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Posts published in “Entertainment”

R.I.P. Musical Master, Genius and Unforgettable Legend Prince

Prince (photo via nytimes.com)
Prince (photo via nytimes.com)

article by Lori Lakin Hutcherson
Even though the news is minutes old, I’m sure you’ve all heard by now. I still can’t process it fully, and am having serious trouble accepting it, but after following TMZ, then Huffington Post, then Rolling Stone and the New York Times reports, I have to.   We all have to admit that it’s true – one of the best musicians ever to walk the Earth – Prince (born Prince Rogers Nelson) has passed away at age 57.  Whether it was from complications due to his recent bout with the flu or some other reason – what really matters is that he is gone and the world has lost a genius and musical visionary.
While the grief over his passing will be palpable and far from short-lived, we wanted to take this moment to celebrate the legacy and artistry of the man who won an Academy Award, multiple Grammys, is a Rock and Roll Hall of Famer, and gave us “Purple Rain”, “Sign of the Times”, “Controversy”, “Dirty Mind”, “1999” and “LoveSexy” to name a few, and wish his singular spirit all the best on the next phase of his journey.
I have no idea how long the video below will remain up on YouTube, but while it is:
[youtube https://www.youtube.com/watch?v=F8BMm6Jn6oU&w=420&h=315]
 

Idris Elba, John Ridley Limited Series "Guerrilla" Ordered at Showtime

John Ridley Idris Elba GUERRILLA Showtime
RIDLEY: RYDER SLOANE; ELBA: RAY BURMISTON (image via Variety.com)

article by Daniel Holloway via Variety.com
Showtime has ordered “Guerrilla,” a limited series from “American Crime” creator John Ridley, starring Idris Elba. The six-episode drama will be broadcast in the U.S. on Showtime and in the U.K. on Sky Atlantic.
Ridley will write the bulk of the episodes and direct the first two. A love story set in one of the most explosive political times in U.K. history, the miniseries tells the story of a 1970s London couple who liberates a political prisoner and forms a radical underground cell. The group targets the Black Power Desk, a true-life counter-intelligence unit within Special Branch dedicated to crushing all forms of black activism. Though set against a backdrop of social upheaval and activism, the story focuses on the relationship between the two characters at its center.
“Guerrilla” will be co-produced by Fifty Fathoms and ABC Signature, and will begin production in London late this summer.

“We’re excited to partner with our friends at Sky to bring a fascinating and unexplored story spearheaded by John and Idris, two major creative talents at the top of their game,” said Showtime president and CEO David Nevins. “Guerilla will surely keep our audience at their edge of their seats.”
Elba will serve as executive producer through his Green Door Pictures with Ridley. Patrick Spence and Katie Swinden of Fifty Fathoms, Tracy Underwood of ABC Signature and Michael McDonald of Stearns Castle will also exec produce.
Ridley extended his overall deal with ABC Studios in January for three years. His “American Crime,” which ended its second season last month on ABC, received 10 Primetime Emmy Award nominations last year for season one, with star Regina King winning for outstanding supporting actress in a miniseries or movie. In 2014, Ridley won the Academy Award for best adapted screenplay for “12 Years a Slave.”
“I am both humbled by and impressed with Idris’s passion toward bringing this story to life,” said Ridley. “I share his commitment for populating the culture with driven and complicated people of color, and believe we have great partners on the producorial level, and with our broadcasters Sky Atlantic and Showtime.”
Elba is a four-time Emmy nominee whose TV credits include “The Wire” and “Luther.” He was nominated for a Golden Globe award for his work in last year’s Netflix feature film “Beasts of No Nation.” His upcoming films include “Star trek: Beyond” and “The Dark Tower.”
“It’s been a long time desire of mine to collaborate with Mr. Ridley and his work here is nothing short of a masterclass in character building and story-telling,” Elba said. “TV is in for a treat.”

Taraji P. Henson & Terrence Howard are Getting Their Own "Empire" Dolls

Terrence Howard and Taraji P. Henson (Chuck Hodes/Fox)

article by Nick Maslow via ew.com
Move over, Barbie and Ken — Cookie and Lucious Lyon need some space on toy store shelves. Fans of Fox’s hit Empire will soon be able to purchase a line of collector dolls inspired by Taraji P. Henson and Terrence Howard’s beloved characters, doll maker Tonner-One World announced Thursday.
Although images of the actual dolls are not yet available, the announcement was accompanied by sketches capturing Cookie and Lucious’ signature looks. Clad in a leopard mini-dress and oversized fur coat, Cookie is seen putting one heel in front of the other, no doubt ready to fling one of them across the room should she feel the need. Meanwhile, Lucious exudes cool confidence in a vibrant purple suit paired with a light turtleneck.

Broadway Smash "Hamilton" Wins Pulitzer Prize for Drama

"Hamilton"
“Hamilton” (photo via Variety.com)

article by Gordon Cox, Brent Lang via Variety.com
“Hamilton,” the Broadway smash that’s looked like an awards-season favorite from the moment it opened, has been awarded the 2016 Pulitzer Prize for Drama.
Although it’s rare for a musical to the win the drama prize over plays, “Hamilton” had nonetheless looked like a lock for the Pulitzer, given its link to American history and the fresh, contemporary resonances it finds in the nation’s foundational moments. (The most recent musicals to nab the Pulitzer were the 2010 show “Next to Normal” and 1996’s “Rent.”)
The Pulitzer win could be the first of many victories for “Hamilton.” Much of the theater industry considers the show’s sweep of the Tony Awards as a foregone conclusion. “The Humans,” Stephen Karam’s subtly drawn portrait of one American family’s anxieties, was one of the few obvious titles that seemed likely to give “Hamilton” a little competition; that play was named a 2016 finalist, as was Branden Jacobs-Jenkins’ “Gloria.” “Hamilton’s” victory came during the centennial year for the Pulitzers, which recognize excellence in the arts and in journalism.
The Associated Press won the gold medal in public service, considered by many to be the top Prize, for its probe into labor abuses in the seafood business.
“The Sympathizer,” debut novelist Viet Thanh Nguyen’s look at a Vietnamese spy, took the fiction prize, while “Black Flags: The Rise of ISIS,” Joby Warrick’s look at the Islamic terrorist group, nabbed the non-fiction statue. T.J. Stiles won his second Pulitzer in the biography category for “Custer’s Trials: A Life on the Frontier of a New America.”
The New Yorker’s Emily Nussbaum captured the criticism prize, one of two awards for the magazine. The other came in the feature writing category, where Kathryn Schulz was honored for her look at how the Cascadia fault line could lead to environmental disaster. Magazines have only been eligible for Pulitzers for a year. New Yorker staff writer William Finnegan was also honored in biography for his surfing memoir “Barbarian Days.”
To read more, go to: http://variety.com/2016/legit/news/pulitzers-2016-hamilton-pulitzer-prize-drama-1201755578/

Aretha Franklin Announces Her Upcoming Biopic

Aretha Franklin
Aretha Franklin

article by Toni Akindele via essence.com
The Queen of Soul has a lot to celebrate. During the festivities of her 74th birthday at New York City’s Ritz Carlton Hotel, Aretha Franklin announced that her biopic, which faced several delays due to negotiations, has finally been given the green-light.
“I’m in the last of the negotiations, because we have agreed on the key things and the most important things,” Franklin told Huffington Post. “It’s some of the people that were involved in ‘Straight Outta Compton,’ and this is going to be ‘Straight Outta Detroit.”
And who has she casted to play herself? Well, Aretha can’t spill all the tea, but we do know she initially considered Halle Berry and then later named Audra McDonald and Jennifer Hudson as two potential Arethas.
“It’s been a long, long haul, but I think we’re right at it now,” Franklin said. “I spoke to the young lady about a week ago — I won’t say which one of the two it was — but I spoke to her, and she’s ready. We’re going to go forward with it.”
Denzel Washington is also rumored to play Franklin’s father in the film, but all will be revealed in due time.
The film will be based on the singer’s upbringing and legendary career while also shedding light on her personal relationships, including her abusive marriage to Ted White. Plans for this project have been in play since 2011 and Franklin is excited to have been given creative control.

Watch 1st Trailer for Nate Parker's Upcoming Nat Turner Drama "Birth of a Nation"

"Birth of a Nation" starring Nate Parker (photo courtesy Fox Searchlight)
“Birth of a Nation” starring Nate Parker (photo courtesy Fox Searchlight)

article by Lori Lakin Hutcherson (@lakinhutcherson)
Ever since actor/director Nate Parker‘s “Birth of a Nation” caused a sensation at this year’s Sundance Film Festival by landing the biggest distribution deal made thre ever, we have been waiting to hear and see more.  Today is the day, as Fox Searchlight has released the film’s first teaser trailer.  This drama about Nat Turner and the revolt he lead in 1831 is set to be released in theaters this October.  Check it out:
[youtube https://www.youtube.com/watch?v=C4TTbcXG1GQ&w=560&h=315]

Black Girls Do Ballet to Publish "The Ballerina's Little Black Book" on June 6

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article via clutchmagonline.com
In 2013, TaKiyah Wallace started Brown Girls Do Ballet as a photography project aimed at highlighting women of color in the dance world. As a mom of a tiny dancer and a fan of the art form herself, Wallace was aware of the lack of coverage dancers of color received.
Three years later Wallace runs a popular Instagram account with more than 80,000 followers that features brown ballerinas, and her organization supports young dancers by not only giving them a platform to shine, but also providing scholarships to help young girls continue their studies. Now, Brown Girls Do Ballet is releasing a book.
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Titled The Ballerina’s Little Black Book, the new project by former dancer and Brown Girls Do Ballet co-founder Brittani Marie features interviews with dancers like Misty Copeland, Aesha Ash, and Alicia Graf Mack as well as gorgeous pictures of dancers of color.

Denzel Washington to Direct and Star in "Fences" Movie for Paramount

Denzel Washington Cecil B. DeMille
Denzel Washington (UNIMEDIA IMAGES/REX SHUTTERSTOCK)

article by Dave McNary via Variety.com
Denzel Washington will star in and direct a movie version of August Wilson’s “Fences” for Paramount Pictures with Viola Davis on board to star.

Both actors won Tony Awards for their performance in the 2010 Broadway revival of “Fences.” Bron Creative and Macro are producing the movie with Washington, based on Wilson’s screen adaptation of his Tony and Pulitzer Prize-winning play.
Scott Rudin and Todd Black are producing with Washington. Executive producers are Eli Bush; Bron Creative’s Aaron L. Gilbert, Jason Cloth, Andy Pollack; Macro’s Charles D. King and Kim Roth along with co-executive producer Poppy Hanks.
Brad Grey, Chairman and CEO of Paramount Pictures said, “This important and beloved play has been a passion of Denzel’s for many years and it is with great excitement that we embark together to bring his dream project to the big screen.”
“Fences” is the story of a one-time promising baseball player, now working as a Pittsburgh garbage collector, and the complicated relationships with his wife, son, and friends. The film’s ensemble cast includes Stephen Henderson, Russell Hornsby, Mykelti Williamson, Jovan Adepo and Saniyya Sydney.
“Fences” is Washington’s third outing behind the camera following “The Great Deabaters” and “Antwone Fisher.”
To read more, go to: http://variety.com/2016/film/news/denzel-washington-viola-davis-starring-fences-movie-1201750942/

The National Jazz Museum in Harlem Finds a Permanent Home

The musicians Terri Davis, left, and Bill Saxton at the opening of the National Jazz Museum in Harlem. (YANA PASKOVA FOR THE NEW YORK TIMES)

article by Nate Chinen via nytimes.com

The National Jazz Museum in Harlem has always been, like the music it honors, a study in adaptability. For the last 15 years, it has operated out of a modest fourth-floor space in East Harlem, while developing big plans for a permanent home. Now, after weathering a few disappointments, the museum has relocated to a new storefront on West 129th Street, in a move that signals not only an improvement to its public facilities but also a renewal of its mission.

“Being in a new space has shifted our approach to what is possible,” Ryan Maloney, the museum’s director of education and programming, said during an opening reception on Tuesday night, as a quartet led by the pianist Marc Cary played a hard-swinging Hank Mobley tune.

The museum now sits off Malcolm X Boulevard, a couple of blocks north of Sylvia’s and Red Rooster, the emblematic culinary institutions of old and new Harlem. It occupies the ground floor of a new condominium building, and while it’s not a large footprint — just under 2,400 square feet, of which 1,900 is devoted to public space — the design and layout were carefully considered.

In some ways, the embrace of that small scale reflects well on the institution. Founded in 1997 by Leonard Garment, former counsel to President Richard M. Nixon, the National Jazz Museum in Harlem began with noble intentions but limited resources. “We flailed around for several years, and while we did, the money ran out,” Mr. Garment wrote in a 2002 article for The New York Times. (He died in 2013.)

The museum found its footing, in incremental steps, under the executive leadership of Loren Schoenberg. A veteran saxophonist, pianist, educator and historian, Mr. Schoenberg brought an air of authority to the museum, while strengthening its bonds with the jazz public and institutions like the Smithsonian. He enlisted two artistic directors, both still actively involved: the bassist Christian McBride and the pianist Jon Batiste. (Mr. McBride is the recently announced new artistic director for the Newport Jazz Festival; Mr. Batiste, the bandleader on “The Late Show With Stephen Colbert,” was one of Mr. Schoenberg’s students at Juilliard.)

Kanye West Becomes The 1st Artist to Reach No.1 On Billboard Albums Chart From Streaming Only

article by Richy Rosario via vibe.com
Kanye West is reportedly the first artist in history to have an album at No. 1 solely on music streams from major outlets. His latest project The Life of Pablo, was distributed and consumed by the masses through some paid downloads from his personal G.O.O.D / Def Jam page, but most of the revenue (a nice 90k), came from music streaming services like Apple Music and Tidal, according to HITS Daily Double. 
Reports state that this strategy was created by Ye’s new management team: Scooter Braun, Steve Bartels and Def Jam. You can also catch Kanye at the top of the iTunes chart along with Drake in their collaboration on “Pop Style.”
This comes as no surprise to us as it was reported last month that TLOP was streamed over 250 million times since its release.