Grammy Award-winning artist Estelle will perform at Face Forward Foundation’s Fifth Annual Gala, “A Venetian Masquerade” September 13, at The Millennium Biltmore Hotel in Los Angeles.
When Estelle first burst onto the scene in 2008 with the #1, double-platinum hit song “American Boy” featuring Kanye West, she quickly became an R&B sweetheart. Now slated to release her highly anticipated fourth studio album, “True Romance” on November 4, the international singer teams up with Face Forward in their mission to spread awareness and mend the physical and emotional wounds of domestic violence.
Founded by Deborah Alessi, Face Forward Foundation provides pro-bono reconstructive surgery for victims of domestic violence. As its most important fundraising and awareness-building event of the year, The Fifth Annual Gala, “A Venetian Masquerade” will raise funds with a goal of $500,000 for 2015 to support their patients and celebrate the lives and accomplishments of survivors.
Alongside the special performance, the star-studded event will be masquerade-themed, with celebrity guests, a silent auction and an honorary awards ceremony dedicated to raising funds and awareness for this increasing epidemic. Face Forward Foundation will honor celebrity and community leaders for their inspirational work and on-going efforts to draw awareness to domestic violence. Confirmed guests include: Missy Piles (Charlie and the Chocolate Factory, The Artist), Jennifer Coolidge (American Pie, Legally Blonde), Shohreh Aghdashloo (24), Bonnie Sommerville (Ugly Truth), Shaun Toub (Iron Man). To purchase tickets, visit http://faceforward.nbblticketing.com/
Since its creation in 2007, Face Forward has worked with advocates around the nation to identify victims of domestic violence who are working towards recovery, yet carry the physical evidence of past abuse. Face Forward does more than just provide pro bono reconstructive surgery to adults and children who have suffered from traumatic and physical abuse; they also create a welcoming and safe environment for the victims to start a new life and reclaim their confidence.
Deborah Alessi, Founder of Face Forward Foundation says “The work that we do turns our victims of abuse into victors in life and we have been fortunate to impact many lives with profoundly life changing results. Changing the outward appearance gives them the confidence to address the scars on the inside and move beyond their past to obtain fulfilling futures. ”
With domestic violence occurring every 15 seconds in the United States, Face Forward Foundation strives to alleviate the internal and external scars of victims and those affected. Ninety percent of all rape and abuse cases lead to physical disfigurement and Face Forward provides treatment to victims who are not able to afford medical assistance.
Read more at http://www.eurweb.com/2014/08/estelle-teams-up-with-face-forward-foundation-to-sing-out-against-domestic-violence/#G4Y6cLsiFPjUS7x5.99
Posts published in “Movies”
Academy-Award nominated actress Angela Bassett is bringing sexy back, and at the age of 55 it looks better than ever!
In her new feature photo shoot for the beauty and fashion magazine Violet Grey, Angela goes bold in sexy black lingerie and talks about what it takes to be a woman of strength. But being the star she is, she opens up about her most vulnerable times and how she see herself when she looks in the mirror.
Check out some of the highlights and more pics below:
On what she sees when she looks in the mirror:
A passionate woman who knows what she loves and has been blessed to be able to do it…and continue to do it!
On when she’s most vulnerable:
When I’m told I can’t do something. When I’m told I’m not good enough, that I can’t have something, can’t go somewhere, especially because of the color of my skin.
On being a strong woman and if she always comes out on top:
Not with everything, but that’s when you stick out your chest and you gather your strength. I was raised by my mother, and she taught me how! You can’t be in this industry if you’re afraid of a little rejection.
Her advice for aspiring actors:
It’s the same with everything: You have to study your craft. Actresses make it look easy because that’s the way it should look—effortless. When a great actor does their job they’re leaving a piece of their soul in the room. It takes a little out of you, but that’s okay. Life will take a little out of you, love will take a little out of you. We’re talking about demonstrating the best and worst of the human experience.
On the best date to have to an event:
A friend or a sister. I mean, the husband is always great, but there is something about a girlfriend…
Check out the entire interview at Violet Grey
article via eurthisnthat.com
According to Variety.com, on Tuesday the Academy of Motion Picture Arts & Sciences re-elected Cheryl Boone Isaacs as its President. This upcoming year will mark her second term. (Officers, including the president, are elected for one-year stints, with a maximum of four consecutive terms in any one office.)
Since her first election on July 30, 2013, Boone Isaacs has generally gotten favorable reaction for keeping the Academy on track during major changes and for working to expand its effectiveness.
While maintaining ongoing goals, including education, preservation and sci-tech advancement — as well as all things related to the all-important yearly Oscars broadcast — the Academy is moving ahead on several fronts. These include recent moves to open its museum (slated for 2017), and digital innovations such as the video series “Academy Originals,” consisting of documentary-style examinations of creativity and film history.
Since her first election on July 30, 2013, Boone Isaacs has generally gotten favorable reaction for keeping the Academy on track during major changes and for working to expand its effectiveness.
While maintaining ongoing goals, including education, preservation and sci-tech advancement — as well as all things related to the all-important yearly Oscars broadcast — the Academy is moving ahead on several fronts. These include recent moves to open its museum (slated for 2017), and digital innovations such as the video series “Academy Originals,” consisting of documentary-style examinations of creativity and film history.
If you asked most people in Hollywood who Amma Asante was just a few months ago, you’d probably get a blank stare. Now, after the release of her critically acclaimed film “Belle,” the British writer-director is a certified Hollywood player.
Asante’s life and career took a dramatic turn in May, when “Belle” hit theaters in North America. TheWrap spoke with her this past weekend in Boston at the National Association of Black Journalists (NABJ) Convention, where Asante introduced clips of the film during a presentation by Fox Home Entertainment.
“You make a movie essentially in a bubble, I think, especially when it’s your second movie,” Asante said. “So, I was certainly making this movie in a bubble, and wondering whether my concept of the world, and my concept of the world back then as well, would connect to an audience today.”
It seems Asante had no reason to worry. “Belle” received an impressive 83 percent positive rating on review aggregation site Rotten Tomatoes and the independent film earned a respectable $10 million at the box office via Fox Searchlight.
RELATED: “Belle” Does Well in Limited Release; Expands to 10 More Cities Next Weekend
The movie is based on the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw) – the illegitimate, mixed-race daughter of Royal Navy Captain, Sir John Lindsay (Matthew Goode). Lindsay leaves Belle to be raised by her aristocratic great uncle, Lord Mansfield, in 18th century England. Mansfield (Tom Wilkinson) and his wife (Emily Watson) are already taking care of another niece, and the two girls become inseparable. But while Belle’s lineage allows her certain privileges, her skin color prevents her from having the traditional noble social status.
“Initially this project had started off with my producer and the writer who’s credited on the film, with HBO in America. Then HBO dropped the project,” Asante said. After the script passed through several different hands, Asante decided to give it a more personal touch.
“What I did was, I put my experiences into Dido’s life. That was the easiest way of connecting the historical facts and to try and make it personal … There are many lines in it that are quotes from my father and quotes from my sister,” Asante said, referring to the fact that she grew up in England, but felt like an outsider because she is black and of Ghanaian descent.
“We lived in an area where we were one of only two black families on the street,” Asante explained as she opened up about her personal experiences with racism. “We went through that period of having feces through the letterbox (mailbox) … and graffiti on our walls.”
Giancarlo Esposito has joined the cast of NYC-set musical drama Stuck, about six strangers trapped on a stalled subway train. Filming is underway with a cast that includes Amy Madigan and singer-actress Ashanti. Esposito will play Lloyd, a mysterious homeless man who might offer more wisdom than expected.
Stuck is adapted from the stage play by Riley Thomas, who co-scripted with director Michael Berry; the helmer is set to release his drama Frontera, also co-starring Madigan alongside Ed Harris, Eva Longoria, and Michael Peña, this month. Esposito starred on the recent NBC series Revolution and was just announced as joining the cast of Disney’s The Jungle Book. He’s also in pre-production on his own project Patriotic Treason which he’ll direct, produce, and co-star opposite Ed Harris in the period retelling of the saga of abolitionist John Brown. Esposito nabbed a Critics Choice Award for his Emmy-nominated turn as Gus Fring on Breaking Bad, and is set to return to ABC’s fantasy series Once Upon A Time as Magic Mirror/Sidney Glass/Genie in the show’s September 28th Season 4 premiere.
article by Jen Yamato via deadline.com
It was first a novel, then a film and now it’s headed to Broadway. “Devil in a Blue Dress” will be getting the theater treatment. The popular film that starred Denzel Washington and Don Cheadle in 1995 — based on one of Walter Mosley‘s most popular works — is coming to the Great White Way.
“Devil in a Blue Dress” is a noir novel and film about a man in 1948 Los Angeles who loses his aerospace manufacturing job and turns to private detective work.
Mosley revealed the Broadway news when he was promoting his new book, “Debbie Doesn’t Do It Anymore.” He has partnered with Jazz musician and composer Branford Marsalis to bring the work to the stage. There’s no word on if Washington or Cheadle will reprise their roles from the film, but the production should begin within the next year.
article by Deron Dalton via eurweb.com
Having already played the corner man to one of the greatest boxers of all-time in “Ali” starring Will Smith, Jamie Foxx looks ready to get back in the ring and take on the lead role to portray one of the most recognizable boxers and sports figures of this generation.
Foxx is attached to play Mike Tyson in an untitled biopic that Terence Winter (“Wolf of Wall Street”, “Sopranos”, “Boardwalk Empire”) is set to script. Rick Yorn, who is Foxx’s manager, will produce the movie.
As one of the most polarizing figures in sports, producers are eager to tackle Tyson’s life story. Known for the power and ferocity he displayed in the ring, Tyson became not just the top boxer at the end of the ’80s but one of the most popular sports figures, with a rough around-the-edges personality he displayed both in and out of the ring.
After losing his heavyweight title in 1990 following the upset loss to Buster Douglas, Tyson’s life began to spin out of control, including a six-year stint in prison after being found guilty of rape. Tyson returned to boxing but never quite returned to form, and became more known for his losses to Evander Holyfied (a match which made headlines when Tyson bit off part of Holyfield’s ear) and Lennox Lewis.
After leaving boxing in 2005, Tyson still had hurdles to overcome, such as his 2003 bankruptcy and the death of his young daughter. In recent years, he has kept out of trouble.
He premiered a one-man show in Vegas in 2012 that he later took to Broadway with the help of Spike Lee and released a memoir “Undisputed Truth” that made the New York Times bestseller list.
Though it’s unknown exactly which parts of Tyson’s life Winter will focus on, he has plenty of material to cover over the past 30 years. HBO tackled the story before with the 1995 pic “Tyson” starring Michael Jai White, but no one has tried to adapt his story as a feature film, though boxing is a popular sport for films.
Foxx played Dwight “Bundini” Brown in “Ali” and also cocky quarterback Willie Beamen in Oliver Stone’s “Any Given Sunday.” Winter, on the other hand, is no stranger to taking on controversial figures after receiving an Oscar nom for adaptation on Wall Street bad boy Jordan Belfort’s life in “The Wolf of Wall Street.”
Foxx can be seen next in Sony’s reboot of “Annie.” He is repped by CAA and LBI Entertainment. Winter is repped by CAA and is currently working on the final season of HBO’s “Boardwalk Empire.”
article by Justin Kroll via Variety.com
It’s just the kind of movie clip YouTube was made for. In the 1965 Frankie Avalon vehicle,“Ski Party,” James Brown and his backing vocal group, the Famous Flames, enter a ski lodge after rescuing a frozen reveler. Resplendent in a white-and-red sweater, tight black slacks, black pointy-toed shoes and a regal pompadour, Brown performs “I Got You (I Feel Good),” giving the lily-white crowd of clapping skiers a taste of the showmanship that had made him a star on the so-called “chitlin circuit” among blacks. Even in a movie as disposable as “Ski Party,” Brown turned a corny scene into genuine entertainment.
In the biopic “Get On Up,” opening Friday, the filmmakers recreate this moment, trying to see it from Brown’s point of view. While he glides through his steps, we see slow-motion shots of the listeners as if they were creatures from another, whiter planet, one Brown is reluctantly visiting in hopes of reaching a wider audience. In that scene, Brown dances off the set. In the new film, he does a split but doesn’t come up, apparently having ripped his pants. The new moment is slightly comic but undercuts Brown’s mastery.
Depicting James Brown on screen has always been a seductive proposition. As one of the greatest stage performers of the 20th century, he has inspired documentarians, playwrights, comedians and other artists who see the outlines of his greatness. But capturing the man inside, and the meaning of his life, is a tricky business.
There was a fluidity to his identity that was reflected in his many stage nicknames: Mr. Dynamite, the hardest working man in show business, Soul Brother No. 1, the Godfather of Soul and the Original Disco Man, as he variously billed himself. All enduring pop stars have the ability to shift with the culture, but Brown’s moves — from staunch integrationist to proto-black nationalist and back, from civil rights role model to wife beater, from disciplined bandleader to drug addict — suggest an inner turmoil that belied his outer confidence. Shortly after his death, I helped edit a collection of articles that spanned Brown’s long career, and in reading the pieces was struck by how many journalists saw the contours of the man but struggled to truly penetrate his psyche. With a feature film about to arrive and a coming documentary, it’s time to take stock of this imposing figure.
Brown, who died on Christmas Day 2006, began his career in the ’50s under the spell of Little Richard and ended it as a major influence on current singer-dancers like Usher and Chris Brown. Michael Jackson and Prince, of course, were acolytes. Reared on gospel, blues and jazz, Brown was a dominant force in the soul ’60s, created funk, inspired disco and laid hip-hop’s foundation with his beats.
As important as Brown was on vinyl, his stage show and personality are legendary: Tilting a mike stand far forward and, before it hit the stage, pulling it back via the cord. Dropping into and rising out of splits. Feigning exhaustion and donning a regal cape before returning to sing again. Executing every new dance from the ’60s to the ’80s with deft steps and body control made Brown a dominant figure during an explosive era for pop music.
Celebrated actor Don Cheadle has always had a fascination with legendary trumpeter Miles Davis. Thanks to a fundraising campaign on Indiegogo, Cheadle will be able to make his directorial debut about the life of one of his favorite artists.
The film titled “Miles Ahead” will focus on Davis’ return to music after a five year absence many call his “silent period.” Miles Davis’ marriage to his first wife Frances Taylor Davis will also be examined in the film.
Cheadle gave fans a first look of the film through an exclusive with Entertainment Weekly Magazine. The photo is of Cheadle in costume as Davis.
article by Jonathan Hailey via theurbandaily.com
Music and movie fans alike have been waiting anxiously to see Andre 3000 star as legendary guitarist Jimi Hendrix. While the film “All Is By My Side” hits theaters on September 26th, another trailer has been released, theurbandaily.com reports.
“All Is By My Side” follows Hendrix’s life for one year, 1966 to 1967. That was the pivotal year Hendrix went from a backup guitarist at a New York nightspot The Cheetah Club to making a name for himself in the London music scene and finally his breakout moment at Monterey Pop Festival. The film was written and directed by Oscar winner John Ridley, who is currently executive producing the new drama series “American Crime” for ABC.
Check out the official trailer for “All Is By My Side” below:
article by Lori Lakin Hutcherson (follow @lakinhutcherson)