Conductor Thomas Wilkins has been a familiar face to classical music fans in Los Angeles since at least 2008, when he was appointed principal guest conductor of the Hollywood Bowl Orchestra.
On Thursday, Wilkins officially took on a new title with the orchestra — principal conductor — signaling a more permanent role in the institution. Wilkins made his Bowl debut in 2007 and has held a series of two-year appointments in his role as principal guest conductor.
The Los Angeles Philharmonic, which made the announcement on Thursday, said that Wilkins has led the Hollywood Bowl Orchestra at 50 concerts during his periods as principal guest conductor.
The Hollywood Bowl Orchestra was led for many years by conductor John Mauceri, who stepped down in 2006.
If anyone was still wondering if breakout actress and Oscar winner Lupita Nyong’o was having the best year ever, Vogue just solidified it. The 12 Years a Slave star, 31, made her first appearance on the most coveted of fashion magazines, covering Vogue’s July issue.
This isn’t Nyong’o’s first cover. In April, she took the title of People’s “Most Beautiful Woman in the World.” She was also recently named a Lancome beauty ambassador and has joined the cast of the upcoming “Star Wars” feature directed by J.J. Abrams. article by Lori Lakin Hutcherson (@lakinhutcherson)
According to Shadow and Act, Kino Lorber, which for years has specialized exclusively in silent, foreign and independent films, has made a deal with MGM/Fox to release older United Artists titles from the 50’s to the 70’s in new Blu-ray remastered discs, starting in late summer. In September, Kino will be releasing the 1972 heist drama “Across 110th Street” starring Yaphet Kotto, Anthony Franciosa and Anthony Quinn.
Considered one of the best films of the famed “blaxploitation” movie era, “Across 110th Street” has influenced filmmakers such as “American Gangster” director Ridley Scott, and Quentin Tarantino, who included the title track from this movie in his homage to this era of filmmaking, “Jackie Brown.” To learn more about the movie, clickhere. article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Photo Credit: ANTHONY HARVEY/GETTY IMAGES Oprah Winfrey has joined the cast of Ava DuVernay’s “Selma.” She is also producing the film. Winfrey will play Annie Lee Cooper, an elderly woman who tried to register to vote and was unfairly denied by Sheriff Clark. She was a visible leader amongst the civil rights protesters in Selma. The drama follows MLK’s landmark 1965 voting rights campaign, which is regarded as the peak of the civil rights movement.
The film stars Oprah’s ‘Butler’ co-star David Oyelowo as Martin Luther King Jr.; Carmen Ejogo as Coretta Scott King; Tom Wilkinson as Pres. Lyndon B. Johnson; Cuba Gooding Jr. as Fred Gray; Common as James Bevel; Wendell Pierce as Rev. Hosea Williams; Stephan James as John Lewis; and Nigel Thatch as Malcolm X.
Winfrey earned an Oscar nomination for her performance in Steven Spielberg’s “The Color Purple.” She most recently played Oyelowo’s mother in “Lee Daniels’ The Butler.” In addition to “Selma,” Winfrey is a producer on DreamWorks’ “The Hundred-Foot Journey,” which hits theaters in August. She’s represented by WME. article via theculture.forharriet.com
Tracy Morgan is in fair condition after the car accident that left him in critical, according to a statement from his representative Lewis Kay, issued late Monday.
“Happy to pass along that Tracy has been upgraded to fair condition, which is a great improvement,” the statement reads. “His personality is certainly starting to come back as well.”
According to the statement, Jeff Millea, Morgan’s 36-year-old assistant who was also in critical condition after crash, has been upgraded to fair condition as well. The last update on Morgan’s condition came last week, when it was reported that he was improving. His rep said that the medical team remained optimistic about his condition.
Early on June 7, a truck, driven by Kevin Roper, struck the limo carrying the “30 Rock” star, Millea and several others in New Jersey on the way back from one of Morgan’s standup comedy dates. Seven people were in the limo — Morgan, Millea and two others were injured, and comedian Jimmy McNair was killed.
Roper was dozing as he drove and failed to notice slow traffic ahead, according to reports. He struck the limo from behind, causing it to lose control and overturn. article by Alex Stedman via Variety.com
Jimmy Scott performing at Lincoln Center’s Kaplan Penthouse in 2001. (Jack Vartoogian for The New York Times)
Jimmy Scott, a jazz singer whose distinctively plaintive delivery and unusually high-pitched voice earned him a loyal following and, late in life, a taste of bona fide stardom, died on Thursday at his home in Las Vegas. He was 88.
The cause was cardiac arrest, his wife, Jeanie Scott, said.
Mr. Scott’s career finished on a high note, with steady work from the early 1990s on, as well as a Grammy nomination, glowing reviews and praise from well-known fellow performers like Madonna, who called him “the only singer who makes me cry.” But the first four decades of his career were checkered, with long periods of inactivity and more lows than highs.
After enjoying sporadic success in the 1950s, he had almost none in the 1960s. Albums he recorded for major labels in 1962 and 1969, which might have jump-started his career, were quickly withdrawn from the market when another company claimed to have him under contract. He virtually stopped performing in the 1970s and made no records between 1975 and 1990.
Scott in a portrait from the early 1950s. (Credit: Little Jimmy Scott Collection)
But if Mr. Scott spent most of his career in relative obscurity, he always had a core of fiercely devoted fans — among them many prominent vocalists who cited him as an influence, including Marvin Gaye, Frankie Valli and Nancy Wilson.
The fact that both men and women considered themselves Mr. Scott’s disciples is not surprising: because of a rare genetic condition called Kallmann syndrome, which caused his body to stop maturing before he reached puberty, Mr. Scott’s voice never changed, and he remained an eerie, androgynous alto his whole life.
Standing 4-foot-11, with a hairless face to match his boyish voice, he was originally billed as Little Jimmy Scott, and he was presented to audiences as a child until well into his 20s. In his mid-30s he unexpectedly grew eight inches taller and, although he otherwise remained physically unchanged, doctors told him an operation might stimulate his hormonal development. He decided against it.
“I was afraid of entering uncharted territory,” Mr. Scott told David Ritz, the author of “Faith in Time: The Life of Jimmy Scott” (2002). “Besides, fooling with my hormones might mean changing my voice. Whatever the problems that came with the deficiency, my voice was the one thing I could count on.”
Mr. Scott’s condition left him incapable of reproduction.
James Victor Scott was born on July 17, 1925, in Cleveland. The third of 10 children, he lived in orphanages and foster homes after his mother was killed in a car accident when he was 13. After singing in local nightclubs for a few years, he went on the road in 1945 with a vaudeville-style show headed by Estella Young, a dancer and contortionist. He moved to New York City in 1947 and joined Lionel Hampton’s band a year later.
His 1950 recording of “Everybody’s Somebody’s Fool” with Hampton set the pattern for his later work. A mournful ballad of love gone wrong, the song was delivered with feverish intensity and idiosyncratic, behind-the-beat phrasing. The record was a hit, but because it was credited on the label simply to “Lionel Hampton, vocal with orchestra,” few people knew that Mr. Scott was the singer.
Last year’s “Man Of Steel” kicked off Warner Bros. current iteration of the DC-verse, but it’s 2016’s “Batman V. Superman: Dawn Of Justice” that will really kick off the studio’s answer to Marvel’s wildly successful pictures. The movie looks to be the first in a run of as many as three movies a year, and aside from Henry Cavill‘s Superman, will also introduce Ben Affleck‘s Batman, Gal Gadot‘s Wonder Woman, and Cyborg, played by Ray Fisher.
“Game Of Thrones” actor Jason Momoa is now expected to appear in the movie as DC hero Aquaman.
The character perhaps is most famous as having been played by Vincent Chase in a long-running plotline on HBO’s “Entourage,” in a movie directed by James Cameron. There’s no word as to what kind of backstory the character will have here, but reportedly director Zack Snyder has already finalized the design of the character so he can appear in a cameo in ‘Batman V. Superman.’ And given Momoa’s size, it seems clear they’re adopting the more modern version of Aquaman (see the photo), who’s a buff king from Atlantis skeptical of humans moreso than traditional orange-suit wearing super hero. article by Oliver Lyttleton via blogs.indiewire.com
According to MTV Act, Beyoncé is donating $125,000 to Embrace Innovations, an organization that gives out little “sleeping bags” to keep alive underweight infants whose parents can’t afford (or don’t have access to) an incubator.
They aren’t actually sleeping bags, but they look like them, and they are lifesaving and easy to use. Thanks to Beyoncé, there will be pilot testing with these inventions in Ethiopia, Ghana, Kenya, Malawi, Mali, Nigeria, Rwanda, Senegal, Tanzania and Uganda, and Beyoncé could be saving at least two thousand infants via her contribution. The baby warmers have already been used in some areas of the world, but this will ensure more parents are able to get them.
Beyoncé announced her donation while at Gucci’s Chime for Change anniversary party. Since Chime for Change is dedicated to helping women, it was great timing. Jane Chen, the TED Fellow and TED speaker behind the baby warmers, was thrilled by the support.
“She [Beyoncé] told me how incredible she thought the innovation was,” Jane said. “I think what struck me was how sweet and genuine she was—and just so excited about our work. One of my most memorable moments was getting to dance with her after we spoke.” Beyoncé’s publicist, who had given birth to a premature baby, also fully understood the importance of this invention. article by Lori Lakin Hutcherson (@lakinhutcherson)
Apparently 50 Cent’s new STARZ series, “Power,” was a major hit. After just one episode, the cable network has announced that the series will be renewed for a second season, Deadline reports.
The fast-moving drama debuted last weekend “with 462,000 Live+same day at 9 PM, 1.27 million for the three Saturday night airings and 2.022 million for the nine weekend runs on Saturday and Sunday.” In case you’ve been out of the loop for a bit, the 50 Cent-produced series is “set in two different worlds, the glamorous New York club scene and the brutal drug trade” and follows the story of Ghost St. Patrick, a drug dealer and businessman with dreams of going legit. Stars include “Being Mary Jane” actor Omari Hardwick, Naturi Naughton and Lela Loren.
“Tasha St. Patrick, she’s crazy,” Naturi recently described her character to Shadow and Act. “She really is Ghost’s sidekick, the other half of Bonnie and Clyde. She came up from the streets, grew up in Queens, and had a rough life. She had desires to be a singer but those desires got cut short because she was pregnant at 19 with Ghost’s child. He’s trying to choose between going legit and staying in the drug game, and she’s pretty much the woman who’s like look, we’ve built this empire together, I’ll ride with you to the end. She’ll throw the gun away, she’ll tell you how to dump the body. She’s an edgy character and not afraid to do whatever it takes to keep the family together.”
Ruby Dee, best known for her role in 1961’s “A Raisin in the Sun” and latterly for her Oscar-nominated turn as Denzel Washington’s mother in 2007’s “American Gangster,” died Wednesday in New York. She was 91.
Dee’s Oscar nomination in 2008 for her performance as the feisty mother of a Harlem druglord played by Washington in Ridley Scott’s “American Gangster” was particularly impressive because the actress made an impression on the Motion Picture Academy with only 10 minutes of screen time. She won a SAG Award for the same performance. Dee also won an Emmy in 1991 for her performance in the “Hallmark Hall of Fame” movie “Decoration Day.”
She and her husband, Ossie Davis, who often performed together, were among the first generation of African-American actors, led by Sidney Poitier, afforded the opportunity for significant, dignified dramatic roles in films, onstage and on television.
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