Isiah Thomas, a former star in the National Basketball Association, is partnering with Florida Memorial University in Miami Gardens to encourage athletes, entertainers, and other successful people to support HBCUs. According to a statement released by the university, the new program is “intended to inspire successful athletes, entertainers and other influential partners to re-commit, embrace and support historically Black colleges and universities.”
This program will be called “Lift Ev’ry Voice.” This refers to the song “Life Ev’ry Voice and Sing,” which is commonly referred to as the “Black National Anthem.”James Weldon Johnson wrote the song originally as a poem and had his brother John Rosamond Johnson set it to music. He was a composer and music professor at what was then Florida Baptist Academy. That educational institution is now known as Florida Memorial University.
Thomas played two years of college basketball for Indiana University before entering the NBA draft. He played for 13 years for the Detroit Pistons. Thomas completed his degree from Indiana University during the Pistons’ offseasons and later earned his master’s degree in education from the University of California Berkeley.
“I care deeply about issues of incarceration and criminal justice reform,” says Tulaine Montgomery, managing partner at New Profit, a philanthropic venture capital fund. It’s a passion she shares with Grammy award-winning singer/songwriter John Legend.Like Legend, whose mother cycled “in and out of jail for charges related to drug addiction” when he was growing up, Montgomery has seen the impact of prison on families firsthand.
“This idea that there is a group of people we can *other*…that we cannot advocate for – that’s not something I’ve been able to entertain,” she explains.Montgomery believes that when someone who’s been incarcerated faces barriers preventing successful re-entry into society, it doesn’t just damage them alone.On the contrary, it wreaks havoc on their extended family, community and nation, often for multiple generations.
In addition, she says that treating entire groups of people as “expendable” and “counting them out” of making productive contributions makes zero economic sense. The USA spends $80 billion a year to keep people behind bars.Once paroled, even non-violent, first-time offenders struggle to find housing, jobs, or chances for further education.Feeling locked out of opportunity and unable to sustain themselves, many end up right back in prison.It’s a costly revolving door.Providing a path to success rather than creating a class of “throwaway people” is not only morally redemptive, it’s also economically sound.
Tulaine Montgomery, New Profit’s Managing Partner (Photo Courtesy of New Profit)
Transforming inequities and imbalances in the criminal justice system is part of the larger mission behind Unlocked Futures, a partnership between New Profit, John Legend’s Free Americacampaign, and Bank of America.A 16-month accelerator program that supports entrepreneurs who have been previously incarcerated, Unlocked Futures provides funding, leadership training, business skills building, executive coaching, content development and peer support to eight members or cohorts.
The program identifies innovative entrepreneurs whose businesses solve problems that affect those impacted by the criminal justice system.They are uniquely qualified to address the “most pressing challenges” and break down barriers, precisely because they’ve been there, Montgomery says.
It’s her belief that “someone who has served time—one of the most dehumanizing conditions we pay federal dollars to create—and emerged mentally intact and ready to lead a business, that’s a leader I want to know.”
Topeka Sam is one of the eight inaugural Unlocked Futures cohorts and a case in point.Her organization, Ladies of Hope Ministries, helps women transition from incarceration back into meaningful participation. She knows the terrain and has insight into how to navigate the road to re-entry because she’s lived it.
Marcus Bullock, CEO of Flikshop, a mobile app company that delivers postcards to inmates from loved ones, says the idea came to him because it was “connection” with family and his mother in particular that gave him a thread of hope during imprisonment.
“Every dollar invested in correctional education returns $19.76 back to society,” according to Dirk Van Velzen, founder of the Prison Scholars Fund.Van Velzen’s organization helps inmates gain degrees and skills that are marketable in the job sector because he knows that if they’re employable, they’re far less likely to commit new crimes. The statistics are staggering: national recidivism stands at 68%.For graduates of the Prison Scholars’ Fund, that rate plummets to 4%.
When Unlocked Futures kicked off at the end of last year, John Legend joined New Profit and the eight cohorts for a round table discussion.After listening to their stories, Legend remarked “with people like you working tirelessly to change the system and the narrative, I’m optimistic.”
Since becoming the creative director for American Express Platinum in December 2016, Pharrell Williams has worked closely with the financial services company to bring awareness to the importance of arts education and advocacy. Nearly two years later, the “Happy” singer is taking his efforts one step further with the inaugural Yellow Ball gala.
The event will take place on Monday, Sept. 10 at the Brooklyn Museum and will benefit the Young Audiences Arts for Learning, the nation’s largest arts-in-education network. The Yellow Ball title was chosen by Pharrell himself, as the color has many meanings — and ties in with the purpose of the event.
“Pharrell views the color and event as helping to shine a light on the need for arts education and its ability to pave the way for a brighter future,” Elizabeth Rutledge, chief marketing officer of American Express, says. Pharrell adds, “That’s what this is about — bringing light to this cause.”
The Yellow Ball will feature musical performances, including a special set from Missy Elliott. Along with music, the event will also include multi-room art experiences from American Express Platinum Collective member Daniel Arsham, and a multi-course dinner experience by American Express Global Dining Collection Chef Dominique Crenn.
Ahead of the announcement, Billboard chatted with Pharrell about his latest initiative, his thoughts on today’s young generation of artists, and why the arts (and the color yellow) are so important for all ages.
When you were named creative director of AmEx Platinum, what were your goals and where does the yellow ball kind of fit into all of that?
My goals were to work with a company that I felt like had the means to make a difference, but just maybe needed a nudging, or maybe needed some direction. But then when I started working with them and got an education on all the things that they’ve done — from the Tribeca Film Festival to the sales program they have for small businesses on Saturdays — I realized that they had been doing this the entire time. When we talked about doing the Yellow Ball and I told them I wanted it to be about arts and education, they didn’t blink. What I wanted to do with them was just going to be just yet another great thing that they do in the world.
Why did you decide on the name the Yellow Ball, and what does the color yellow mean to you?
Not to get all esoteric, but yellow is like the color of the solar plexus. Yellow is the color for creativity, yellow is the color for curiosity. Art is largely diminishing throughout the curriculum throughout this country, and we need to protect the creative mind.
Everything around you right now versus everything you’re using, it’s just not organic, it was someone’s epiphany. That’s creativity, that needs to be protected. If we don’t have that, I don’t know what kind of future we have. We have to protect the artist community at all costs, across all artistic disciplines.
Why do you think it’s so important for people to be exposed to the arts and learn from it at a young age?
On a more paramount level, everyone is a creative. Everyone that makes a move or does anything in life is a co-creator, but the ones who actually create things that we use and things that we need, that needs to be protected. There is a future that will have corporations that will have more say. You see all the things happening with lobbyists now, you just can never doubt that. In the artistic community, it’s the educational portion of it is eroding, what kind of future is that for us? So we need to talk to all the corporations that we can — that care — now.
Did the controversy surrounding the funding cuts for the NEA change the course of action for you in your involvement with AmEx platinum in any way?
A lot of decisions that are being made are having a domino effect on programs like the [NEA]. And while we might not like that, the powers that be are the powers that be, but we are still the people and we can do things to help the people with the resources that we have access to. That’s literally all we’re doing, there’s no political stance, it’s more of a people’s stance.
Has becoming a father had an impact on the way you think about how art can affect lives?
I want all children to have access to that kind of creative growth, access and support. All kids, not just my own. There’s a lot of variables in a situation as to why something falls apart, but there’s only one scenario where it holds together, and that’s when all the variables are there. The environment, the family, the school, the system — there’s so many things. We just want to do what we can to balance the odds so that as many kids as we can afford, or help and assist in whatever ways, get this access and support.
What do you think the younger generation of today’s musical artists are bringing to the table?
I love what they do and how they express themselves. It’s like these amazing pockets of lyrics or melodies that feel good to them. The music just takes on a direction of its own, it’s not so formatted. I love that this generation is just grabbing the instruments and using them in whatever way feels good to them. That’s just like a sign of how the times have changed.
It’s kind of like the fourth time that I’ve seen music and the spirit of it change — like drastically change. It’s been amazing to see it. You see certain things that feel familiar, then you see things that you’ve never seen or thought of in your entire life. As a musician I can feel connected to it.
LAKE BUENA VISTA, Fla. – Applications are being accepted now through Oct. 31, 2018, for the Disney Dreamers Academy with Steve Harvey and Essence magazine. This annual outside-the-classroom mentoring program is scheduled for March 21-24, 2019, at the Walt Disney Resort in Florida.
The program helps 100 select high school students, ages 13-19, from across the United States jump-start their life goals and pursue their dreams. Disney Dreamers Academy turns the entire magical setting of Walt Disney World into a vibrant classroom.
Disney Dreamers learning how to build rides in Imagineering workshop (photo courtesy of Disney)
Students participate in a series of sessions and workshops designed to help them imagine bright futures, make exciting discoveries and learn how to put their goals into action. Disney Dreamers engage in a wide variety of experiences at Walt Disney World while working side by side with celebrities, community and industry leaders and Disney cast members.
For more than a decade, Disney Dreamers Academy has inspired young people from across the country by fueling their dreams and showing them a world of possibilities as they prepare for the future.
Each year, students participate in hands-on, immersive career seminars in a wide range of disciplines found at Walt Disney World. Participants learn how to improve their communication skills, what it means to be a leader and networking strategies, among other skills. They are also inspired by celebrity speakers and other special guests who share their stories and provide insights on how to achieve their life goals.
The second decade of Disney Dreamers Academy is focused on challenging young people to relentlessly pursue their dreams through the “Be 100” campaign. This promotional push is inspired by the powerful impact Disney Dreamers Academy has made on graduates, who have gone on to become doctors, nurses, engineers, pilots, journalists and more. Some have started their own public relations firms, while others have worked with national political leaders.
Applicants must answer essay questions about their personal journeys and dreams for the future. Studentsare selected based on a combination of attributes, including strong character, positive attitude and determination to achieve their dreams. A parent or guardian accompanies each student on the trip.
This four-day, all-expenses-paid experience at Walt Disney World will continue to help change the lives of young people in 2019.
A group of 25 black students from Atlanta, competing against hundreds of young scholars from around the world, made history over the weekend with winning performances in a Harvard debate tournament.
Jordan Thomas, from Atlanta’s Grady High School, won the competition. He said in a press release that he “was determined to represent my city and my story. I wanted people to see where I came from and how I could keep up with them.”
“Being a young, middle class, black, public school student from the South created a stigma that automatically set me back in comparison to the competition, most of who were international students or from preparatory schools in the Northeast,” said Thomas.
“To bring the championship back to Atlanta was the most satisfying feeling, and to walk onto the campus of one of the most elite universities in the world and meet personal and council goals, brings a unique and new satisfaction that I’ve never experienced.”
The young scholars were the first backed by scholarships through the Atlanta-based Harvard Debate Council Diversity Project to participate in Harvard’s summer debate council residency.
Harvard Debate Council, which runs the annual summer program at the school’s campus in Cambridge, Massachusetts, divided nearly 400 participants, including high school students from Asia, Europe and Russia, into 12 teams for debate competitions.
Harvard Debate Council (photo via huffingtonpost.com)
The 25 Atlanta scholars, selected for Harvard Debate Council Diversity Project’s inaugural class from about 150 applicants, began the residency program with a daily, 10-hour academic regimen to learn research, analysis, argumentation and political science. Then, using their new skills, they were split into teams for the competition with other high school students from around the world.
Thomas described the project as “not a competition between each other, rather it is an incubator of intellect and a cultivator of brilliance.”
Notably, most of the Atlanta students were inexperienced debaters. They were from 16 different schools in the region. Brandon Fleming, a Harvard assistant debate coach who founded Harvard Debate Council Diversity Project, said the project aims to be a “pipeline that would recruit, train and send students of color to Harvard on full scholarship.”
ABFF Ventures, parent company of the American Black Film Festival, recently announced the current class of student fellows accepted into its 2018ABFF Greenlighters Academy. The second annual event, sponsored by Turner, is a pipeline program designed to give students of color with an interest in the executive track, a firsthand look inside the corporate footprint of the film and television industry.
The ABFF Greenlighters Academy is a three-day intensive boot camp, where five students will attend sessions with top artists and industry executives. The program includes “Day in the Life” seminars, Power Lunch sessions, and “Ask Me Anything” roundtable discussions, as well as visits to corporate headquarters of film and television studios and talent agencies. Additionally, the program’s laser-interviews are designed to prepare students for summer internships.
“The ABFF Greenlighters Academy is another extension of our company’s 22-year commitment to fostering diversity in Hollywood. We could not be more pleased to partner with Turner, a major festival supporter, on this effort to usher in the next generation of industry executives,” states Nicole Friday, General Manager of ABFF Ventures, LLC.
“Diversity fuels our stories and more importantly, our future,” says Danette Johnson, Vice President of Diversity & Inclusion for Turner. “We are proud to partner with ABFF’s Greenlighters Academy to invest in these talented students who will help shape Turner’s future as we seek to become an even better reflection of our audiences and build deeper connections with our fans.”
The ABFF Greenlighters Academy is open to sophomore students and above, matriculated in a four-year bachelor degree program at an accredited college or university, with a minimum GPA of 3.0. This years’ fellows listed below were selected from over 100 submissions representing a wide-range of colleges and universities across the country.
Kiana Chambers, Howard University Zontre City, Loyola University Jazmin Johnson, Florida A&M Jordan Landy, Drexel University Stevee-Rayne Warren, Southern University and A&M College
Last year’s participants were able to secure internships and employment with companies including Viceland, Facebook Watch and Full Sail University.
ABOUT THE COMPANY
ABFF Ventures L.L.C. (ABFFV) is a leading entertainment company producing live events, film and television primarily targeted to African American audiences. The company’s mission is to produce global platforms that showcase the work of people of African heritage and promote camaraderie among multicultural artists in Hollywood. Its tentpole properties are the American Black Film Festival (ABFF), cited by MovieMaker magazine as “One of the Coolest Festivals in the World,” and ABFF Honors, an award season gala saluting excellence in Hollywood. Together, they represent two of the most prestigious events in the Black community and parallel the Sundance Film Festival and the Golden Globes. In creating ABFF Ventures, CEO Jeff Friday channeled his discomfort with the under-representation of people of color in Hollywood into an organization that has become a highly respected enterprise, generating goodwill throughout the industry at large.
“Black Panther” star Chadwick Boseman (Albert L. Ortega | Getty Images) by Kathleen Elkins via cnbc.com
Chadwick Boseman, the 41-year-old star of Black Panther, may have Oscar-winner and 2018 nominee Denzel Washington to thank for some of his success. While studying at Howard University in the late ’90s, Boseman and some of his peers applied to a prestigious summer theater program at The University of Oxford. The group of students got in, but they couldn’t afford to go.
One of their acting teachers at Howard, actress Phylicia Rashad from The Cosby Show, “pushed for us,” Boseman told Rolling Stone. “She essentially got some celebrity friends to pay for us to go.” It wasn’t until after the program when he got a beneficiary letter and found out who funded the program: “Denzel paid for me. I’m sure he has no idea. … I’ve been waiting to meet him, so I can tell him.”
Boseman wrote Washington a thank-you letter, but he didn’t tell anyone else about it for two decades. “I’ve basically been holding this secret my whole career,” he told Jimmy Fallon on The Tonight Show, explaining that he didn’t want Washington to feel like he owed him anything else.
Boseman wanted to meet Washington in person before saying anything. He hadn’t met him before the Rolling Stone interview but, after 20 years, he figured it was OK to reveal the detail. As Boseman told Fallon: “I think I’ve made it to the point where he’s not going to think I’m trying to get something from him by saying it.”
Coincidentally, just before the Rolling Stone feature came out, Boseman got to meet his benefactor. Washington came to the New York premiere of “Black Panther,” and, “I met him, before the article came out,” Boseman told Fallon. “So I actually lived up to what I originally wanted to do. It was amazing.”
When Fallon asked how the introduction went, Boseman recalled how he thanked him for paying for Oxford a while back, to which Washington jokingly replied: “Oh, so that’s why I’m here. You owe me money! I came to collect!” Source: https://www.cnbc.com/2018/03/02/denzel-washington-paid-for-chadwick-boseman-to-study-at-oxford.html
Kevin Durant (photo via kulturehub.com) by Thomas Heath via washingtonpost.com Kevin Durant knows about starting at the bottom rung. But he is blessed with a gift to play basketball, which is not just a paycheck, but a ticket to worlds with other possibilities. He has used that access to create business opportunities beyond the world of sports, such as in technology. “What I love about tech is, I love watching the world advance,” said the 29-year-old star of the Golden State Warriors, who invests through his Durant Company. “I love the connections of people on Facebook, Snapchat, Instagram, Twitter. I would look at it like [Cornelius] Vanderbilt, who built the railroad. He connected us. The next advancement connecting us to each other is social media. I want to be part of that.” His interest in technology connected him to Laurene Powell Jobs and has led to a new philanthropic venture.
Durant has committed $10 million and partnered with the Prince George’s public schools on a program called College Track, which was created more than 20 years ago in California by Powell Jobs and others. College Track helps disadvantaged kids — like Durant once was — attend college and get launched into life.
A Kevin Durant Charity Foundation rendering. Durant is launching a College Track chapter in his former Prince George’s County neighborhood. (Kevin Durant Charity Foundation)
Durant is dropping a life-ladder called the Durant Center smack in the middle of the Seat Pleasant, Md., area where he grew up. It isn’t an elevator. The 60 students in the initial group must climb the ladder themselves.
But it’s a path.
“I want them to see the world,” Durant said in a phone interview this month. “I want them to see where people are from and see that there are things outside their world. I don’t know exactly or at what pace that they will get it, but there is a world outside that they need to see.”
Durant’s $10 million will seed construction and operating expenses of a local chapter of College Track, which is scheduled to open this year.
“This hits home, because it’s right in the neighborhood where me and my buddies lived,” said the 6-foot-11 “small” forward.
College Track is a 10-year program that provides the basic infrastructure — tutoring, test preparation, picking a college that is a “fit” and how to get financial aid — that kids from less-advantaged families often don’t have.
“These are all the things that middle-class families deliver if your parents went to college,” said Elissa Salas, College Track’s chief executive. “If your parents didn’t go to college, we fill that gap.”
by Dominic Patten via deadline.com
“As we radically reimagine Hollywood, it is critically important that young people are included in our vision,” Ava DuVernay said today at the unveiling of the Evolve Entertainment Fund in Los Angeles.
“Real change happens when we take tangible action, and that means giving young women and people of color opportunities in the industry early on so they have the chance to shape its future,” the A Wrinkle on Time director and ARRAY founder added of the new partnership between the City of L.A, studios, networks and nonprofits that seeks to provide placement in the industry for those traditionally left on the outside.
“What is one thing that people can do to instigate inclusion on film set? Hire a woman,” Oscar nominee DuVernay also made a point of noting. “Films directed by women have 76% percent more inclusion across people of color and women.”
Teaming-up with the Academy of Motion Picture Arts and Sciences, Issa Rae Productions, Dan Lin’s Rideback, ARRAY, WME, Netflix, HBO, Film Independent, CAA, UTA, Anonymous Content, Lionsgate, Charles D King’s MACRO, Oprah Winfrey Network, the Sundance Institute, Shondaland, Ryan Murphy, Innovative Artists and Warner Bros, among others, the EEF intends to raise over $5 million to fund programs up to and beyond 2020.
With emphasis on creating TV, film and digital career opportunities for people of color, women and low-income residents of the City of Angles and securing mini-grants and placement for eligible filmmakers, the newly announced EEF has already established 150 paid summer internships for students participating in the HIRE LA’s Youth program working with 9-1-1 EP Murphy’s production company, DreamWorks Animation and Kobe Bryant’s Granity Studios. The hope is that the trajectory of those internships will expand to 250 by the end of the year, and up to 500 placements by 2020.
Jazz Master Sonny Rollins (photo via knkx.org) via jbhe.com Sonny Rollins, the legendary jazz saxophonist, has made a generous contribution to establish the Sonny Rollins Jazz Ensemble Fund at the Oberlin Conservatory of Music in Ohio.
Beginning in spring 2018, Oberlin College jazz studies majors may audition for the Oberlin Sonny Rollins Jazz Ensemble. Each student’s candidacy will be considered on the basis of four criteria: an audition for Oberlin’s jazz faculty, evidence of academic achievement, thoughtful response to a question about the place of jazz in the world, and service to humanity. “Sonny Scholars” must dedicate at least two semesters to performing in the ensemble. They must also complete a winter-term project that embodies Rollins’ spirit of giving.
In explaining the rationale for this aspect of the program, Sonny Rollins said “people are hungry for a reason to live and to be happy. We’re asking these young musicians to look at the big picture, to tap into the universal power of a higher spirit, so they can give people what they need. Giving back to others teaches inner peace and inner spirituality. Everything is going to be open for them if they devote themselves in this way.”
Rollins gift to Oberlin grew out of his friendship with author and musician James McBride, a 1979 graduate of Oberlin College. The gift was made in recognition of the institution’s long legacy of access and social justice advocacy. In particular, Rollins was moved by Oberlin’s place as the first institution of higher learning to adopt a policy to admit students of color and the first to confer degrees to women, and by the contributions of alumni such as Will Marion Cook, a black violinist and composer who graduated in 1888 and who went on to become an important teacher and mentor to Duke Ellington. Andrea Kalyn, dean of the Oberlin Conservatory of Music, stated “that the legendary Sonny Rollins — an artist of truly extraordinary accomplishment, soulfulness, and character — would entrust Oberlin to steward his legacy is the highest honor, and deeply humbling.” Source: https://www.jbhe.com/2017/11/music-legend-sonny-rollins-endows-a-jazz-ensemble-at-oberlin-college/
