via amsterdamnews.com
Reports indicate that Democrat Phil Murphy is projected to win the New Jersey governor’s race making his running mate, Assembly Speaker Sheila Oliver, the state’s first Black lieutenant governor. She is now the second highest-ranking official in the State of New Jersey.
She was elected to her new title after the election of Democratic gubernatorial candidate Phil Murphy takes a sweeping victory from the Republican candidate, lieutenant governor Kim Guadagno.
“I certainly know how the legislature works,” Oliver said during her campaign. “I certainly have relationships with 119 members of the state Legislature. And to run an effective government and to get things done, you need to cooperation in the state Senate, the general assembly and the executive branch.”
Oliver, 65, is a native of Newark and is the first African-American woman Assembly Speaker in New Jersey. She has more than a dozen years of legislative experience, serving in the lower house of the New Jersey Legislature since 2004. She also served on the Essex County Board of Chosen Freeholders from 1996 to 1999.
Source: http://amsterdamnews.com/news/2017/nov/07/sheila-oliver-becomes-first-black-lieutenant-gover/
Posts published in “African-American Firsts”
by Ginger Adams Otis via nydailynews.com
An EMS captain with 21 years on the job will become the first African-American woman in the Fire Department of New York to achieve the rank of deputy chief on Thursday.
Capt. Tonya Boyd, who joined the FDNY’s Emergency Medical Services while in college as a way to make money, said she never dreamed her career would reach such heights. “I’m so excited and I am so blessed,” the EMS officer told the Daily News. “After hearing about the promotion, I couldn’t believe it. I feel like I’ve knocked down a door and opened it for a lot of EMTs just starting on this job,” said Boyd. “African-American women will see someone who looks like them as a deputy chief and they will know more is possible — their careers won’t top out at paramedic or even lieutenant,” said the captain of Station 39 in Brooklyn.
Fire Commissioner Daniel Nigro said Boyd’s success was due to her efforts. “Tonya is not only helping to raise the bar for our ability to provide pre-hospital care, she’s also demonstrating to young women of all backgrounds the incredible rewarding career they can achieve in the FDNY,” Nigro said.
As a young woman growing up in Brooklyn, Boyd, who described herself as “fortysomething,” planned to follow her grandmother into nursing. But a need for cash while in nursing school sent her looking for work — and a cousin suggested she get an EMT license. Thanks to classes offered at Brooklyn College, Boyd passed the state exam. On Jan. 27, 1997, she became an official employee of the FDNY.
It was just after then-Mayor Rudy Giuliani merged the city’s cash-strapped 911 EMS system with the Fire Department — a joining that not everyone in the FDNY embraced.“We were very merger-oriented,” Boyd recalled. “We got through it.” She quickly set her sights on the next challenge — becoming a paramedic. “The FDNY offered a wonderful program that let us go to school from 7 a.m. to 3 p.m.,” Boyd said. “I became a paramedic after about seven years.”
Boyd didn’t stop there, moving on to lieutenant and then captain.But the path from rank-and-file to officer isn’t as clear-cut in EMS as it is on the FDNY’s firefighting side. Firefighters take civil service promotional exams for officer ranks and move up in rank according to a scored hiring list. Only the very top brass are appointed at the discretion of FDNY leadership. In EMS, a civil service promotion exam is only given for lieutenant. Promotions above that rank are awarded by discretionary appointment. With roughly 4,000 employees, EMS is far more diverse in gender and race than the city’s firefighting ranks. Women EMTs and paramedics comprise roughly 35% of the non-officer workforce. Above the rank of lieutenant, there are “only a handful of women who make it to captain, and even fewer to deputy chief,” said lawyer Yetta Kurland.
Boyd’s promotion — the first time in more than 150 years the FDNY will have an African-American woman as a deputy chief — is eagerly anticipated by other women in the agency. She will be the highest-ranking black woman in the entire department, said Regina Wilson, an FDNY firefighter and head of the Vulcan Society, a fraternal organization of African-American fire department employees. “It’s a proud moment for the department to have a woman of color reach such a rank and we hope there will be many more to follow,” the Brooklyn firefighter said.
To read full article, go to: FDNY veteran Tonya Boyd to become first black female deputy chief – NY Daily News
via tvone.tv
Former New York Yankee Derek Jeter has officially become the first African-American CEO of a Major League Baseball team. The 43-year-old, is also part owner of the Miami Marlins, joining only one other African-American in that specific role (Magic Johnson‘s Los Angeles Dodgers).
And if you wonder where the five-time World Series champion stands on athletes kneeling during the national anthem, he’s totally on board, telling the New York Daily News, “Everyone should be fine with that. They’re focused so much on the fact that they are kneeling as opposed to what they’re kneeling for. Peaceful protests are fine. You have your right to voice your opinion. As long as it’s a peaceful protest, everyone should be fine with that.”
Source: Derek Jeter Becomes First Black CEO Of Major League Baseball Team, Is ‘Okay’ With Players Kneeling
by Lori Lakin Hutcherson (@lakinhutcherson)
A landmark exhibition of abstract paintings, sculptures and works on paper by 21 black women artists will be on view at the National Museum of Women in the Arts (NMWA) from Oct. 13, 2017–Jan. 21, 2018. Magnetic Fields: Expanding American Abstraction, 1960s to Today places the visual vocabularies of these artists in context with one another and within the larger history of abstraction. This exhibition celebrates those under-recognized artists who have been marginalized, and argues for their continuing contribution to the history and iconography of abstraction in the United States. Magnetic Fields is the first exhibition dedicated exclusively to the formal and historical dialogue of abstraction by black women artists.
From the brilliant colors and energetic brushwork of Alma Woodsey Thomas’s paintings to shredded tire sculptures by Chakaia Booker, works featured in this exhibition testify to the enduring ability of abstraction to convey both personal iconography and universal themes. The exhibition underscores the diversity of abstract art, which lies in its material construction and conceptual underpinnings, as well as in its practitioners.
Magnetic Fields features a range of works, including early and later career examples, several exhibited for the first time, and the long-awaited reappearance of iconic works such as Mavis Pusey’s large-scale painting Dejyqea (1970), featured in the Whitney Museum of American Art’s landmark 1971 exhibition Contemporary Black Artists in America.
“By highlighting each artist’s individual approach to materials, composition, color and content, Magnetic Fields creates a context for a lively and visual conversation among these artists,” said NMWA Director Susan Fisher Sterling. “The project also vigorously expands the art-historical narrative on post-war American abstract art. This exhibition shifts our attention to key practitioners who have not received their due, fostering a deeper appreciation of their accomplishments and asserting a new parity of value for their work.”
Magnetic Fields also pays tribute to the lived experience of each of the featured artists who have come individually to pursue abstraction, disrupting the presumption that only figurative works can convey personal experience. Collectively, work by the select group of prolific creators, born between 1891 and 1981, represents a range of approaches rooted in Abstract Expressionism, Color Field painting and Minimalism, with emphasis on process, materiality, innovation and experimentation. The artists in the exhibition are:
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Alma Woodsey Thomas, Orion, 1973; Acrylic on canvas, 59 3/4 x 54 in.; Courtesy of the National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay (Photo by Lee Stalsworth)
Candida Alvarez (b. 1955) - Chakaia Booker (b. 1953)
- Betty Blayton (b. 1937, d. 2016)
- Lilian Thomas Burwell (b. 1927)
- Nanette Carter (b. 1954)
- Barbara Chase-Riboud (b. 1939)
- Deborah Dancy (b. 1949)
- Abigail DeVille (b. 1981)
- Maren Hassinger (b. 1947)
- Jennie C. Jones (b. 1968)
- Evangeline “EJ” Montgomery (b. 1930)
- Mary Lovelace O’Neal (b. 1942)
- Howardena Pindell (b. 1943)
- Mavis Pusey (b. 1928)
- Shinique Smith (b. 1971)
- Gilda Snowden (b. 1954, d. 2014)
- Sylvia Snowden (b. 1942)
- Kianja Strobert (b. 1980)
- Alma Woodsey Thomas (b. 1891, d. 1978)
- Mildred Thompson (b. 1936, d. 2003)
- Brenna Youngblood (b. 1979)
“As curators, we are honored to present this incredible, intergenerational group of artists,” stated co-curators Erin Dziedzic and Melissa Messina. “This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.”
via jbhe.com
On June 11, 1963, Vivian Malone and James Hood, under the protection of federal marshals and the federalized Alabama National Guard, broke the racial barrier and enrolled as undergraduate students at the University of Alabama. That day, Alabama Governor George Wallace made a ceremonial stand in the schoolhouse door protesting the federal court order that called for the admittance of the Black students. But Malone and Hood were not the first Black students at the university.
In 1952, after graduating with an English degree from Miles College, Autherine Lucy Foster applied to the graduate program in education at the University of Alabama but was rejected because of her race. After a three-year legal battle, she was admitted to the university by court order. In 1956 Foster enrolled in a graduate program in education at the university. Angry protests by White students ensued. Foster was suspended three days later “for her own safety” and she was later expelled.
In 1988, the University officially annulled her expulsion. The next year she re-enrolled at the University of Alabama with her daughter, Grazia. Foster earned a master’s degree in elementary education in 1991 and participated in the graduation ceremony in May 1992 with her daughter, a corporate finance major. In 1998, the University of Alabama named an endowed fellowship in Foster’s honor and unveiled a portrait of her in the Student Union Building. She was recognized again in 2010 when the university dedicated the Autherine Lucy Clock Tower.
Recently, the Autherine Lucy Foster Historical Marker was unveiled on the Tuscaloosa campus near where the mob gathered to protest her presence at the university. A video of the dedication ceremony for the historical marker can be seen below.
Source: A Historical Marker at the University of Alabama Honors Autherine Lucy Foster : The Journal of Blacks in Higher Education
via 11alive.com
HAMPTON, Va. (WVEC) — An American treasure is being honored in Hampton. A new facility at the NASA Langley Research Center is named after Katherine Johnson. She’s the woman featured in the movie “Hidden Figures” for her inspiring work at NASA Langley. People knew the mathematician as a “human computer” who calculated America’s first space flights in the 1960s. “I liked what I was doing, I liked work,” said Katherine.
The 99-year-old worked for NASA at a time when it was extremely difficult for African-Americans — especially women — to get jobs in the science field. “My problem was to answer questions, and I did that to the best of my ability at all time,” said Katherine. She was awarded the Presidential Medal of Freedom in 2015. She said, “I was excited for something new. Always liked something new.” U.S. Sen. Mark Warner, Virginia Governor Terry McAuliffe, Hampton Mayor Donnie Tuck, and “Hidden Figures” author Margot Lee Shetterly were among the dignitaries who were on hand to honor Johnson.
https://twitter.com/MeganShinn/status/911290544395079681
Governor McAuliffe said, “Thank goodness for the movie and the book that actually came out and people got to understand what this woman meant to our county. I mean she really broke down the barriers.” The Katherine G. Johnson Computational Research Facility (CRF) is a $23 million, 37,000-square-foot energy efficient structure that consolidates five Langley data centers and more than 30 server rooms. One NASA astronaut, Doctor Yvonne Cagle, said Katherine is the reason she is an astronaut today. “This is remarkable, I mean it really shows that when you make substantive contributions like this, that resonate both on and off the planet. There’s no time like the present.” Doctor Cagle said she’s excited the new building is named after Katherine. “Thank you all, thank everyone for recognizing and bringing to light this beautiful hidden figure,” said Cagle.
The facility will enhance NASA’s efforts in modeling and simulation, big data, and analysis. Much of the work now done by wind tunnels eventually will be performed by computers like those at the CRF. NASA Deputy Director of Center Operations, Erik Weiser said, this new facility will help them with their anticipated Mars landing in 2020.
Source: NASA legend Katherine Johnson honored in Hampton | 11alive.com
by Camille Augustin via vibe.com
At the 69th edition of the Emmy Awards, there was more diversity among nominees, and therefore winners, than there has been in previous years. Compelling actor Sterling K. Brown took home the hardware for Outstanding Lead Actor in a Drama Series for his role in NBC’s This Is Us. According to Entertainment Weekly, Brown is the first black actor to win the prize since Andre Braugher in 1998 for his role in Homicide: Life on the Street. During his backstage speech, Sterling reflectively acknowledged this achievement. “When I first got to [NYU] there was a poster of Gideon’s Crossing above the Public Theater, so I would see [Braugher’s] face all the time when I left my apartment to go to school,” he said, per The Ringer. “So, I’m bugging out. I never thought that this was a possibility, and to be standing here 19 years after him! I wanna represent.”
Another epic win went to Donald Glover, who became the first black director to garner the Emmy for Outstanding Directing for a Comedy Series. For his brilliant acting in Atlanta, the “Redbone” artist (as Childish Gambino) became the first black performer to join the legion of comedic outstanding lead actors. The achievements kept pouring in as actress/screenwriter Lena Waithe went down in history as the first black woman to win Outstanding Writing for a Comedy Series for Master of None. She also won the hearts of the audience and viewers with her motivating acceptance speech to the LGBTQIA community.
To read more, go to: Sterling K. Brown, Lena Waithe, Donald Glover Make Emmys History
via jbhe.com
Rutgers University in New Brunswick, New Jersey has renamed its College Avenue Apartments to honor Sojourner Truth. Born into slavery, Sojourner Truth became a leading abolitionist and advocate for women’s rights.
While a slave, Sojourner Truth and her parents were owned by relatives of the first president of Rutgers University. The Sojourner Truth Apartments house 440 upper-class students.
Azra Dees, a sophomore in the School of Arts and Sciences at Rutgers, stated that “it shows a dedication to the history that we have and moving forward. And I’ll always know that I have a meaning behind the building that I’m living in, rather than just being a beautiful new building.”
In addition, the former Kilmer Library on Rutgers-New Brunswick’s Livingston Campus in Piscataway has been renamed the James Dickson Carr Library after Rutgers’ first African-American graduate. James Dickson Carr completed his degree in 1892 and went on to attend Columbia Law School.
To read more, go to: Rutgers University Honors African Americans Who Are Part of Its History : The Journal of Blacks in Higher Education
via thegrio.com
North Carolina currently has six Black female police chiefs, the first time this has ever happened in state history, according to WRAL. Raleigh’s Cassandra Deck-Brown, Durham’s C.J. Davis, Morrisville’s Patrice Andrews and Fayetteville’s Gina Hawkins, three of the six chiefs, spoke to the station about their unique positions.
“We’ve broken a glass ceiling,” Deck-Brown told WRAL’s Lena Tillett. “So, becoming chief, the honor is knowing that somebody else has that opportunity to get there.” All three said that they felt that they had to work much harder than their white male counterparts, and they all were sure to acknowledge the increasing enmity between police and communities of color, an enmity that they are trying to help soothe.
They said that they are working to introduce more empathy and compassion to policing in an attempt to help change the way that police are perceived by their communities, especially in areas that have a history of specifically targeting people of color.“This is a paradigm shift in policing,” Deck-Brown said. “This is what 21st century [policing] looks like. All we need is the opportunity. Some do it better than others, but we need the opportunity.”
Hawkins, the mother of black children, also admitted that it was sometimes hard to reconcile her life and the fact that police often are the perpetrators of racism. “We’ve always been of color,” Hawkins said. “We’ve always had those family members, and that conversation that we have with our family members and our friends doesn’t change because we happen to have our uniform on.”
Source: North Carolina has 6 Black female police chiefs for the first time in history | theGrio
by Angela Helm via thegrapevine.theroot.com
For the first time in U.S. Open history, three black women have advanced to the quarterfinal round; and, in this case, they all happen to be American. As of Monday, Venus Williams, 37, Sloane Stephens, 24, and Madison Keys, 22, are all vying for the Tiffany-engraved trophy. Oh, and it’s all going down at a stadium named for African-American tennis legend, Arthur Ashe.
Williams and Stephens earned quarterfinal spots Sunday night, by defeating Carla Suarez Navarro of Spain and Julia Gorges of Germany respectively, while Keys snagged her place by defeating Elina Svitolina from the Ukraine Monday night. Keys, ranked No. 15 in the world, is the youngest of the bunch, and was visibly excited after her win, and spoke about the prospect of the Americans squaring off against one another.
“It’s just really exciting. I’m really happy that none of us are playing each other in the quarterfinals,” Keys said, according to the Los Angeles Times. “If there’s some all-American matchups in the rest of the tournament, I think that says really good things about women’s tennis.”
To read more, go to: https://thegrapevine.theroot.com/three-black-women-advance-to-u-s-open-semifinals-1799943507