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Born On This Day in 1894: American Comedy Pioneer Moms Mabley (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN’s Daily Drop podcast features Jackie “Moms” Mabley, the first woman comedian in the U.S. to have a long-lasting and successful career.

It’s based on the Saturday, March 19 entry from the Black Comedians category called “Yeah, You Funny”in our “A Year of Good Black News” Page-A-Day®️ Calendar for 2022:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Saturday, March  19th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. It’s in the category for Black Comedians we call, “Yeah, You Funny”:

Jackie “Moms” Mabley was the first woman comedian in the U.S. to have a long-lasting and successful career. Born #onthisday in 1894, in Brevard, North Carolina, Mabley got her start performing on vaudeville’s “chitlin’ circuit” for years before becoming widely known from the 1940s to the 1970s for her movie appearances, hit comedy albums, variety show guest spots, and as a headlining stand-up act at venues such as the Apollo Theater, where she appeared more than any other performer in history.

Mabley mostly played the character of an older woman in a housedress who offered subtle commentary on politics, racism, sexism… all while musing on her desire for younger men.

Today we share one of Mabley’s clever quips of the latter variety, which juxtaposed so greatly with her presentation and still feels contemporary:

“There ain’t nothin’ an old man can do for me but bring me a message from a young one.”

To learn more about Moms Mabley, check out the Whoopi Goldberg-directed documentary on her from 2013 called Moms Mabley: I’ve Got Somethin’ To Tell You, watch her in movies such as Amazing Grace from 1974, Killer Diller or Boarding House Blues, both from 1948, or check out her comedy albums like Moms Mabley at the Playboy Club, Moms Mabley at the Geneva Conference, Young Men, Si – Old Men – No, Moms Mabley at the U.N. or her Top 40 pop and Top 20 R&B hit version of “Abraham, Martin & John” from 1969.

All albums are available to stream on Apple Music and some of them are also on Spotify. You can also check out Wanda SykesEmmy-nominated portrayal of Moms Mabley in the Amazon original series The Marvelous Mrs. Maisel.

Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing. Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

And today, in honor of Moms Mabley’s birthday, we’re closing with a snippet of her version of “Abraham, Martin and John,” written by Dick Holler:

[Excerpt of “Abraham, Martin and John”]

Sources:

GBN’s Daily Drop: Misty Copeland, 1st African American Principal Dancer in American Ballet Theatre History (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is about Misty Copeland, the first African American principal dancer in the elite American Ballet Theatre‘s 75-year history, based on the Tuesday, March 15 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, March 15th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Misty Copeland changed the face of ballet… with her feet. Raised in San Pedro, California, Copeland began taking ballet lessons at her local Boys & Girls Club at the “late” age of thirteen. By fifteen she was dancing professionally.

Misty joined American Ballet Theatre in April 2001 and made history in 2014 as the first Black woman to perform the lead role of Odette/Odile in ABT’s Swan Lake. In June 2015, Misty was promoted to principal dancer, the first African American woman to hold the position in the company’s 75-year history.To learn more about Misty Copeland, check out her 2014 New York Times best-selling memoir Life in Motion: An Unlikely Ballerina, 2017’s Ballerina Body: Dancing and Eating Your Way to a Leaner, Stronger, and More Graceful You, and 2021’s Black Ballerinas: My Journey to Our Legacy, an illustrated nonfiction collection in which Copeland celebrates dancers of color who came before her, the odds they faced, and how they have influenced her on and off the stage.

Copeland has also authored the picture books Firebird from 2014 and 2015’s Bunheads. You can also check out her official website, mistycopeland.com, her biography and performance photos on the American Ballet Theatre site, abt.com, and her online MasterClass on Ballet Technique and Artistry at masterclass.com.

Also worth checking out is the WBUR CitySpace-hosted conversation Tell Me More! Misty Copeland And The Ballerinas Of The 152nd Street Black Ballet Legacy from 2021 on YouTube and the 2015 documentary A Ballerina’s Tale directed by Nelson George and available to rent or buy on Amazon or AppleTV.

Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, Intro and outro beats provided by freebeats.io and produced by White Hot.

Music from Swan Lake composed by Tchaikovsky was used in today’s episode under Public Domain license.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Additional sources:

(paid links)

MUSIC MONDAY: “Black Like Me” – Black Women of Country & Americana Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Mickey Guyton’s 2020 song “Black Like Me,” released amid the national racial justice protests, was nominated for a Grammy, making her the first Black solo female artist to be nominated in a country music category.

A recent study from the University of Ottawa found a mere .03 percent of all songs on country radio from 2002 to 2020 were by Black women. Less than 1 percent of the over 400 artists signed to the three major country music labels are people of color, according to that study.

Still, Black women artists are making a mark. Valerie June, Yola, Brittney Spencer, and Yasmin Williams are just a few sisters resonating with existing country music lovers, and with an entirely new group of fans.

Many historically turned off a genre that has almost exclusively been marketed to white audiences. They see the industry changing and say their music can resonate not only with existing country music lovers, but with an entirely new group of fans who have been turned off by a genre that has almost exclusively been marketed to white audiences.

There are many emerging artists on this playlist actively shifting conversations in country music around inclusion and diversity. I’ve also included to long-standing artists like Tina Turner and Mavis Staples that have made an impact on country music.

Hope you all enjoy my GBN contribution Women’s History Month. I’ll be back next month. And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

GBN’s Daily Drop: Black Lexicon – What “Sadiddy” Means (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast looks at our Black Lexicon category “Lemme Break It Down” from the Friday,  March 11 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 where we explain the term “Sadiddy”:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, March 11th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

It’s in the category we call “Lemme Break It Down,” where we explore the origins and meanings of words and phrases rooted in the Black Lexicon and Black culture. Today’s word? “Sadiddy.”

“Sadiddy” —  s-a-d-i-d-d-y — is a term meaning stuck-up, snobby, arrogant, conceited or superior- acting. What Brandy says she ain’t in her 2004 song of the same name:

[Excerpt from “Sadiddy” by Brandy]

Alternate spellings include “s-e-d-i-t-ty-,” “s-a-d-d-i-t-y,” “s-a-d-i-t-t-y” or basically any two words put together that sound like “suh” and “ditty.” The word is traceable in written form to the 1940s, where it was employed in several African American newspaper columns.

Example usage: “She used to be cool, but ever since she bought that used Mercedes, she’s acting all sadiddy.”

To learn more about sadiddy, there are two great segments on the A Way With Words show on Soundcloud, that discuss the etymology of “sadiddy” in more detail, and I’ll provide the links to both in today’s show notes as well embed them in the episode’s full transcript posted on goodblacknews.org.

Pharrell Williams, Mariah Carey, Isley Brothers to be Inducted into Songwriters Hall of Fame in June

Third time is the charm. The twice-pandemic delayed Songwriters Hall of Fame Induction and Awards Gala will take place on June 16, 2022, at the Marriott Marquis New York’s Times Square, according to Variety.com.

Originally set for June 10, 2020, the June 16 ceremony will celebrate previously announced songwriters Mariah Carey, Pharrell Williams / Chad Hugo (the Neptunes), Ernie Isley / Marvin Isley / O’Kelly Isley / Ronald Isley / Rudolph Isley / Chris Jasper (the Isley Brothers), Annie Lennox and Dave Stewart (Eurythmics), Steve Miller, , Rick Nowels and William “Mickey” Stevenson.

Paul Williams will receive the prestigious Johnny Mercer Award and Universal Music Publishing Chairman-CEO Jody Gerson will receive the Abe Olman Publisher Award.

Full biographies and a complete list of inductees are available on the Songwriters Hall of Fame website at https://www.songhall.org.

Read more: https://variety.com/2022/music/news/songwriters-hall-of-fame-2022-mariah-carey-pharrell-1235199336/

[photo via theneptunes.org]

GBN’s Daily Drop: Groundbreaking Comedy “House Party” Released in Theaters Thirty Two Years Ago #OnThisDay (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is based on the Wednesday, March 9 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 celebrating the groundbreaking 1990 feature film House Party, directed and produced by Reginald Hudlin and Warrington Hudlin, and starring Kid ‘N Play, Full Force, Tisha Campbell, AJ Johnson, Martin Lawrence, Robin Harris and John Witherspoon:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Wednesday, March 9th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Shape up your high-top fade because Reginald Hudlin and Warrington Hudlin’s groundbreaking comedy film House Party was released 32 years ago today!

House Party exploded on the scene and ignited the careers of rappers Kid ‘N Play; actors Tisha Campbell, AJ Johnson, and John Witherspoon; comedians Martin Lawrence and Robin Harris; and R&B producers and performers Full Force.

A surprise success at the box office, House Party spawned several sequels and reboots, most recently one produced by LeBron James that will debut on HBO Max this July. Still, the original teen comedy remains a beloved 1990s classic that still manages to kick-step itself across the generations. 

We celebrate House Party not only for the depth of talented actors, comedians and musicians it featured, but also because it was one of the first movies to portray Black teenagers as teenagers out to have a good time, which in 1990, was revolutionary.

It also literally contains one of the best dance battle scenes in movie history – that scene alone has almost eight million views on YouTube – and it also introduced the world to the iconic Kid ‘N Play kick step:

You can watch the movie in its entirety on HBO Max, but there is a content warning – homophobic language is used in one scene, that even when I saw it in the theatre in 1990 was bothersome and not at all humorous as intended.

For me, it doesn’t ruin the whole movie, but it does, in my opinion, hold it back from being as smart and as undeniably entertaining as it should be.

To learn more about House Party and its significance to cinematic history, check out the links to sources provided in today’s show notes, and in the episode’s full transcript posted on goodblacknews.org

This has been a daily drop of Good Black News, based on the A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Intro and outro beats provided by freebeats.io and produced by White Hot.  Additional music included under fair use was “Ain’t My Type of Hype” the House Party mix by Full Force.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

James Earl Jones Honored with Renaming of Cort Theatre on Broadway to James Earl Jones Theatre

The Shubert Organization, Inc., today announced that the 110-year-old Cort Theatre on 48th Street will become the James Earl Jones Theatre, in recognition of Mr. Jones’s lifetime of immense contributions to Broadway and the entire artistic community.

Jones, who is 91, began his Broadway career in 1957, and in 1958 Mr. Jones played his first role at the Cort Theatre in Sunrise at Campobello. Over the following six-and-a-half decades Jones rose to star in countless stage and screen productions (including twenty-one Broadway shows).

Jones’s Tony awards include Best Actor in a Play for The Great White Hope (1969) where he portrayed turn-of-the-century boxing champion Jack Johnson, and the original production of Fences (1987) by playwright August Wilson, as well as a Lifetime Achievement Award in 2017.

Jones has additionally won seven Drama Desk Awards and has been awarded the National Medal of Arts and the Kennedy Center Honor.

“The Shubert Organization is so incredibly honored to put James—an icon in the theatre community, the Black community, and the American community—forever in Broadway’s lights,” said Robert E. Wankel, Shubert CEO and board chair. “That James deserves to have his name immortalized on Broadway is without question.”

James Earl Jones (via Schubert.nyc)

“For me standing in this very building sixty-four years ago at the start of my Broadway career, it would have been inconceivable that my name would be on the building today,” said Mr. Jones of Shubert’s decision to rename the Cort Theatre in his honor. “Let my journey from then to now be an inspiration for all aspiring actors.”

Most recently Jones portrayed Weller Martin across from Cicely Tyson’s Fonsia Dorsey in the 2015 Broadway revival of The Gin Game at Shubert’s John Golden Theatre.

The Cort Theatre opened in 1912, having been designed in the style of an Eighteenth-Century French palace by renowned theatre architect Thomas Lamb to house productions of theatre impresario John Cort. The building was sold to the Shubert brothers in 1927.

GBN’s Daily Drop: On 2/27, Celebrating “227” Star and Executive Producer Marla Gibbs (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is based on the Sunday, February 27 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 celebrates Marla Gibbs, 90, Executive Producer and star of NBC’s 227 as well as the long-running CBS series The Jeffersons:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, February 27th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Even though she cleaned up during her unexpected star turn as no-nonsense housekeeper Florence Johnston on the hit CBS sitcom The Jeffersons, acting newcomer Marla Gibbs, then 41, was reluctant to give up her day job at United Airlines until the show became a bona fide hit.

Ten years later, Gibbs moved on up into the power seat when she bought the rights to star in and executive produce the TV version of a play entitled 227. The family comedy ran for five years on NBC and introduced the world to a young Regina King.

To learn more about Marla Gibbs, check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon,Bookshop and other online retailers.

Beats provided by freebeats.io and produced by White Hot.

If you like our Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. You could give us a positive rating or review, share your favorite episodes on social media, or go old school and tell a friend.

For more Good Black News, you can check out goodblacknews.org or search and follow @goodbinlacknews anywhere on social.

Sources: 

GBN’s Daily Drop: Raven Wilkinson – the 1st Black Ballerina to Dance with a Major Company in the U.S. (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop Podcast is a bonus episode for Sunday, February 20, 2022 based on the  “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 format. It’s about Raven Wilkinson, who, when she joined the Ballet Russe de Monte Carlo, became the first African American ballerina to dance with a major company in the U.S:

You can also follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, February 20th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Born in 1935, New York native Raven Wilkinson attended her first ballet when she was five years old, a performance of Coppélia, danced by the esteemed Ballet Russe de Monte Carlo. From that moment on, Wilkinson wanted to be a ballerina. Fortunately, her parents were able to find her a teacher, and Wilkinson trained with Russian instructor Maria Swoboda, who was a former member of the Bolshoi Ballet.

Wilkinson eventually got the opportunity to audition for Ballet Russe, the same high-profile company which inspired her to dance. Ballet Russe was reluctant to hire Wilkinson, however, for fear of backlash when performing in the South.

Wilkinson nevertheless persisted, and by her fourth audition, Ballet Russe could no longer deny her talent and hired her, making Wilkinson the first African American woman to dance with a major ballet company in the U.S.

Her appearances in the South though, they did incur hostility and threats. Wilkinson was encouraged to wear pale makeup while dancing to “pass,” but she always refused to hide her race. The racism she did encounter did take its toll however, and Wilkinson stopped touring in the South and eventually everywhere.

A few years later in 1967, encouraged by Sylvester Campbell, another African-American dancer, Wilkinson auditioned with the Dutch National Ballet, got in, and stayed with the Netherlands-based troupe for seven years. Wilkinson then returned to New York and at nearly 40 joined the New York City Opera, serving first as a member of its ballet ensemble and then in other roles until she retired from performing altogether.

A mentor and friend to Misty Copeland, in 2015 Wilkinson attended Copeland’s debut in the lead role of Swan Lake, as she became the first African American principal dancer at an elite company, the American Ballet Theater in New York.

Wilkinson brought Copeland flowers onstage, and in 2019, Copeland paid tribute to Wilkinson in a video produced by The Root:

“Every black person that’s accomplished something incredible has had to endure some really awful things. I think that Raven is a very special case. Because I think that she was so good at making the worst situations into a learning experience or something that she made into a good situation. It’s amazing that we found each other and, and that it kind of just came full circle, you know, for her to be able to witness my promotion to principal dancer, to be able to have her come on to the stage during my curtain calls of my New York debut of Swan Lake was, was really overwhelming.

She told me she didn’t think she’d ever see a Black woman become a principal dancer in an elite company. To have her walk into events and walk into the ballet and for people to like, recognize her, and, and give her the due credit that she deserved all of these years. I think, again, it’s just kind of part of what I think my purpose was to be here. To tell the stories of all of these Black ballerinas, especially Raven’s. There’s just no real record of our existence through history. And the more stories we tell of Black dancers, the more that we can make it our history and make ballet our own.”

To learn even more about Raven Wilkinson, check out the 2016 documentary Black Ballerina in which Wilkinson is featured, Stillness Broken, the Columbia University School of Journalism student film about Wilkinson, the 2018 picture book based on her life titled Trailblazer: The Story of Ballerina Raven Wilkinson that includes a forward by Copeland, as well as several other sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com,Amazon, Bookshop and other online retailers.

Beats provided by freebeats.io and produced by White Hot.  Additional songs permitted under Public Domain license included were “The Festival Dance” from Coppelia composed by Delibes, and “Dance of the Sugar Plum Fairy” from The Nutcracker composed by Tchaikovsky.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(paid links)

GBN’s Daily Drop: “Black Girl Magic” – (Gen) Z is for Zendaya (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop Podcast is based on the Saturday, February 19 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 about the multi-talented former Disney Channel star, global box-office phenom and fashion icon Zendaya Coleman, in the category of what else… Black Girl Magic!

You can also follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, February 18th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. Today’s category? Black Girl Magic. The person? Zendaya.

“Euphoria” must describe the feeling Zendaya Coleman has on the regular. Not only did she become the youngest person ever to win a Primetime Emmy for Best Actress in a Drama Series in 2020 for her performance in HBO’s Euphoria, the multi-talented performer has landed Top 40 hits as a musical artist, starred in blockbusters such as Spider-Man: Homecoming, Spider-Man: Far From Home and The Greatest Showmanshe can even do a convincing trapeze act!

The Dune and Malcolm and Marie star also claimed fashion icon status with various magazine covers, red carpet arrivals and the 2019 launch of her Zendaya x Tommy collection with Tommy Hilfiger.

To learn more about Oakland native Zendaya, check out the links to sources provided in today’s show notes or in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon, Bookshop and other online retailers. Beats provided by freebeats.io and produced by White Hot.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(paid links)