article by Scott Mendelson via forbes.com
With the always present caveat that “rank doesn’t matter,” it turns out that Hidden Figures was the top movie of the weekend, not Rogue One: A Star Wars Story. As you probably know, the weekend box office that everyone reports on Sunday is comprised of estimates and when the rankings are close the order can sometimes shift when the final numbers drop. So yeah, Hidden Figures earned a terrific $22.8 million, about $1m more than estimated, which is a sign that the film is building on its buzz and word-of-mouth.
Meanwhile, Rogue One had to settle for a $22m fourth weekend, bringing its domestic total to $477.3m. The story though, isn’t necessarily that Hidden Figures, which stars Taraji P. Henson, Octavia Spencer, Janelle Monáe, Mahershala Ali, Kirsten Dunst, Jim Parsons and Kevin Costner, bested the fourth weekend of Star Wars (or the third weekend of Sing) in its wide release debut. No, it’s that Hidden Figures, a historical drama about female African-American NASA mathematicians whose skills were essential to putting Americans into space, earned $22.8 million on its opening weekend, bringing the domestic total for the $25m Fox 2000/Chermin release to $24.7m.
At the risk of stating the painfully obvious, the triumph of said Allison Schroeder/Ted Melfi-written studio programmer, based on Margot Lee Shetterly’s book, is a huge win for the notion that movies about women, women of color no less, can be not just critically acclaimed and award-worthy but also multiplex-friendly box office hits. This shouldn’t be a surprise. We should know this by now. The Help earned $169 million domestic in 2011, more than X-Men: First Class ($146m), and earned about as much worldwide ($216m) as the 3D/$200m+ Green Lantern ($219m).
Back in 1995, Waiting to Exhale made about as much domestically ($67.4m) as Bad Boys, Outbreak and Heat. The entire Tyler Perry media empire is built on audiences (black women and otherwise) going to movie theaters to see mainstream melodramas about African-American women. Hell, we forget about it now, but Steven Spielberg’s The Color Purple earned $94.1 million domestic in 1985 ($216m in 2017 dollars). That doesn’t mean every Baggage Claim is going to break out, but if you treat movies like Hidden Figures like an event, the audience will show up.
To read more, go to: Box Office: ‘Hidden Figures’ Topped ‘Rogue One,’ But Its Real Victory Was That $22.8M Debut
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article by Lori Lakin Hutcherson (follow @lakinhutcherson)
On Sunday’s 74th Golden Globe Awards, the most shocking-but-deserved win of the night was Barry Jenkins’ “Moonlight” taking the honor of Best Motion Picture, Drama over “Hacksaw Ridge”, “Hell or High Water”, “Lion” and “Manchester by the Sea.”
Viola Davis won Best Supporting Actress in a Motion Picture for her powerhouse performance in the Denzel Washington-directed “Fences,” while on the television side, “Black-ish” lead Tracee Ellis Ross became the first African-American woman since Debbie Allen in 1983 to win Best Performance by an Actress in a Television Series – Musical or Comedy.
Donald Glover and his lauded FX cable creation “Atlanta” went two-for-two by winning both awards he was nominated for: Best Television Series – Musical or Comedy and Best Performance by an Actor in a Television Series – Musical or Comedy.
The complete winners list follows below:
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Birth of a Movement, a documentary about African-American newspaper editor William Monroe Trotter‘s 1915 battle against America’s first blockbuster movie – D.W. Griffith‘s infamous The Birth of a Nation – will have its broadcast premiere Feb 6, 2017 on Independent Lens/PBS.
The documentary film was produced and directed by Bestor Cram and Susan Gray at NLP in Boston, is executive produced by Sam Pollard and Henry Louis Gates, Jr. (who is also interviewed in the film), is narrated by Danny Glover, and written by filmmaker Kwyn Bader and Edgar Award Winner and Pulitzer nominee Dick Lehr. Spike Lee and Reginald Hudlin appear in the film, as does Paul Miller aka DJ Spooky, who provided the score. There are also premiere screenings – open to the public – in Boston and NYC on Jan 30 and 31st, respectively.
For Boston ticket info, click here: http://boston.eventful.com/events/birth-movement-boston-premeire-/E0-001-098857426-8
For New York City ticket info, click here: https://www.eventbrite.com/e/films-at-the-schomburg-birth-of-a-movement-the-battle-against-americas-first-blockbuster-tickets-30972781423
article by Seth Kelley via Variety.com
Heading into the weekend, a tight race was projected between “Rogue One: A Star Wars Story,” “Sing” and “Hidden Figures,” the latter of which showed a strong expansion judging by early estimates. Sure enough, Fox’s “Hidden Figures” earned $7.6 million at 2,471 locations to win Friday, on its way to an estimated $21 million for the weekend.
“Rogue One,” meanwhile tacked on an additional $6.1 million at 4,157 theaters, shooting to a potential $24 million this weekend. Illumination-Universal’s animated comedy “Sing” made $5.1 million on Friday from 3,955 theaters and should make about $23 million by the weekend’s end.
Taraji P. Henson stars in “Hidden Figures” as Katherine Johnson, an African-American mathematician who, along with her colleagues Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monae), helped NASA advance in the Space Race. Kevin Costner, Kirsten Dunst and Jim Parsons also star. Fox 2000 Pictures, Chernin Entertainment, Levantine Films and TSG Entertainment produced the film distributed by Fox. The awards season contender also performed well in limited release with $2.9 million from 25 locations since Dec. 25.
To read full article, go to: Box Office: ‘Hidden Figures,’ ‘Rogue One,’ ‘Sing’ Fight for First | Variety
article by Maane Khatchatourian via Variety.com
Beyoncé, Kendrick Lamar, and Radiohead will headline the Coachella Valley Music and Arts Festival this year. The 18th annual fest will once again take place over two weekends — April 14 to 16 and April 21 to 23 — at the Empire Polo Club in Indio, Calif.
Aside from a brief surprise cameo during husband Jay Z’s headlining set in 2010, and again for little sister Solange’s appearance in 2014, Beyoncé has never played the desert festival. She will headline the second night, with returning veterans Radiohead on Friday and Lamar (who first played the fest in 2012) closing out the proceedings on Sunday.
All three artists released highly acclaimed new music in 2016.
To read more, go to: Coachella 2017 Lineup: Beyonce, Radiohead, Kendrick Lamar to Headline | Variety
article by Lori Lakin Hutcherson
According to Variety.com, Cube Vision, rapper, actor and producer Ice Cube’s production company, has signed a comprehensive first-look deal with 20th Century Fox TV and Fox 21 Television Studios.
The two-year deal sets up Cube Vision to develop projects for broadcast, cable, and digital outlets. Ice Cube has brought in manager Jeff Kwatinetz to run Cube Vision’s TV production. Cube and Kwatinetz will both executive produce on the projects, which will run the gamut from traditional comedy and drama to animation and reality.
Under the deal, Fox also gets access to Cube Vision’s music library to use in its existing shows.
“It’s hard to think of a more multidimensional artist than Ice Cube, whose influence on the culture and enormous talent is virtually unrivaled,” Fox Television Group chairmen and CEOs Dana Walden and Gary Newman said. “We’ve been dying to be in business with him for years, and we think the combination of Cube and his incredibly talented producing partner Jeff Kwatinetz is going to result in some very compelling television.”
Cube echoed the sentiments. “I’m very happy and excited to work with the talented and creative people at Fox,” he said. “Their ability to bring groundbreaking television of every type through both cable and broadcast makes them the perfect partner for Cube Vision.”
Ice Cube is one of the executive producers behind VH1’s “Hollywood Squares” reboot “Hip Hop Squares”, and will next be seen in the New Line film “Fist Fight” opposite Charlie Day on Feb. 17.
Under the deal, Fox also gets access to Cube Vision’s music library to use in its existing shows.
“It’s hard to think of a more multidimensional artist than Ice Cube, whose influence on the culture and enormous talent is virtually unrivaled,” Fox Television Group chairmen and CEOs Dana Walden and Gary Newman said. “We’ve been dying to be in business with him for years, and we think the combination of Cube and his incredibly talented producing partner Jeff Kwatinetz is going to result in some very compelling television.”
Cube echoed the sentiments. “I’m very happy and excited to work with the talented and creative people at Fox,” he said. “Their ability to bring groundbreaking television of every type through both cable and broadcast makes them the perfect partner for Cube Vision.”
Ice Cube is one of the executive producers behind VH1’s “Hollywood Squares” reboot “Hip Hop Squares”, and will next be seen in the New Line film “Fist Fight” opposite Charlie Day on Feb. 17.
article by Ryan Reed via rollingstone.com
Jamie Foxx will chronicle Marvin Gaye’s triumphant, tragic life story in a planned limited series about the soul icon. The actor is executive producing the project alongside Passe Jones Entertainment’s Suzanne de Passe and Madison Jones, who will shop the series to various linear and digital outlets, according to The Hollywood Reporter.
“I’ve been a huge fan my whole life. His brilliance in music is unparalleled,” Foxx said in a statement. “Marvin Gaye’s story has always fascinated me.”
Motown founder Berry Gordy Jr., who signed Gaye to the legendary Detroit label in 1961, offered his official blessing to the series: “Marvin was the truest artist I have ever known,” he told The Hollywood Reporter. “I am confident that this is the right team to bring his story to the audience in an authentic and compelling way.”
At Motown, Gaye found success with his romantic musical persona, partnering with duet partners like Mary Wells and Tammi Terrell. But he explored social issues and sexual subject matter on later LPs, including 1971 masterpiece What’s Going On and 1973’s Let’s Get It On, respectively. After a commercial decline later in the decade, he found a resurgence with 1982’s Midnight Love and hit single “Sexual Healing.” But his story ended tragically in 1984, when he was fatally shot at age 44 by his father in Los Angeles.
While numerous actors, musicians and filmmakers have attempted to produce Gaye biopics over the years, Foxx’s is the first authorized by the late singer’s family. “This project will be a powerful and definitive telling of Marvin Gaye’s life story,” said Gaye’s son, Marvin Gaye III, who will also executive produce the project.
To read more, go to: Marvin Gaye’s Family Approves Jamie Foxx-Produced Series – Rolling Stone
article by Monique Judge via theroot.com
For the first time in its 24-year history, Mall of America in Bloomington, Minn., had a black Santa on hand to help spread holiday cheer Thursday.
“This is a long time coming,” Landon Luther, co-owner of the Santa Experience, which has run the intimate photo studio at the mall for years, told the Star Tribune. “We want Santa to be for everyone, period.”
Customers at the Mall of America have two Santa options to choose from: They can wait in line with everyone else at the mall for the free Santa, or they can book an appointment with the Santa Experience. The Star Tribune reports that Luther conducted a national search last spring for a Santa to whom children of color would be able to relate. Santa Sid, who has worked at the Mall of America for 20 years, met Larry Jefferson of Irving, Texas, at a Santa convention in Branson, Mo. Of the 1,000 Santa impersonators in attendance, Jefferson was the only black one.
“It was like finding a needle in a haystack,” Luther said.
Jefferson, dressed as Santa Larry, will greet children, pass out candy and pose for photographs by appointment only from Thursday to Sunday.
To read more, got to: For 1st Time Ever, a Black Santa Comes to Mall of America in Minn.
article by Dave McNary via Variety.com
Denzel Washington has been selected to receive the Maltin Modern Master Award at the 32nd annual Santa Barbara International Film Festival on Feb. 2, 2017 at the Arlington Theatre.
Washington will be honored for his longstanding contributions to the film industry, culminating with Paramount’s upcoming movie “Fences,” which he directs, produces, and stars in.
The award is named for film critic Leonard Maltin, who will return for his 26th year to moderate the evening. Roger Durling, the festival’s executive director, said, “Denzel Washington directing, producing and acting in ‘Fences’ defines the Modern Master for the 21st Century.”
Washington portrays a mid-century Pittsburgh sanitation worker who once dreamed of a baseball career, but was too old when the major leagues began admitting black players. He tries to be a good husband and father, but his lost dream of glory eats at him, and causes him to make a decision that threatens to tear his family apart.
The screenplay is written August Wilson, adapted from Wilson’s Pulitzer Prize-winning play. The film also stars Viola Davis, Jovan Adepo, Stephen McKinley Henderson, Russell Hornsby, Mykelti Williamson and Saniyya Sidney. Paramount opens “Fences” on Dec. 25.
To read more, go to: http://variety.com/2016/film/festivals/denzel-washington-santa-barbara-film-festival-1201928237/
Washington will be honored for his longstanding contributions to the film industry, culminating with Paramount’s upcoming movie “Fences,” which he directs, produces, and stars in.
The award is named for film critic Leonard Maltin, who will return for his 26th year to moderate the evening. Roger Durling, the festival’s executive director, said, “Denzel Washington directing, producing and acting in ‘Fences’ defines the Modern Master for the 21st Century.”
Washington portrays a mid-century Pittsburgh sanitation worker who once dreamed of a baseball career, but was too old when the major leagues began admitting black players. He tries to be a good husband and father, but his lost dream of glory eats at him, and causes him to make a decision that threatens to tear his family apart.
The screenplay is written August Wilson, adapted from Wilson’s Pulitzer Prize-winning play. The film also stars Viola Davis, Jovan Adepo, Stephen McKinley Henderson, Russell Hornsby, Mykelti Williamson and Saniyya Sidney. Paramount opens “Fences” on Dec. 25.
To read more, go to: http://variety.com/2016/film/festivals/denzel-washington-santa-barbara-film-festival-1201928237/
article by Lori Lakin Hutcherson
According to Variety.com, former “The Nightly Show” host Larry Wilmore is turning his focus back to writing and producing after his 2016 stint on Comedy Central.
Wilmore recently signed an overall deal with ABC Studios, marking his first major move since his late-night series was cancelled. Under his new multi-year pact, Wilmore will develop his own projects, plus supervise others and work with executives to target talent for the studio.
Wilmore recently helped Issa Rae created“Insecure” for HBO, which was recently renewed for a second season. A comedy veteran, Wilmore also created “The Bernie Mac Show” and “The P.J.’s.” He’s also an executive producer on ABC’s hit sitcom “Black-ish.”
“I’m excited beyond words to be back at ABC and look forward to this creative partnership,” Wilmore said. “Disney took a chance on me as a young writer years ago and so I’m thrilled to return to the Mouse House. I hope my room still looks the same.”
According to Variety.com, former “The Nightly Show” host Larry Wilmore is turning his focus back to writing and producing after his 2016 stint on Comedy Central.
Wilmore recently signed an overall deal with ABC Studios, marking his first major move since his late-night series was cancelled. Under his new multi-year pact, Wilmore will develop his own projects, plus supervise others and work with executives to target talent for the studio.
Wilmore recently helped Issa Rae created“Insecure” for HBO, which was recently renewed for a second season. A comedy veteran, Wilmore also created “The Bernie Mac Show” and “The P.J.’s.” He’s also an executive producer on ABC’s hit sitcom “Black-ish.”
“I’m excited beyond words to be back at ABC and look forward to this creative partnership,” Wilmore said. “Disney took a chance on me as a young writer years ago and so I’m thrilled to return to the Mouse House. I hope my room still looks the same.”