After a brawl erupted between Kenya Moore (pictured above) and Porsha Williams (pictured) on the season premiere of “The Real Housewives of Atlanta” this week, the Color of Change sent a letter to the Bravo Network, asking executives to stop promoting Black violence on television, according to a statement.
In the following statement, Arisha Hatch, managing director of campaigns for Color of Change, called the violence detrimental to the African-American community with its purpose only serving to line the pockets of television executives:
“Bravo is not at the mercy of the behavior of the casts of its shows. Reality TV producers routinely utilize staged, hostile environments and specific editing strategies to conjure the story they wish to tell. We demand Bravo and Andy Cohen turn away from these stereotypical narratives, and stop profiting from violence involving Black people. “Judging by recent reports of yet another massive brawl during taping for the upcoming season of Bravo’s ‘Blood, Sweat, and Heels,’ it seems there’s no end in sight for Bravo’s reliance on dangerous stereotypes. During that fight, between Black castmates Geneva Thomas and Melyssa Ford, a bottle was reportedly smashed over Ford’s head, sending her to the hospital. Thomas has since been arrested. Under no circumstances should Bravo air this or any other fights involving Black people. “Stereotypical portrayals of Black people— as angry, belligerent, and violent—are dangerous, shaping negative perceptions in the minds of viewers that, when acted upon, can mean real life harm for Black communities; discriminatory hiring practices, less attention from doctors, and harsher treatment by law enforcement, just to name a few. Bravo and Andy Cohen must move beyond these harmful, one-dimensional portrayals.”
Following the success of Sony’s “Jump Street” franchise, New Line plans to investigate its own buddy action-comedy, enlisting two of Hollywood’s hottest stars: Dwayne Johnson and Kevin Hart. The duo will star in “Central Intelligence,” with “We’re the Millers” filmmaker Rawson Marshall Thurber directing the movie.
Scott Stuber will produce through his Bluegrass Films banner, along with Peter Principato and Paul Young of Principato-Young Entertainment. “The Hangover” star Ed Helms is executive producing.
The story begins with a class reunion approaching, as a former high school sports star turned accountant (Hart) is contacted by a classmate (Johnson) who was bullied and humiliated back in the day. The “loser” that the accountant remembers is now a CIA contract killer who ropes him into helping foil a plot to sell classified military secrets.
The original “Central Intelligence” writers are Ike Barinholtz and Dave Stassen, with Sean Anders and John Morris writing a subsequent draft and Thurber taking another pass on the latest script.
New Line plans to begin shooting in the spring with Sam Brown and Michael Disco overseeing. Beau Bauman is managing for Bluegrass.
New Line, based at Warner Bros., has enjoyed success through previous projects with both Thurber and Johnson, and Johnson has a number of jobs lined up at the studio — he is currently attached to return for two more “Journey to the Center of the Earth” sequels and will play Black Adam in superhero pic “Shazam.” He is also set to star in disaster film “San Andreas,” which bows next summer.
The movie gives New Line the opportunity to team two of the biggest names in their respective genres in one film. Hart has enjoyed a lucrative year with both “Ride Along” and “Think Like a Man Too” striking box office gold. Hart recently finished filming the “Ride Along” sequel and has “The Wedding Ringer” for Screen Gems set to open on Jan. 16, followed by “Get Hard” with Will Ferrell for Warner Bros., which will open March 27.
Johnson has shown his versatility in his ability to move from action-heavy movies to comedies with ease, and “Central Intelligence” looks set to combine both genres. The star’s most recent pic was “Hercules,” which has grossed $242 million at the worldwide box office, and he can next be seen in “Fast and Furious 7,” which bows in April. On the small screen, Johnson will executive produce and star in “Ballers,” a half-hour comedy that HBO recently picked up to series. article by Justin Kroll via Variety.com
TRENTON, N.J. (AP) — Big Bank Hank, one of the members of the pioneering hip-hop group the Sugarhill Gang, has died at the age of 57.
The performer, whose real name was Henry Jackson, died from kidney complications due to cancer, according to reports.
Jackson formed the Sugarhill Gang with Master Gee and Wonder Mike, having a big hit in 1979 with “Rapper’s Delight.” The record sold several million copies worldwide and helped establish rap as a vital genre of music.
The full version of “Rapper’s Delight” ran nearly 16 minutes long and was recorded in a single take. A shorter single version was also released and became a radio staple in the early 1980s.
http://youtu.be/ljUnyv5XUA8
Jackson’s death was reported by website TMZ and confirmed to Fox News by David Mallie, who manages the two remaining band members. “So sad to hear of our brother’s passing,” said Wonder Mike and Master Gee in a statement. “Rest in peace Big Bank.” article via bbc.com
Stevie Wonder performed his 1976 album “Songs in the Key of Life” at Madison Square Garden on Thursday night. (Chad Batka for The New York Times )
“Yes! We did it!” Stevie Wonder exulted, and rightly so, about three hours into his concert at Madison Square Garden on Thursday night. He and a huge band, directed by the keyboardist Greg Phillinganes, had played his 1976 album, “Songs in the Key of Life,” from start to finish, 38 years later and every bit as vibrant.
Mr. Wonder’s voice was bright and true, snaking through the melismas that successive generations of singers have emulated and rising easily through every uplifting key change he had built into the songs. At 64 — he started young — Mr. Wonder showed that his lifelong melding of serious intentions, omnivorous musical sophistication and jubilant execution was utterly sure. He laughingly forgot a lyric, played the wrong harmonica for a moment, sang just enough sour notes to show that he’s human and suffered numerous microphone glitches. It was the first show of a tour. But the concert was a triumph: not a simple nostalgia trip but a return visit to songs and ideas that still matter.
“Songs in the Key of Life” was beloved from the moment it appeared. It won a Grammy as album of the year and is widely cited as a favorite by musicians and pop listeners. In interviews, Mr. Wonder has called it the album he is most happy with. But it’s also a long, sprawling experience: 21 tracks that originally filled two LPs and a four-song EP.
Its songs touch on social ills, individual joys, faith, love, war, music, birth, memories, fears and hopes. One title may sum it up: “Joy Inside My Tears,” a ballad that, when he got to it at Madison Square Garden, had Mr. Wonder pounding the top of his piano with his fist, singing the title again and again with gospelly insistence.
Along with the radio-friendly tracks the album is widely remembered for — “Sir Duke,” “Isn’t She Lovely,” “I Wish,” “Pastime Paradise” — it holds exploratory songs like “Contusion,” a jazz-rock instrumental in tricky shifting meters, and “Black Man,” an anti-racism history lesson in funk.
It also balances hurt and healing; its opening song, the beguiling “Love’s in Need of Love Today,” warns, “The force of evil plans to make you its possession” unless love can conquer hate. The album traverses styles; there are blues, soul, rock, funk, chamber pop, bossa nova, big-band salsa, jazzy ballads, even honky-tonk country (in “Ebony Eyes,” for which Mr. Wonder brought out what he called a “thumbtack piano,” an upright with thumbtacks in its hammers to make each note go plink).
What has held it together, then and now, is Mr. Wonder’s good intentions and boundless musicality. All over the album, he ingeniously meshes syncopated ascending and descending lines, as he did in the upbeat “Sir Duke,” the doleful “Pastime Paradise” and the kinetic “I Wish.”
Onstage, he let the best riffs stretch out, savoring the danceable constructions he had set in motion decades ago, as the audience members, many of whom were around for the original album release, stood and shimmied. Now and then, backup singers — including India.Arie, who came and went in multiple regal costumes — took over verses that Mr. Wonder had originally sung. But he was always there to chime back in on higher, more difficult variations.
Mr. Wonder was voluble between songs, joking about tabloid reports that he dismissed as rumors but also doing some preaching. He advocated more accessibility worldwide for the disabled, and he called for better gun control, pointing to a family in the audience that lost a daughter in the massacre at Sandy Hook Elementary School in Newtown, Conn. In what seemed like a scripted moment, he said: “I challenge America, I challenge the world, to let hatred go, to let racism go. To respect every single man as if they were your brother, every woman as if they were your sister, every single child as if they were your child.” He continued, “This is the only way we will win as a nation, as a world.”
For an encore, he played one song that wasn’t on “Songs in the Key of Life”: his hit “Superstition,” bolstered by the six-member horn section that was part of the band, which also included a string section and multiple percussionists, keyboardists and guitarists. It wasn’t too different from the rest of the concert: a great riff, a kinetic beat and a warning everyone could dance to, this one about dogma versus rationality. “Superstition ain’t the way!” the arena sang along.
The rest of the “Songs in the Key of Life” tour dates are:
11/9 – Verizon Center – Washington D.C.
11/11 – TD Garden – Boston, MA
11/14 – United Center – Chicago, IL
11/16 – Wells Fargo Center – Philadelphia, PA
11/20 – Palace Of Auburn Hills – Auburn Hills, MI
11/22 – Philips Arena – Atlanta, GA
11/25 – Air Canada Centre – Toronto, ON, CA
11/29 – MGM Grand Garden Arena – Las Vegas, NV
12/3 – KeyArena – Seattle, WA
12/5 – Oracle Arena – Oakland, CA
According to Deadline.com, Harry Belafonte was honored last night at the Sixth Annual Governors Awards of the Academy Of Motion Picture Arts & Sciences. Belafonte received the Jean Hersholt Humanitarian Award and during his speech, galvanized the industry crowd by asking them to aim higher.
Belafonte gave one of the all-time great acceptance speeches at the Governors Awards, citing Hollywood’s often-shameful power to influence attitudes, and challenging the heavy-hitters in the room to instead create works that allow global audiences “to see the better side of who we are as a species.”
He reminded the crowd about “Birth of a Nation,” the early “Tarzan” films (depicting “inept, ignorant Africans”) and “Song of the South,” as well as the industry’s cowardice during the McCarthy hearings. He also referred to the industry’s decades-long treatment of Native Americans in films, “and at the moment, Arabs aren’t looking so good.” The industry doesn’t like trouble-makers and “on occasion, I have been one of its targets.”
But he said that “today’s harvest of films yields sweeter fruit,” citing “Schindler’s List,” “Brokeback Mountain” and “12 Years a Slave” as examples. He also thanked such inspirations as Langston Hughes, James Baldwin, Eleanor Roosevelt and Paul Robeson, quoting the latter’s statement that “Artists are the gatekeepers of truth” as well as the radical voice of civilization.
He then called Sidney Poitier to the stage, recognizing the actor’s role in changing public attitudes toward blacks. And he added that he hopes things will improve this century: “Maybe it could be a civilization game-changer.”
Other Governors Awards winners were 94 year-old actress Maureen O’Hara, legendary Japanese animator Hayao Miyazaki, and masterful screenwriter Jean-Claude Carriere gave a moving tribute to Hollywood’s “forgotten” writers. article by Lori Lakin Hutcherson (follow @lakinhutcherson)
For those of you in New York City, here’s a film festival event to add to your November calendar… full details below:
The African-American Women in Cinema announced the full line-up of this year’s 17th Annual African-American Women in Cinema Film Festival (November 19th – 22nd), which features an opening night premiere and reception, keynote panels, additional premiere screenings, a youth filmmaking event, and a short films program. The films chosen for this year’s festival are judged by a jury committee made up of prominent industry leaders, who adhere to the organization’s mission statement of promoting films from African American, Latina, Native American and the Asian diaspora. AAWIC is the only film festival in New York City with such a wide multicultural reach.
Gladys Knight and Letoya Luckett star in Opening Night feature “Seasons of Love”
The Opening Night selection is the New York premiere of director Princess Monique’s “Seasons of Love.” Starring Gladys Knight, Taraji P. Henson, Method Man and LeToya Luckett, the film follows one couple’s romantic ups and downs, as they struggle to determine the things that matter most in life. The film also features Ana Isabella, a rising star from Puerto Rico. The film is a Lifetime Studios production and will premiere on Lifetime on November 23rd.
AAWIC is also pleased to announce the premiere event entitled INTERNATIONAL DAY presented by UNESCO NYS and African Women For Good Governance on November 22nd. There will be a panel discussion called Discussing the African Film Industry moderated by Winsome Sinclair (prominent casting director). Following the discussion there will be a special presentation organized by African Women For Good Governance and later a film screening hosted by producer Mohamed Dione.
The festival will close with an awards VIP reception that will take place at the United Nations and the Nigerian Embassy, respectively. The President of African Women For Good Governance and Ambassador of UNESCO, Sire Dione Conde, expressed her excitement for the festival, stating, “We are pleased to be a part of such a prestigious festival that celebrates women in the industry and are very happy to present the first ever International Day! We look forward to making history together.”
LisaRaye McCoy (“Single Ladies”, “All of Us”, “The Player’s Club”) has teamed up with hair care company Red Pro Products and recently launched the eponymous “LisaRaye Celebrity Flat Iron”, the first in a series of “Diamond Collection” styling tools. McCoy kicked off the product’s introduction in New York, where she visited a salon in Harlem, did interviews with Vlogger contest winners “Glamfun” from Boston and “ChinaCandyCouture” from Atlanta (see their competition videos and interviews at www.youtube.com/glamfun and www.youtube.com/chinacandycouture) and partied at the Cove Lounge with Monifah of “R&B Divas,” Jamie Foster Brown of “Sister to Sister” Magazine, several other celebrities, stylists and fans.
Although infused with crushed diamonds and branded with a celebrity name, LisaRaye, not unlike Halle Berry with her Scandale Paris line for Target, wanted to create a top-quality product accessible to women in all income brackets.
“I wanted to create an awesome, professional grade flatiron that was affordable for the everyday consumer,” McCoy said. “Everyone wants to have beautiful, healthy hair, but can’t necessarily afford to go the salon every week. My flatiron solves that problem.” The LisaRaye Flat Iron Facts:
Crushed diamonds are infused into the plates, which create an extra smooth surface with consistent heating, allowing styling with a finished look without the use of product.
Consistent heating helps prevent damage to the hair when styling, and results in a smoother, shinier, healthier head of hair.
Quick heat up and recovery, and variable temperature settings (up to 460 degrees)
Package includes hair clips, a heat-resistant comb and carrying pouch for travel
The flatiron is also designed for styling and curling, as well as straightening.
To learn even more about the Diamond Plated Flatiron and where to get it, click here. article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Jay Z is officially in the champagne business. The rap mogul has purchased luxury spirits brand Armand de Brignac, whose gold bottle he helped make iconic in his 2006 video “Show Me What You Got.”
New York-based Sovereign Brands said Wednesday it sold its interest in — better known as Ace of Spades after the image on its bottle — to a new unnamed company led by Jay Z. “We are proud to announce that Sovereign Brands, a New York-based wine and spirits company owned by the Berish family, has sold its interest in the Armand de Brignac (‘Ace of Spades’) Champagne brand to a new company led by the globally renowned Shawn ‘Jay Z’ Carter,” the company said in a statement.
The bubby, which starts at $300 a bottle, is served in the luxury suites at the Barclays Center, home of the Brooklyn Nets (Jay used to be a co-owner of the NBA team). The Roc Nation boss and his wife, Beyoncé, also had a custom-designed, 18-foot-tall tower of the champagne served at a 2012 fundraiser for President Obamathat took place at Jay’s 40/40 Club.
Jay got behind Ace of Spades after he boycotted rival Cristal over its decision to distance itself from its hip hop clientele. article by Evelyn Diaz via bet.com
Before he suits up to play Marvel’s Black Panther, Chadwick Boseman will star as a man seeking vengeance in the Ink Factory and EOne thriller “Message From the King.” Fabrice Du Welz is set to direct from a script by Stephen Cornwell and Oliver Butcher. The movie follows a man from South Africa who comes to Los Angeles to avenge the death of his sister.
Boseman’s star has been on a fast rise after he logged starring roles in the Jackie Robinson biopic “42” and played music legend James Brown this year in “Get On Up.” His lead role in Marvel’s upcoming “Black Panther” will further boost his profile. Boseman will next be seen in “Gods of Egypt.” article by Justin Kroll via Variety.com
According toVariety.com, Academy Award winner Jamie Foxx has agreed to star in ensemble gangster drama “The Trap,” the latest project from “Spring Breakers” director Harmony Korine. Korine will write and direct the feature, which the controversial filmmaker behind “Kids” and “Trash Humpers” has described as “his most ambitious film to date.”
Plot details on “The Trap” are being kept under wraps. The revenge film is expected to shoot early next year in Miami. Following the success of of his last project, “Spring Breakers,” which earned Korine and star James Franco critical acclaim, more A-list talent is expected to come aboard the gangster drama, especially after Foxx’s commitment.
Foxx, who last appeared in “The Amazing Spider-Man 2,” has two holiday films opening this year: “Horrible Bosses 2″ at Thanksgiving and Sony’s “Annie” reboot, opening December 19. article by Lori Lakin Hutcherson (follow @lakinhutcherson)
For those of you in New York City, here’s a film festival event to add to your November calendar… full details below:
McCoy kicked off the product’s introduction in New York, where she visited a salon in Harlem, did interviews with Vlogger contest winners “Glamfun” from Boston and “ChinaCandyCouture” from Atlanta (see their competition videos and interviews at 
