“Donayle Lunawas the first Black woman to be on the cover of Vogue. Why don’t we know more about her?”
This pointed question from the recently released trailer for Donyale Luna: Super Model will hopefully no longer be relevant after the feature-length documentary about Luna’s life and career debuts on HBO September 13.
Born Peggy Anne Freeman in Detroit, Donyale Luna went on to revolutionize the fashion industry in the 1960s and 1970s, becoming the muse to some of the foremost photographers of the 20th century until her untimely death at the age of 33 in 1979.
Though Luna was one of the first Black models who graced the covers of both Vogue and Harper’s Bazaar in Europe, today, most people have never heard of her.
Directed by Nailah Jefferson, produced by Melissa Kramer, Isoul H. Harris, Melanie Sharee and executive produced by Jonathan Chinn, Simon Chinn, Jeff Friday, Dream Cazzaniga, participants in the doc include Luna’s daughter, Dream Cazzaniga, husband, Luigi Cazzaniga, supermodels Beverly Johnson and Pat Cleveland; Vogue global editor-at-large Hamish Bowles; photographers David Bailey, David McCabe, and Gideon Lewin; and many more.
by Lori Lakin Hutcherson, GBN founder and Editor-in-Chief
Well, here we are, once again. Forty seven years after February was officially recognized by the U.S. government as Black History Month, and ninety seven years after Negro History Weekwas founded by Carter G. Woodson, “The Father of Black History.”
We are also, once again, deeply distressed by the murder of a young Black person (Tyre Nichols) at the hands of police officers. The fact that the officers and the police chief are Black this time around doesn’t complicate but instead amplifies the grotesque, stark, ironically colorblind reality of systemic racism — it is a pernicious construct of power and oppression that can be upheld or enforced by anyone of any color or gender or creed.
So, how do we reconcile the two — the celebration of Black people and their achievements while constantly experiencing injustice, inequity and increasingly, erasure?
As Editor-in-Chief of Good Black News, a site which for over a decade has literally been dedicated year-round to the celebration of Black people and their achievements, I have been wrestling with this question for a while, particularly in the last eight months.
After the murder of 10 Black people at a supermarket in Buffalo, NY by a white supremacist in May 2022 and the continued downplaying of racially-based domestic terrorism, I felt depleted and bereft. Of hope, of faith, of purpose. It didn’t seem to matter how much Black people achieved or prospered or protested or suffered in America — we couldn’t even buy our groceries in peace.
And once again, the narrative of the “lone, mentally unstable shooter” was trotted out. One person was (rightfully) punished, but the racist political and economic system he embraced in its most violent extreme? It remained (and remains) steadfastly in place. As did the onus remain on the shoulders of Black people to be seen as worthy of basic human rights.
America quickly got back to the business of forgetting and moving on, even after experiencing only two years before what seemed like a watershed moment of racial reckoning after the police murder of George Floyd.
But here were are again today, literally TODAY, with civil rights attorney Benjamin Crump saying during his call to action during Tyre Nichols’ funeral: “Why couldn’t they see the humanity in Tyre?… We have to make sure they see us as human beings worthy of respect and justice!”
We do?
I’ll admit in many ways, I understand where Crump is coming from. “Show the humanity” has essentially been the GBN operating philosophy since 2010 — to create a site and space where we can see and celebrate our humanity, while offering access to anyone else who wants to take a gander.
But now, in 2023, I must push myself to dig deeper and firmly challenge why it should it ever be the responsibility of any human being to convince any other human being of their humanity. To state the obvious, once, and for all:
BLACK PEOPLE ARE HUMAN BEINGS.
If the words above are not inherently understood to be true, why is that? Why does this have to be shown? Proven? Over and over and over again?
My answer, also obvious, is that they don’t. Not ever.
So, while I absolutely respect and still intend to celebrate the legacies of people such as Frederick Douglass, Harriet Tubman, Dr. Martin Luther King, Jr., Rosa Parks, Jackie Robinson, Sidney Poitier and the like, going forward I also need for GBN’s Black History Month and GBN in general to engage more actively in the interrogation and disempowering any systems, institutions or public policies that do not recognize or uphold this truth and all the basic rights that should flow from it (e.g. respect, freedom, safety, equality).
Maybe I’m not giving enough credit to GBN in its past and present form — I acknowledge that GBN has been helpful and appreciated by many for the way we offer information via the lens of celebration and positivity.
What I’m aiming to add to our existing ethos is more critical thinking and opinion about cultural topics and cultural content, boosting political, economic and social policies that are truly about protecting, serving and uplifting Black people, and working to upend those that don’t.
The College Board creates and administers the AP program. Join us in demanding that they:
Reject the narrow interpretation of Florida law that contradicts principles of academic freedom and autonomy in determining what to teach in classrooms.
Take swift action to make sure Florida does not modify the curriculum of the proposed AP African-American Studies course designed with the help of respected Black scholars, but rather, maintains the integrity of the proposed curriculum.
Florida’s current agenda of political interference in the AP African American studies curriculum directly conflicts with the values of equity, fairness, and justice. Our students deserve better.
Additionally, I want to highlight Nikole Hannah-Jones’ The 1619 Projectseries now streaming on Hulu as well as promote the excellent “Intersectionality Matters” podcast by law professor Dr. Kimberlé Crenshaw whose name is among the writers expunged from the AP African American studies curriculum.
I also want to give props to Beyoncéfor officially announcing her 2023 Renaissance World Tour! A definite bright spot on this first day of Black History Month, the efforts Beyoncé and her team are making via the Verified Fan system and its tiers of engagement (first priority given to the BeyHive!) to ensure real fans get access to tickets over usurious resale entities is for sure worth a shout out.
Frankly, I am tired of us being caught out there, and I want GBN to do more, offer more, share more and speak out more. In our tweets, reels, stories, posts, playlists, comments — however.
Maybe I’ll get it wrong sometimes, but with deep love for this community as my true north, may my faith, purpose and hope never again be broken.
The series chronicles the evolution of Black beauty and its impact on the fashion industry, the civil rights movement, the “Black is Beautiful” era and the influence on American culture:
https://www.youtube.com/watch?v=0fu2Prg0GTg
Supreme Models features trailblazers such as Iman and Bethann Hardison to superstar models Joan Smalls, IndyaMoore and Precious Lee with legends including Pat Cleveland, Roshumba Williams and Veronica Webb.
Anna Wintour, Chief Content Officer, Condé Nast and Global Editorial Director, Vogue, as well as Vogue European Editorial Director Edward Enniful, Vogue.com editor Chioma Nnadi and more also share personal stories of these boundary breaking women who set new standards in the worlds of beauty and fashion – from the 1960s to the unlimited potential of the digital age today.
The College Board has announced it will begin offering an Advanced Placement(AP) African American Studies course at 60 high schools across the U.S. this fall.
The AP program, which traditionally gives high school students an opportunity to take college-level courses before graduation, currently covers 38 subjects, including U.S. government and politics, biology, chemistry, English, European History and art history.
The AP African American Studies course is the College Board’s first new offering since 2014, according to TIME, and the multi-disciplinary course will cover over 400 years of African American history, literature, civil rights, politics, the arts, culture and geography.
Though a pilot program currently, the aim is by the 2024-2025 school year for this AP offering to be the first course in African American studies for U.S. high school students that is considered rigorous enough to allow students to receive credit and advanced placement at colleges across the country.
The plan for an Advanced Placement course is a significant step in acknowledging the field of African American studies, more than 50 years after what has been credited as the first Black studies department was started after a student strike at San Francisco State College in 1968, said Henry Louis Gates Jr., a former chair of Harvard’s department of African and African American studies and director of the Hutchins Center for African & African American Research.
“In the history of any field, in the history of any discipline in the academy, there are always milestones indicating the degree of institutionalization,” said Dr. Gates, who is a consultant to the project along with a colleague, Evelyn Brooks Higginbotham. “These are milestones which signify the acceptance of a field as being quote-unquote ‘academic’ and quote-unquote ‘legitimate.’”
Students will take a pilot exam but will not receive scores or college credit, according to the College Board.
Althea Gibson, the first Black tennis player to win a Grand Slam title, was honored in her hometown of Harlem, NY with a street renaming in her honor on what would have been her 95th birthday.
The intersection of West 143rd Street and Malcolm X Boulevard, where Gibson grew up, is now called Althea Gibson Way.
The ceremony took place last week in front of Gibson’s old apartment building on 143rd Street and was attended by Gibson’s family members, who were given a replica of the new street sign.
Born in 1927, Gibson was the daughter of sharecroppers in South Carolina who moved to Harlem in 1929. There, she was introduced to the Harlem River Tennis Courts in 1941, where she developed her skills.
Gibson won the French Open in 1956, and subsequently took home back-to-back Grand Slam singles titles at Wimbledon and the US Open in 1957 and 1958.
Harvard University-based historian and Finding Your Roots host Henry Louis Gates Jr. will be the editor-in-chief of Oxford’s new dictionary entitled the Oxford Dictionary of African American English.
This dictionary, slated to debut in 2025, will provide a comprehensive collection of words and phrases created and used by Black Americans, past and present.
Gates Jr., Director of the Hutchins Center for African and African American Research at Harvard University, announced the project officially in an interview with the New York Times.
“Just the way Louis Armstrong took the trumpet and turned it inside out from the way people played European classical music,” Gates Jr. said. “Black people took English and “reinvented it, to make it reflect their sensibilities and to make it mirror their cultural selves.”
“The bottom line of the African American people, these are people who love language.” I am proud to announce I will be the editor in chief for the Oxford Dictionary of African American English. Read more here: https://t.co/fUakIdNo45
— Henry Louis Gates Jr (@HenryLouisGates) July 21, 2022
“Words with African origins such as ‘ ‘goober,’ ‘gumbo’ and ‘okra’ survived the Middle Passage along with our African ancestors,” Gates Jr. said. “And words that we take for granted today, such as ‘cool’ and ‘crib,’ ‘hokum’ and ‘diss,’ ‘hip’ and ‘hep,’ ‘bad,’ meaning ‘good,’ and ‘dig,’ meaning ‘to understand ’— these are just a tiny fraction of the words that have come into American English from African American speakers … over the last few hundred years.”
Resources could also include books like “Cab Calloway’s Cat-ologue: a Hepster’s Dictionary,” a collection of words used by musicians, including “beat” to mean tired; “Dan Burley’s Original Handbook of Harlem Jive,” published in 1944; and “Black Talk: Words and Phrases from the Hood to the Amen Corner,” published in 1994.
Researchers can look to recorded interviews with formerly enslaved people, Salazar said, and to music, such as the lyrics in old jazz songs. Salazar said the project’s editors also plan to crowdsource information, with call outs on the Oxford website and on social media, asking Black Americans what words they’d like to see in the dictionary and for help with historical documentation.
“Maybe there’s a diary in your grandmother’s attic that has evidence of this word,” Salazar said.
In addition to word and phrase definitions, the Oxford Dictionary of African American English will also provide also where they came from and how they emerged.
“You wouldn’t normally think of a dictionary as a way of telling the story of the evolution of the African American people, but it is,” Gates said. “If you sat down and read the dictionary, you’d get a history of the African American people from A to Z.”
According to the New York Times, just after noon today, Ketanji Brown Jackson took the judicial oath, becoming the first Black woman to serve on the United States Supreme Court.
Justice Jackson, 51, was confirmed in April, when the Senate voted 53 to 47 on her nomination. She has replaced Justice Stephen Breyer, 83, who she once clerked for. Breyer stepped down at the conclusion of the court’s current term.To quote nytimes.com:
Justice Jackson took both a constitutional oath, administered by Chief Justice John Roberts, and a judicial oath, administered by Justice Breyer. The brief swearing in ceremony took place in the West Conference Room at the Supreme Court, before a small gathering of Judge Jackson’s family. Her husband, Patrick G. Jackson, held the Bible.
“It has taken 232 years and 115 prior appointments for a Black woman to be selected to serve on the Supreme Court of the United States,” Judge Jackson said in April at a White House celebration following her confirmation. “But we’ve made it. We’ve made it. All of us.”
[To listen to GBN’s recent bonus podcast about Jackson’s life and career on our site and read the transcript, click here.To go to Apple Podcasts, click below:]
The iconic “A Great Day in Harlem” photograph of 57 jazz musicians taken by Art Kane in 1958 was the inspiration for the recently recreated “A Great Day in Animation” photo of 54 Black professionals in animation.
The homage was the brainchild of Disney visual effects supervisor Marlon West (who GBN is exceedingly proud to have as a regular contributor – check out his latest #MusicMonday playlist for Juneteeth here), and was taken just a few weeks ago by Randy Shropshire with Jeff Vespa as production lead.
For decades, West has been moved by “A Great Day in Harlem,” as well as Jean Bach’s Oscar-nominated film of the same name, which documents how the photo came to be.
“I’ve had a framed copy of that photo in my office or somewhere for 30 years,” West tells Variety. “And I thought it would be cool to do the same thing with Black animators.”
Aided by his friends and colleagues Bruce Smith, Peter Ramsey and Everett Downing Jr., West began putting together a list of animation professionals to include, aiming for legends like Floyd Norman, whose work on 1959’s “Sleeping Beauty” made him Disney’s first-ever Black animator, and his close collaborator Leo D. Sullivan.
“In the original photo, Coleman Hawkins is standing front and center. He was one of the elders of those folks,” West explains. “I just envisioned Floyd Norman standing in Coleman Hawkins’ spot, and all of us radiating out from him, and Leo Sullivan and other grandmasters who have upped the game.”
It was also important to West to invite up-and-comers such as Latoya Raveneau, who recently directed “The Proud Family: Louder and Prouder” and Chrystin Garland, a background painter and designer on series like “Solar Opposites.”
“If people look at this photo 10 or 20 years from now, [I hope] they’re like, ‘There’s so-and-so when they were just starting out!” West says.
(2022 photo: Pictured above: Aaron Spurgeon, Abelle Hayford, Ayo Davis, Breana Williams, Brie E Henderson, Bruce W. Smith, Camille Eden, Carole Holliday, Chris Copeland, Chrystin Garland, Constance Allen, Deborah Anderson, Devin Crane, Eric, Ramsey, Everett Downing Jr., Floyd Norman, Frank Abney, Jay Francis, Justin Copeland, Kaela Lash, Kai Akira, Karen Toliver, Kelley Gardner, Kemp Powers, Kenny Thompkins, Kwesi Davis, Latoya Raveneau, Layron DeJarnette, Lennie Graves, Lenord Robinson, Leo D. Sullivan, Leo Sullivan Jr., Lyndon Barrois Jr., Lynne Southerland, Maimuna Venzant, Marcella Brown, Marlon West, Marshall Toomey, Morenike Dosu, Peter Ramsey, Pixote Hunt, Ralph Farquhar, Reginald Hudlin, Robert Tyler, Ron Husband, Ron Myrick, Shabrayia Cleaver, Shari B. Ellis, Shavonne Cherry, Shay Stone, Sidney Clifton, Swinton Scott, Tara Nicole Whitaker, Tyree Dillihay, Umaimah Damakka)
The ICG, otherwise known as Local 600 of the International Alliance of Theatrical Stage Employees, is the largest of the 13 IATSE locals that bargain the Basic Agreement for film and TV workers, with more than 9,000 members. It is also one of three of those unions with a nationwide jurisdiction.
Social scientist and dean of largest University faculty excited to seize “moment of possibility.”
