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MOVIE REVIEW: "Things Never Said" Speaks Volumes About Love and Life

By goodblacknews on September 13, 2013

things-never-said

THINGS NEVER SAID  Cast: Shanola Hampton (Kalindra Stephney), Omari Hardwick (Curtis Jackson), Elimu Nelson (Ronnie), Tamala Jones (Daphne), Michael Beach (Will Jackson), Dorian Missick (Steve), Charlayne Woodard (Charlotte), Tom Wright (Daniel) Written & Directed by: Charles Murray  Rated: R  Ohio Street Pictures

Review by Lori Lakin Hutcherson
Review by Lori Lakin Hutcherson

I might as well get out the disclosure right up front: I have known Things Never Said writer/director Charles Murray for well over fifteen years, and at every turn of his career (executive at Magic Johnson’s production company, television writer on Third Watch and Criminal Minds, independent filmmaker) I have rooted for him.  Charles is smart, funny and more than a bit of an unapologetic iconoclast, which could only mean two things for him – career suicide or artistic success.  After seeing Things Never Said, I am thrilled to report he is a creative force only beginning to mine the gifts he has to share with this world.
The story of Things Never Said is deceptively simple: Kalindra (Shanola Hampton), a young woman haunted by a miscarriage and stuck in a bad marriage to former basketball star Ronnie (Elimu Nelson), seeks an outlet through spoken-word poetry.  Kal succumbs to an affair with Curtis (Omari Hardwick), a fellow poet who seems to see into her soul, but has his own heavy baggage Kal may not want to take on.  While that might sound prosaic and maybe even a little pretentious (note: the poetry is extremely well-performed and relatable, so if you weren’t a poetry fan before, you will be after this), what’s special about this movie is the nuanced, complex and unpredictable ways Murray has his characters grapple with their conflicts.
At first, you don’t want Kal to cheat on her husband – she is too intelligent and creative a woman to fall for the game the sexy-but-mysterious Curtis spits at her.  But then again, you also wonder why Kal is staying with the sullen, unsupportive Ronnie, who seems to be going nowhere in his life and holding her back from hers.  As the layers start to unfold, you learn not only has Ronnie gone through the hardship of losing his future, but also that Kal was brought up by her mother Charlotte (Charlayne Woodard) to believe that sticking with one’s husband no matter what is what defines a woman as a good person and wife.  So when Kal finally does give in to her attraction to Curtis, they have so much chemistry and tenderness and understanding between them you want her to get away with the affair… until you realize Curtis may have even less to offer Kal than Ronnie when it’s revealed he’s an ex-con and why he landed in jail in the first place.  
Actress Shanola Hampton carries the organic twists and turns of this movie so beautifully it’s surprising she’s never had a major role in a film before.  She has an equally able partner in Omari Hardwick, who makes you root for Curtis despite the palpable possibility he may be more trouble than he’s worth.  Which, I think, is Murray’s point – no matter how much you connect to another person and no matter how they make you feel about yourself or even challenge you to become your better self – the real romance and discovery lies within knowing and healing oneself.  This is the thing not said about love – it alone does not conquer all.  This is the thing not said about art or creative outlets – they alone do not solve deep issues.  Kalindra is not “saved” by Curtis or her poetry, but rather, they both shed light on her path to saving and healing herself from all of the preconceived notions she’s grown up on, from all the ways she’s limited herself, and from all of the abuse she’s accepted – external and internal.
Things Never Said is an important addition to African-American independent cinema and humanistic storytelling that should not be missed.  Its Los Angeles run has been extended through September 19 and the film opens in Atlanta, Boston, Washington DC, and Gary, Indiana on September 13 – TODAY!  Please get out and support the movie — you can get updates on other showings around the country from thingsneversaid.com or on the Things Never Said Facebook Page.  Also, check out the trailer below:
[youtube=http://www.youtube.com/watch?v=R1BFiyFqXfQ&w=560&h=315]

OPINION: Director Steve McQueen's '12 Years a Slave' Seems Like A Game-Changer

By goodblacknews on September 9, 2013

Steve McQueen, Michael Fassbender
Actor Michael Fassbender, left, and director Steve McQueen on the red carpet at the Toronto International Film Festival. (Nathan Denette / Associated Press / September 6, 2013)

Brad Pitt didn’t say much during the question-and-answer session that followed the Toronto International Film Festival premiere of “12 Years a Slave” on Friday night, just a short comment on why he produced and co-starred in the Steve McQueen period drama.

But, like his turn as an abolitionist-minded maverick amid a group of brutal slaveowners, Pitt spoke volumes as he stood on the stage with cast and filmmakers. “If I never get to participate in a film again,” he said, his voice trailing off as if to imply this would be enough, “this is it for me,” he finally finished.
It’s a sentiment you could imagine the lead cast members — Michael Fassbender, Lupita Nyong’o and of course Chiwetel Eijiofor, standing out amid the standouts — sharing with Pitt. And it’s a sentiment you could imagine the audience feeling. Festivals come and go; movies rise and fade. But once in a great while there’s a film that feels almost instantly, in the room, like it’s going to endure, and change plenty of things along the way. And “12 Years” offers that feeling.
Most narrowly, that’s true on Oscar level. By 9 p.m. Friday night, just six days into September, the film had already become a top contender for various acting, writing and directing prizes, as well as the big prize. You could say that’s premature. But you probably wouldn’t if you sat in the room. (Vulture’s Kyle Buchanan certainly didn’t hold back.)
It’s equally true on a social level. “12 Years” tells the fact-based story of Solomon Northup (Eijiofor), a free man who in 1841 was kidnapped and sold into slavery, and his travails — at once horrifying and surprising, no matter how much you think you’re ready for them — when he is trafficked to a series of Southern plantations for more than a decade.

Box Office: ‘Riddick’ Defies Post-Labor Day Slump With $18.7 Million, ‘Butler’ to Second Place

By goodblacknews on September 8, 2013
Riddick Movie
Vin Diesel helped light up what is usually a dark post-Labor Day box office period, with Universal’s franchise pic “Riddick” scoring a solid estimated $18.7 million domestically.  The film claimed the weekend’s No. 1 spot, unseating the Weinstein Co.’s “Lee Daniels’ The Butler,” which stayed strong in second place with $8.9 million. The three-week champ, which fell just 40% in its fourth frame, reached $91.9 million Stateside through Sunday.
Total domestic box office was up over this time last year by roughly 25%, thanks also to a excellent expansion for Lionsgate-Pantelion’s “Instructions Not Included.” The Hispanic-targeted crowdpleaser earned $8.1 million from just 717 locations, up from 384 last weekend, for a U.S. cume now past $20 million.
It was a sci-fi-themed weekend globally: Sony’s futuristic pic “Elysium” ranked first overseas with an estimated $21.2 million, of which China contributed $11.7 million in its first weekend locally. In total, “Elysium” has cumed $127 million internationally and $212 million worldwide.
While “Riddick” defied the post-Labor Day slump, the film still came in on the low-side of expectations. Pic opened with less than its predecessor’s $24 million debut in 2004, but the $38 million three-quel outperformed the original film, 2000′s “Pitch Black,” which grossed $11.6 million during opening weekend.
“We always try to find the right time for the right films,” said Universal distribution prexy Nikki Rocco. “This was an inexpensive venture for Universal, and we wanted Vin to have the No. 1 film.”
Not surprisingly, “Riddick” earned most of its opening from men, at 59%, with Hispanics contributing a sizable 37% of the gross. Imax also helped with fanboy appeal, posting $2.5 million of the domestic opening.
article by Andrew Stewart via variety.com

"Lee Daniels’ The Butler" Delivers Another #1 Showing at the Box Office

By goodblacknews on September 2, 2013

 oprah & forest (the butler)According to box office estimates, Lee Daniels’ The Butler the film beat out One Direction: This Is Us to win the Labor Day weekend box office race and become the first movie this year to finish No. 1 three consecutive weeks, according to TheWrap.

It appears the civil rights saga, starring Oprah Winfrey and Forest Whitaker, will bring in a little more than $20 million over the four-day holiday weekend. After looking as if it was going to finish in the top spot, Sony’s boy band music documentary ended the Labor Day weekend with $18 million.
“We’re surprised,” The Weinstein Company’s distribution chief Erik Lomis told TheWrap, “and very proud. We weren’t expecting to come away with this one, especially after starting out $5 million behind ‘One Direction’ after Friday.”
Lomis said “The Butler,” which has now brought in nearly $80 million domestically, was continuing to broaden its demographic base by playing younger.
“With the kids getting back to school, we’re hoping the word of mouth gets even stronger,” said Lomis. There’s not much room to expand in terms of theaters; it’s on 3,330 screens and averaged just over $6,000.
Two other wide openers – the Selena Gomez-Ethan Hawke thriller “Getaway” and the Eric Bana spy tale “Closed Circuit” – were both non-starters. But “Instructions Not Included,” a family comedy starring Eugenio Derbez, recorded the biggest domestic opening ever for a Spanish-language movie – on just 347 screens – and finished fifth with $10 million for the four days.
Get the FULL story at TheWrap.

’42′ Star Chadwick Boseman to Play James Brown

By goodblacknews on August 28, 2013
'42' Star Chadwick Boseman to Play
Fernando Leon/Getty Images

According to Variety.com, Universal and Imagine Entertainment have agreed to make the long-gestating James Brown biopic after hiring “42″ star Chadwick Boseman to play the legendary artist known as the “Godfather of Soul.”  “The Help” director Tate Taylor is directing the film with Imagine’s Brian Grazer and Erica Huggins producing, along with Mick Jagger and Victoria Pearman under their Jagged Films banner. 
Jez and John Henry Butterworth wrote the script, which follows Brown’s rise from extreme poverty in Georgia to becoming a world-famous and highly influential R&B musician with a string of hits in the 1960s and ’70s including “Please, Please, Please,” “I Got You (I Feel Good),” “Papa’s Got a Brand New Bag” and many others. Brown died in 2006 at age 73.
Several actors were vying for the role, but Boseman emerged as the top choice a few weeks ago, though no offer could be made until the movie was formally greenlit by Universal. Boseman will be seen next in Summit’s NFL drama “Draft Day” starring Kevin Costner.
article by Lori Lakin Hutcherson via Variety.com

Vin Diesel Honored With Star on Hollywood Walk of Fame

By goodblacknews on August 26, 2013

showbiz-vin-diesel-2-1Just over a decade ago, Vin Diesel shot from near-obscurity to earning a $10 million payday in what seemed like record time, racing from an ensemble role in “Saving Private Ryan” to headlining “XXX” in nearly four years. But those who think of Diesel as an overnight action star don’t know the half of it.
“Vin is one of the most wildly misunderstood actor-producers out there,” says Universal co-chairman Donna Langley, whose connection with Diesel predates even 2001’s “The Fast and the Furious,” tracing back to “Boiler Room” at New Line.
While Diesel’s fans are familiar with his muscular physique and the trademark thunder-roll of his voice, what they don’t necessarily realize is just how much work Diesel puts into developing the movies they see as pure popcorn fun — or how hard he struggled to get to this point.
Before he became a star, Diesel broke through as an independent filmmaker, writing and directing work that was invited to screen at the Sundance and Cannes film festivals. And before he retires, Diesel will likely step behind the camera again, maybe even to direct his long-brewing passion project, “Hannibal.”

"Lee Daniels' The Butler" No. 1 for 2nd Weekend in a Row with $17 Million in Box Office

By goodblacknews on August 25, 2013

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According to variety.com, three new wide releases, led by Sony-Screen Gems’ Y/A adaptation The Mortal Instruments: City of Bones, with an estimated $14.1 million in five days,  were no match for Lee Daniels’ The Butler, which only fell 31% in its second weekend, for a projected $17 million through Sunday. The Weinstein Co.-distributed movie has earned north of $52 million so far.
The holdover success of Lee Daniels’ The Butler can be largely attributed to its broadening audience: Last weekend, the film earned 76% of its gross from audiences over 35, while in its second weekend, that share shrunk to 63%. Moreover, African-Americans contributed a weighty 39% of the film’s opening; just 33% of its total this weekend came from black viewers.  The film’s playability mirrors the stronghold that The Help had on the box office this time two years ago.

'The Butler' Serves Up Box-Office Success at No. 1, Earns $25 Million

By goodblacknews on August 18, 2013

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The butler did it.  Despite a clutch of new films in theaters this weekend, Lee Daniels’ The Butler topped them all, serving up $25 million, according to studio estimates.  The victory came as a surprise to some analysts, who expected summer’s latest superhero flick, Kick-Ass 2, to whip the competition.  But Butler trounced the newcomers among critics, and connected solidly with fans. About 73% of reviewers recommended the movie, while it scored an 81% approval rating among moviegoers, says survey site Rottentomatoes.com. The movie earned an “A” among audiences, says pollsters CinemaScore.
The Forest Whitaker drama also benefited from canny timing, says Box Office Mojo’s Ray Subers, who notes that similar August dramas including Julie & Julia, Eat Pray Love and The Help all enjoyed August debuts above $20 million.  “One of The Butler‘s biggest advantages is its very strong release date,” Subers says. “After a few months of big-budget, male-skewing blockbuster fare, female-skewing adult dramas have consistently done good business” at summer’s close.

Director Spike Lee Reaches Kickstarter Goal of $1.25 Million for New Film

By goodblacknews on August 16, 2013

Spike Lee speaks onstage during the 'Mike Tyson: Undisputed Truthts' panel discussion at the HBO portion of the 2013 Summer Television Critics Association tour - Day 2 at the Beverly Hilton Hotel on July 25, 2013 in Beverly Hills, California. (Photo by Frederick M. Brown/Getty Images)
Spike Lee speaks during the ‘Mike Tyson: Undisputed Truths’ panel discussion at the HBO portion of the 2013 Summer Television Critics Association tour – on July 25, 2013 in Beverly Hills, California. (Photo by Frederick M. Brown/Getty Images)

Spike Lee has surpassed his Kickstarter goal of $1.25 million, with 4 days remaining in his campaign.  The 56-year-old director launched his campaign on July 21, in an effort to raise money to make his next film. Lee describes the movie as a “psychological bloody thriller,” about human beings who are addicted to blood (and not a remake of Blacula).  Since launching his campaign 26 days ago, Lee as amassed more than 5,400 financial backers, (including Magic Mike director Steven Soderbergh) and raised $1,304,000.
But Lee’s Kickstarter campaign wasn’t a seamless endeavor.  The Do the Right Thing director generated strong criticism from the media. Weeks ago Lee made an appearance on Bloomberg TV’s Street Smart and had a heated debate about the backlash he’s received for using Kickstarter.  During an interview with theGrio’s Chris Witherspoon, Lee talked about his reason for using Kickstarter.
“I needed to go to Kickstarter to get this film made because this is not necessarily a Hollywood film, Lee said. “It’s more like an independent film.”  The 56-year-old Brooklyn native then said he doesn’t envision his contemporaries in the industry, like Martin Scorsese, Steven Spielberg or Clint Eastwood, following in his footsteps and turning to Kickstarter to fund their future films.  “Anybody could do this, but Steven Spielberg,” Lee said. “Spielberg, Clint Eastwood, Scorsese, they don’t have to do that.” Why? “Because they don’t have to do it,” he said. “They’re great filmmakers and they’re beloved by the studios.”
Lee’s next film, which is scheduled to hit theaters in October, will be his remake of the Korean thriller Oldboy.
article by Chris Witherspoon via thegrio.com

Jennifer Hudson Hosts School Supply Giveaway in Honor of Nephew

By goodblacknews on August 15, 2013

Screen Shot 2013-08-15 at 3.58.29 PMAcademy Award-winning actress and singer Jennifer Hudson was back in her home town of Chicago Wednesday to lend a hand with the back-to-school effort. The Oscar winner and her sister, Julia King, hosted a school supplies giveaway for low-income children at a South Side Salvation Army community center. “They can bring their list, pick and choose what they may need and go from there,” Hudson said.
The third annual Hatch Day celebration was in honor of King’s son, Julian, who was killed in their Englewood home several years ago along with their mother and brother. The event is always held on Julian’s birthday, who would have been 12 years old this year. “He was so into education, which is part of why we chose to give back in this way,” Hudson said.

There were enough supplies on hand for 5,000 kids, including backpacks, notebooks, pens and pencils. “You lead by example, and I feel like we’re leading by example. We’re hatching the dreams of thousands of children,” Julia King said. Hudson told NBC 5 she has an album and three films coming out, including the lead role in next month’s “Winnie Mandela,” the story of Nelson Mandela’s ex-wife.

article via nbcchicago.com