[youtube http://www.youtube.com/watch?v=Q-gu1KETjVY&w=560&h=315]
Born to Joe and Katherine Jackson on May 16, 1966, Janet Damita Jo Jackson is the youngest of nine children of the musically legendary Jackson family. Although she started her career in entertainment primarily as a television actress (Good Times, Diff’rent Strokes, Fame), it was Jackson’s music, produced by Minneapolis duo Jimmy Jam and Terry Lewis, that catapulted her to international fame and stardom. Though Control was her third solo album, it was the first one to go multi-platinum and kick-started a career that has spanned decades and generated over 100 million record sales worldwide. To celebrate Janet and her musical legacy, above is one of her early, iconic dance videos – “Pleasure Principle.” Enjoy!
article by Lori Lakin Hutcherson
Posts published in “Pop/R&B/Dance”

The huge gift from the two who have been music business partners in the past will be used to create the Jimmy Iovine and Andre Young Academy for Arts, Technology and the Business of Innovation.
The academy will provide a special four-year program for undergraduates whose interests span several fields from marketing to computer science to visual design and other arts. It will include one-on-one faculty mentoring with professors from programs around the university and interaction with entertainment industry luminaries.

Usher will collaborate with Macy’s to curate the concept, music and design for the Macy’s 4th of July fireworks show, which will be launched from barges off Manhattan.
It’s the first time the company has worked with an artist on the concept for its annual show, Macy’s said Thursday.
Usher will score the music for “It Begins With a Spark,” which will feature his songs, as well as songs from Rihanna, Swedish House Mafia, Jimi Hendrix and Frank Sinatra.
He will also provide visual design cues and direction for the pyrotechnics that are choreographed to the musical score.
The 37th annual Macy’s 4th of July Fireworks display will air after the annual concert on NBC.
article via eurweb.com

NEW ORLEANS (AP) — A white Steinway grand piano salvaged from musician Fats Domino’s home after Hurricane Katrina has been restored and will be the centerpiece of an exhibit in New Orleans’ French Quarter. The piano was damaged after water poured through a broken levee during the August 2005 storm, flooding Domino’s home in the Lower 9th Ward. Its restoration came through $30,000 donated to the Louisiana Museum Foundation.
The largest gift of $18,000 came from Allan Slaight, a retired music producer in Miami. Other donations came from Sir Paul McCartney, the Rock & Roll Hall of Fame and the Tipitina’s Foundation. The piano was to be unveiled Thursday at the Old U.S. Mint, now a museum in the French Quarter. It will be part of the Louisiana State Museum’s music exhibition opening in 2014 but separately will go on display at the Mint in June. A second Steinway piano belonging to Domino is on permanent display at the Presbytere Museum in the exhibition “Living with Hurricanes: Katrina and Beyond.”
“Fats Domino is a seminal figure in American music, and he will have a prominent place in the coming Louisiana music exhibit,” said Lt. Gov. Jay Dardenne, who oversees the Louisiana State Museum. “His beautiful grand piano, fully restored, will serve as the perfect symbol for Louisiana’s resilient nature and ever-evolving musical heritage.”
Born in New Orleans in 1928, the pianist, singer and songwriter sold more than 65 million records between 1950 and 1963, made Billboard’s pop chart 77 times and its rhythm and blues chart 61 times. Katrina tore into Louisiana and Mississippi on Aug. 29, 2005. Flooding from storm surge and broken levees washed over an estimated 80 percent of New Orleans.
Copyright 2013 The Associated Press; article by Stacey Plaisance via thegrio.com

No, that’s not Tionne “T-Boz” Watkins, Rozonda “Chilli” Thomas and Lisa “Left Eye” Lopes as TLC circa 1992.
It’s Drew Sidora as T-Boz, Keke Palmer as Chilli, and Lil’ Mama as Left Eye in VH1’s upcoming TV movie about the 90s r&b/hip hop trio.
VH1 released this photo today as an official first photo from the upcoming biopic “Crazy Sexy Cool: The TLC Story.”
“Drumline’s” Charles Stone III is directing from a screenplay by “What’s Love Got To Do With It’s” Kate Lanier.

The film started production in March in Atlanta where Chilli, Left Eye and T-Boz started their rise to multi-platinum fame as one of the most successful musical trios of all time.
The two surviving members of the group, Chilli and T-Boz, serve as consultants and executive producers on the movie. The pic is scheduled to premiere toward the end of the year.
article via eurweb.com
Lauryn Hill posted a statement to her official Tumblr account, announcing that she’s back in the studio for the first time since 1998’s iconic “The Miseducation of Lauryn Hill.” The singer’s only album since “Miseducation” has been 2002’s “MTV Unplugged No. 2.0,” recorded live at the MTV Studios in Times Square the previous year. This will mark her first studio material in 15 years, and fans will surely be anxious to lay down a welcome mat for the former Fugees singer, who has steadily grown more eccentric over the past decade.
Hill revealed on Tumblr that she is launching a new record label in conjunction with Sony Worldwide Entertainment as an effort to pay the $504,000 she owes immediately in taxes.
Here’s an excerpt of her post:
I’ve remained silent, after an extensive healing process. This has been a 10+ year battle, for a long time played out behind closed doors, but now in front of the public eye. This is an old conflict between art and commerce… free minds, and minds that are perhaps overly tethered to structure. This is about inequity, and the resulting disenfranchisement caused by it. I’ve been fighting for existential and economic freedom, which means the freedom to create and live without someone threatening, controlling, and/or manipulating the art and the artist, by tying the purse strings.
It took years for me to get out of the ‘parasitic’ dynamic of my youth, and into a deal that better reflects my true contribution as an artist, and (purportedly) gives me the control necessary to create a paradigm suitable for my needs. I have been working towards this for a long time, not just because of my current legal situation, but because I am an artist, I love to create, and I need the proper platform to do so.
Legal issues aside, Hill hasn’t been totally out of the spotlight since “Miseducation” stormed through the music scene. Her “MTV Unplugged” effort divided the critics who so unanimously praised her debut solo album, with Rolling Stone calling “Unplugged” a “public breakdown,” and she has sometimes left her passionate legion of fans disappointed by her public persona.

Cordell Mosson, a guitarist whose bass line drove the flamboyant band Parliament-Funkadelic for four decades, died on April 18 in New Brunswick, N.J. He was 60. The cause was liver failure, his companion, Donna Snead, said Thursday.
Mr. Mosson — Boogie to his band mates and audiences — had been a fixture of the group since the early 1970s, playing bass, drums and eventually rhythm guitar and, like the rest of George Clinton’s sprawling collective, appearing onstage in elaborate, intergalactic outfits.
He collaborated on seminal P-Funk albums like “Up for the Down Stroke” and “Funkentelechy and the Placebo Syndrome” and replaced Bootsy Collins onstage as the bassist when Mr. Collins left to focus on his solo career. (Mr. Collins still recorded with the group.) Mr. Mosson toured with the group until 2011.
In an interview on Thursday, Mr. Clinton, the band’s leader and frontman, recalled Mr. Mosson as multifaceted, able to play “all the psychedelic stuff and the Motown and the James Brown.”
“Boogie’s been playing with us since he was 13 or 14,” Mr. Clinton said, adding, “He was the heartbeat for a long time.”
Mr. Mosson appeared with the band in the 1994 film comedy “PCU,” starring Jeremy Piven, Jon Favreau and David Spade. He and 15 other members of the band were inducted into the Rock and Roll Hall of Fame in 1997.
Cardell Mosson Jr. was born on Oct. 16, 1952, in New Brunswick. In addition to Ms. Snead, he is survived by four daughters, LaPortia Nicholson, Lisa Brown, Latonya Snead and Ramona Perry; four sons, Chauncey Mosson, David Shropshire, Cordell Boogie Mosson and Remby Perry; a brother, the Rev. Larry Mosson; and eight grandchildren.

NEW ORLEANS (AP) — If there’s a theme to this year’s New Orleans Jazz and Heritage Festival, it may be living legends. Headliners include B.B. King, Billy Joel, Willie Nelson, Hall and Oates and Fleetwood Mac. There’s also a cast of modern-day hit makers such as The Black Keys, Maroon 5, Jill Scott, Kem, the Dave Matthews Band and New Orleans native Frank Ocean.
In all, about 5,000 entertainers will play the festival on 12 stages. The first weekend is Friday through Sunday, and the following weekend starts Thursday, May 2, and lasts until Sunday, May 5.

In the 20 years since Snoop Dogg released his genre-defining debut “Doggystyle,” the rapper’s name has become a sort of hip-hop shorthand, and he’s become a larger than life figure in popular culture over a string of albums and movie roles (“Starsky & Hutch,” “Training Day”). So it came as something of a surprise when the MC rechristened himself “Snoop Lion” last year after studying the Rastafari religion in Jamaica, and announced he was recording a reggae album, “Reincarnated,” which comes out Tuesday.
Snoop today takes over Speakeasy as the first-ever special guest editor, and in that role wrote an essay that explains his reggae transformation, assigned a story about the part youth sports programs play in communities, and will answer questions from readers. Check back in throughout the day to read Snoop’s contributions.
It only makes sense to pair his guest-editing stint with “Reincarnated,” which Speakeasy is streaming in its entirety. To listen, click here. The album features contributions from Drake, Akon and Miley Cyrus, and production from Diplo and Major Lazer. If you have questions for Snoop, send them on Twitter with the hashtag #AskSnoop.
article by Eric R. Danton via blogs.wsj.com
(Photo courtesy of Mark Seliger for TIME)
Power couple Jay-Z and Beyoncé have recently been making lots of headlines lately, and now the rapper is gracing the cover of Time. Both he and wife Beyoncé have been named by the magazine as two of the world’s most influential people.
The annual feature lists 100 of the world’s most prominent figures, in no particular order, who have made the biggest global impact over the past year. The issue, which includes Jay-Z on one of seven covers, also provides brief profiles that capture the essence of each qualifier.
