Press "Enter" to skip to content

Posts published in “Entertainment”

Happy Sixty-Ninth Birthday, Actor and Adoption Activist Taurean Blacque!

By goodblacknews on May 11, 2010
Media_http3bpblogspot_zkpgx
Taurean Blacque (born Herbert Middleton Jr. in Newark, New Jersey, May 10, 1941) is an American television and stage actor, best known for his role as Detective Neal Washington on the series Hill Street Blues. He also is a past national spokesman for adoptive services, having been one of the first single black men in the United States to adopt a child.

Before appearing on television, Blacque trained and performed at the New Federal Theater in New York, a theater founded to provide opportunities to minorities and women. Early in his acting career, Blacque began making guest appearances in sitcoms such as What’s Happening!!, Sanford and Son, The Bob Newhart Show,The Tony Randall Show, Good Times, and Taxi, and auditioned for permanent roles on others, including Venus Flytrap on WKRP in Cincinnati, eventually played by Tim Reid.
In 1981 he joined the cast of the fledgling police drama Hill Street Blues, staying with the show throughout its run, which ended in 1987. While appearing on that show, he was nominated in 1982 for the Emmy for Outstanding Supporting Actor in a Drama Series, but lost to fellow HSB actor Michael Conrad, in the only year in which all the nominees in a category came from the same series. His theatrical career continued during his run on the show, winning him an NAACP Image Award of Best Actor (Local) in 1985 for his role in Amen Corner.  In 1986 his stage roles included the male lead in the musical Don’t Get God Started during its initial six-week summer run in Beverly Hills.
After Hill Street ended, Blacque moved to Atlanta, Georgia, to provide a better home for his children; in his new home, he has focused on theatrical work while making occasional guest appearances on television. Notable stage performances include Stepping Into Tomorrow with Yolanda King in 1987, and a 1988 revival ofCeremonies in Dark Old Men.  Television work included a pilot, Off-Duty, for CBS, in which Blacque once again played a police officer; the show was not picked up by the network. Blacque also had a small role in Disney’s animated film Oliver & Company.  In 1989, he portrayed Henry Marshall on NBC’s Generations.

Blacque initially was asked to serve as spokesman for the County of Los Angeles Adoption Services office though he had no adoptive children at the time. Upon looking into adoption, he was told that as a single black male, he was not eligible to adopt; however, he pressed on, eventually adopting ten children in addition to the two sons he already had. The adopted children included twin boys and a group of five children whose mother could not keep them due to her drug addiction. In 1989 he was asked by President George H. W. Bush to serve as a national spokesman for adoption.


article via www.wikipedia.com

Kerry Washington Repeats on People Magazine's "Most Beautiful" List

By goodblacknews on May 3, 2010
Media_http1bpblogspot_phnyc

Kerry Washington not only is a second-time “beautiful” selection for People, but she also did her photo shoot with no make-up and gives her parents credit for her beauty!  Watch video of her talking about this and more by clicking here:  www.people.com

Black Eyed Peas' 'I Gotta Feeling' Breaks Digital Sales Record

By goodblacknews on May 1, 2010

By Keith Caulfield, L.A.
The Black Eyed Peas continue to steamroll their way into the record books this week. The group’s “I Gotta Feeling” surpasses Flo Rida’s “Low” as the best-selling digital song of all time, according to Nielsen SoundScan.
SoundScan began tracking digital song sales in July of 2003, a little more than two months after Apple launched its popular iTunes Store.
Feeling,” which spent 14 weeks at No. 1 on the Billboard Hot 100 chart last year, has now sold 5,561,000 million digital downloads, ahead of “Low’s” 5,536,000. The latter had been the biggest selling song since March 2008, when it trumped Soulja Boy Tell’em’s 2007 hit “Crank That.”
Presently, the Peas own two out of the top five best-selling digital songs in history. Its other ubiquitous 2009 hit, “Boom Boom Pow,” is in fourth place with 5,298,000. Behind Flo Rida is Lady Gaga’s “Just Dance” (No. 3 with 5,364,000) and rounding out the top five is Gaga again with “Poker Face” (5,131,000).
Coincidentally, “Boom Boom Pow,” “Poker Face,” “Just Dance” and “I Gotta Feeling” ranked as the top four singles, respectively, on Billboard’s year-end Hot 100 chart last year.

Black Eyed Peas’ ‘I Gotta Feeling’ Breaks Digital Sales Record

By goodblacknews on May 1, 2010

By Keith Caulfield, L.A.

The Black Eyed Peas continue to steamroll their way into the record books this week. The group’s “I Gotta Feeling” surpasses Flo Rida’s “Low” as the best-selling digital song of all time, according to Nielsen SoundScan.

SoundScan began tracking digital song sales in July of 2003, a little more than two months after Apple launched its popular iTunes Store.
Feeling,” which spent 14 weeks at No. 1 on the Billboard Hot 100 chart last year, has now sold 5,561,000 million digital downloads, ahead of “Low’s” 5,536,000. The latter had been the biggest selling song since March 2008, when it trumped Soulja Boy Tell’em’s 2007 hit “Crank That.”

Presently, the Peas own two out of the top five best-selling digital songs in history. Its other ubiquitous 2009 hit, “Boom Boom Pow,” is in fourth place with 5,298,000. Behind Flo Rida is Lady Gaga’s “Just Dance” (No. 3 with 5,364,000) and rounding out the top five is Gaga again with “Poker Face” (5,131,000).
Coincidentally, “Boom Boom Pow,” “Poker Face,” “Just Dance” and “I Gotta Feeling” ranked as the top four singles, respectively, on Billboard’s year-end Hot 100 chart last year.

The Fifth Annual African Movie Academy Awards Help Raise Global Awareness of African Movie Industry

By goodblacknews on May 1, 2010
Bayelsa, Nigeria (CNN) — The stars of African cinema graced the red carpet at the African Movie Academy Awards (AMAA), in Nigeria, showcasing the films that could make waves on the global festival circuit.
The African movie industry gathered in Yenagoa, in the Niger Delta region of Nigeria, for the fifth annual “African Oscars.”  Set up in 2005 by former lawyer Peace Anyiam-Osigwe, the awards have helped raise the profile of African movies around the world.  “African film has a hard time in getting recognition in most film festivals [outside Africa],” Anyiam-Osigwe told CNN.  “I think one of the biggest achievements of the AMAA is that the main festivals now look upon us as a selection process, and will pick those particular films that we’ve looked at and carry them on to the different festival circuits.
Media_httpicnnnetcnni_hhcdl

Gallery: African Movie Academy Awards

“The first Nollywood film that the British International Film Festival showed was ‘Irapada,’ by Kunle Afolayan, which won Best Indigenous Film at AMAA in 2007. ‘The Figurine’ premiered at Rotterdam this year and has gone on to other film festivals and ‘From a Whisper’ traveled the festival circuit based on its win at AMAA.”
“The Figurine,” a thriller about a sculpture with mystical powers, also by Nigerian director Kunle Afolayan, stole the show at this year’s ceremony, claiming five awards in total — including Best Picture.  Afolayan told CNN, “It feels great — like we’ve not worked in vain. It feels like we’ve opened up a new page in African cinema.
For me, a good story will cut across, not just appeal to Nigerians.
–Nigerian Director Kunle Afolayan
In its first years the AMAAs focused on Nigeria’s booming movie industry — known as “Nollywood.” But since then they have become more pan-African. The 24 awards at this year’s ceremony included nominations from across the continent.
Nonetheless, in terms of sheer output, Nigeria dominates African cinema. Nigeria is the world’s second-biggest producer of movies, behind only India. In 2006 it produced 872 movies, compared with 485 major feature films made in the U.S., according to the UNESCO Institute for Statistics.  Nollywood movies are typically low-budget — often filmed, edited and released within a month. Most don’t end up on the big screen. Instead, they are distributed as VCDs costing about $1 to $2, meaning they are affordable for the mass African market.
But it is Nollywood’s pioneering use of relatively inexpensive digital cameras instead of costly 35mm film that Anyiam-Osigwe says has been its most important contribution to African cinema.  “There is a new wave of African cinema which is mostly the digital revolution, which has gone on from what Nollywood started in the early 90s,” she told CNN.
“Nigeria made people believe they could make films for less [by using digital cameras]. That has spread across the continent and I think that’s a good thing, otherwise Africa would not be able to have any kind of production, because it couldn’t afford it.
“You see a lot of the older generation of filmmakers from Africa who have made only one short film or one feature-length film in their lifetime, because they have not been able to make up the cost of making another film.”
Anyiam-Osigwe said that while some older filmmakers still believe movies should be shot only on 35mm film, directors from Malawi, Kenya, and Johannesburg’s “Joziewood” have now made the switch to digital.  She added that while every African country has its own movie-making style, the themes are often universal.  “Everyone tries to do a film that people in their own community will watch,” she said. “But I’ve found that all over the continent we have similar stories — it’s just how we tell them.”
story via CNN.com