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Ava DuVernay, Melissa Harris-Perry, Black Lives Matter & More to be Honored at Revolution Awards for Black History Month

2015-02-03-06-24-27.jpgHarlem-based cinema foundation ImageNation will honor the brightest entertainers and advocates who exude “Black Excellence” during the annual Revolution Awards, set to take place in New York next month.
The awards’ theme, eloquently titled Cocktails, Cinema & Revolutionwill honor famed director Ava DuVernay, MSNBC’s Melissa Harris-PerryBlack Lives Matter, and actor Hill Harper on Feb. 10.
ImageNation founder Moikgantsi Kgama shared her thoughts about how this year’s show will tie into Black History Month.
The Revolution Awards came to fruition in 2003, honoring the accomplishments of activists, actors, and artists who step outside the box to help improve Black and Latino communities. Past honorees and participants include Spike Lee, Congressman John Lewis, Erykah Badu, Lee DanielsTalib Kweli, and the late Ruby Dee.
“History is being made everyday. This event celebrates Black History Month by recognizing our most inspiring change agents while highlighting ImageNation’s newest monthly film program Cocktails & Cinema. I am looking forward to the Revolution Awards returning to an epic evening of honoring those who make a difference,” said Kgama.
In addition to the awards, the film 1982, starring Hill Harper, Sharon Leal, Wayne Brady, Troi Zee, La La Anthony and Ruby Dee, will be screened. The movie stars Harper as a father protecting his daughter from his wife’s battle with drug addiction.  Harper will also engage in a discussion of the film with director Tommy Oliver, image activist Michaela Angela Davis, and noted psychologist Dr. Jeff Gardere.
The event is open to the public. To find out how you can be part of the magic during Black History Month, get a ticket here and find out more about ImageNation’s 20-year legacy here.
article by Desire Thompson via newsone.com

Miss Naturally Crowned Carolina Pageant Celebrates both Natural Hair and Black Female Entrepreneurs

2014 and 2015 Miss Naturally Crowned Carolina Pageant Contestants
2014 and 2015 Miss Naturally Crowned Carolina Pageant Contestants (photo via madamenoire.com)

Most beauty pageants claim they’re about celebrating brains and beauty. But the beauty (and body) part often gets a majority of the shine while the brains get whittled to one or two questions on stage.
That’s what best friends Maureen A. Ochola and Jessica E. Boyd hope to change. The two created the Miss Naturally Crowned Carolina pageant, a natural hair celebration also focused on business that’s been disrupting the Southern pageant scene since its 2013 debut in their hometown of Columbia, S.C. It has proven to be a success, so much so that they’re putting on their third exhibition on April 16.
“I had a high-level overview of pageants when we started, and they all seemed to be focused on the just physical aspect,” Ochola said. “What I like about what we’re doing is we’re highlighting natural hair. We take that confidence and add on the business element because that’s really what you need to be successful in business. Confidence.”
The pageant focuses on the beauty of natural hair and the beauty of Black female business owners. Miss Naturally Crowned Carolina started as a program to grow interest and a customer base for the co-founders’ original business idea: a brick-and-mortar natural haircare beauty supply store. They started social media accounts to test their idea first, and the accounts gained popularity.
“The money that it takes to start a store, we really didn’t have,” Boyd said. “We thought: How can we stay relevant and make people continue to be excited until we can get the store open?”
The two chose to think outside the box and celebrate two things they love: natural hair and business. “We thought about a pageant,” Boyd said. “In December of 2013, we announced we would have it.”

Miss Naturally Crowned Carolina Pageant Co-founders Jessica E. Boyd and Maureen A. Ochola
Miss Naturally Crowned Carolina Pageant Co-founders Jessica E. Boyd and Maureen A. Ochola (photo via madamenoire.com)

The organic success of the pageant was a pleasant surprise to Boyd and Ochola. It gave them the initiative to explore the pageant as a legitimate extension of their original idea. It was clear that such celebrations were needed and gaining quite the following.
“After the first pageant, it kind of took off. We sold out of tickets,” Boyd said. “The impact it had on the girls and the community, in general, took on a life of its own. It wasn’t a question. We had to bring it back and do it bigger and better.”
It’s not a surprise that creativity in business is also one of the pageant’s key themes. Miss Naturally Crowned Carolina contestants learn firsthand about entrepreneurship and small business.
“Last year we added a twist: a business pitch idea because that’s essentially what we’re doing,” Ochola said. “Why not introduce that to these girls as well?”

MUSIC REVIEW: Prince Stuns at Emotional 'Piano and a Microphone' Solo Show

Prince; Live Review; Paisley Park
Prince played his first ever solo piano show at his Paisley Park compound on January 21. (Photo: NPG Records)

Prince approached the piano, a purple baby grand. He landed a single chord, resonant and bassy. He stood. He walked away.
As we could have guessed, Prince’s first-ever (first ever?) solo show last night at Paisley Park, his home compound in suburban Minnesota, was no simple, straightforward affair. The 57-year-old funk-pop wizard approached the performance as a challenge, an opportunity to prove that he could deliver a full Prince show without much of anything we expect from a full Prince show: No powerhouse band, no impossibly lithe dancing, no masterful guitar fireworks. Just, as the show’s official title put it, “Piano & a Microphone.” And a lot of Prince. Maybe more Prince than he’s ever shared before.
Prince framed the evening as an autobiographical struggle, the story of how he mastered the piano and emerged from the shadow of his father, a jazz pianist. The set moved chronologically (with a few exceptions) through the first decade of Prince’s career, including at least one song from each of his first 10 albums. Familiar melodies splintered into virtuosic cascades for a dreamlike effect, as though Prince was remembering the birth of his career in real time.
The night began with some introductory psychodrama. Elegantly casual in his mauve pajamas, that enormous afro dominating his slim frame, Prince took a stage decorated sparsely with candles, befogged by a smoke machine, his personal glyph looming from behind, illuminated by kaleidoscopic patterns. His voice was doused in heavy echo as he expressed the dreams and doubts of a child who sneaks down without permission to play his father’s piano. “I can’t play piano like my dad. How does dad do that?” he wondered, while attempting improvisations that, at one point, suggested Thelonious Monk teaching himself the theme to Batman.
Then it got sexy. Prince’s fingers were everywhere during “Baby,” a ballad from his 1978 debut For You that served as foreplay to the full-body workouts “I Wanna Be Your Lover” and “Dirty Mind” before the ecstatic squeals of “Do Me, Baby” provided the climax. Multiple climaxes, even.
Prince moved between songs fluidly. He introduced the moving ballad “Free” by celebrating “the freedom to say no,” later interrupting the song to wipe a tear and briefly mourn David Bowie: “I only met him once. He was nice to me. He seemed like he was nice to everybody.” Before we knew it, he was in the middle of a gorgeous take on a longtime Prince favorite, Joni Mitchell‘s “A Case of You,” which transformed into a bluesy vamp that Prince used as a lesson in musicology. “The space between the notes — that’s the good part,” he said. “How long the space is — that’s how funky it is or how funky it ain’t.” And just like that, he was was moaning the spiritual lament “Sometimes I Feel Like a Motherless Child.”
The intimate setting was ideal for falsetto-wrenched ballads like “Sometimes It Snows in April” and “The Breakdown,” one of a handful of newer songs inserted into the set. But Prince never forgot that the piano is a rhythm instrument. If the old-time boogie-woogie masters didn’t need drums to rock a party, well, neither did Prince. He remade “Paisley Park” as a bluesy, gutbucket romp, and his pumping left hand recalled Ray Charles, a debt he made clear when he ripped into the soul legend’s “Unchain My Heart,” a song he recalled playing with his father.
“I thought I would never be able to play like my dad,” he said. “And he never missed an opportunity to remind me of it.” But Prince’s playing belied his modesty. His florid right-hand runs had a little of the theatricality of Liberace in them, but with more tasteful jazz inflections as well. Paying tribute to his past collaborators Wendy Melvoin and Lisa Coleman, he credited Lisa with introducing him to the complex chording of jazzman Bill Evans then played the harpsichord part she wrote for “Raspberry Beret.” “That’s the whole song, right?”

Amid #OscarsSoWhite Backlash, the Academy Announces Plans To Double Minority Membership By 2020

Academy President Cheryl Boone Isaacs (photo via hellobeautiful.com)
Academy President Cheryl Boone Isaacs (photo via hellobeautiful.com)

In a unanimous vote Thursday night, the Academy of Motion Picture Arts and Sciences‘ 51-member board of governors approved a sweeping series of changes designed to diversify its membership, the academy said in a statement Friday.
The board committed to doubling the number of women and minority members in the academy by 2020.
AMPAS President Cheryl Boone Isaacs announced the plan Friday after many of Hollywood’s A-listers slammed the organization for their all-white award nominees.  “The Academy is going to lead and not wait for the industry to catch up,” she said in a statement.
The board approved reforms late Thursday to “begin the process of significantly changing our membership composition,” Isaacs explained.

It also approved a series of changes limiting members’ lifetime voting rights. “Beginning later this year, each new member’s voting status will last 10 years, and will be renewed if that new member has been active in motion pictures during that decade,” the academy statement said. “In addition, members will receive lifetime voting rights after three 10-year terms; or if they have won or been nominated for an Academy Award. We will apply these same standards retroactively to current members. In other words, if a current member has not been active in the last 10 years they can still qualify by meeting the other criteria. Those who do not qualify for active status will be moved to emeritus status. Emeritus members do not pay dues but enjoy all the privileges of membership, except voting. This will not affect voting for this year’s Oscars. ”
The swift and drastic change comes in response to a protest over an all-white slate of acting nominees for the second year in a row.

The move follows pledges by director Spike Lee and actors Will Smith and Jada Pinkett Smith to stay home from the Oscar telecast on Feb. 28, and calls for a boycott of the show online.
For the last three years, the awards body has been in the midst of a push for more diversity, inviting larger and demographically broader groups to join its 6,261 voting members. But given the size of the academy, and the fact that members belong for life, any change to the organization’s overall demographics had been incremental.
The academy will also launch a campaign to identify and recruit new members who represent greater diversity, the statement said, and will add new members who are not governors to its executive and board committees to influence key decisions about membership.
article by Rebecca Keegan via latimes.com; additions from Keyaira Kelly via hellobeautiful.com

Chris Rock Recites James Baldwin During Powerful MLK Day Event In Harlem

Chris Rock speaks at #MLKNow event (photo via lifestream.com)
Chris Rock speaks at #MLKNow event (photo via lifestream.com)

Chris Rock brought the powerful words of James Baldwin to life Monday during a tribute at the “MLK Now” event in Harlem honoring the late Martin Luther King, Jr.
The program, put together by the Campaign For Black Achievement and Blackout for Human Rights — organizations committed to social justice — took place at Harlem’s Riverside Church, where King delivered his riveting 1967 speech, “Beyond Vietnam: A Time To Break Silence.”
The event attracted a bevy of black Hollywood stars, who celebrated the legacy of King and other black historical icons. Some stars paid tribute through musical performances, like India.Arie, who praised Shirley Chisholm. Others, including Rock, gave powerful recitals.
Rock, who will host the Oscars next month, read the words to Baldwin’s widely praised 1963 letter, “My Dungeon Shook.” Watch Rock’s full performance (he takes the stage around the 1:44 mark) by clicking here.
“Creed” director Ryan Coogler, also the director and a founding member of Blackout for Human Rights, served as moderator for the event and introduced stars on the stage, including Harry Belafonte, Octavia Spencer, Jussie Smollett, Michael B. Jordan and India.Arie.

article by Lilly Workneh via huffingtonpost.com

Jussie Smollett to Host 8th Season of "AfroPop" Television Series Premiering on MLK Day

 Jussie Smollett will host the eighth season of the public television show AfroPoP: The Ultimate Exchange. The star of the hit FOX TV show Empire will emcee the popular show about contemporary art, life and culture across the African Diaspora as it premieres on Martin Luther King, Jr. Day, Monday, January 18, at 8 p.m. ET/5 p.m. PT on WORLD Channel.

New episodes premiere weekly through February 15. AfroPoP is produced by National Black Programming Consortium (NBPC) and co-presented by American Public Television (APT), which distributes the series to the full public television system in February 2016.

Smollett will also be seen in the new WGN thriller Underground in 2016. The acclaimed entertainer is also involved in numerous humanitarian pursuits, sitting on the boards of the Black AIDS Institute, Artists for a New South Africa and the RuJohn Foundation. 

Previous hosts of AfroPoP include Idris Elba, Anika Noni Rose, Wyatt Cenac, Gabourey Sidibe, Anthony Mackie and Yaya DaCosta.

AfroPoP’s engaging, real-life tales add to the collection of rich Black stories that audiences are clamoring for and I wanted to be a part of bringing them to national attention,” said Smollett.

Kendrick Lamar to Receive the Key to Compton in February

493841292-rapper-kendrick-lamar-performs-onstage-during-105-1s
Kendrick Lamar (photo: BENNETT RAGLIN/GETTY IMAGES FOR POWER 105.1’S POWERHOUSE 2015)

Kendrick Lamar never forgets where he came from and is always giving props to Compton, California. Whether it’s through his community-service endeavors or always recognizing Compton in his songs, Lamar will remind you he’s Compton-proud every chance he gets. And now the city is showing how proud it is of him.

Compton Mayor Aja Brown announced on Twitter that Lamar will be given the key to the city. Brown expressed how the rapper inspires everyone in Compton and shared positive sentiments about him:
Lamar will receive the key to the city just two days before the Grammys, where he garnered 11 nominations for “To Pimp A Butterfly.”
article by Yesha Callahan via theroot.com

Run-D.M.C. to Become 1st Rappers to Receive GRAMMY Lifetime Achievement Award

Run-D.M.C.
Run D.M.C. will receive a GRAMMY Lifetime Achievement Award alongside Earth, Wind & Fire, Herbie Hancock and Jefferson Airplane (Michael Ochs/Getty)

Run-D.M.C. are among the artists who will receive a Lifetime Achievement Award from the GRAMMYs this year. The iconic rap group will be honored at a ceremony and concert to be held this spring. In addition to naming the Queens rappers, the Recording Academy also announced it will honor Ruth Brown, Celia Cruz, Earth, Wind & Fire, Earth, Wind & Fire, Jefferson Airplane and Linda Ronstadt with the award.

“I just got a call from the Grammys!! They shocked me!! We’re the first rappers to get this award!!,” Rev Run tweeted. “Shocked! Grateful!. God is good!! I’m so honored to be a #GRAMMYs Lifetime Achievement Award recipient this year. Thank you to the recording Academy!”

The trio – comprising Rev Run (given name Joseph Simmons), Darryl McDaniels (D.M.C.) and Jason Mizell, who performed as Jam Master Jay – blended their defining style of rap with hard rock elements and jazz touches, which gained them popularity both on the pop and R&B charts and paved the way for many rap groups to follow.
In 2002, following the group’s tour with Aerosmith and a year after the release of Crown RoyalJam Master Jay was murdered during a studio session in Queens. In the wake of the tragedy, Run and DMC officially disbanded the group. The surviving members have since performed together, including for their reunion in 2012 at Fun Fun Fun Fest.
Though Run-D.M.C. have never previously won a GRAMMY, they were the first rap collective to be nominated for Best R&B Vocal Performance in 1986 before the rap category had been formed, according to FADER.
The 58th Annual GRAMMY Awards will air on CBS on February 15th at 8 p.m. ET.
article by Althea Legaspi via rollingstone.com

Sidney Poitier to be Honored at British Academy Film Awards in February

Sidney Poitier to Be Honored at British Academy Film Awards
Cinema legend Sidney Poitier (photo via ebony.com)

Sidney Poitier will be honored by the British Academy of Film and Television Arts (BAFTA) with the Fellowship at the EE British Academy Film Awards on Sunday, February 14. Awarded annually, the Fellowship is the highest accolade bestowed by BAFTA upon an individual in recognition of an outstanding and exceptional contribution to film, television or games.

Fellows previously honored for their work in film include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench, Vanessa Redgrave, Christopher Lee, Martin Scorsese, Alan Parker and Helen Mirren. Mike Leigh received the Fellowship at last year’s Film Awards.
Sidney Poitier said: “I am extremely honored to have been chosen to receive the Fellowship and my deep appreciation to the British Academy for the recognition.”
Amanda Berry OBE, chief executive of BAFTA, said: “I’m absolutely thrilled that Sidney Poitier is to become a Fellow of BAFTA. Sidney is a luminary of film whose outstanding talent in front of the camera, and important work in other fields, has made him one of the most important figures of his generation. His determination to pursue his dreams is an inspirational story for young people starting out in the industry today. By recognizing Sidney with the Fellowship at the Film Awards on Sunday, February 14, BAFTA will be honoring one of cinema’s true greats.”
Sidney Poitier’s award-winning career features six BAFTA nominations, including one BAFTA win, and a British Academy Britannia Award for Lifetime Contribution to International Film.
Poitier began his acting career on Broadway in the 1940s before moving to film in 1950, receiving his first credit as Dr. Luther Brooks in No Way Out. He was the first African American to play a wide range of leading roles; he was BAFTA-nominated for his performances in Edge of the CityA Raisin in the SunLilies of the Field (for which he was the first African American to win the Oscar for Best Actor in 1964), A Patch of BlueIn the Heat of the Night and The Defiant Ones, for which he won a BAFTA and Oscar in 1959. His other acting credits include Blackboard JungleTo Sir With LoveGuess Who’s Coming to DinnerSneakersThe Jackal and Porgy and Bess.
Poitier was awarded an Honorary Oscar in 2002 “for his extraordinary performances and unique presence on the screen and for representing the industry with dignity, style and intelligence.” Poitier has also been nominated for seven Golden Globes, winning once, and was presented with the Cecil B DeMille Award in 1982.
Alongside his illustrious acting career, Poitier has directed nine feature films, including the Richard Pryor and Gene Wilder comedy Stir Crazy, as well as Buck and the PreacherUptown Saturday Night and Fast Forward.
In television, Poitier’s acting credits include Separate but EqualChildren of the Dust and, portaying Nelson Mandela, Mandela and de Klerk.
As well as pushing the boundaries of his craft on screen, Poitier played an active role in the American civil rights campaign and served as ambassador of the Bahamas to Japan and UNESCO from 1997 to 2007. In 1974, Queen Elizabeth II conferred a knighthood on Poitier, and in 2009 he was awarded the Presidential Medal of Freedom, the highest civilian award of the USA, by President Obama.
The EE British Academy Film Awards take place on Sunday, February 14, at the Royal Opera House in London’s Covent Garden. Stephen Fry will be returning to host this year’s ceremony, which will be broadcast exclusively on BBC One in the UK and in all major territories around the world. On the night, www.bafta.org will feature red carpet highlights, photography and winners interviews, as well as dedicated coverage on its social networks including Facebook (/BAFTA), Twitter (@BAFTA / #EEBAFTAs), Tumblr and Instagram.
article via ebony.com

11 Powerful Quotes From President Obama’s Final State Of The Union Address We Won’t Soon Forget

President Barack Obama delivers his State of the Union address before a joint session of Congress on January 12, 2016 at the US Capitol in Washington, DC. (Photo via telegraph.co.uk)
President Barack Obama delivers his State of the Union address before a joint session of Congress on January 12, 2016 at the US Capitol in Washington, DC. (Photo via telegraph.co.uk)

Tuesday night marked the last time President Barack Obama took the podium in the House Gallery to deliver a State of the Union address, and for many, he did not disappoint.
Setting a vision for America’s future, the president — in what was his shortest speech in two terms — put policy aside to focus on the gains the country has made in the economy, health care, and education in the past seven years.
But, harping back on his own time in the White House — one he obtained with a promise of bipartisanship and hope — the president took responsibility for the division between parties, saying “that the rancor and suspicion between the parties has gotten worse instead of better.” That, the president said, “is one of the few regrets” of his time in office.
The rest of the president’s hour-long address remained upbeat, hopeful and full of change; no doubt a full circle moment for the Obama who ran the 2008 campaign.
Here, we gathered eleven statements made by the president last night that we won’t soon forget.
When he inserted himself in the upcoming presidential election by presenting four points for America’s future:

So let’s talk about the future, and four big questions that we as a country have to answer — regardless of who the next President is, or who controls the next Congress. First, how do we give everyone a fair shot at opportunity and security in this new economy? Second, how do we make technology work for us, and not against us — especially when it comes to solving urgent challenges like climate change? Third, how do we keep America safe and lead the world without becoming its policeman? And finally, how can we make our politics reflect what’s best in us, and not what’s worst?

When he addressed his GOP critics by stating the facts about the nation’s current position in the economy:

Let me start with the economy, and a basic fact: the United States of America, right now, has the strongest, most durable economy in the world.  We’re in the middle of the longest streak of private-sector job creation in history.  More than 14 million new jobs; the strongest two years of job growth since the ‘90s; an unemployment rate cut in half.  Our auto industry just had its best year ever.  Manufacturing has created nearly 900,000 new jobs in the past six years.  And we’ve done all this while cutting our deficits by almost three-quarters.

When he tackled both racism and politicians who perpetuate fear and discrimination without explicitly saying any names (we’re looking at you, Donald Trump):

When politicians insult Muslims, when a mosque is vandalized, or a kid bullied, that doesn’t make us safer. That’s not telling it like it is. It’s just wrong. It diminishes us in the eyes of the world. It makes it harder to achieve our goals. And it betrays who we are as a country.

And then again when he said:

Our answer needs to be more than tough talk or calls to carpet bomb civilians. That may work as a TV sound bite, but it doesn’t pass muster on the world stage.

And this:

Each time, there have been those who told us to fear the future…promising to restore past glory… We need to reject any politics that targets people because of race or religion. This isn’t a matter of political correctness.”

When he set college affordability as a goal for America’s shining future:

And we have to make college affordable for every American. Because no hardworking student should be stuck in the red. We’ve already reduced student loan payments to ten percent of a borrower’s income. Now, we’ve actually got to cut the cost of college. Providing two years of community college at no cost for every responsible student is one of the best ways to do that, and I’m going to keep fighting to get that started this year.

When he called out climate change-deniers:

Look, if anybody still wants to dispute the science around climate change, have at it.  You’ll be pretty lonely, because you’ll be debating our military, most of America’s business leaders, the majority of the American people, almost the entire scientific community, and 200 nations around the world who agree it’s a problem and intend to solve it.

When he discussed the government’s role in making sure the system is not rigged to protect the wealthiest Americans while ignoring those living in poverty:

I think there are outdated regulations that need to be changed, and there’s red tape that needs to be cut. But after years of record corporate profits, working families won’t get more opportunity or bigger paychecks by letting big banks or big oil or hedge funds make their own rules at the expense of everyone else; or by allowing attacks on collective bargaining to go unanswered. Food Stamp recipients didn’t cause the financial crisis; recklessness on Wall Street did. Immigrants aren’t the reason wages haven’t gone up enough; those decisions are made in the boardrooms that too often put quarterly earnings over long-term returns.

When he, in what was an emotional moment for Vice President Joe Biden after losing his son to cancer, put his friend in charge of “mission control” for future cancer research:

Last year, Vice President Biden said that with a new moonshot, America can cure cancer. Last month, he worked with this Congress to give scientists at the National Institutes of Health the strongest resources they’ve had in over a decade. Tonight, I’m announcing a new national effort to get it done. And because he’s gone to the mat for all of us, on so many issues over the past forty years, I’m putting Joe in charge of Mission Control. For the loved ones we’ve all lost, for the family we can still save, let’s make America the country that cures cancer once and for all. Medical research is critical. We need the same level of commitment when it comes to developing clean energy sources.

When he told America to get more focused with foreign policy:

We also can’t try to take over and rebuild every country that falls into crisis. That’s not leadership; that’s a recipe for quagmire, spilling American blood and treasure that ultimately weakens us. It’s the lesson of Vietnam, of Iraq — and we should have learned it by now.

And when he told Americans to believe, despite cynicism, that they can change this country and change the face of politics.

If we want a better politics, it’s not enough to just change a President. We have to change the system… It won’t be easy. Our brand of democracy is hard. But I can promise that a year from now, when I no longer hold this office, I’ll be right there with you as a citizen — inspired by those voices of fairness and vision, of grit and good humor and kindness that have helped America travel so far. Voices that help us see ourselves not first and foremost as black or white or Asian or Latino, not as gay or straight, immigrant or native born; not as Democrats or Republicans, but as Americans first, bound by a common creed. Voices Dr. King believed would have the final word — voices of unarmed truth and unconditional love.”

You can read the president’s full transcript, here.

article by Christina Coleman and Lynette Holloway via newsone.com