article by Lori Lakin Hutcherson (follow @lakinhutcherson)
On Sunday’s 74th Golden Globe Awards, the most shocking-but-deserved win of the night was Barry Jenkins’ “Moonlight” taking the honor of Best Motion Picture, Drama over “Hacksaw Ridge”, “Hell or High Water”, “Lion” and “Manchester by the Sea.”
Viola Davis won Best Supporting Actress in a Motion Picture for her powerhouse performance in the Denzel Washington-directed “Fences,” while on the television side, “Black-ish” lead Tracee Ellis Ross became the first African-American woman since Debbie Allen in 1983 to win Best Performance by an Actress in a Television Series – Musical or Comedy.
Donald Glover and his lauded FX cable creation “Atlanta” went two-for-two by winning both awards he was nominated for: Best Television Series – Musical or Comedy and Best Performance by an Actor in a Television Series – Musical or Comedy.
The complete winners list follows below:
Posts published in “Movies”
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Birth of a Movement, a documentary about African-American newspaper editor William Monroe Trotter‘s 1915 battle against America’s first blockbuster movie – D.W. Griffith‘s infamous The Birth of a Nation – will have its broadcast premiere Feb 6, 2017 on Independent Lens/PBS.
The documentary film was produced and directed by Bestor Cram and Susan Gray at NLP in Boston, is executive produced by Sam Pollard and Henry Louis Gates, Jr. (who is also interviewed in the film), is narrated by Danny Glover, and written by filmmaker Kwyn Bader and Edgar Award Winner and Pulitzer nominee Dick Lehr. Spike Lee and Reginald Hudlin appear in the film, as does Paul Miller aka DJ Spooky, who provided the score. There are also premiere screenings – open to the public – in Boston and NYC on Jan 30 and 31st, respectively.
For Boston ticket info, click here: http://boston.eventful.com/events/birth-movement-boston-premeire-/E0-001-098857426-8
For New York City ticket info, click here: https://www.eventbrite.com/e/films-at-the-schomburg-birth-of-a-movement-the-battle-against-americas-first-blockbuster-tickets-30972781423
article by Seth Kelley via Variety.com
Heading into the weekend, a tight race was projected between “Rogue One: A Star Wars Story,” “Sing” and “Hidden Figures,” the latter of which showed a strong expansion judging by early estimates. Sure enough, Fox’s “Hidden Figures” earned $7.6 million at 2,471 locations to win Friday, on its way to an estimated $21 million for the weekend.
“Rogue One,” meanwhile tacked on an additional $6.1 million at 4,157 theaters, shooting to a potential $24 million this weekend. Illumination-Universal’s animated comedy “Sing” made $5.1 million on Friday from 3,955 theaters and should make about $23 million by the weekend’s end.
Taraji P. Henson stars in “Hidden Figures” as Katherine Johnson, an African-American mathematician who, along with her colleagues Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monae), helped NASA advance in the Space Race. Kevin Costner, Kirsten Dunst and Jim Parsons also star. Fox 2000 Pictures, Chernin Entertainment, Levantine Films and TSG Entertainment produced the film distributed by Fox. The awards season contender also performed well in limited release with $2.9 million from 25 locations since Dec. 25.
To read full article, go to: Box Office: ‘Hidden Figures,’ ‘Rogue One,’ ‘Sing’ Fight for First | Variety
article by Lori Lakin Hutcherson
According to Variety.com, Cube Vision, rapper, actor and producer Ice Cube’s production company, has signed a comprehensive first-look deal with 20th Century Fox TV and Fox 21 Television Studios.
The two-year deal sets up Cube Vision to develop projects for broadcast, cable, and digital outlets. Ice Cube has brought in manager Jeff Kwatinetz to run Cube Vision’s TV production. Cube and Kwatinetz will both executive produce on the projects, which will run the gamut from traditional comedy and drama to animation and reality.
Under the deal, Fox also gets access to Cube Vision’s music library to use in its existing shows.
“It’s hard to think of a more multidimensional artist than Ice Cube, whose influence on the culture and enormous talent is virtually unrivaled,” Fox Television Group chairmen and CEOs Dana Walden and Gary Newman said. “We’ve been dying to be in business with him for years, and we think the combination of Cube and his incredibly talented producing partner Jeff Kwatinetz is going to result in some very compelling television.”
Cube echoed the sentiments. “I’m very happy and excited to work with the talented and creative people at Fox,” he said. “Their ability to bring groundbreaking television of every type through both cable and broadcast makes them the perfect partner for Cube Vision.”
Ice Cube is one of the executive producers behind VH1’s “Hollywood Squares” reboot “Hip Hop Squares”, and will next be seen in the New Line film “Fist Fight” opposite Charlie Day on Feb. 17.
Under the deal, Fox also gets access to Cube Vision’s music library to use in its existing shows.
“It’s hard to think of a more multidimensional artist than Ice Cube, whose influence on the culture and enormous talent is virtually unrivaled,” Fox Television Group chairmen and CEOs Dana Walden and Gary Newman said. “We’ve been dying to be in business with him for years, and we think the combination of Cube and his incredibly talented producing partner Jeff Kwatinetz is going to result in some very compelling television.”
Cube echoed the sentiments. “I’m very happy and excited to work with the talented and creative people at Fox,” he said. “Their ability to bring groundbreaking television of every type through both cable and broadcast makes them the perfect partner for Cube Vision.”
Ice Cube is one of the executive producers behind VH1’s “Hollywood Squares” reboot “Hip Hop Squares”, and will next be seen in the New Line film “Fist Fight” opposite Charlie Day on Feb. 17.
article by Dave McNary via Variety.com
Denzel Washington has been selected to receive the Maltin Modern Master Award at the 32nd annual Santa Barbara International Film Festival on Feb. 2, 2017 at the Arlington Theatre.
Washington will be honored for his longstanding contributions to the film industry, culminating with Paramount’s upcoming movie “Fences,” which he directs, produces, and stars in.
The award is named for film critic Leonard Maltin, who will return for his 26th year to moderate the evening. Roger Durling, the festival’s executive director, said, “Denzel Washington directing, producing and acting in ‘Fences’ defines the Modern Master for the 21st Century.”
Washington portrays a mid-century Pittsburgh sanitation worker who once dreamed of a baseball career, but was too old when the major leagues began admitting black players. He tries to be a good husband and father, but his lost dream of glory eats at him, and causes him to make a decision that threatens to tear his family apart.
The screenplay is written August Wilson, adapted from Wilson’s Pulitzer Prize-winning play. The film also stars Viola Davis, Jovan Adepo, Stephen McKinley Henderson, Russell Hornsby, Mykelti Williamson and Saniyya Sidney. Paramount opens “Fences” on Dec. 25.
To read more, go to: http://variety.com/2016/film/festivals/denzel-washington-santa-barbara-film-festival-1201928237/
Washington will be honored for his longstanding contributions to the film industry, culminating with Paramount’s upcoming movie “Fences,” which he directs, produces, and stars in.
The award is named for film critic Leonard Maltin, who will return for his 26th year to moderate the evening. Roger Durling, the festival’s executive director, said, “Denzel Washington directing, producing and acting in ‘Fences’ defines the Modern Master for the 21st Century.”
Washington portrays a mid-century Pittsburgh sanitation worker who once dreamed of a baseball career, but was too old when the major leagues began admitting black players. He tries to be a good husband and father, but his lost dream of glory eats at him, and causes him to make a decision that threatens to tear his family apart.
The screenplay is written August Wilson, adapted from Wilson’s Pulitzer Prize-winning play. The film also stars Viola Davis, Jovan Adepo, Stephen McKinley Henderson, Russell Hornsby, Mykelti Williamson and Saniyya Sidney. Paramount opens “Fences” on Dec. 25.
To read more, go to: http://variety.com/2016/film/festivals/denzel-washington-santa-barbara-film-festival-1201928237/
article via shadowandact.com
After a theatrical run in USA theaters that kicked off in late August, the documentary “Floyd Norman – An Animated Life” – an intimate journey through the celebrated life and career of the legendary animator Floyd Norman, the first African American animator at Disney – is now streaming on Netflix.
Directed by Michael Fiore and Erik Sharkey, the crowd-pleaser recently won the award for Best documentary at the 2016 San Diego Comic-Con. Born in 1935 in Santa Barbara, Norman’s love of animation first came when his mother took him to see Disney’s “Bambi” and “Dumbo.” By the time he was a high schooler, he knew his goal was to be an animator at Disney Studios. After graduation, with the help of a friend, Norman got an appointment at Disney and he walked into Disney Studios, portfolio in hand, for an interview. But instead of getting a job, he was told to go to school, which Norman said later was the best advice anyone had ever given him. He entered the Art Center College of Design and two years later, got a call to go work for Disney. He dropped out of school and started working at the studio the following Monday.
https://youtu.be/eHONDbMyhcc
He worked on various features including “Sleeping Beauty,” “The Sword in the Stone,” “The Jungle Book,” and several short subjects. He left Disney after Walt Disney died in 1966, and, with Ron Sullivan, formed AfroKids Animation Studio. Among the other properties they created was the first “Fat Albert” television special which aired in 1969 on NBC (the later more well-known Fat Albert TV series was made by Filmation Associates, not AfroKids). But starting in the early 1970s, Norman returned to Disney to work on projects like “Robin Hood.”
To read more, go to: Award-Winning New Doc on Floyd Norman, 1st Black Animator to Work for Disney, Now Streaming on Netflix – Shadow and Act
article by Justin Kroll via Variety.com
“American Horror Story” star Angela Bassett has joined Marvel’s “Black Panther,” playing the mother of the title character.
Michael B. Jordan, Forest Whitaker, Lupita Nyong’o and “The Walking Dead’s” Danai Gurira are also part of the ensemble cast. “Creed” helmer Ryan Coogler will direct.
Chadwick Boseman will play T’Challa, the prince of the African nation of Wakanda, who must take over the throne after his father’s murder. Marvel unveiled the character in “Captain America: Civil War” last May and his standalone film hits theaters on Feb. 16, 2018.
Michael B. Jordan, Forest Whitaker, Lupita Nyong’o and “The Walking Dead’s” Danai Gurira are also part of the ensemble cast. “Creed” helmer Ryan Coogler will direct.
Chadwick Boseman will play T’Challa, the prince of the African nation of Wakanda, who must take over the throne after his father’s murder. Marvel unveiled the character in “Captain America: Civil War” last May and his standalone film hits theaters on Feb. 16, 2018.
Production is expected to start in the first quarter of 2017. Joe Robert Cole is co-penning the script with Coogler. Marvel Studios President Kevin Feige is producing the movie.
This marks Bassett’s second turn down the comic book avenue having previously appeared in DC’s “Green Latern” movie starring Ryan Reynolds.
Bassett recently reprised her role as Secret Service Director Lynne Jacobs in “London Has Fallen.” On the small screen, she was just seen on “American Horror Story: Roanoke.”
To read more, go to: http://variety.com/2016/film/news/angela-bassett-cast-in-marvel-black-panther-1201923837/
Are you a real-life “hidden figure” on her way to changing the world? You could win a scholarship to help make your STEM dreams come true! PepsiCo and 21st Century Fox are partnering to find the next generation of girls and women who will lead the way in STEM. Sound like you? Enter the Search for Hidden Figures contest by Dec. 10!
Prizes are awards of $200,000 total in scholarships to 12 standout finalists. Winners will also receive exclusive opportunities and more from PepsiCo and Hidden Figures.
For more information and contest rules, go to https://searchforhiddenfigures.com
https://twitter.com/Pharrell/status/798215448890200064?t=1&cn=ZmxleGlibGVfcmVjc18y&refsrc=email&iid=6b8ff5c92e974d949e195ab5edfb4822&uid=39198112&nid=244+272699393
article by MaryAnn Yin via adweek.com
Zero Gravity Management has optioned A’Lelia Bundles’ 2001 nonfiction book, On Her Own Ground: The Life and Times of Madam C.J. Walker. Bundles is actually the great great granddaughter of Walker.
According to Deadline, Octavia Spencer intends to star and produce a limited series based on Bundles’ biography. Nicole Asher will write the script. Kasi Lemmons has agreed to serve as the director.
Here’s more from The New York Times: “Acutely aware of the lack of diversity in Hollywood on both sides of the camera, Ms. Spencer is determined to make a correction. She has begun optioning books, including one about Madam C. J. Walker, considered the first self-made African-American female millionaire.” (via Shadow and Act)
article by Brent Lang via Variety.com
“Moonlight” is a film without any big stars. It’s a drama about a shy, gay kid growing up in the inner city, made by a director (Barry Jenkins) whose last credit (“Medicine for Melancholy”)was so long ago many cinephiles feared he’d hung up the camera and retired. It’s the kind of challenging, deeply personal, fiercely urgent look at black life in America that would be lucky to score a video-on-demand berth, let alone a major theatrical release.
And yet, the no-budget film isn’t just a hit with critics, it is poised to be the breakout indie film of the year. This weekend, “Moonlight” scored the highest per-screen average of 2016, debuting to a sizzling $414,740 in just four New York and Los Angeles theaters. There were sellouts and standing ovations, just as there had been when the film announced itself as a serious awards contender at festivals in Toronto and Telluride.
“This puts it on the Oscar map, big time,” said Paul Dergarabedian, senior media analyst with comScore. “They’ve got something really special here.”
The film’s per-screen average of $103,685 is one of the strongest of the decade. “Moonlight” marks Jenkins’ return behind the camera after an eight-year absence. His previous effort, “Medicine for Melancholy,” earned Independent Spirit Award nominations and was a hit with reviewers when it came out in 2008, but in the ensuing years, Jenkins struggled to find the right vehicle for his talents. A film about Stevie Wonder failed to get off the ground, and Jenkins dabbled in advertising, carpentry, and had an artistically frustrating stint as a writer on HBO’s “The Leftovers.” His years in the Hollywood wilderness appeared to have come to an end.”
In “Moonlight,” an adaptation of Tarell Alvin McCraney’s play, “In Moonlight Black Boys Look Blue,” Jenkins appears to have found the perfect material for his humanistic approach to filmmaking. The picture unfolds in three acts, as it examines Chiron’s troubled childhood in a drug-addled section of Miami, and uses his coming-of-age to illuminate issues of addiction and urban violence. It’s a movie that is of the moment. Jenkins’ film hits theaters as the #BlackLivesMatter movement continues to gain momentum, fueled by a series of shootings of people of color by law enforcement officials.