Last year’s “Man Of Steel” kicked off Warner Bros. current iteration of the DC-verse, but it’s 2016’s “Batman V. Superman: Dawn Of Justice” that will really kick off the studio’s answer to Marvel’s wildly successful pictures. The movie looks to be the first in a run of as many as three movies a year, and aside from Henry Cavill‘s Superman, will also introduce Ben Affleck‘s Batman, Gal Gadot‘s Wonder Woman, and Cyborg, played by Ray Fisher.
“Game Of Thrones” actor Jason Momoa is now expected to appear in the movie as DC hero Aquaman.
The character perhaps is most famous as having been played by Vincent Chase in a long-running plotline on HBO’s “Entourage,” in a movie directed by James Cameron. There’s no word as to what kind of backstory the character will have here, but reportedly director Zack Snyder has already finalized the design of the character so he can appear in a cameo in ‘Batman V. Superman.’ And given Momoa’s size, it seems clear they’re adopting the more modern version of Aquaman (see the photo), who’s a buff king from Atlantis skeptical of humans moreso than traditional orange-suit wearing super hero.
article by Oliver Lyttleton via blogs.indiewire.com
Posts published in “Movies”

Ruby Dee, best known for her role in 1961’s “A Raisin in the Sun” and latterly for her Oscar-nominated turn as Denzel Washington’s mother in 2007’s “American Gangster,” died Wednesday in New York. She was 91.
Dee’s Oscar nomination in 2008 for her performance as the feisty mother of a Harlem druglord played by Washington in Ridley Scott’s “American Gangster” was particularly impressive because the actress made an impression on the Motion Picture Academy with only 10 minutes of screen time. She won a SAG Award for the same performance. Dee also won an Emmy in 1991 for her performance in the “Hallmark Hall of Fame” movie “Decoration Day.”
She and her husband, Ossie Davis, who often performed together, were among the first generation of African-American actors, led by Sidney Poitier, afforded the opportunity for significant, dignified dramatic roles in films, onstage and on television.

The original movie starred Yul Brynner and Steve McQueen and revolved around seven gunslingers that protect an oppressed Mexican village from a group of outlaws.
The script was reworked by John Lee Hancock, with “True Detective” creator Nic Pizzolatto writing the previous version.
Washington and Fuqua first teamed up on the hit “Training Day” (for which Washington earned a Best Actor Oscar) and their next film, “The Equalizer” opens this September.
article by Justin Kroll via Variety.com

Will Smith is ready to tackle the NFL’s concussion problem having attached himself to star in the untitled drama based on the GQ article “Game Brain” for Scott Free and Sony. Peter Landesman (“Parkland”) is on board to write and direct.
The article was written by Jeanne Marie Laskas and follows Dr. Bennet Omalu, played by Smith, the forensic neuropathologist who single-handedly made the first discovery of CTE in a professional football player and brought awareness to the public. The story is described as a whistle-blower tale in the vein of “The Insider” humanizing the price paid by professional athletes in impact sports — and the political, cultural and corporate interests that fuel the business of professional sports.
The untitled feature is one of a handful of Hollywood projects revolving around the concussion problem in the NFL taking shape in the industry. Parkes/MacDonald Productions are developing a project based on the book “League Of Denial: The NFL, Concussions And The Battle For Truth” and Isaiah Washington is set to star in the indie drama “Game Time Decision,” both of which focus on the concussion issue.
Smith can be seen next in the Warner Bros. movie “Focus” opposite Margot Robbie.
article by Justin Kroll via variety.com

Back in March, author Chimamanda Ngozi Adichie hinted that she was working on something with Lupita Nyong’o but wouldn’t go into detail. The secret is finally out and Adichie announced Thursday that Nyong’o has optioned the film rights to her novel Americanah.
According to The Root, the news was revealed by Adichie and announced via Stylist Magazine’s Twitter account saying, “Lupita Nyong’o has optioned rights for the film version of Americanah, Chimamanda Ngozi Adichie confirms #stylistbookclub.”
Adichie is not stranger to the big screen, her book Half of a Yellow Sun is playing in theaters now and stars Chiwetel Ejiofor and Thandie Newton.
This will be Nyong’o’s first major film announcement since her Academy Award winning performance in 12 Years a Slave.
article by Dominique Hobdy via essence.com

Mo’Nique (Precious) and Khandi Alexander (Scandal) will co-star opposite Queen Latifah in Bessie, HBO’s film about iconic blues singer Bessie Smith (Queen Latifah).
Written and directed by Dee Rees based on the life story of Smith, the project chronicles how Smith overcame her tempestuous personal life to become one of the most acclaimed performing and recording artists of the 1920s and ’30s, earning the nickname Empress of the Blues.
Mo’Nique will play Ma Rainey, one of the first professional blues singers billed as The Mother of the Blues. Ma Rainey (born Gertrude
Pridgett) was already well known when she met then-young Bessie. According to a popular story, which has been disputed, Rainey kidnapped Smith, making her join the Rabbit Foot Minstrels, and teaching her to sing the blues.
Alexander will play Bessie’s older sister, Viola. By the time Bessie was nine, both of her parents and one brother had died, with Viola taking care of her siblings. Bessie is produced by HBO Films in association with Queen Latifah and Shakim Compere’s Flavor Unit Entertainment and Lili and the late Richard Zanuck’s the Zanuck Co., with Lili Fini Zanuck, Queen Latifah, Shakim Compere, Shelby Stone and Randi Michel serving as executive producer and Richard Zanuck also getting a posthumous exec producer credit.
article by Nellie Andreeva via deadline.com

Angela Bassett will make her directorial debut with a Lifetime Original Movie based on the life of Whitney Houston, Lifetime announced Thursday.
Scheduled for a 2015 world premiere under the working title of “Whitney Houston,” the film chronicles the headline-making relationship between the iconic singer, actress, producer and model, and singer-songwriter Bobby Brown — from the time they first met at the very height of their celebrity, to their courtship and tumultuous marriage.
“I have such regard for both Whitney’s and Bobby’s amazing talents and accomplishments; and I feel a responsibility in the telling of their story,” said Bassett in a statement. “Their humanity and bond fascinates us all. I’m beyond excited to have this opportunity to go behind the camera and into their world.”
Produced by The Sanitsky Company, “Whitney Houston” will be executive produced by Larry Sanitsky. Shem Bitterman wrote the film’s script.
Bassett and Lifetime previously collaborated on last year’s original movie “Betty & Coretta.” Starring Bassett and Mary J. Blige, the Humanitas Prize finalist told the dual real-life stories of Coretta Scott King (Bassett) and Dr. Betty Shabazz (Blige), wives of Dr. Martin Luther King (Malik Yoba) and Malcolm X (Lindsay Owen Pierre), who formed an unbreakable life-long bond after their husbands’ tragic assassinations.
article by Laura Prudom via Variety.com

The 18th edition of the American Black Film Festival will make its New York debut next month with films directed by Tim Story and Spike Lee bookending the June 19-22 event, organizers announced last week.
The festival, which promotes work by and about people of African descent, is presented by Film Life, a New York City-based entertainment company. The Miami area was home to the festival for most of its existence. Now, Jeff Friday, the festival’s founder and Film Life chief executive, said in a phone interview that he hoped the move will be a permanent one, with the goal of reaching a larger, more diverse audience.
“Last year proved if nothing else, that black films can be more mainstream,” Mr. Friday said. “We want to encourage audiences to consume, ingest and enjoy black cinema as much as multicultural audiences enjoy other forms of black culture.”


