Category: Movies

The National Museum of African American History and Culture Launches Inaugural Smithsonian African American Film Festival Oct. 24-27

Producer Quincy Jones, the subject of Netflix’s new documentary “Quincy,” will attend a screening of the film the festival. (Photo: Chris Pizzello/AP/Invision)

by Mikaela Lefrak via wamu.org

More than 80 movies by and about African Americans will be screened in D.C. next week as part of the inaugural Smithsonian’s African American Film Festival.

The four-day festival, which runs from Oct. 24 – 27, includes films ranging from Hollywood hits to experimental shorts. The event is organized by the National Museum of African American History and Culture.

The festival’s goal is to introduce the breadth and depth of African American film to a wider audience, according to Kinshasha Holman Conwill, the museum’s deputy director.

“There’s something for the cinephile who knows film like that back of her or his hand, and there’s something for the person who’s just learning about African American film,” she said. “From the most popular to the most provocative, it is all here.”

Most of the screenings will take place in the museum’s Oprah Winfrey Theater, though the Freer|Sackler and National Gallery of Art will also host some screenings.

The festival kicks off on Wednesday night with Widows, a new film starring Viola Davis that doesn’t hit theaters until mid-November. The director, Steve McQueen, became the first black filmmaker to win an Academy Award for Best Picture for his 2013 film 12 Years A Slave. If you’re interested in attending the Widows screening, you’re unfortunately out of luck – it’s already sold out.

The festival will also give audiences the chance to see films from the museum’s extensive collection. These range from Garden, a five-minute experimental short from 2017, to Black Panthersa 1968 documentary about the Black Panther Party and its members’ fight to free their imprisoned co-founder Huey P. Newton.

And while the 2017 Marvel superhero movie Black Panther isn’t part of the lineup, attendees of the festival’s “Night at the Museum” celebration on Oct. 25 will be able to see the costume worn by actor Chadwick Boseman in the blockbuster film on display for the first time. The museum acquired the costume and other objects from the film earlier this year.

Netflix will stream its new documentary Quincy on Friday, Oct. 26. The film tells the story of the iconic music producer and singer Quincy Jones; it was co-produced by his daughter, the actress Rashida Jones. The titular Jones will speak on a panel following the screening.

If you’d rather talk than watch, you can attend one of the festival’s free Exchanges forums at the Freer|Sackler. Discussion topics include stop-motion animation and the museum’s home movie digitization project, Great Migration. Under that program, visitors can bring in home videos made on obsolete media (we’re talking eight-millimeter film and cassettes) and get them digitized and preserved.

“What it allows us to do,” said Rhea Combs, the museum’s film and photographer curator, “is tell the American story through the African American lens. Literally.”

The festival also builds upon work started by the D.C. Black Film Festival to highlight lesser-known black filmmakers and actors for the Washington audience. “We don’t ever want to be the all-consuming Smithsonian that comes into a community and takes over,” Conwill said of its role in the broader film festival ecosystem. The D.C. Black Film Festival celebrated its second event this year.

The African American Film Festival’s closing day features an awards ceremony for the juried film competition. Fifteen finalist films are competing in six different categories: Best Documentary Short, Best Narrative Short, Best Documentary Feature, Best Narrative Feature, Best Experimental & Animation, and the Audience Award.

The festival closes Saturday night with a screening of a film adaptation of James Baldwin’s 1974 novel, If Beale Street Could Talk.

You can buy tickets for specific films or events here, and see the full slate of screenings here. The festival is scheduled to recur every other year at the museum.

Source: https://wamu.org/story/18/10/18/expect-inaugural-african-american-film-festival/

Henrietta Lacks, Source of Famous HeLa Cells, to be Honored with Building at Johns Hopkins University

Henrietta Lacks (photo via nbcnews.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to the Associated Press, Johns Hopkins University and the family of Henrietta Lacks announced a new building on the school’s campus in East Baltimore will be named after the woman whose cells were taken without her consent and widely used in revolutionary cell research.

News outlets report the building will support programs promoting research and community engagement. Lacks died of cervical cancer in 1951 at the university where researchers soon discovered her cells reproduced indefinitely in test tubes.

For decades, it was not widely known that a black woman who was a patient at Hopkins was the unwitting source of the famous HeLa cells. It was only once Rebecca Skloot’s book, The Immortal Life of Henrietta Lacks, was published in 2010 that Lacks’ story gained national attention. Oprah Winfrey subsequently produced and starred in a 2016 HBO biopic of Lacks’ life.

The announcement was part of the 9th Annual Henrietta Lacks Memorial Lecture, NBC 4 reports. Lacks’ granddaughter, Jeri Lacks, says the honor befits her grandmother’s role in advancing modern medicine.

Last year, the city of Baltimore designated October 4 as Henrietta Lacks Day to recognize the contributions of the woman behind the HeLa cells.

Composer Jon Batiste Turns Jean-Michel Basquiat’s Life Into a Broadway Musical

Jon Batiste and Jean-Michel Basquiat. Black-and-white image of Black man in black leather jacket and shirt in front of background with text. Black-and-white image of Black man with black dredlocs in suit on white wall
Jon Batiste and Jean-Michel Basquiat. (Brad Barket/Getty Images; Andy Warhol/Colorlines Screenshot from Facebook)

Composer Jon Batiste is set to bring the life of artist Jean-Michel Basquiat to the stage via a new Broadway musical. The New Orleans-bred musician and bandleader of “The Late Show with Stephen Colbert” announced the show on Tuesday (September 25):

Deadline reports that Batiste will collaborate with stage producers Barbara and Alan D. Marks (The Encounter”) and director John Doyle (“The Color Purple” revival) on the untitled project. The team partnered with the late Haitian- and Puerto Rican-American artist’s estate, which granted rights to use his original art and personal archival material in the musical.

“Over the years, many people have approached us about telling our brother’s story on stage,” sisters Lisane Basquiat and Jeanine Heriveaux, who administer their brother’s estate, told Deadline. “But having discussed this project with the Marks over many months, our interest was piqued once we understood that their approach to telling our brother’s story treats his life, his art and his legacy with respect and passion. With Jon Batiste and John Doyle leading the creative team, we are thrilled with the possibilities. We cannot wait to begin the developmental process. Broadway is a new world for us, and we look forward to sharing our brother’s life and art.”

Batiste wants the musical to both capture Basquiat’s story and inspire other artists to channel his creative spirit.

“I want people to leave this show inspired to create. I want them to not only learn about Jean-Michel Basquiat, an innovator, but to also feel the visceral thrill of the creative process and to deepen and discover their own creativity,” he told Deadline. “We have an opportunity to tell a truly profound story, full of emotional highs and lows, with unbelievable art at the center. I’m honored to work with veteran storyteller John Doyle, the Marks and the Basquiat family. We are assembling a team to help craft a boundary pushing masterpiece inspired by a true American original.”

Source: https://www.colorlines.com/articles/jon-batiste-turns-jean-michel-basquiats-life-broadway-musical

South Central Black Cowboys Documentary ‘Fire On The Hill’ to Debut at Los Angeles Film Festival on Sunday (VIDEO)

by Tambay Obenson via shadowandact.com

Making its world premiere at the Los Angeles Film Festival (LAFF) this Sunday, September 22 at the LAFF, is director Brett Fallentine‘s Fire on the Hill, a feature-length documentary that tells the intriguing story of the last public horse stable in South Central Los Angeles called Hill Stable, where a relatively unknown culture of urban cowboys is under threat, with focus on the lives and struggles of 3 inner-city cowboys.

The western-documentary’s synopsis reads: South Central Los Angeles was once home to one of the most recognized cowboy communities in the Nation. Yet after decades of urban development and rising street gang activity, this community – which had produced world champions – shrunk to all but a one-block horse stable known as “The Hill.” When a mysterious fire destroys the Hill Stable in 2012, the future of this once thriving culture finds itself at the brink of vanishing forever.

The film follows three cowboys in the wake of the fire. Ghuan, seeing the fire as an opportunity to resurrect the stable in his own vision must win over the broken cowboy community and hunt down the land’s estranged owner before developers get to it first; Chris, a rising bull rider from Compton, enters into his rookie year of professional rodeo and discovers that the L.A. streets aren’t so easy to leave behind; and Calvin, having found freedom on the back of a horse, must choose between the cowboy lifestyle and his family when his inner demons come back to haunt him.

This genre-bending documentary shines a new light on what it means to be a “cowboy” in America today, depicting a Los Angeles that has rarely been seen before.

Fire on the Hill is a Preamble Pictures Production in association with RYOT, Contend and Enzo, and is written, directed and produced by Brett Fallentine.

For festival tickets and other info, visit the LAFF’s website. Check out the trailer below:

Source: https://shadowandact.com/exclusive-trailer-poster-premiere-for-laff-bound-south-central-black-cowboys-doc-fire-on-the-hill

LeBron James and John Legend Team Up to Produce TV Remake of “Lean On Me” for the CW

by Stacy Ann-Ellis via vibe.com

LeBron James and John Legend are two men in the entertainment space who are continuously working on major new endeavors. The I Promise School founder and newly-minted EGOT, respectively, are putting their talents together to bring a fan favorite to the TV screen. According to Deadline, James and Legend will be working with writer Wendy Calhoun for a women-led CW adaptation of the biographical film, Lean on Me.

The potential series—which will bear the same name as 1989 original—follows Amarie Baldwin, a young black principal in Akron, Ohio, with hopes of resuscitating a struggling urban school. Naturally, as she overcomes daily hurdles within the walls of her workplace, she is also facing challenges at home on the love life and family front. Baldwin is subbing in for beloved lead Lean on Me character Mr. Clark, who was famously played by Morgan Freeman.

In addition to Calhoun, who has worked on Station 19, Empire, Nashville and more, Legend and James are sharing production duties with Mike Jackson and Ty Stiklorius’ Get Lifted, and Warner Bros. TV.

Source: https://www.vibe.com/2018/09/lebron-james-john-legend-lean-on-me/

Michael B. Jordan Teams With Warner Bros. to Launch Diversity and Inclusion Policy for All Future WarnerMedia Productions

Michael B. Jordan will star in “Just Mercy.” (Carolyn Cole / Los Angeles Times)

WarnerMedia, the parent company of Hollywood studio Warner Bros., announced Wednesday a company-wide policy aimed at increasing diversity and inclusion in front of and behind the camera. The initiative, established in partnership with actor Michael B. Jordan, is to apply to all productions going forward, beginning with Jordan’s “Just Mercy.”

“The WarnerMedia family has introduced an approach that accomplishes our shared objectives, and I applaud them for taking this enormous step forward,” Jordan said in a statement. “I’m proud that our film, ‘Just Mercy,’ will be the first to formally represent the future we have been working toward, together. This is a legacy-bearing moment.”

Since April Reign and #OscarsSoWhite took over headlines beginning in 2014, the entertainment industry has openly grappled with calls for more accurate and representative portrayals of more communities.

But it was, for many, Frances McDormand’s fiery speech at the 2018 Academy Awards ceremony (she won an Oscar for her lead role in “Three Billboards Outside Ebbing, Missouri”) highlighting the concept of inclusion riders that drove some people to action.

(First coined by Stacy Smith, director of USC’s Annenberg Inclusion Initiative, an inclusion rider is a provision that can be placed in stars’ contracts to mandate equity in casting and beyond.)

“Inclusivity has always been a no-brainer for me, especially as a black man in this business,” Jordan said. “[But] it wasn’t until Frances McDormand spoke the two words that set the industry on fire — inclusion rider — that I realized we could standardize this practice. It allowed me to formally pledge my production company, Outlier Society, to a way of doing business.”

WarnerMedia’s policy, which will also apply to HBO and Turner, focuses on having women, people of color, members of LGBTQ communities, folks with disabilities and other underrepresented groups in greater numbers in front of and behind the camera.

Along with the help of his agent, Phillip Sun at WME, Jordan worked with WarnerMedia to launch the policy with “Just Mercy.” Jordan is also an executive producer on the film, which is set to begin production in Atlanta this week.

“I’m proud that Warner Bros., and our sister companies HBO and Turner, are willing to state unequivocally that this is where we stand on diversity and inclusion,” Kevin Tsujihara, Warner Bros.’ chairman and CEO, said in a statement.

“Our policy commits us to taking concrete action to further our goals, to measure the outcomes and to share the results publicly,” he added. “I’m also thrilled that we were able to work with Michael B. Jordan to craft a meaningful policy and framework that will apply to all of our productions, across all of our divisions, going forward.”

Though the policy as written does not include specifics, the company does commit to “in the early stages of the production process, [engaging] with our writers, producers and directors to create a plan for implementing this commitment to diversity and inclusion on our projects, with the goal of providing opportunities for individuals from under-represented groups at all levels.”

“And, we will issue an annual report on our progress,” it said.

“Just Mercy” is a legal drama about a gifted young lawyer’s defense of the most vulnerable in this country and his fight for equal justice in a flawed legal system. It’s based on the book Just Mercy: A Story of Justice and Redemption” by Bryan Stevenson.

Source: http://www.latimes.com/entertainment/movies/la-et-mn-warner-bros-michael-b-jordan-20180905-story.html

Cicely Tyson, 93, Will Finally Receive an Academy Award

Cicely Tyson (photo via the wrap.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to vanityfair.com, legendary actor Cicely Tyson is finally getting an Oscar. The 93-year-old, who was nominated for an Academy Award once before in 1973 for her performance in Sounder, has been announced as one of the recipients of this year’s Honorary Oscars. She’ll be recognized alongside publicist Marvin Levy and composer Lalo Schifrin. In addition, producers Kathleen Kennedy and Frank Marshall will be given the Irving G. Thalberg Memorial Award. The Governors Awards will take place on November 18.

“Choosing the honorees for its awards each year is the happiest of all the Board of Governors’ work,” Academy President John Bailey said in a statement. “And this year, its selection of five iconic artists was made with universal acclaim by the Academy’s 54 spirited governors.”

Tyson, the sole performer among the honorees, has been working in film and television since her career kicked off over six decades ago in 1957, quickly breaking boundaries with performances in projects such as The River Niger, A Hero Ain’t Nothin’ But A SandwichFried Green Tomatoes, The Help, the acclaimed miniseries Roots, and The Autobiography of Miss Jane Pittman—a TV movie that would go on to inspire an aspiring thespian named Viola Davis. Davis and Tyson would later work together on How to Get Away with Murder. The awards Tyson has won already run the gamut: a Tony, multiple Emmys, and even a Presidential Medal of Freedom. Like the rest of her fellow awardees, this will be the first Oscar for Tyson.

Tyson was last seen publicly at the funeral of Aretha Franklin, where she performed a spoken wordadaptation of the Paul Laurence Dunbar poem “When Malindy Sings” called “When Aretha Sings.” To see it, click below:

Taraji P. Henson Launches the Boris Lawrence Henson Foundation to Provide Support Around Mental Health Issues in African-American Community

Taraji P. Henson (photo via lasentinel.net)

via lasentinel.net

Academy Award and Emmy Award-nominated actress Taraji P. Henson launched The Boris Lawrence Henson Foundation (BLHF) in honor of her late father in order to help eradicate the stigma around mental health issues in the African-American community and provide support for and bring awareness to mental health issues that plague this community.

“I named the organization after my father because of his complete and unconditional love for me; his unabashed, unashamed ability to tell the truth, even if it hurt; and his strength to push through his own battles with mental health issues,” said Henson. “My dad fought in the Vietnam War for our country, returned broken, and received little to no physical and emotional support. I stand now in his absence, committed to offering support to African Americans who face trauma daily, simply because they are Black.”

To celebrate the foundation’s launch, the star will host a special fundraising event in Beverly Hills, CA on Saturday, September 22. Taraji’s Boutique of Hope will introduce BLHF to the world and will raise funds to support one of the foundation’s pillar goals of advocating for and providing resources to increase mental health support in urban schools. With partnering school districts, BLHF will help to provide more culturally competent mental health therapists, social workers, and counselors to African-American children in need.

“BLHF is breaking the silence by speaking out and encouraging others to share their challenges with mental illness and get the help they need,” said BLHF Executive Director Tracie Jenkins. “African-Americans have regarded such communication as a sign of weakness and our vision is to change that perception.”

BLHF will partner with other nonprofit organizations who offer programs that educate, celebrate, and make visible the positive impact of mental health wellness. Through these partnerships, the foundation will ensure cultural competency in caring for African Americans who struggle with mental illness by providing scholarships to African-American students who seek a career in the mental health field; offer mental health services and programs to young people in urban schools; and combat recidivism within the prison system.

For more information about BLHF, please visit www.borislhensonfoundation.org.

Tessa Thompson and Ruth Negga to Star in Adaptation of Nella Larsen’s Harlem Renaissance Era Novel ‘Passing’

The Hollywood Reporter recently reported that Ruth Negga (“Loving”) and Tessa Thompson(“Sorry to Bother You”) will star in a film adaptation of Nella Larsen’s novel “Passing.”

Larsen’s novel explores the practice of passing as a race different from one’s own. “Passing” focuses on childhood friends, Irene Redfield and Clare Kendry, who reconnect in adulthood. Kendry passes as White, but longs for connection with Redfield and her life in Harlem’s Black community. The friends’ obsession with one another pushes their lives together in ways that prove risky for both women.

The critical acclaim that “Passing” earned after its 1929 publication cemented Larson’s legacy among the most celebrated authors of the Harlem Renaissance.

Thompson, who is of Afro-Panamanian and Mexican descent, and Negga, the daughter of an Ethiopian man and Irish woman, will portray the pair at the center of the story. Rebecca Hall, a British actress of partial Black ancestry, will direct.

Source: https://www.colorlines.com/articles/tessa-thompson-ruth-negga-star-passing-adaptation

Spike Lee Gets Rights to Use Unreleased Prince Song in New Film, ‘BlacKkKlansman’

Director Spike Lee attends the after party for the New York premiere of ‘BlacKkKlansman’ (Photo by Michael Loccisano/Getty Images) and Prince speaks onstage during The 57th Annual GRAMMY Awards at the at the STAPLES Center on February 8, 2015 in Los Angeles, California. (Photo by Kevork Djansezian/Getty Images)

by Kia Morgan-Smith via thegrio.com

While Spike Lee’s upcoming BlacKkKlansman movie has already received critical acclaim ahead of its August 10th release, viewers are in for a treat at the end of the movie when a Prince song plays; something the award-winning director believes was meant to be.

Lee spoke to Rolling Stone about the Prince cover of the Negro spiritual Mary Don’t You Weep” that plays at the end of the movie. Lee said that the song was perhaps a divine sign from the deceased singer.

“I knew that I needed an end-credits song. I’ve become very close with Troy Carter, one of the executives at Spotify [and a Prince estate advisor],” said Lee. “So, I invited Troy to a private screening. And after, he said, ‘Spike, I got the song.’ And that was ‘Mary Don’t You Weep,’ which had been recorded on cassette in the mid-Eighties.”

“Prince wanted me to have that song, I don’t care what nobody says. My brother Prince wanted me to have that song, for this film,” he says emphatically.

“There’s no other explanation to me. This cassette is in the back of the vaults. In Paisley Park. And all of a sudden, out of nowhere, it’s discovered? Nah-ah. That ain’t an accident.”

According to The Hollywood Reporter, during the world premiere of BlacKkKlansman at the  Cannes film festival, the audience broke out in applause about a half-dozen times during the movie. And they were so moved by the end of the film, that they clapped for four minutes during the credits and then stood up for a six-minute standing ovation.

Making this feature even more timely and culturally significant is the fact that Lee has decided to release it on August 10th, the one-year anniversary of the Charlottesville, Va., white nationalist rally. Denzel Washington’s son, John David Washington, portrays the movie’s lead character, Ron Stallworth. The movie is based on a true story.

Here’s part of his Rolling Stone interview.

On Jordan Peele’s initial BlacKkKlansman script and what was missing:

“They acquired Ron Stallworth’s book and felt it needed more flava. And that’s what I brought. I was grateful for the opportunity because I had never heard of Stallworth. I didn’t know his story. People say, “That is too unbelievable to be true.” And that’s what makes it such a great story.”

On deciding to include footage from the Charlottesville riots:

“We started shooting in September. When Charlottesville happened, I knew that was going to be the ending. I first needed to ask Ms. Susan Bro, the mother of Heather Heyer, for permission. This is someone whose daughter has been murdered in an American act of terrorism — homegrown, apple-pie, hot-dog, baseball, cotton-candy Americana. Mrs. Bro no longer has a daughter because an American terrorist drove that car down that crowded street. And even people who know that thing is coming, when they see it, it’s like, very quiet.”

On if he saw any of Denzel Washington in John David Washington:

“John David is amazing in this movie. That phrase ‘the fruit doesn’t fall far from the tree’ — there’s a reason people say that. He is Denzel Washington’s first son. That’s a big, big burden. But he’s also his own man. I have a history with him. His first film was Malcolm X. At the end of the movie, when the kids say, “My name is Malcolm X!” He’s one of the kids. He was about six years old.”

Source: https://thegrio.com/2018/08/06/spike-lee-nabs-unreleased-prince-song-for-new-movie-blackkklansman/

The Good Things Black People Do, Give and Receive All Over The World
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