After several months of meeting with various black directors and not locking one to helm “Black Panther,” it’s finally confirmed that “Creed” director Ryan Coogler is in negotiations to direct the action film for Marvel and Disney, TheWrap reports.
The studio has been desperate to lock a black director, and had considered Ava Duvernay and F. Gary Gray for the project. Marvel and Coogler had discussed the movie in the past, but both sides cooled on the negotiations until recently resuming talks.
EUR previously reported on Coogler’s comments regarding why the race of the director is important on projects such as “Black Panther.” He explained ScreenRant, ”Yeah, I think it’s important. Perspective is so important in art. That’s not to say that you can’t work outside yourself.”
Since the critically acclaimed success of Coogler’s tragic drama “Fruitvale Station,” he has had his pick of projects, including the “Rocky” franchise, casting his “Fruitvale” star Michael B. Jordan as the son of Apollo Creed. The Oscar-buzzed film grossed nearly $30 million its opening weekend.
When asked during a recent interview how important it was “to build a central narrative of a black boxer in a film that doesn’t directly address race,” Ryan responded:
“It was very important. When I would watch “Rocky” films, Apollo was the guy that I identified with as a young black man, because I grew up as an athlete for most of my life. With boxing, we have a long history of the greatest American fighters and so many of them are black and Hispanic but you don’t see that representation in cinema so I was really excited.”
Chadwick Boseman is set to star as T’Challa, the superhero in charge of a fictional African nation called Wakanda. The character will first be introduced in “Captain America: Civil War.”
“Creed” is currently playing in theaters across the country. “Black Panther” is scheduled to be released Nov. 3, 2017.
article by Ny MaGee via eurweb.com
Posts published in “Entertainment”
NBC is calling on three principals from its production of “The Wiz Live!” for a new drama.
According to The Hollywood Reporter, the network picked up a script from the TV musical’s executive producers Neil Meron and Craig Zadan that’s based on the life of its veteran choreographer, Fatima Robinson.
Inspired by Robinson’s life as a dancer-turned-choreographer, the untitled drama is set in Los Angeles with early plans to set it in the 1990s, as dance begins to dominate pop culture on the streets and clubs that gave birth to hip-hop.
The project is in the early stages of development, according to THR. A writer has yet to come aboard.
Zadan and Meron will executive produce alongside their Storyline Entertainment banner’s Mark Nicholson and Tasha Brown, with the latter duo set to produce. Robinson will executive produce and serve as choreographer.
The drama marks her third go-round with Zadan and Meron following their collaboration on the Academy Awards, which producers told THR inspired them to enlist her to help stage NBC’s “The Wiz Live!”
“We worked with her on the Oscars and knew she was special,” Zadan told THR last week when he singled out Robinson’s contributions to helping to make the live musical a critical success. “We hired Fatima Robinson, who is not a Broadway choreographer, to do authentic black dancing. She comes from hip-hop and a lot of her point of view on dance is very gritty and authentic and raw.”
Fatima was behind the telecast’s most-tweeted moment during the song, when Ne-Yo “hit the dab” during his “Slide Some Oil to Me” performance. The moment drew 15,218 tweets per minute.
article via eurweb.com
I had no idea Spike Lee was working on another Michael Jackson film. Or maybe I did, but I just don’t recall. I searched the S&A archives but didn’t immediately find anything, so it doesn’t appear we mentioned it. There was the Michael Jackson documentary Spike made in 2012, in collaboration with Jackson’s estate and Sony Music, titled “Bad 25.” But this one is an entirely new project, which will premiere at the Sundance Film Festival next month.
Titled “Michael Jackson’s Journey from Motown to ‘Off The Wall'”, the documentary’s synopsis reads: Catapulted by the success of his first major solo project, “Off The Wall,” Michael Jackson went from child star to King of Pop. This film explores the seminal album, with rare archival footage and interviews from those who were there and those whose lives its success and legacy impacted.
My research tells me that Spike first shared that he was working on this earlier this year, while doing press for his last film, “Da Sweet Blood of Jesus,” ahead of its USA release. Although he didn’t share any details – just that he was working on it, with potential plans to make similar documentaries on other seminal MJ albums, like “Thriller.”
No trailer or much media available yet for “Michael Jackson’s Journey from Motown to ‘Off the Wall'” except for the above still from Sundance.
article by Tambay A. Obenson via Shadow And Act
Many people were eagerly anticipating the arrival of the Ava DuVernay doll Monday. From refreshing constantly on the Barbie Collection website to waiting for Mattel to release the link on Twitter, some were left disappointed when it came to actually being able to buy the doll. But there were others who were lucky as well as fast enough to purchase the doll.
Twenty minutes after Mattel tweeted the link to its Barbie site, DuVernay’s doll was sold out. Potential customers tweeted their anguish and dismay after not being able to make their purchase. Then Mattel informed everyone that the doll would be available shortly at Amazon.com.
https://twitter.com/AVAETC/status/674018558506958848?ref_src=twsrc%5Etfw
https://twitter.com/AVAETC/status/674018558506958848?ref_src=twsrc%5Etfw
Some people waited for Mattel to release the Amazon link, while others searched on Amazon for the doll. And there it was, available for preorder. Once word got around on social media that the doll was already on Amazon, it was every eager consumer for him or herself. Around 1:30 p.m. EST, Mattel finally tweeted the link to the Amazon.com site. But it was too late; the doll was already sold out.
More tears. More disappointment for those eagerly waiting to get their hands on the doll.
https://twitter.com/direct7000/status/673989886748131329?ref_src=twsrc%5Etfw
I’m pretty sure Mattel didn’t expect the doll to sell out, especially since the company hadn’t planned to mass-produce the doll. But how often is a doll made in the likeness of a great black filmmaker on the market? How about never.
https://twitter.com/direct7000/status/673989886748131329?ref_src=twsrc%5Etfw
I’m pretty sure Mattel didn’t expect the doll to sell out, especially since the company hadn’t planned to mass-produce the doll. But how often is a doll made in the likeness of a great black filmmaker on the market? How about never.
The fact that DuVernay’s doll sold out within minutes of its release is a testament to the fact that representation matters. People want to see dolls in their image and in the image of those people they admire. If Mattel wants to continue to make an impact, someone in its R&D department better start doling out ideas about how to jump on this.
A DuVernay doll is just the beginning.
How about a Viola Davis doll? A Kerry Washington doll? A Denzel Washington doll? A Neil deGrasse Tyson? Idris Elba, anyone?
Remember back in the day when Cabbage Patch Kids dolls were all the rage? On Monday, DuVernay’s doll and the anticipation were the equivalent. Instead of fighting in stores, people were fighting against the clock and how fast they could refresh their browsers.
This tweet perfectly summed up the day:
https://twitter.com/upperechelonwnd/status/673969253620432900?ref_src=twsrc%5Etfw
https://twitter.com/upperechelonwnd/status/673969253620432900?ref_src=twsrc%5Etfw
Not only do people want black dolls, but they want black dolls in the likeness of people they admire.
article by Yesha Callahan via theroot.com
Queen Latifah has landed a lead role in Lee Daniels’ untitled music project at Fox, which was formerly titled “Star,” Variety has learned. Three more regulars — all relative newcomers — have also been cast.
The Untitled Lee Daniels Music Pilot goes into production this month in Atlanta, and while the potential series has only been ordered to pilot at this point, Queen Latifah’s star power, combined with Daniels’ “Empire” track record at Fox, makes the project a strong contender for the 2016-17 television season.
The pilot revolves around three young women, who form a girl group with hopes of making it big in the music industry. The project has been described in the vein of “Dreamgirls,” while incorporating the manufacturing of modern-day girl groups, showcasing the allure and heartache of the cut-throat music scene, and exploring cultural themes from a new perspective.
Queen Latifah will anchor the young cast, playing Carlotta, the owner of an Atlanta beauty salon who has an amazing voice and becomes a surrogate mother to the three girls in the group, even though she doesn’t approve of their musical dreams.
Following a nationwide casting call, actress and singers Jude Demorest, Ryan Destiny and Brittany O’Grady have been cast as the leading girl group members.
Demorest (“Dallas,” “The Middle”), from Detroit, has landed the role of Star, the tough 18-year-old who spent her childhood in and out of foster homes after the death of her mother, and who will do anything to become the star she was named to be; Destiny (“Low Winter Sun”), also from Detroit, has been cast as Alexandra, the wealthy 20-year-old who grew up on New York’s Upper East Side, but who, for years, has tried to put her privileged world behind her, so she can make real, authentic music; and O’Grady (“The Messengers”), from Washington, DC, will play Simone, Star’s younger sister who dreams of the day Star will return to rescue her from the abusive foster home in which she was placed five years before.
The Recording Academy announced the Grammy Award nominations this morning. Kendrick Lamar leads the field with 11 nods. The Weeknd and Taylor Swift both received seven Grammy nominations. Other top nominees include Drake, John Legend, and Kanye West.
The Academy is committed to celebrating a diverse blend of talented entertainers, musicians, and producers, and this commitment is evident in the nominees for the Album of the Year category. According to Grammy.com. Lamar has been nominated for his “jazz-infused rap,” Alabama Shakes for their “alternative and soulful rock,” Swift for her pop, Chris Stapleton for his “classic country sounds,” and The Weeknd for his “genre-bending R&B style.”
D’Angelo and The Vanguard are nominated for Record of the Year, along with Mark Ronson featuring Bruno Mars, Ed Sheeran, The Weeknd, and Swift.
The Grammy ceremony will be held Feburary 15, 2016 in Los Angeles. A list of nominees follows below:
Viola Davis is having the best year ever. The Emmy Award-winning actress will bring in the New Year as the cover model for the January 2016 issue of InStyle Magazine.
We love Viola’s transparency during her interview. She says that she’s nothing like her cutthroat character Annalise Keating on How To Get Away With Murder. Instead she enjoys going to Target, wearing her natural hair and “going to space” with her gorgeous 5 year old daughter Genesis.
Here are five new things we didn’t know about Viola:
1. Off screen her wardrobe isn’t glamorous: “If I were to compare my style to Annalise Keating, I would say that I have absolutely no style,” she says with a laugh “Annalise Keating is an Alexander McQueen kinda Max Mara girl. That’s not me. I have a five year old!”
2. She’s about to get married for the third time! When she first wed fellow and actor-producer Julius Tennon 13 years ago, Viola wore a simple skirt from Express. A few years later they exchanged vows again, and she wore a more traditional dress. For their latest upcoming vow renewal, Davis is wearing a custom dress by Carmen Marc Valvo.
3. She and her daughter are actually astronauts: “We go into space. We explore different planets,” Davis says of the game Genesis is most currently fond of. “This ship is in danger. We almost died at one point. We lost oxygen.”
4. She knows how to turn down and relax: “I am addicted to spas,” she says. “If we go to a hotel, we’ll be the only people in that spa for hours. We’ll start at 5 in the morning sometimes.”
5. She’s empowered by her natural beauty: “What’s released me most from the fear of aging is self-awareness,” she says. “I’ve never determined my value based on my looks or anything physical. I’ve been through a lot in life, and what has gotten me through is strength of character and faith.”
article by Zon D’Amour via hellobeautiful.com
It’s Also the Most-Tweeted Live Special Program on Record
Two years after NBC stunned the industry with huge ratings for its live presentation of “The Sound of Music,” the network was back at it Thursday night with “The Wiz Live,” which drew impressive numbers of its own. The event also set a Nielsen Twitter record as most social live special program in the more than four years of tracking such numbers.
Despite facing a highly-rated NFL game on CBS, last night’s live musical, whose all-star cast included Queen Latifah, Mary J. Blige, Ne-Yo, Amber Riley, Uzo Aduba, Stephanie Mills and David Alan Grier, averaged a 3.4 rating/11 share in adults 18-49 and about 11.5 million viewers overall from 8 to 10:45 p.m., according to preliminary Nielsen estimates. The only NBC entertainment series to fare better this fall is “The Voice,” whose season premiere averaged a 3.5/11 in 18-49 and 12.37 million.
According to Nielsen, roughly 269,400 people send 1.6 million tweets about “The Wiz Live!” on Thursday night and 6.4 million people saw those tweets a total of 128.9 million times. Last night’s production more than tripled the number of tweets for either “Sound of Music” (449,536) or “Peter Pan” (474,735).
Last night during the 8-11 p.m. EST window, global digital marketing technology company Amobee Brand Intelligence said “The Wiz Live!” attracted 1.374 million tweets during its three-hour telecast window — more than four times the number generated last year during the live telecast of “Peter Pan Live” (360,000). Roughly 30% of the sentiment was positive, 58% neutral and 13% negative — meaning the Twitter sentiment was 133% more positive than negative around the broadcast. Shanice Williams, the 19-year-old actress playing Dorothy, scored especially well, with only 2% of the sentiment surrounding her performance considered negative.
As expected, “The Wiz Live!” fared especially well in markets with large African-American populations. While the overall household average in Nielsen’s 56 metered markets was 7.9, the top scores came in Richmond (16.1), Norfolk (15.0), Baltimore (14.8), Washington, D.C. (13.2) and Atlanta (13.2). Joining D.C. and Atlanta as top-10 markets soaring above the national average were Philadelphia (10.3), New York (10.2) and Chicago (10.0).
article by Rick Kissell via Variety.com
Despite facing a highly-rated NFL game on CBS, last night’s live musical, whose all-star cast included Queen Latifah, Mary J. Blige, Ne-Yo, Amber Riley, Uzo Aduba, Stephanie Mills and David Alan Grier, averaged a 3.4 rating/11 share in adults 18-49 and about 11.5 million viewers overall from 8 to 10:45 p.m., according to preliminary Nielsen estimates. The only NBC entertainment series to fare better this fall is “The Voice,” whose season premiere averaged a 3.5/11 in 18-49 and 12.37 million.
According to Nielsen, roughly 269,400 people send 1.6 million tweets about “The Wiz Live!” on Thursday night and 6.4 million people saw those tweets a total of 128.9 million times. Last night’s production more than tripled the number of tweets for either “Sound of Music” (449,536) or “Peter Pan” (474,735).
Last night during the 8-11 p.m. EST window, global digital marketing technology company Amobee Brand Intelligence said “The Wiz Live!” attracted 1.374 million tweets during its three-hour telecast window — more than four times the number generated last year during the live telecast of “Peter Pan Live” (360,000). Roughly 30% of the sentiment was positive, 58% neutral and 13% negative — meaning the Twitter sentiment was 133% more positive than negative around the broadcast. Shanice Williams, the 19-year-old actress playing Dorothy, scored especially well, with only 2% of the sentiment surrounding her performance considered negative.
As expected, “The Wiz Live!” fared especially well in markets with large African-American populations. While the overall household average in Nielsen’s 56 metered markets was 7.9, the top scores came in Richmond (16.1), Norfolk (15.0), Baltimore (14.8), Washington, D.C. (13.2) and Atlanta (13.2). Joining D.C. and Atlanta as top-10 markets soaring above the national average were Philadelphia (10.3), New York (10.2) and Chicago (10.0).
article by Rick Kissell via Variety.com
NEW YORK — When “The Wiz Live!” airs on NBC this Thursday, it will come alive for the blind with a voiced description of the broadcast’s sights and action integrated into its soundtrack.
NBC parent Comcast says this will be the first live entertainment program in U.S. history to be accessible in this way to those who are blind. The vocal description is a narration track interspersed between existing pauses in dialogue that describes the show’s visual elements such as facial expressions, settings, costumes and stage direction.
This enhanced broadcast of “The Wiz Live!” will be a pilot program available on local NBC stations where SAP (Second Audio Program) feeds are available. The service will be provided by Descriptive Video Works, which has provided more than 1,000 hours of live description for certain news and sports events.
“The Wiz Live!” premieres Thursday at 8 p.m. EST, with stars including Queen Latifah, Mary J. Blige, David Alan Grier, Ne-Yo, Elijah Kelley, Uzo Aduba and Common, as well as Shanice Williams as the young heroine, Dorothy.
article via accessatlanta.com
As pilot season kicks off, ABC is looking to stay in business with “American Crime” creator and Oscar winner John Ridley, giving his detective drama project “Presence” a formal pilot order.
In contention for the 2016-17 television season, “Presence” has been hot at ABC since the get-go, as the drama was the first pilot script order at the network this development season. “Presence” follows Presence Foster, a former Army veteran who finds herself navigating a widely divergent and highly colorful cross section of L.A., as she unintentionally begins a career as an unlicensed private investigator.
Hailing from ABC Studios, Ridley wrote the pilot script and will direct and executive produce through his International Famous Players Radio Picture Corporation with his fellow “American Crime” executive producer Michael McDonald, who will executive produce “Presence” by way of his ABC-based Stearns Castle banner.
Aside from “Presence” and “American Crime,” which debuts its second season on January 6, Ridley and McDonald have another drama set up in the early stages with ABC Studios — the duo optioned the rights to Kim Reid’s novel “No Place Safe: A Family Memoir” for a limited series.
Ridley also has a top-secret Marvel project in the works at ABC Studios, where he is under a producing deal.
article by Elizabeth Wagmeister via Variety.com