article by Lori Lakin Hutcherson (follow @lakinhutcherson)
According to Variety.com, the life and art of legendary musician Marvin Gaye is being developed int a feature documentary by Noah Media Group and Greenlight called, “Marvin, What’s Going On?” The film will center on Gaye’s creation of his seminal 1971 album “What’s Going On” and marks the first time that his children — Nona Gaye, Marvin Gaye III and Frankie Gaye — along with his former wife, Janis Gaye, have supported and contributed to such a project.
The documentary is slated to go into production this year and is intended to be “the defining portrait of this visionary artist and his impeccable album,” according to a statement from the film’s producers.
The album, which was recorded at the zenith of Detroit’s Motown era, was heavily influenced by the troubling Vietnam War and the assassination of Martin Luther King, Jr. Gaye produced an album that “challenged America and the world to self-reflect, going on to inspire a generation of artists and music lovers,” the producers said. “The relevance of [his] masterpiece…is as strong as ever.”
The project will be filmed in Detroit, Los Angeles and Washington, and will feature exclusive interviews with several top Motown artists and never-before-seen archive footage unearthed by Gaye’s children and former wife. The film is set to be released in 2017.
In a joint statement, Gaye’s children commented: “We would like to express our excitement about the upcoming documentary feature film about our father and the creation of his amazing ‘What’s Going On’ album. We are proud that his relevance remains intact, and we look forward to being a part of this cinematic journey.
“Our father was complex, but we are confident that with Noah Media Group’s attention to detail and their dedication to the truth, the positive, inspirational and aspirational aspects of his life will be handled and shared with the world in a way never seen before.
“We look forward to participating and sharing what we can through friends, family, photos, footage and priceless stories that only those who knew our father up close and personal would know, as well as his contemporaries, purists and fans who have studied him and his art over decades.
“’What’s Going On?’…something many of us find ourselves asking today, 45 years later. Peace.”
Posts published in “Entertainment”
‘Ghostbusters’ Star Leslie Jones Fights Racist Twitter Hate Speech, Twitter CEO Jack Dorsey Responds
article by Associated Press via yahoo.com
NEW YORK (AP) — Under a barrage of hateful posts on Twitter, “Ghostbusters” star Leslie Jones said she was “in a personal hell” and urged the social networking service to do more to eradicate abuse. In a series of posts Monday night, Jones said she had been pummeled with racist tweets. She retweeted numerous tweets directed at her with disturbing language and pictures of apes.
Jones said the messages were deeply hurtful and brought her to tears. The “Saturday Night Live” cast member called on Twitter to strengthen guidelines and for users to “stop letting the ignorant people be the loud ones.”
“I feel like I’m in a personal hell,” wrote Jones. “I didn’t do anything to deserve this. It’s just too much. It shouldn’t be like this. So hurt right now.”
The exchanges came at a career high point for the “Saturday Night Live” cast member. “Ghostbusters,” which opened last week, is her first major film role. “It’s like when you think, ‘OK I’ve proven I’m worthy’ and then you get hit with a shovel of (hatred),” she said.
She concluded a string of messages early Tuesday morning. “I leave Twitter tonight with tears and a very sad heart,” wrote Jones. “All this cause I did a movie.”
The tweets caught the attention of Twitter chief executive Jack Dorsey, who sent Jones a message asking her to get in touch with him. Twitter later responded in a statement.
“This type of abusive behavior is not permitted on Twitter, and we’ve taken action on many of the accounts reported to us by both Leslie and others,” said a spokesperson for Twitter. “We rely on people to report this type of behavior to us but we are continuing to invest heavily in improving our tools and enforcement systems to prevent this kind of abuse. We realize we still have a lot of work in front of us before Twitter is where it should be on how we handle these issues.”
Many, however, have come to Jones’ defense, tweeting support for the actress under the hashtag “#LoveForLeslieJ.”
To read more, go to: https://www.yahoo.com/news/leslie-jones-under-hateful-barrage-twitter-fights-back-145423122.html?ref=gs
article by Melanie L. Brown via rollingout.com
Rolling out interviewed Jerald Gary, the new owner of the New Regal Theater in Chicago. The 30-year-old talked about his memories of the Regal and how he came to acquire this historic building on the South Side.
Who is Jerald Gary?
I am a private equity investor. I bought the Regal Theater in 2014 to provide access to the performing arts for the community. I created the Chicago Regal Foundation to use the theater as a cultural asset that the community can leverage through various arts nonprofits. My day to day is figuring out how to render capital of the community more active and productive.
What is some history that you’ve heard about the Regal?
When I was growing up, the Regal was really in its prime. It reopened in 1987. It revived in 85′. I think it took them two years to do renovation, reopened it in 1987, and got it a landmark right there in ’92. Matter of fact, Mayor Harold Washington facilitated some money because doing the political thing for office in return was bringing dollars into the community. I got a picture of Ed Gardner and Harold Washington right there in the lobby. Harold was giving Ed a million-dollar check for the restoration. I saw a flyer the other day, it was Tupac and Biggie’s first time in Chicago on the Regal Theater stage. They were introducing a new [act], 17-year-old Kanye West, at the bottom of the flyer. Crucial Conflict was at the show, Da Brat was at the show, Common was at the show and a couple of other artists, at one show. That was the type of stuff that was going on. I [saw] Common and told him I was about to buy the Regal Theater and he stated how he thought Beyoncé and Jay were going to buy it. There was no Regal Theater from the mid ’70s until Avalon Theater was restored and they did the New Regal in 1987.
Who were some of the people that got their start with plays here?
Tyler Perry got his start at the Regal Theater. I was too young to go to his stuff but I remember his bus being in the parking lot. He was sleeping in his bus. It was a lot of church plays here.
Have you thought about changing the name from the New Regal Theater?
Yes, so we are going to change the name to Avalon Regal Theater because the building we’re in is the Avalon, which was from 1927 up until the mid ’70s. It was the Operation Regal Theater in Bronzeville so at the time so we had a lot of Irish German immigrants who lived here who came here for shows. Somebody came to me and said ” Wait right here.” The person came back and gave me a flyer from 1929 of a silent movie/music dance with the orchestra pit. They would do that type of stuff here until like the ’60s. It was mostly a movie house before they had multiplexes, this was the spot to come and see movies. A lot of white people come to me and say they use to come to Avalon and use to watch cartoons on Saturday. That’s the heritage as well, we want to preserve. The whole legacy of the Avalon Regal Theater (ART) is what we’re trying to get trending, the rich heritage of the South Side. The concept we have is we really feel this could be a Beale Street like in Memphis, [Tennessee]. They got like 20 or 30 music joints like on one strip, [along with] restaurants and bars. You can’t just have a venue and people can’t go get dinner before the show, a cocktail after the show. What you gonna get? Are you going to get robbed after the show? That’s what’s going to happen here now. Why can’t we have this [be] Beale Street? I feel like the South Side is like the Africa of the city. I think we have the opportunity to do crazy stuff like they did in Dubai. It’s cheap to do. We bought the Regal for $100,000. When I say “we” I mean the companies I chair. We bought it from the FDIC. It took us about nine months to negotiate because it’s a landmark. We had to get a blessing from a commissioner. We got about $7 million dollars worth of work to do. Three million dollars of that is on the facade. We probably are going to do a Kickstarter campaign.
When do you plan on opening?
We hope to be running by 2017.
How can people get more information about the Regal?
They can go to www.regaltheater.org and it has a lot of information about the project and the Regal itself.
To read full article, go to: http://rollingout.com/2016/06/03/new-regal-theater-868707/
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
While promoting her new film “Ghostbusters” on ABC’s “The View,” comedian and “Saturday Night Live” cast member Leslie Jones spent several minutes paying homage to “View” host and lifelong inspiration Whoopi Goldberg. She holds herself back from tears as she thanks Whoopi for being someone who she could watch on TV as a young woman who finally looked like her, who she could look up to, and one day emulate. It is a beautiful, sincere and poignant moment and we wanted to share it. Watch below:
[youtube https://www.youtube.com/watch?v=RUZFkY6rLfc&w=560&h=315]
article by Lisa Respers France via cnn.com
Misty Copeland is making the leap — or maybe a grand jeté — to the big screen. The prima ballerina has nabbed a role in Disney‘s forthcoming “The Nutcracker and the Four Realms” movie. Copeland posted a picture of the script on her Instagram account with the caption: “I’m thrilled to be a part of this amazing project with Disney and the wonderful Lasse Hallstrom. #TheNutcracker #MoreToCome.”
The studio announced the live-action film back in March and Hallstrom is set to direct.
Copeland has been lauded for breaking down barriers as an African-American dancer and is the subject of Nelson George‘s 2015 documentary “A Ballerina’s Tale.” For the upcoming film, she reportedly will appear as the lead ballerina in the “Nutcracker’s” only dance scene.
article by Evan Grossman via nydailynews.com
No highlight, championship or individual accomplishment showcased during the 2016 ESPY Awards Wednesday night was more powerful than the show’s cold opening.
Carmelo Anthony, Chris Paul, Dwyane Wade and LeBron James teamed up for a moving call to action for other athletes to use their celebrity, influence and resources to make a difference in a divided America plagued by gun violence, injustice and racism.
Anthony turned to Instagram last week as the nation was torn by the police shootings of Alton Sterling and Philando Castile and the retaliatory attack that led to the deaths of five Dallas police officers to urge others to inspire change. This week, he said he plans to use the Summer Olympics as another platform to spread his message, indicating he is not taking this lightly.
Reminiscent of Muhammad Ali’s black athlete summit from the summer of 1967, Melo started the show on a moving note when he was joined by fellow NBA stars Paul, Wade and James in a three-and-a-half-minute speech that, because of its social significance, timeliness and let’s face it, the need right now for more thoughtful and serious social leadership, may have eclipsed the legendary Jimmy V speech as ESPN’s finest moment.
Carmelo Anthony right to use Olympics as a platform for protest
Below is the transcript of their speech.
Carmelo Anthony:
Good evening. Tonight is a celebration of sports, celebrating our accomplishments and our victories. But, in this moment of celebration, we asked to start the show tonight this way, the four of us talking to our fellow athletes, with the country watching.
Because we cannot ignore the reality of the current state of America. The events of the past week have put a spotlight on the injustice, distrust and anger that plague so many of us.
Adam Silver praises Carmelo Anthony for ‘speaking from the heart’
The system is broken. The problems are not new. The violence is not new. And the racial divide definitely is not new.
But the urgency to create change is at an all-time high.
My fellow GBN Editor Lesa Lakin just e-mailed me this mash-up of Janet Jackson‘s “Can’t Be Stopped” with #BlackLivesMatter footage and Jesse Williams‘ now-classic speech from the 2016 BET Awards . Not sure who made it and posted it on Vimeo five days ago, but thank you – great message and inspiration! Keep protesting, speaking out, being creative and rising up!
–Lori Lakin Hutcherson, GBN Editor-in-Chief
VH1 Taps Ashanti, Keke Palmer, Amber Rose & More for Salt-N-Pepa Tribute Tonight on "Hip Hop Honors"
article by Adelle Platon via billboard.com
VH1 is pushing out another stellar tribute for Salt-N-Pepa at this year’s Hip Hop Honors. The network announced on Friday (July 8) that Ashanti, Amber Rose, Keke Palmer and Dreezy will be paying homage to the first all-female rap crew, comprised of Cheryl “Salt” James, Sandy “Pepa” Denton and DJ Spinderella.
The ladies will be shaking their thang (SNP pun intended) alongside other surprise guests for the evening’s tributes to fellow honorees Missy Elliott, Queen Latifah and Lil’ Kim. As previously announced, Pharrell, Timbaland and Nelly Furtado among others will salute Elliot while Common, Da Brat, Naughty By Nature and more will be on-hand to hail Queen Latifah.
Pharrell, Timbaland, Nelly Furtado & More to Honor Missy Elliott at VH1 Hip Hop Honors
VH1 Hip Hop Honors will land at New York’s David Geffen Hall at Lincoln Center tonight, July 11, making its comeback after six years.
VH1 is pushing out another stellar tribute for Salt-N-Pepa at this year’s Hip Hop Honors. The network announced on Friday (July 8) that Ashanti, Amber Rose, Keke Palmer and Dreezy will be paying homage to the first all-female rap crew, comprised of Cheryl “Salt” James, Sandy “Pepa” Denton and DJ Spinderella.
The ladies will be shaking their thang (SNP pun intended) alongside other surprise guests for the evening’s tributes to fellow honorees Missy Elliott, Queen Latifah and Lil’ Kim. As previously announced, Pharrell, Timbaland and Nelly Furtado among others will salute Elliot while Common, Da Brat, Naughty By Nature and more will be on-hand to hail Queen Latifah.
Pharrell, Timbaland, Nelly Furtado & More to Honor Missy Elliott at VH1 Hip Hop Honors
VH1 Hip Hop Honors will land at New York’s David Geffen Hall at Lincoln Center tonight, July 11, making its comeback after six years.
The first song I heard from the Hamilton soundtrack was “My Shot.” This song, the third one in the first act, serves the important role of introducing the ten-dollar-founding-father-without-a-father Alexander Hamilton: his burning ambition, his sophisticated oratory, his commitment to revolution. But the verse that hit me the hardest, that immediately told me that something exceptional was going on with this show, was this one, sung by young abolitionist John Laurens (played by Anthony Ramos):
Rise Up!
When you’re living on your knees, you rise up
Tell your brother that he’s gotta rise up
Tell your sister that she’s gotta rise up
This verse — in the show an exhortation to the 18th century colonists to revolt against the British government — is universal and timely enough to be a rallying cry for any recent social justice movement. As soon as I heard it, I knew Hamilton was trying to do something special. Without being didactic or preachy, Hamilton was telling people to stand up for their rights, take a seat at the table, and participate in America.
Much ink has been spilled about Hamilton: about its innovative hip-hop structure, its diverse cast, its best-selling cast album (including time at No.1 on the Billboard Rap charts), its unprecedented popularity on Broadway, its brilliant and social media-savvy creator Lin-Manuel Miranda, its eleven Tony awards. But despite its runaway popular success, and its seemingly universal appeal, Hamilton feels to me — and I suspect to many fans — deeply personal. As a mixed-race person, a lawyer who attended the same college as Hamilton, a federal government employee, and a life-long musical theatre nerd, the combination of the music, the lyrics, and the cast feels urgent and relevant.
![Jessica Davis (l), Tony Ramos (m), Julie Bibb Davis (r) [photo courtesy Julie Bibb Davis]](https://i0.wp.com/goodblacknews.org/wp-content/uploads/2016/07/fullsizerender-5.jpg?resize=405%2C296&ssl=1)
Hamilton shows the influence of American musical theatre traditions that range from Rodgers & Hammerstein to Sondheim to Disney. The show is most solidly rooted, however, in black musical traditions. Hamilton’s hip-hop and rap songs have garnered the most attention, but that only scratches the surface. “What’d I Miss” is a wonderful homage to Cab Calloway, with elements of ragtime and even funk.
“The Schuyler Sisters” echoes groups like Destiny’s Child, “Wait for It” starts with a dancehall reggae beat, and “Say No To This” is an R&B slow jam straight out of the 90s. In addition, most of the original main case is black, including Okieriete Onadowan (Mulligan/Madison), Tony nominee Chris Jackson (Washington), and Tony winners Leslie Odom, Jr. (Burr), Renee-Elise Goldsberry (Anjelica), and Daveed Diggs (Lafayette/Jefferson).
article via Tambay Obenson via shadowandact.com
HBO has selected the three emerging directors to participate in the 2016 HBOAccess Directing Fellowship. Now in its second year, the program provides one-on-one mentorship with an HBO creative executive, education about the craft and business of directing, and a $100k budget to shoot a short presentation for HBO with a professional crew. The winners will participate in the workshop in July, shoot their presentation in August, and finish up post-production by the end of September.
The three directors selected are:
— Readers of this blog will be familiar with Pete Chatmon, whose debut feature, “Premium,” starred Dorian Missick, Zoe Saldana, and Hill Harper and premiered on Showtime after a limited theatrical run. Chatmon also wrote, produced, and directed “761st,” a documentary on the first black tank battalion in WWII, narrated by Andre Braugher. Chatmon received the Tribeca Film Institute “All Access” Program’s Creative Promise Narrative Award for the heist screenplay “$FREE.99”, written in collaboration with Candice Sanchez McFarlane.
Through Double7 Images, his Digital Studio, he has directed content for ad agencies, Porsche, Proctor & Gamble, Lenovo, Universal Pictures, and other brands. Chatmon’s career began in 2001 with the Sundance selection of his NYU thesis film, “3D”, starring Kerry Washington. His current project, the short film “Black Card”, began traveling the international film festival circuit in Spring/Summer 2015 and premiered on HBO in February 2016.
— Kate Marks was a Project Involve fellow at Film Independent where she received the Barbara Boyle Award. She began making films after working as a playwright, theatre director, and performer in New York City. Her award winning short films (Pearl Was Here, Homebody, 7 Day Gig, and Miracle Maker) continue to screen all over the world. Highlights include Slamdance, Edinburgh International Film Festival, Austin Film Festival, Mill Valley, and broadcasting on PBS. She is a graduate of CalArts (MFA) and Brown University (BA). Additionally Kate teaches filmmaking in public schools, prisons, senior centers, and parks. Her work with a wide range of students can be felt in her stories, which focus on the need to be witnessed.
— Kevin Lau is a writer/director who is a recent fellow of the Sony Pictures Television Diverse Directors Program and CAPE New Writers Fellowship. A graduate of Columbia University’s MFA program, his thesis film, “Made in Chinatown”, swept the NBCUniversal Short Film Festival–winning Best Short, Best Writing, and Best Actor–and has gone on to screen in exhibitions at the New Americans Museum, Glass Curtain Gallery, and in classrooms at UCLA and Emerson College. Kevin is a proud native of Los Angeles and credits the culturally diverse city for shaping the stories he tells.