According to nytimes.com, Pope Francis announced that Wilton Gregory, the archbishop of Washington, would be elevated to cardinal, one of 13 new cardinals in the Roman Catholic Church.
This promotion will make Gregory the first African-American man to hold such a position.
Gregory was part of a select group of Catholic leaders that criticized Donald Trump for staging a photo op in front of St. John’s Episcopal Church near the White House earlier this year, amid protests about the death of George Floyd.
Archbishop Gregory, who served for years in the diocese of Atlanta, is also a former president of the U.S. Bishops’ Conference and considered in line with Francis’ most pastoral and welcoming approach in the church.
The ceremony to install the new cardinals is set for Nov. 28. Nine of the 13 men named, including Archbishop Gregory, are under age 80 and therefore eligible to participate in the next conclave to elect Francis’ successor. The new cardinals chosen by Francis reflect his priorities, making it more likely that the college will elect someone like him.
[Dr. William Augustus Hinton. Photo via images.harvard.edu]
Harvard Medical School has approved renaming the Oliver Wendell Holmes Academic Society in honor of the late Dr. William Augustus Hinton, a former HMS clinical professor of bacteriology and immunology and 1912 HMS graduate.
The recommendation from a Faculty Council Subcommittee on Artwork and Cultural Representations task force is part of an ongoing effort to ensure that HMS buildings, symbols, academic societies and public spaces fully reflect the institution’s mission and values.
Holmes was one of the first American intellectuals to promote the racist doctrine of eugenics. In 1850, he revoked the acceptances of the Medical School’s first three Black students, writing that the “intermixing of the white and black races in their lecture rooms is distasteful to a large portion of the class and injurious to the interests of the school.”
Hinton — a 1905 graduate of the College and later HMS — specialized in the fields of bacteriology and immunology. He created a new diagnostic blood test for syphilis, one the U.S. Public Health Service later adopted.
Earlier this year, two medical students launched a petition to rename the former Holmes Society due to Holmes’s support of eugenics and racism towards Black and Indigenous people. The petition garnered over 1000 signatures from HMS and HSDM faculty, administrators, students, and alumni.
[Justice Martin Jenkins. Photo Credit: Jason Doiy / ALM]
According to latimes.com, California Governor Gavin Newsom has appointed Martin Jenkins to the State Supreme Court.
Currently serving as Newsom’s Judicial Appointments secretary, Jenkins, 66 would become the first openly gay man on the California Supreme Court, and only the third Black man ever to serve on the state’s highest court.
“Justice Jenkins is widely respected among lawyers and jurists, active in his Oakland community and his faith, and is a decent man to his core,” Newsom said in a statement. “As a critical member of my senior leadership team, I’ve seen firsthand that Justice Jenkins possesses brilliance and humility in equal measure. The people of California could not ask for a better jurist or kinder person to take on this important responsibility.”
Jenkins was leading the search to fill a vacancy on the court left by the Aug. 31 retirement of Justice Ming W. Chin, a Republican appointee who was the court’s most conservative member.
Jenkins is viewed as generally less liberal than the four justices Brown appointed to the court. From Alameda County prosecutor, to federal judge to the San Francisco-based Court of Appeals, Jenkins did not publicly discuss his sexual orientation.
After his confirmation, the court will have two Black justices, two Asian Americans, one Latino, one white woman and one white man.
“I am truly humbled and honored to be asked by the governor to continue serving the people of California on the Supreme Court,” Jenkins said in a statement. “If confirmed, I will serve with the highest ethical standards that have guided me throughout my career, informed by the law and what I understand to be fair and just.”
A San Francisco native, Jenkins earned his undergraduate degree from Santa Clara University and at one point had a contract to play NFL football for the Seattle Seahawks, but chose instead to become an attorney and got his Juris Doctor degree from the University of San Francisco School of Law.
[Dr. Namandjé Bumpus (photo via Johns Hopkins University)]
According to jbhe.com, Dr. Namandjé Bumpus was appointed chair of the Department of Pharmacology and Molecular Sciences at the Johns Hopkins University School of Medicine in Baltimore, MD.
Dr. Bumpus is the first African-American woman to chair an academic department at the highly-rated medical school and the only Black woman currently chairing a pharmacology department at any medical school in the nation, according to Johns Hopkins.
NASA astronaut Jeanette Epps is now poised to be the first Black woman crew member of the International Space Station (ISS), according to sciencetimes.com.
On Tuesday, Epps was assigned to the NASA Boeing Starliner-1. The African-American aerospace engineer and astronaut will join the space administration’s first operational crewed flight for Boeing’s CST-100 Starliner spacecraft, in a mission to the ISS.
The Boeing Starliner-1 mission will be the first for Jeanette Epps. She first earned a bachelor’s degree in physics from Le Moyne College, in her hometown of Syracuse, New York. She then completed her master’s degree in science and her doctorate in aerospace engineering, both from the University of Maryland.
While she was pursuing her master’s and doctorate, Epps received a NASA Graduate Student Researchers Project (GSRP) Fellowship grant, publishing several academic papers on the way. After her doctorate, she started working in a research lab with the Ford Motor Company for more than two years before moving to the US Central Intelligence Agency (CIA), where she was a technical intelligence officer for seven years.
In 2009, she was selected as a member of that year’s astronaut class. In January 2017, NASA astronaut Jeanette Epps was assigned to be a part of Expeditions 56 and 57. She was set to fly into Earth’s orbit aboard a Russian Soyuz spacecraft. This was supposed to be the first long-duration ISS mission, including an African-American astronaut.
However, on January 16, 2018, NASA announced that Jeanette Epps would be reassigned to future missions, being replaced by her backup Serena M. Auñon-Chancellor. The reason for the reassignment was never officially explained.
There have been some Black Americans who have traveled to and from space, with a former fighter pilot and astronaut Guion Bluford being the first as a crew member of the 1983 Challenger. However, there has been no Black American assigned to live and work in space for more extended periods. The International Space Station has already seen 240 individuals across 395 spaceflights, since 2000.
Epps will be joining NASA astronauts Sunita Williams and Josh Cassada.
Based on NASA’s current schedule, the first Black astronaut to live and work on the ISS will likely be Victor Glover, who is set to head there on the SpaceX Crew-1 mission on Oct. 23.
Former National Football League running back Jason Wright was named the first Black president of an NFL team on Monday, according to The Washington Post. He will be heading up the Washington Football Team.
The hiring by team owner Daniel Snyder of the 38-year-old Wright, who rose quickly in the business world after getting an MBA at the University of Chicago and became a partner at McKinsey & Company, comes at a difficult time for a franchise that in past years was one league’s strongest.
The team has had eight losing seasons in the last 11 years; it recently dropped its 87-year-old name, which is considered a racial slur, under pressure from sponsors; it has commissioned an investigation of its corporate culture after The Washington Post published a story detailing allegations of sexual harassment and verbal abuse; and Snyder’s three minority partners want to sell their roughly 40 percent stake in the team.
Yet Wright, who has lived in the Washington area since 2013, said he understands what waits for him when he takes over the team’s business operations next week.
“A lot of the high-stakes stuff that you see in and around the club at this time is something that I’m quite familiar with,” he said. “Hopefully, having not grown up in [Washington’s] front office allows me to bring some catalytic thinking. It’s the same reason organizations bring in people externally — to push the thinking, to have new, creative ways of thinking about things [and] maybe be a bit disruptive.”
Nia DaCosta, director of the upcoming MGM/Universal Candyman remake, will helm the sequel to Captain Marvel, becoming the first black woman to direct a film in the Marvel Cinematic Universe.
According to The Hollywood Reporter, 2019’s Captain Marvel was the first Marvel movie to feature a solo female lead. The sequel will again follow Brie Larson‘s adventures as Carol Danvers, fighter pilot turned superhero, this time written by WandaVision scribe Megan McDonnell.
The Captain Marvel sequel would also mark the fourth time a female director has steered an MCU film — and the third time they’ve done it solo. The first solo female director Marvel announced was Black Widow‘s Cate Shortland in July 2018, while the first Captain Marvel film was led by the directing duo of Anna Boden and Ryan Fleck.
Captain Marvel2 is currently scheduled for release on July 8, 2022.
Dr. Billy C. Hawkins (photo courtesy Talledega College)
Talladega College will hold a naming ceremony for the Dr. Billy C. Hawkins Student Activity Center on August 14, 2020. The newly constructed 47,000-square-foot student center/arena will be the first-ever campus facility to be named in honor of one of the institution’s African American presidents.
In 2008, when Dr. Billy C. Hawkins became the 20th president of Talladega College, the HBCU was struggling to survive. Dr. Hawkins implemented rigorous plans for renovation and growth that transformed the college.
As a result of his vision, enrollment doubled from just over 300 students to 601 students in one semester; athletic programs were reinstated for the first time in ten years; and major campus beautification projects were undertaken.
The College enjoyed record-high enrollment in both the 2018-2019 academic year and the 2019-2020 academic year. Talladega College now has over 1200 students.
Under the leadership of Dr. Hawkins, Talladega College is listed among Princeton Review’s best colleges in the Southeast, U.S. News and World Report’s most innovative colleges, and Kiplinger’s Best Value Colleges. Talladega recently launched its first-ever graduate program, an online Master of Science in Computer Information Systems. In addition, the campus is undergoing a major physical transformation.
New construction on campus includes a 45,000-square-foot, state-of-the-art residence hall, which opened in 2019, and the Dr. William R. Harvey Museum of Art, which opened in 2020. The Dr. William R. Harvey Museum of Art houses six critically-acclaimed Hale Woodruff murals, including the renowned Amistad Murals.
According to theAdvocate, the Rt. Rev. Deon Kevin Johnson has become the 11th bishop of the Episcopal Diocese of Missouri, making him the first openly gay Black man to hold the post in the diocese’s 179-year history.
Johnson was ordained and consecrated last week in a ceremony at Christ Church Cathedral in St. Louis.
“To find ourselves in this moment, the [descendant] of a slave, to be called to be the bishop of Missouri — God is good!” he said during his ordination service, according to the Episcopal News Service. “To the people of Missouri, we have a whole new story to tell and a whole new boldness to tell it with. So I look forward to the adventure.”
An immigrant from Barbados, Johnson has been an Episcopal priest since 2003. He was most recently rector of St. Paul’s Episcopal Church in Brighton, Mich.
In the week following the killing of George Floyd by police in Minneapolis, Johnson joined in peaceful protests in the St. Louis region. Days after the clearing of nonviolent protesters at St. John’s Church in Washington, D.C., so Donald Trump could have a photo op, Johnson spoke at a solidarity rally at St. John’s Episcopal Church in St. Louis.
“Fear would tell us that dignity belongs to some and not to others. As followers of Jesus, we must live and know that perfect love casts out fear,” he wrote in a statement following the rally. “We must, in the words of the Prophet Micah, ‘do justice, love mercy and walk humbly with our God.’”
We talk about how African Americans invented rock and roll. We talk about the great musicians Scott Joplin and W.C. Handy, the giant of ragtime and the “Father of the Blues.” Before rock and roll was a gleam in Chuck Berry’s mother’s eye, Jazz was the great American music form, a creation of Black artists.
And of course, rap and R&B rule the Billboard charts in the 21st century. And a century before Lil Nas X reimagined country music, the genre was born with the help of the banjo, a descendent of the West African lute brought to America by Africans who were enslaved, and with inspiration from early forms of Black music, such as spirituals and “field tunes.”
But there’s one more great American musical tradition, one where the contributions of Black people is sometimes forgotten, often under-appreciated. Maybe it shouldn’t surprise us that African Americans are often ignored when the discussion turns to the history of the Broadwaymusical, when Broadway itself is known as the “Great White Way.”
Broadway has never been an easy world for an outsider to break in, even when that outsider is White, wealthy, and part of the New York establishment. Mounting a Broadway show costs a small fortune, and there’s no cheap or easy way to distribute it. It’s a medium for people with powerful connections or large assets.
But African-American artists have made a tremendous impact, primarily as writers and performers, but also as creators of source material for Broadway shows and music. I don’t profess to be a historian of Broadway or African-American music, but I will do my best to take you on a fan’s journey through the long, storied history of African Americans and Broadway.
Savion Glover in “Bring In ‘Da Noise, Bring in ‘Da Funk”
To limit the scope a bit, this playlist is focused on Broadway shows only, ignoring the contributions made to Hollywood musicals, Off-Broadway, regional theater and West End theater in London. And even though I could add another hundred amazing cuts (thanks to Hamilton, Dreamgirls, Jelly’s Last Jam, etc.), I’ve limited the playlist to one crucial number from each show… with two notable exceptions (and for good reason).
These liner notes contain a short intro for every cut, but you don’t need them to enjoy the music. So without further ado, curtains up on the historic African-American tradition on Broadway, aka the Great Black Way.
Personal note: This playlist is dedicated to Good Black News’ Lori Lakin Hutcherson (who suggested and inspired it, and who has always inspired me), and musicologist Chris Molanphy, whoseSlate columns on music and podcast Hit Parade feed the hungry amateur music historian in me.
“I’m Just Wild About Harry” (1921)
Even though Shuffle Along was not the first Broadway musical featuring a Black cast in a Broadway theater (that distinction belongs to In Dahomey in 1903), it was the first Broadway musical written, composed and performed entirely by Black artists. Previous to the opening of Shuffle Along, there hadn’t been a successful “Black musical” on Broadway in 12 years, which made it particularly hard to mount the production. (Not to mention the fact that just a couple of decades before, African-Americans were prohibited from performing for White audiences, unless in – believe it or not – blackface). But Black vaudevillians Flournoy Miller and Aubrey Lyles teamed with Eubie Blake and Noble Sissle (who wrote the music and lyrics) and put every nickel they could find into creating this musical comedy. It paid off; Shuffle Along was a huge success. Shuffle Along deserves note for a few other reasons. It was the first production where a White audience witnessed two Black people on stage romancing and touching each other. It also helped launch the careers of two legends – Paul Robeson and Josephine Baker.
Ol’ Man River” (1927)
Six years before Jerome Kern and Oscar Hammerstein II wrote Showboat, a musical about a Mississippi River showboat, Paul Robeson was making his powerful baritone heard in Shuffle Along. His star only grew from there, and Hammerstein and Kern specifically wrote the crucial Showboat role of Joe for Robeson. Sadly, he wasn’t available for the original production, but took over the role in the 1932 revival and the film adaptation. Because one can’t think of Ol’ Man River without thinking of Robeson, his is the version I’ve included on this playlist. When Hammerstein and Kern adapted the Edna Ferbernovel that among other things deals with prejudice in the South, they changed Broadway forever. It is generally considered the first successful musical to bring a serious topic to the genre, which was a revelation after years of vaudeville, revues, and musical comedies. It was also the first well-known racially integrated musical and the first musical to deal with the issue of interracial marriage. And it also has its share of controversy due to the stereotypical use of vernacular and its outdated stereotypes. But it was another milestone for African-Americans on Broadway.
“Summertime” (1935)
So much has been written aboutPorgy and Bessand its treatment of African-American characters, both bad and good. Porgy and Bess has its detractors and supporters. It is a troubling artifact of American culture’s history of the depiction of African Americans. But no one can deny the impact the show has had on American pop culture. In fact, “Summertime” is one of the most covered songs in history (over 25,000 times)! Which is why, instead of featuring the original version, I decided to include one of the most famous covers, by Ella Fitzgerald and Louis Armstrong. This is also to make the point that just as Broadway has used African-American artists, African-American artists have used Broadway music to great advantage. In fact, Louis Armstrong makes one more appearance on this playlist, in a similar historical role.
