Press "Enter" to skip to content

Posts published in “Fine Arts”

Baltimore’s Walters Art Museum Opens “African Presence In Renaissance Europe” Exhibit

By goodblacknews on November 9, 2012

Museo Nacional del Prado, Madrid “The Three Mulattoes of Esmereldas” (1599) is one of the works in “Revealing the African Presence in Renaissance Europe,” at the Walters Art Museum in Baltimore.

BALTIMORE — In a fall art season distinguished, so far, largely by a bland, no-brainer diet served up by Manhattan’s major museums, you have to hit the road for grittier fare. And the Walters Art Museum here is not too far to go to find it in a high-fiber, convention-rattling show with the unglamorous title of “Revealing the African Presence in Renaissance Europe.” 

Visually the exhibition is a gift, with marvelous things by artists familiar and revered — Dürer, Rubens, Veronese — along with images most of us never knew existed. Together they map a history of art, politics and race that scholars have begun to pay attention to — notably through “The Image of the Black in Western Art,” a multi-volume book project edited by David Bindman and Henry Louis Gates Jr. — but that few museums have addressed in full-dress style.

Nigerian Sculptor Nnenna Okore Impresses at Contemporary African Art Gallery

By goodblacknews on November 8, 2012

Raised in Nigeria, now living in the United States, the young sculptor Nnenna Okore makes a strong impression in this solo show of new work in New York’s Contemorary African Art Gallery. Her primary materials are organic recyclables — burlap, jute rope, paper — along with small, cylindrical, fingerlike ceramic forms. In several cases she attaches the ceramic pieces to sheets of burlap that have been stiffened with resin and molded into undulating curves. The effect is decorative, the basic format a reminder that she spent an apprentice year working in El Anatsui’s studio in Nigeria around the time he was developing his pieced-together and draped metal “fabrics.”

More interesting, because more her own, are wall sculptures that take her closer to abstract natural forms. Some are open, seemingly fragile networks made from dye-soaked jute threads that twist and intertwine, like tendrils or root systems.

Other pieces, shaped from handmade paper, have the furrowed texture of tree bark or leathery skin. One extraordinary paper piece, dyed pink and brown, seems to burst from the gallery wall like a giant dried and withered rose. Like all of Ms. Okore’s best work, this is a tough, unlovely image, about when recycling passes into disintegration.

article by Holland Cotter via nytimes.com

Detroit Museum Holds Exhibition of Forty-Four Busts of President Obama

By goodblacknews on November 7, 2012
Artist - Ted Ellis 02

Detroit’s Charles H. Wright Museum of African American History is holding an exhibition called “Visions of Our 44th President“.  It features 44 contemporary African-American artists using different styles and mediums of choice, all adding to a blank bust of President Barack Obama.

Tate Modern Gallery Opens the Door to Africa

By goodblacknews on November 4, 2012

Meschac Gaba's Museum of Contemporary African Art

Meschac Gaba’s Museum of Contemporary African Art. Photograph: Nils Klinger

Since the building of the great modern art museums in New York, Paris and London, the narrative of 20th-century and contemporary art has been told, by and large, through the stories of the great European and North American cities.  But the Tate has announced it is time to look further afield. “There is not a crisis in British or European art,” said the Tate director, Sir Nicholas Serota, “but we are conscious art is being made across the world and those areas outside Europe and North America cannot be regarded as the periphery.”

artist Otobong Nkanga

Tate will reflect its new international focus through a two-year programme of activities focused on Africa, beginning on 24 November. Events will include performance works in the new Tate Tanks by Nigerian artist Otobong Nkanga and Angolan Nástio Mosquito. Next year, Tate Modern will show an extensive work that it has recently acquired by the artist Meschac Gaba, from Benin. Titled Museum of Contemporary African Art 1997-2002, and in 12 sections or “rooms”, it acts as a playful, questioning museum – while highlighting that there is, in fact, no such thing as a museum of contemporary African art.

Anheuser-Busch Donates ‘Great Kings and Queens of Africa’ Art Collection and Scholarships to UNCF

By goodblacknews on November 3, 2012


ATLANTA – A popular and influential collection of artwork featuring African leaders and rulers has returned for public viewing at Morehouse College in Atlanta.  Valued at more than $1 million, “The Great Kings and Queens of Africa” collection of paintings was commissioned by Anheuser-Busch in 1975. Today, the company announced it has donated the entire collection to UNCF (United Negro College Fund), the country’s largest minority education organization, which will distribute pieces from the collection to six UNCF member colleges and universities: Morehouse College, Clark Atlanta University, Fisk University, Xavier University, Dillard University and Benedict College.

Collector Russell L. Goings Prepares To Disperse Rarely-Seen Romare Bearden Trove

By goodblacknews on October 23, 2012

At first glance the modest living room with parquet floor and track lighting resembles any space with an indifferent housekeeper: papers abound, stacks of paintings lean against walls, an indistinct jumble of items swallows a small table. But then Russell L. Goings starts pulling out what he calls his “stuff,” and his home improbably transforms into a personal art gallery, one brimming with his extensive collection of work by Romare Bearden, the 20th-century artist best known for his soulful collages of African-American life. Bearden also happened to be Mr. Goings’s longtime close friend.

UK Puts Haitian Art In The Picture With Major Exhibit

By goodblacknews on October 21, 2012

Kafou - Haiti, Art & Vodou exhibition

Paintings by Frantz Zephrin are showcased in the Kafou – Haiti, Art & Vodou exhibition at Nottingham Contemporary. Photograph: David Sillitoe for the Guardian
Haiti is often known for its grinding poverty, brutal oppression and natural disasters but the biggest exhibition of its art ever staged in the UK aims to provide more of a balance.  “When you walk in here, hopefully it is, on a simple level, visually eye-popping, astonishing,” said the director of Nottingham Contemporary, Alex Farquharson. “These images speak to a very rich culture. There is a lot of joy.”  Farquharson was speaking ahead of the opening of a major show of Haitian art inspired by Vodou, the religion which has been a central part of people’s lives since Haiti became the world’s first black republic in 1804.

Seasoned Comic Book Illustrator J. Bone Draws First Lady Michelle Obama as Wonder Woman

By goodblacknews on October 8, 2012
First lady Michelle Obama as Wonder Woman, illustrated by J. Bone.
First lady Michelle Obama as Wonder Woman, illustrated by J. Bone. (Image: Facebook/J. Bone)

J. Bone has been illustrating comic books for over twelve years, but his image of first lady Michelle Obama as Wonder Woman stands alone among his many superhero portraits. A 39 year-old comic book artist living in Toronto, J. Bone has crafted likenesses of Spider-Man, Superman, and more. Yet, Wonder Woman is particularly special to his heart, making her a fitting heroine to merge with a woman who has become a heroine to many in real life. Currently writing and drawing, Gobukan, a web-based comic, J. Bone is also raising funds as part of an IndieGoGo campaign to create a Canadian superhero series, True Patriot. Follow the artist on Twitter (@gobukan), or visit his blogs (Blah, Blah, Blog! and Man’s Adventure) to get to know his work further — but first take a moment and read below. J. Bone explains how he came to create this intriguing image of a highly notable woman.

"Mickalene Thomas: Origin of the Universe" Exhibit Opens at Brooklyn Museum

By goodblacknews on September 29, 2012
Mickalene Thomas: Origin of the Universe Portraits by this artist in this Brooklyn Museum show. (Librado Romero/The New York Times)

Mickalene Thomas’s brash, exuberant paintings don’t care what you think of them; they are much too busy simply — or not so simply — being themselves. Their sense of independence is driven home by this artist’s invigorating exhibition at the Brooklyn Museum, along with the realization that the museum’s populist program sometimes hits the nail on the head.
Organized by the Santa Monica Museum of Art in California, and substantially expanded in Brooklyn, “Mickalene Thomas: Origin of the Universe” is a show of broad appeal, free of dumbing down. It has examples of the large, color photo-portraits and clusters of the small, truculent collages that function as studies for Ms. Thomas’s paintings while being works of art themselves.

“Mickalene Thomas: Origin of the Universe” Exhibit Opens at Brooklyn Museum

By goodblacknews on September 29, 2012
Mickalene Thomas: Origin of the Universe Portraits by this artist in this Brooklyn Museum show. (Librado Romero/The New York Times)

Mickalene Thomas’s brash, exuberant paintings don’t care what you think of them; they are much too busy simply — or not so simply — being themselves. Their sense of independence is driven home by this artist’s invigorating exhibition at the Brooklyn Museum, along with the realization that the museum’s populist program sometimes hits the nail on the head.

Organized by the Santa Monica Museum of Art in California, and substantially expanded in Brooklyn, “Mickalene Thomas: Origin of the Universe” is a show of broad appeal, free of dumbing down. It has examples of the large, color photo-portraits and clusters of the small, truculent collages that function as studies for Ms. Thomas’s paintings while being works of art themselves.