There was a great moment that happened at last night’s Academy Awards, but because it happened directly after a shocking moment, it’s not getting the all the flowers and love it should.
So for this #MusicMonday, we are fully celebrating the fact that Summer of Soul, the feature documentary about the 1969 Harlem Cultural Festival directed by The Roots co-founder and musical impresario Questlove, won a much-deserved Oscar. And if you (like so many of us) missed his acceptance speech, here it is:
https://youtu.be/IPbOF4wpEVw
Still streaming on Hulu and available on DVD, Summer of Soul is an education and gift to the eyes and ears and if you don’t currently have access to Summer of Soul, the movie, listening to the music from the acts featured in the film is the next best thing:
I’ve included the playlist of the official soundtrack album along with an extended playlist.
From Sly and the Family Stone to the Fifth Dimension,Stevie Wonder,Nina Simone, Gladys Knight and the Pips, The Edwin Hawkins Singers, The Staples Singers, Mongo Santamaria,David Ruffin,Mahalia Jackson,Mavis Staples and others, the music on display and the stories behind the event are close to (if not completely) mind-blowing.
And if you need another push to check it out (or revisit it), here’s the trailer of the documentary:
Thank you, again, Questlove and all the artists involved that helped bring the “Summer of Soul” into our lives for all seasons. You all truly made — and resurrected — important cultural history.
Today’s GBN Daily Drop podcast is a bonus episode about rock ‘n’ roll pioneer Sister Rosetta Tharpe who was born #OnThisDay in 1915, for Sunday, March 20 and based on the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 format:
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website (transcript below):
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, March 20th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
When gospel and R&B guitar sensation Sister Rosetta Tharpe reportedly said, “Can’t no man play like me,” she might not have had a clue how many would actually try.
Little Richard cited Tharpe as one of his major influences, and Chuck Berry once said his career was “one long Rosetta Tharpe impression.”
Born on this day in 1915, Arkansas native Tharpe’s 1930s and 1940s recordings of “Rock Me”:
[Excerpt of “Rock Me”]
“Strange Things Happening Every Day”:
[Excerpt of “Strange Things Happening Every Day”]
“I Want A Tall Skinny Papa”:
[Excerpt of “I Want A Tall Skinny Papa”]
and the classic “Didn’t It Rain”:
[Excerpt of “Didn’t It Rain”]
These songs melded gospel, jazz and Rhythm and Blues into what was soon and would forever be called rock n roll. In 2018, Tharpe was finally and rightfully inducted into the Rock and Roll Hall of Fame for her musicianship and influence.
This February, Gibson Guitars also debuted the Rosetta Tharpe Collection of merchandise in tribute to her, including a miniature replica of the iconic 1961 Les Paul she used to play.
Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Beats provided by freebeats.io and produced by White Hot. Excerpts of songs by Rosetta Tharpe permitted under fair use.
If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Mickey Guyton’s 2020 song “Black Like Me,” released amid the national racial justice protests, was nominated for a Grammy, making her the first Black solo female artist to be nominated in a country music category.
A recent study from the University of Ottawa found a mere .03 percent of all songs on country radio from 2002 to 2020 were by Black women. Less than 1 percent of the over 400 artists signed to the three major country music labels are people of color, according to that study.
Still, Black women artists are making a mark. Valerie June, Yola, Brittney Spencer, and Yasmin Williams are just a few sisters resonating with existing country music lovers, and with an entirely new group of fans.
Many historically turned off a genre that has almost exclusively been marketed to white audiences. They see the industry changing and say their music can resonate not only with existing country music lovers, but with an entirely new group of fans who have been turned off by a genre that has almost exclusively been marketed to white audiences.
There are many emerging artists on this playlist actively shifting conversations in country music around inclusion and diversity. I’ve also included to long-standing artists like Tina Turner and Mavis Staples that have made an impact on country music.
Hope you all enjoy my GBN contribution Women’s History Month. I’ll be back next month. And as always, stay safe, sane, and kind.
Throughout history countless women have given the blues their unique stamp. They have fought their way to the front of the testosterone saturated genre, oftentimes with little praise.
Here’s a collection of modern and early masters of the form, including Ma Rainey, Memphis Minnie, Koko Taylor, Etta James, Ann Peebles, Odetta, Aretha Franklin, Sister Rosetta Tharpe, Bettye Swann, Bettye LaVette, Irma Thomas, LaVern Baker and so many more.
Please enjoy. And as always, stay safe, sane, and kind.
Hope this tiny missive finds you all safe and well. Here’s my last October/Halloween Season offering, and it probably comes as no surprise this one is an eclectic mash-up leveraging off the three I have done so far.
I’ve cast a wide net for this playlist. Jazz, Blues, Soul, Rock, Reggae, and film soundtracks are all here in this more than 12 hour dose of music featuring chills, both real and imagined.
Killers, ghosts, vampires, demons, mad scientists, gravediggers, werewolves, and creatures of all ilk are on hand for this musical journey.
Do enjoy. See ya next week with a break from the macabre.
While our #MusicMonday main man and selector Marlon West takes a well-earned break from creating thoughtful and unique playlists exploring the musical diaspora, I’m stepping in to post two curations honoring the woman of the weekend, Aretha Franklin.
Respect, the MGM biopic starring Jennifer Hudson as the Queen of Soul, was released exclusively in theaters this past Friday and earned almost $9 million in its first weekend. In addition to being a satisfying film experience, Respect makes you appreciate even more how creative and intelligent Aretha was in her musical expression across all genres.
In addition to being an unparalleled singer who could turn tunes by other artists into her own signature songs, Franklin also composed, arranged and produced several of her biggest hits.
In honor of those aspects of her genius, I offer the playlists “How I Got Over”: Aretha Franklin’s Cover Songs, which includes (of course) “Respect,” by Otis Redding, “Until You Come Back To Me” by Stevie Wonder and “Spanish Harlem” originally recorded by Ben E. King:
James Weldon Johnson, an NAACP field secretary, civil rights activist, Broadway composer and professor who investigated and spoke out about lynchings in the first decades of the 20th century, also wrote the classic novel The Autobiography of an Ex-Colored Man, first published in 1912.
But perhaps the publication Weldon is best known for was that of a song he wrote with his brother John Rosamond Johnson. In 1900, in honor of Tuskegee Institute founder Booker T. Washingtonas part of a tribute to Abraham Lincoln‘s birthday, they crafted a poem that was read by 500 schoolchildren entitled “Lift Every Voice and Sing.”
The poem celebrated freedom as it recognized a brutal past never to be repeated. “Lift Every Voice and Sing” was so well received that the brothers set it to music and by 1919 the NAACP dubbed it “the Negro national anthem.” It has functioned in that capacity ever since.
The Johnson brothers pictured on the cover of this 1973 version of the sheet music
Sung for decades at countless meetings, events, and ceremonies, a 1990 version of the song performed by Melba Moore (which can be heard here on GBN’s “Black Americana” playlist ) was entered into the Congressional Record and, in 2016, into the National Recording Registry.
Singing this song today makes as much sense as any other American anthem, as it is a song of independence from tyranny, inhumanity and injustice. It is sung in honor of Americans who died building this country by progeny who seek to embrace the liberty, hope and prosperity freedom promises.
Enjoy Aretha Franklin, whose voice literally was designated an American natural resource, singing the song we might all lift our voices to sing. Full lyrics published below.
It’s no secret that I’m a die-hard Aretha Franklin stan. Have almost all the records, read all the books, seen all the documentaries, the concert film, watched the limited series, made several Spotify playlists (because one will never ever be enough).
So it should be no surprise the wait for the MGM feature Respect starring Academy Award winner Jennifer Hudson, delayed from release last year due to the pandemic, has been a long one for me. And from the looks of this featurette, it will have been well worth it:
This featurette excites me not only for the music and what look to be great performances from Hudson, Mary J. Blige as Dinah Washington and Forest Whitaker as Aretha’s father, Reverend C.L. Franklin, but also because of what director Liesl Tommy and screenwriter Tracey Scott Wilson say in it about their approach to the film.
How does the woman with “the voice” find her voice? Knowing that the filmmakers focused on dramatizing Aretha’s artistic journey and how she “musicalized her lived experience,” makes me feel like Respect will be The One.
It also helps greatly to know Franklin’s family supports the movie – her cousin Brenda Franklin-Corbett, who sang backing vocals for Aretha, even appears in the featurette.
Respect will be released in theaters on August 13.
And… bonus…
“Here I Am,” an original song recorded by Hudson for the film, recently became available on several streaming platforms, including Spotify. Check it out!
Well, it is always African American Music Appreciation Month (aka Black Music Month) around these parts! We celebrate Black music every week here at Good Black News.
It’s been more than a year since I started making weekly playlists honoring African American music in its many forms.
If you’ve been tuning in with any regularity, you know I am no stranger to a free-wheeling and hours-long playlist.
When it comes to a collection that tracks Gospel, Blues, Jazz, R&B, Rock, Hip-Hop, and everything in between, this one was bound to be a long one:
Have a great week.
Marlon West (photo courtesy Marlon West)
[Editor’s Note: ICYMI, below are links to some of Marlon’s most popular playlists from 2020. Enjoy!]
Last week our fearless leader here at GBN, Lori Lakin Hutcherson, suggested a playlist celebrating Black History Month. I joked that every Music Monday at Good Black News is celebrating Black history.
Though a free-wheeling offer celebrating a century of Black music is definitely the thing to do. Here is a collection of African American music ranging from Mamie Smith to Marvin Gaye to J. Cole – from gospel, to hip hop, to jazz, to blues – and all points in between.