krewasky A. Salter, another museum curator, told the news outlet that the museum hopes to include some of the images, footage, and objects in their upcoming exhibitions; stating that the content provided by families will help fill in missing gaps in history. Several families have already taken advantage of the resource. Individuals who have digitized their family mementos say that the Community Curation Program has allowed them to weave their personal family stories into the larger fabric of Black history in a significant way. “These are stories in my family, and now I can share them with others,” said Pia Jordan, assistant professor at the School of Global Journalism and Communication at Morgan State University, according to the source.
The National Museum of African American History has been dedicated to capturing the essence of all facets of Black culture. The institution is currently working on crowd fundraising for a hip-hop anthology that will delve into the influence of Black music and African American culture on the world.
Source: https://newsone.com/3759889/smithsonian-digitizes-black-family-photos/

Nigeria's Women's Bobsled Team Qualifies for 2018 Olympics, Country's 1st Ever Winter Olympians

By goodblacknews on November 17, 2017

Nigerian Women’s Bobsled Team (photo via nytimes.com)

by Lori Lakin Hutcherson (@lakinhutcherson)
According to ESPN, Nigeria will be represented in the Winter Olympics by the African nation’s women’s bobsled team, which qualified for the 2018 Games in PyeongChang, South Korea. Driver Seun Adigun and breakpersons Ngozi Onwumere and Akuoma Omeoga completed the fifth out of the five required qualifying races and became the first African team ever to qualify in the bobsled category.
The squad, led by Adigun, a former African 100-meter hurdles champion and 2012 summer Olympian, completed the qualifying races in Utah and Canada on Tuesday and Wednesday. “This is a huge milestone for sports in Nigeria,” driver Adigun told ESPN. “Nothing makes me prouder than to know that I can play a small role in creating opportunities for winter sports to take place in Nigeria. Our objective now is to be the best representation of Africa that the Winter Olympics have ever witnessed.”
As blavity.com reported, it comes as a shock to many fans of the team and athletes individually, that they have been able to accomplish such a feat, considering they are in fact representing a warm climate country and the sport, for lack of better words, is designed for anything but that. In a recent interview with ABC News, shared to one of the women’s Instagram account, the ladies discuss how they do in fact host the majority of their training in the warm climate.
https://www.instagram.com/p/BZ1Q2KzFLWN/
To read and learn more about this story, go to: http://www.newsweek.com/women-bobsled-team-first-nigeria-qualify-winter-olympics-713962 or http://www.abc.net.au/news/2017-11-17/nigerias-bobsled-team-off-to-winter-olympics/9163162

African-American Cultural Heritage Action Fund Launched to Increase Diversity in Historic Preservation

By goodblacknews on November 15, 2017
Madam C.J. Walker’s “Villa Lewaro,” the home of the country’s first female African-American millionaire. (Courtesy National Trust for Historic Preservation/Madam Walker Family Archive)

by Patrick Sisson via curbed.com

A new multi-year initiative to help preserve more African-American historical sites, and address funding gaps in the preservation of current sites, was announced today.

The African-American Cultural Heritage Action Fund, a partnership between the National Trust for Historic Preservation, the Ford Foundation, The JPB Foundation, and the Open Society Foundations, will establish a grant fund for protection and restoration. Actress and activist Phylicia Rashad, who previously campaigned to protect the Brainerd Institute in South Carolina, a school established in 1866 for freed slaves, will serve as an advisor and ambassador.

“There is an opportunity and an obligation for us to step forward boldly and ensure the preservation of places which tell the often-overlooked stories of African-Americans and their many contributions to our nation,” said Stephanie Meeks, President and CEO of the National Trust for Historic Preservation, in a statement. “We believe that this fund will be transformative for our country, and we are committed to crafting a narrative that expands our view of history and, ultimately, begins to reconstruct our national identity, while inspiring a new generation of activists to advocate for our diverse historic places.”

[youtube https://www.youtube.com/watch?v=su9I9Ry2ZxQ?rel=0&]

The nascent initiative will seek $25 million in initial funding, and focus on historical sites and buildings that help tell often-overlooked aspects of the country’s history, as well as stories of overcoming intolerance, injustice, and inequality.

“As the scholar Carl Becker once wrote, history is what the present chooses to remember about the past,” said Patrick Gaspard, vice president of the Open Society Foundations. “The events in Charlottesville this past summer are a stark reminder of how one segment of American society chooses to celebrate a brutal past. We have an opportunity, through this tremendous project, to preserve, protect and cherish another history too often neglected—the vital story of African-Americans and their enormous contributions to the idea of America.”

Source: https://www.curbed.com/2017/11/15/16656528/historic-preservation-african-american-cultural-heritage-fund

Civil Rights Icon Roger Wilkins Honored with Building at George Mason University

By goodblacknews on November 5, 2017

Roger Wilkins (photo via thenation.com)

via jbhe.com
George Mason University in Fairfax, Virginia, recently named its North Plaza in honor of Roger Wilkins, a former long-time faculty member who died this past March. Angel Cabrera, president of George Mason University, said at the dedication ceremony, “when Roger came to George Mason, few knew much about this fledgling university in the suburbs of Washington D.C. Roger was one of those intellectual pioneers who helped put this university on the map.”
A native of Kansas City, Missouri, Wilkins moved to Harlem at the age of 9 and later settled in Grand Rapids, Michigan. He earned a bachelor’s degree and a law degree at the University of Michigan.
Wilkins joined the Kennedy administration in 1962 as a special assistant to the director of the Agency for International Development. In 1965, he was appointed an assistant attorney general by President Johnson.
When the Democrats lost power after the 1968 election, Wilkins left government to work for the Ford Foundation. Beginning in 1972, Wilkins began a new career as a journalist, first for the Washington Post and then The New York Times. He was the author of Jefferson’s Pillow: The Founding Fathers and the Dilemma of Black Patriotism (Beacon Press, 2001).
In 1988, Wilkins joined the faculty at George Mason University in Fairfax, Virginia, as the Clarence J. Robinson Professor in History and American Culture. He remained on the faculty for nearly 20 years until his retirement in 2007.

"Black Tudors: The Untold Story" by Historian Miranda Kaufmann Debunks Idea That Slavery Was Start of Africans' Presence in England 

By goodblacknews on October 30, 2017

Portrait of a Moor by Jan Mostaert, early 16th century (image via theguardian.com)

by Bidisha via theguardian.com
Within moments of meeting historian Miranda Kaufmann, I learn not to make flippant assumptions about race and history. Here we are in Moorgate, I say. Is it called that because it was a great hub of black Tudor life? “You have to be careful with anything like that,” she winces, “because, for all you know, this was a moor. It’s the same with family names and emblems: if your name was Mr Moore, you’d have the choice between a moorhen or a blackamoor. It wouldn’t necessarily say something about your race.”
Her answer – meticulous, free of bombast, dovetailing memorable details with wider issues – is typical of her first book Black Tudors: The Untold Story, which debunks the idea that slavery was the beginning of Africans’ presence in England, and exploitation and discrimination their only experience. The book takes the form of 10 vivid and wide-ranging true-life stories, sprinkled with dramatic vignettes and nice, chewy details that bring each character to life.
Africans were already known to have likely been living in Roman Britain as soldiers, slaves or even free men and women. But Kaufmann shows that, by Tudor times, they were present at the royal courts of Henry VII, Henry VIII, Elizabeth I and James I, and in the households of Sir Walter Raleigh and William Cecil. The book also shows that black Tudors lived and worked at many levels of society, often far from the sophistication and patronage of court life, from a west African man called Dederi Jaquoah, who spent two years living with an English merchant, to Diego, a sailor who was enslaved by the Spanish in Panama, came to Plymouth and died in Moluccas, having circumnavigated half the globe with Sir Francis Drake.
Kaufmann’s interest in black British history came about almost by accident: she intended to study Tudor sailors’ perceptions of Asia and America for her thesis at Oxford University, but found documents demonstrating the presence of Africans within Britain. “I’d never heard anything about it, despite having studied Tudor history at every level. When I went to the National Archive for the first time, I asked an archivist where to start looking and they were like: ‘Oh well, you won’t find anything about that here.’”
Kaufmann kept digging, contacted local record offices and ultimately built up to her book. So why has the existence of black Tudors been unknown, untold and untaught? “History isn’t a solid set of facts,” she replies. “It’s very much about what questions you ask of the past. If you ask different questions, you get different answers. People weren’t asking questions about diversity. Now they are.”