Love is definitely in need of love today, and one of its most staunch and steadfast purveyors, legendary and visionary artist Stevie Wonder, is going on the road once again to offer just that.
Wonder announced today he will be playing select dates in October across 10 cities in a call for “joy over anger, kindness over recrimination, peace over war” during this most contentious election season in the United States.
As a special thank you to those in communities who are already working tirelessly to fix our nation’s broken heart, Wonder will be offering a designated amount of complimentary tickets to them.
This mini-tour, titled “Sing Your Song! As We Fix Our Nation’s Broken Heart,” is produced by Wonder Productions and promoted by AEG Presents in partnership with Free Lunch.
The tour kicks off Tuesday, October 8 at PPG Paints Arena in Pittsburgh, PA, with stops in New York City, Philadelphia, Baltimore, Greensboro, Atlanta, Detroit, Milwaukee, and Minneapolis before concluding Wednesday, October 30 at the Van Andel Arena in Grand Rapids, MI.
City College Center for the Arts, on the campus of City College of New York, is honoring the 60-year history of Rock & Roll Hall of Famer and Grammy® Award-winning Otis Williams of The Temptations, on Monday, November 1 at 7:30pm ET with a special live, virtual event.
Williams, who is a founding member of the legendary musical group and the sole surviving member of the original Temptations, will have a live conversation with distinguished musician, composer and entrepreneur K. Sparks.
Williams will be sharing memories on the “Evolution of The Temptations’ Music, 1961 – 2021”, and the conversation will be simulcast from CCCA’s Aaron Davis Hall, in the renowned Marian Anderson Theatre. It will also feature other special guests.
Audience members can join the free, virtual event by registering for tickets at the CCCA website, citycollegecenterforthearts.org. The special conversation is also being held in honor of the 80th birthday of Mr. Williams, who turned 80 on October 30.
CCCA’s Managing Director Greg Shanck said, “For more than four decades, Aaron Davis Hall has been Harlem’s performing arts center. World scholars, artistic giants and academic geniuses like Nelson Mandela, Alicia Keys, President Barack Obama and Ella Fitzgerald, just to name a few, have blessed these stages through the years. The City College of New York is so proud of the contributions The Temptations have made, and continue to make, to the American cultural landscape and we are honored to add their name to that distinguished list.”
Williams himself said, “I am thrilled to be celebrating the group’s 60th Anniversary and my 80th birthday with our extended Tempts’ family from across the City College campus in Harlem, and throughout New York and the rest of the country. The Temptations had some of its most memorable performances in Harlem and other parts of New York during our career. To mark these capstones with an online discussion about my career at the prestigious and diverse City College of New York, a college known for its commitment to the Performing Arts, and for recognizing one of the greatest trailblazers in American music history, Marian Anderson, is an incredible honor for me and The Temptations.”
Williams reunited with Smokey Robinson earlier this year to co-write and co-produce the recently released single “Is It Gonna Be Yes Or No” from the new Temptations 60 album due in 2022.
“A friend of mine, Derek Porter, him and I were riding down the freeways of L.A. and we’re talking about the 60th anniversary album and Smokey’s name came about. And I said, ‘Smokey. Let me call Smokey, I’d love to have him on the album,'” Williams shared in a phone interview about his historic reunion with friend and writer of classic Temptations hits such as “Get Ready,” “The Way You Do The Things You Do,” and their signature song, “My Girl.”
“So I called him and I say, ‘Smoke, I would love for you to produce a song for us, write it, and not only stop there, I would like for you to perform with us on it.’ And he calls me ‘Oak’. And he says, ‘Oak, anytime just let me know,'” Williams continued. “Here it is now, it’s out and I hear tell it’s doing very good, and that’s fine.”
Other celebratory events of the Temptations includes recent re-opening at the Imperial Theatre in NY of the Broadway musical, Ain’t Too Proud: The Life and Times of the Temptations, based on Williams’ personal journey.
The Temptations’ presence across multi-media platforms has never been more vivid. Their hit “Papa Was a Rollin’ Stone,” was used as the foundation of the Migos smash “Avalanche.”
Temptations founding member Otis Williams (Photography by Scott Leon. Courtesy of UMe)
Additionally, Williams’ autobiography, Temptations, was recently released as an audiobook edition for the first time, with a new introduction by Williams.
When asked what current artists he likes, Williams offered, “Bruno Mars… He’s a heck of a showman. And he can sing. I look at that, also. And the reason I love them [Mars and Anderson.Paak as Silk Sonic] is because they’re singing what the Tempts is all about. They’re singing what Marvin Gaye is all about.”
“They’re singing great songs, great melodies. Lyric content is good, structured, right… See we were taught all those things at Motown. You know, how to be able to tell a great song. That song [“Leave The Door Open“] when I first heard it, I said, ‘They got another one, they got another one.’ And so I love listening as they come out with that kind of songs that have those elements.”
To learn more about Williams, the Temptations, and the group’s touring schedule, check out their social:
A Year of Good Black News, written by yours truly, is filled with facts, history, bios, quotes, jokes and trivia in easy-to-read entries delivered on the daily.
The calendar’s official drop date is Tuesday, October 12, and if you pre-order at Workman.com using the code: GOODBLACKNEWS from now until December 31, you will receive 20% off.
A Year of Good Black Newsoffers fun Black facts about inventors, entrepreneurs, musicians, comedians, historians, educators, athletes and entertainers, as well as info shared in fun fact categories like “Lemme Break It Down: Black Lexicon,” “We Got Game: Black Trivia,” “Get The Knowledge: Black Museums and Landmarks” and “You Know We Did That, Right?: Black Inventors.”
Here’s a sneak peek inside:
Although I’m biased because I wrote it, the A Year of Good Black News Page-A-Day 2022 calendar is an awesome way to get inspired every day by the good things Black people do (and have done) for centuries, but haven’t always been widely known or shared.
Well, no more! If this site is for you, this calendar is, too!
It’s also a great gift for family members, friends, teachers, kids and loved ones. Did I mention if you use the code: GOODBLACKNEWS at Workman.com, you get 20% off?
Or, if you prefer, you can also order from the retailers below:
It’s official! Former U.S. Senator Kamala Devi Harris and former Vice President Joseph Robinette Biden Jr. now occupy the offices of Vice President and President of the United States of America.
This peaceful transfer of power occurred on the same steps of the U.S. Capitol that were only two weeks ago swarming with a mob of domestic insurgents seeking to overthrow the process that led to today.
Justice Sonia Sotomayor swore in Vice President Harris and Chief Justice John Roberts swore in Biden.
Lady Gaga sang the National Anthem with a dramatic gold dove pin affixed to her breast, Jennifer Lopez put forth a medley of “This Land is Your Land” and “America the Beautiful” with a small nod to her own “Let’s Get Loud” mixed in with some words in Spanish, and Garth Brooks offered an a cappella take on “Amazing Grace.”
The most unexpected performance highlight came from inaugural poet Amanda Gorman, 22, who stirred the audience with her spirited recitation of “The Hill We Climb.”
Amanda Gorman, 22, is set to become the youngest inaugural poet in memory when she recites her poem, “The Hill We Climb,” at President-elect Joe Biden‘s inauguration tomorrow, according to thehill.com.
So honored to be the Inaugural Poet reciting at #InaugurationDay ! Not only am I excited to see @JoeBiden@KamalaHarris sworn in, but I also have the privilege of being the youngest Inaugural Poet in history. See you soon! https://t.co/b58CiVxMCD
In 2014, Harvard University graduate Gorman became the the first Youth Poet Laureate of Los Angeles. Three years later she was named the country’s first National Youth Poet Laureate. She will carry on the tradition for Democratic presidents of having celebrated poets read an original piece at inauguration ceremonies.
According to The Associated Press, Gorman said she had been recommended to Biden’s inaugural committee by incoming first lady Dr. Jill Biden.
Gorman’s poem will follow in the line of noteworthy works by celebrated poets such as Robert Frost and Maya Angelou. Angelou’s “On the Pulse of Morning,” written for the 1993’s inauguration of President Clinton, sold more than 1 million copies when published in book form.
We know where you were last night. Millions of fans of a certain age were enjoying the stay-at-home celebration dubbed by the internet as “AuntieChella,” as Gladys Knight and Patti Labelle ‘battled’ it out on Instagram/Apple Music‘s “Verzuz” series.
Verzuz was created a few months ago by hitmaking producers Timbaland and Swizz Beatz as a way for music fans to honor their greats while relaxing at home during these quarantine times.
For those of you who haven’t checked it out yet, the sessions are not truly a ‘battle’ – but rather an occasion for two legends to get together (whether in real life like last night, or virtually) and banter about their careers while having a listening party of the greatest hits of each artist.
The battle was epic, with both ladies, now in their late ’70s, decked out in stylish pantsuits, and sharing their love for each other amidst career stories, lots of live singing, and plenty of chair grooving.
Michelle Obama, Oprah, and Queen Latifah were tuned in to hear such hits as “Midnight Train to Georgia,” “Over the Rainbow,” “You Are My Friend” and ‘The Best Thing That Ever Happened to Me.”
Gladys honored all phases of her career, delving back into her early doo-wop hit “Every Beat of My Heart,” her Motown Pips years with “Friendship Train,” her ’80s hits like “Love Overboard” and the Bond theme “License to Kill.”
Patti focused on her material from her solo years, mixing ballad favorites like “Somebody Loves You Baby” and “If Only You Knew” with uptempo hits like “The Right Kinda Lover” and “Feels Like Another One.”
The evening was capped off when Dionne Warwick surprised the audience with a special appearance to end the show, as they joined her to sing “That’s What Friends Are For” and their hit version of “Superwoman.”
The three of them had previously worked together on a special called “Sisters in the Name of Love” that Gladys had produced for HBO in the late ’80s (there are some fan posts of it on YouTube that offer some thrilling harmonies).
Gladys, Dionne, Patti
Of course with these vets, even a couple of hours of hits doesn’t come close to diving into their full careers. So in case you were ready for more, we’ve done that work for you – pairing up additional Patti and Gladys hits and deep tracks from the rest of their six decade careers for GBN’s latest playlist: “Gladys Knight Verzuz Patti Labelle – The Best of the Rest.”
We’ve gone beyond the biggest hits, and focused solely on extensive additional material they did not cover during last night’s show.
While Patti and Gladys both hit the charts for the first time in the very early ’60s – their careers have actually taken very divergent paths before, in more recent years, they’ve ended up as favorite Aunties to the Black community.
On August 28, 1963, more than 200,000 people gathered on the National Mall in Washington D.C. to March for Jobs and Freedom.
This month, more than 50 years later, the Smithsonian’s National Museum of African American History and Culture will commemorate the March on Washington with a digital resource webpage exploring the historical significance of the march with collection objects, stories, videos and content related to the historic march.
This page will include voices of union leader and activist A. Phillip Randolph, Rep. John Lewis, and many unsung activists and a performance by singer Marian Anderson. The resource webpage is available at nmaahc.si.edu/marchonwashington.
To mark the anniversary day (Aug. 28), the museum will also make available the film commissioned for its grand opening by Ava Duvernay, August 28: A Day in the Life of a People. The film will be available to view on the museum’s homepage and YouTube channel starting at 10:00 a.m. for 24 hours.
Children’s BLM protest organizer Nolan Davis (photo: Bailey Elizabeth Rogers)
“We are the children, the mighty mighty children. Here to tell you, Black lives matter!” hundreds of children chanted as they marched down sidewalks in Kirkwood, MO with their parents on Saturday, according to cnn.com.
Nolan Davis, 8, decided to organize the Black Lives Matter march for children in his hometown after attending a few other protests in the area with his mother Kristin Davis.
“Right after that, he asked me if he could have his own march so that he could let other people’s voices be heard,” his mother, Kristin Davis, told CNN.
So the two created a flyer for their “Children’s Black Lives Matter March” and shared it to Facebook, asking families to meet at Kirkwood Park.
“We thought that maybe 50 people would be there,” Nolan Davis said. “But there were like 700 people.”
Children of different races covered the sidewalks in chalk with phrases such as “Stop Racism” and “Be Kind to Everyone.” They marched with posters in their hands that read among other things “Black Children’s Futures Matter.”
Nolan Davis led the way with his poster that read, “Kids can make a change.”
Despite being a child in elementary school, Nolan Davis has already been taught the ways he needs to act differently in society compared to his White friends, such as playing with water guns only in the backyard “because you don’t want it to get mistaken for something else” or keeping the hood of his hoodie down, according to Kristin Davis.
As his White, adoptive mother, Kristin Davis acknowledged that she would never understand the fear that her Black son and daughter, five-year-old Caroline, would feel as they grow up. But she said she knew these talks were necessary to keep them safe.
“We’re preparing them for when they’re older and taller and bigger. When they’re not going to be perceived as cute little kids anymore,” she said.
Nolan Davis doesn’t like that there are different rules in society based on one’s skin color, which is why he organized the march.
He’s hoping he’ll inspire other children to use their voices and coe together to do the same.
Today Good Black News wants to share the excellent online resources the National Museum of African American History and Culture has that explain and explore the legacy of Juneteenth, which is now in its 155th year. Click here for more and read below for an historical overview of Juneteenth:
On “Freedom’s Eve,” or the eve of January 1, 1863, the first Watch Night services took place. On that night, enslaved and free African Americans gathered in churches and private homes all across the country awaiting news that the Emancipation Proclamation had taken effect.
At the stroke of midnight, prayers were answered as all enslaved people in Confederate States were declared legally free. Union soldiers, many of whom were black, marched onto plantations and across cities in the south reading small copies of the Emancipation Proclamation spreading the news of freedom in Confederate States. Only through the Thirteenth Amendment did emancipation end slavery throughout the United States.
But not everyone in Confederate territory would immediately be free. Even though the Emancipation Proclamation was made effective in 1863, it could not be implemented in places still under Confederate control.
As a result, in the westernmost Confederate state of Texas, enslaved people would not be free until much later. Freedom finally came on June 19, 1865, when some 2,000 Union troops arrived in Galveston Bay, Texas. The army announced that the more than 250,000 enslaved black people in the state, were free by executive decree. This day came to be known as “Juneteenth,” by the newly freed people in Texas.
The post-emancipation period known as Reconstruction (1865-1877) marked an era of great hope, uncertainty, and struggle for the nation as a whole. Formerly enslaved people immediately sought to reunify families, establish schools, run for political office, push radical legislation and even sue slaveholders for compensation. Given the 200+ years of enslavement, such changes were nothing short of amazing. Not even a generation out of slavery, African Americans were inspired and empowered to transform their lives and their country.
Juneteenth celebration in 1900 at Eastwoods Park. (Credit: Austin History Center)
Juneteenth marks our country’s second independence day. Although it has long celebrated in the African American community, this monumental event remains largely unknown to most Americans.
The historical legacy of Juneteenth shows the value of never giving up hope in uncertain times. The National Museum of African American History and Cultureis a community space where this spirit of hope lives on. A place where historical events like Juneteenth are shared and new stories with equal urgency are told.
According to an exclusive Variety.com report, Magnolia Pictures will premiere “John Lewis: Good Trouble,” a new documentary about the Civil Rights icon and longtime congress member, in Tulsa, Oklahoma on Juneteenth.
The film, which Magnolia and Participant are distributing, will screen at Circle Cinema, a non-profit organization that operates from a theater that traces back to 1928.
The screenings will be free (theaters will be at 25% capacity) and are intended to serve as counter-programing to Donald Trump’s political rally on Saturday. That rally ignited a firestorm of backlash and condemnation because it was originally scheduled to take place on Juneteenth, a holiday stemming from Texas that commemorates the end of slavery in the U.S.
Tulsa was the site of a race massacre in 1921 that has been called “the single worst incident of racial violence in American history.” Trump later moved the date of the rally back by a day.
“Our city is searching for ideas and ways to do peaceful protest of Trump,” Chuck Foxen, film programmer at Circle Cinema, told Variety. “This feels like a powerful way to celebrate the spirit and meaning of Juneteenth.”
