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Posts published in “Fine Arts”

Russell Simmons Encourages The Urban Arts Community With His Rush Philanthropic Arts Foundation

Hip-hop mogul Russell Simmons

Hip-hop mogul Russell Simmons attends the after party for the Gucci, Cinema Society & the Film Foundation screening of ‘La Dolce Vita’ at the Top of The Standard Hotel on June 1, 2011 in New York City. (Photo by Stephen Lovekin/Getty Images)

Known around the globe as a hip-hop pioneer, Russell Simmons’ passion for breaking new talent, particularly among urban youth, is well-documented and well-respected.  What largely flies under the radar, though, is his patronage of the arts in all forms, from the turntable to the easel, and his belief in the transformative effect that exposure to culture and having artistic outlets can have on the lives of urban youth.

Artist Charlotta Janssen Creates Exhibit of Freedom Riders' Mugshots and Documents


Far off from the public eye, the Brooklyn Navy Yard looms over the Brooklyn waterfront, quiet and unassuming as a warehouse.  From its outside, you’d never guess this industrial landmass serves as a safe haven for businesspeople, photographers, media, and artists alike.
On a cool August morning, someone from the latter category stands right before the entrance. Clad in a green worksuit with blue and white splotches, Charlotta Janssen looks more like a hired house painter than a creative one. That perception changes once you enter her studio on the 8thfloor and give your head the 360 degree treatment.  To your immediate left hangs pictures of a naked couple presumably after sexual intercourse, to the right, a man with a half-smile, half-scowl on his face.
The main part of the room, however, is where your eyes stay focused: A picture of young Black children at a 1920s Harlem pool lines the upper right (in tribute to Harlem Renaissance man James Van Der Zee). A side painting of Trinidadian activist  Stokely Carmichael lies mere feet away. Civil rights staples Martin Luther King, Jr. and Rosa Parks sit nearby with stern looks at the camera.
These three paintings make up part of Jennsen’s “Freedom Riders” exhibit. Currently on display at Philadelphia’s African-American Museum through September 30th, the collection of oil canvas mugshots of those who participated in the 20th century Freedom Bus Rides for integrated public transit is juxtaposed with ID cards, secretly handwritten notes, and any other written documents Janssen could find.

Artist Charlotta Janssen Creates Exhibit of Freedom Riders’ Mugshots and Documents

Far off from the public eye, the Brooklyn Navy Yard looms over the Brooklyn waterfront, quiet and unassuming as a warehouse.  From its outside, you’d never guess this industrial landmass serves as a safe haven for businesspeople, photographers, media, and artists alike.

On a cool August morning, someone from the latter category stands right before the entrance. Clad in a green worksuit with blue and white splotches, Charlotta Janssen looks more like a hired house painter than a creative one. That perception changes once you enter her studio on the 8thfloor and give your head the 360 degree treatment.  To your immediate left hangs pictures of a naked couple presumably after sexual intercourse, to the right, a man with a half-smile, half-scowl on his face.

The main part of the room, however, is where your eyes stay focused: A picture of young Black children at a 1920s Harlem pool lines the upper right (in tribute to Harlem Renaissance man James Van Der Zee). A side painting of Trinidadian activist  Stokely Carmichael lies mere feet away. Civil rights staples Martin Luther King, Jr. and Rosa Parks sit nearby with stern looks at the camera.

These three paintings make up part of Jennsen’s “Freedom Riders” exhibit. Currently on display at Philadelphia’s African-American Museum through September 30th, the collection of oil canvas mugshots of those who participated in the 20th century Freedom Bus Rides for integrated public transit is juxtaposed with ID cards, secretly handwritten notes, and any other written documents Janssen could find.

Isaac Scott Hathaway Becomes First African American To Design A U.S. Mint Coin 66 Years Ago Today

Pioneering sculptor Isaac Scott Hathaway (pictured) was chosen as the first African American to design a U.S. Mint coin on this day 66 years ago. Then-President Harry S. Truman authorized a commission for the Mint to jump 
isaac scott hathaway biographystart the design of a new 50-cent piece. Hathaway received the clearance to design the coin, which featured educator and author Booker T. Washington (pictured right) who was chosen as the coin’s face because Truman wanted “to commemorate the life and perpetuate the ideas and teachings of Booker T. Washington.”

Favorite Disney Princesses Transformed Into Women Of Color

Its not too often that a young woman of color sees herself reflected in the images she views.  Yet, given some free time and a sporadic interest, one young woman has reinterpreted the race of some of the world’s most beloved Disney princesses.

“So I made a bunch of white Disney characters into WOC,” Lauren wrote on her Tumblr page. “Just for funzies :D”  In Lauren’s blog, The Little Mermaid‘s Ariel, Beauty and the Beast‘s Belle, Cinderella, Snow White, Rapunzel and others are all reimagined as darker-hued woman of color, she writes, ranging from tawny to dark brown.

Ida B. Wells To Be Honored With Sculpture In Chicago

 

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CHICAGO (AP) — For six decades, civil rights pioneer Ida B. Wells was woven into the fabric of Chicago’s South Side as the namesake of a public housing project.
A Rosa Parks-like figure during her era, the journalist and suffragist was so revered that 1930s leaders put her name on a project that promised good, affordable housing for working class families. Within a few decades, however, the homes deteriorated, growing more violent and becoming riddled with gangs and drugs — not as notorious as the city’s Cabrini-Green public housing high rises or Robert Taylor Homes, but certainly not a monument to Wells’ legacy.
Then, nearly a decade ago, the city tore the Wells housing project down, leaving the activist’s great-granddaughter Michelle Duster and her family worried Wells wouldn’t be remembered at all.
Now, to mark the 150th anniversary of Wells’ birth in 2012, an effort is under way to build a sculpture to honor her legacy at the site of the housing development and renew her relevance for future generations.
“When the housing project was coming down we were like ‘Her name is going to be gone,’” Duster said, sitting in her South Side home, a portrait of her great-grandmother hanging on the wall. “Her name and what she did can’t be lost with the housing project.”
The Ida B. Wells Commemorative Art Committee is seeking $300,000 in donations after commissioning noted Chicago artist Richard Hunt to create the sculpture, which is expected to combine images of Wells with inscriptions of her writings.
While Wells’ name endures on a grade school and a professorship in the city, the monument will aim to reflect the full legacy of a woman who was born into slavery in Mississippi and went on to become a well-respected crusader against injustice and outspoken anti-lynching activist.
Orphaned at age 16, Wells was left to support her five siblings. She became a teacher and moved to Memphis, where she sued a railroad because she wasn’t allowed to sit in the ladies coach. When she later became a journalist, Wells wrote about that incident and the lynchings of three of her male friends.
Her writings enraged others and led to Wells being forced to leave the South. She kept writing and speaking about lynching across the U.S. and England. She died in 1931 and is buried in Chicago.
Planning for the Ida B. Wells Homes started three years after her death, as a project of the Public Works Administration. The homes opened in 1941 and first lady Eleanor Roosevelt visited the complex, with its 1,662 units — more than 860 apartments and nearly 800 row houses and garden apartments.
By the 1990s, the housing complex had fallen to drugs and violence. In an infamous 1994 case, two boys, ages 10 and 11, dropped a 5-year-old boy to his death from a vacant 14-floor apartment. The boys were convicted on juvenile murder charges. The same year two neighborhood teenagers produced an award-winning radio documentary “Ghetto Life 101,” which aired on National Public Radio.
A year later, prosecutors charged seven people with running a cocaine ring out of the Ida B. Wells Homes that authorities say did such booming business drug buyers lined up 50 at a time.
By 2002, the last buildings were torn down in a nationally watched urban renewal plan initiated by then-Mayor Richard Daley that also targeted other housing projects — including Cabrini-Green, which saw the last of its high-rises crumble under wrecking balls earlier this year.
As Wells Homes residents focused on finding new places to live, some also requested something be done in tribute to the activist.
“I want people to remember Ida B. Wells the woman, not Ida B. Wells the housing community,” her great-granddaughter, Duster, said. “Something should be done to remember who she was. I think who she was as a woman got lost when it was attached to the housing projects.”
When the money is raised, that something will be a sculpture in the middle of a large grassy median on 37th Street and Langley Avenue in the historically African-American neighborhood of Bronzeville on the city’s South Side.
The site, across the street from a large park, isn’t far from the 19th-century stone house where Wells lived from 1919 to 1929. The Ida B. Wells-Barnett House is now a National Historic Landmark.
Hunt envisions a sculpture in his metallic, free-form style that will incorporate images and writings of Wells. He said he hopes to convey “what a courageous and intelligent and committed person that she was.”
Carol Adams, president of Chicago’s DuSable Museum of African-American History, said the sculpture will be a lasting monument to Wells and a place where people can learn about her influence. The neighborhood is already home to the Ida B. Wells Preparatory Elementary Academy, and Chicago’s DePaul University has a professorship named for Wells.
“Her name itself just reverberates through the community,” said Adams, who once worked in the Ida B. Wells Homes. “It was her voice, her stance that she took regarding lynching and how she used the media to wage that fight, what that fight meant to us. This was very significant for black people all over the country.”
Duster said the sculpture will “have a lot of meaning” for those who lived in the homes named after her.
“I think they will have a huge sense of pride,” she said. “Those who lived in Bronzeville when the homes were there, it’s a source of pride for our neighborhood. For others it’s a sense of pride in the city of Chicago.”
Mostly though, she said, remembering her great-grandmother will teach a new generation that one person can make a difference and defy the boundaries of society’s expectations based on race, class and gender.
“It’s important to speak up when you feel you’ve experienced something not fair,” Duster said. “Don’t wait for somebody else to say something. That’s one thing Ida did that I think is a legacy. She used her voice and talents to raise consciousness.”
via thegrio.com