Category: Media/Internet

Meet Lena Waithe’s Black Women Who Brunch, the Next Big TV Scribes | Hollywood Reporter

splash_blackfemalewriters-thrby Rebecca Sun via hollywoodreporter.com

For The Hollywood Reporter’s largest shoot ever, members of Black Women Who Brunch, a networking group co-founded by Lena Waithe, gather to discuss how the industry can better understand black women in Hollywood: “We have to be exceptional.”

In 2014, Nkechi Okoro Carroll was an executive story editor on Bones when she met an up-and-coming scribe named Lena Waithe at a WGA Committee of Black Writers event. The two hit it off, so much so that Okoro Carroll got the future Emmy winner — whose major credit at the time was writing for the Nickelodeon series How to Rock — hired as a staff writer on her Fox procedural, making Waithe the second black woman in the room. “Aren’t you worried she’s going to take your job?” a fellow writer on staff asked Okoro Carroll.

“You should be worried she’ll take your job,” retorted Okoro Carroll, now showrunning The CW’s All American. What the duo felt was not competition but kinship: “We often felt like unicorns,” Okoro Carroll says. “When someone asked me to recommend mid-level female writers [of color] for a job, I was appalled to realize I didn’t know many names.”

Together with Erika L. Johnson, then writing for BET’s Being Mary Jane, the women decided to create a network of black female TV writers themselves. Twelve assembled for the March 2014 inaugural meeting of what came to be known as Black Women Who Brunch (BWB); today, the membership nears 80. “This group is the proof” against and antidote to “people saying, ‘We can’t find any black female writers,'” says Johnson, now a co-executive producer on NBC’s upcoming The Village.

BWB holds potlucks at Okoro Carroll’s house every few months (usually about 30 members are available at one time) to toast triumphs and troubleshoot challenges. “It’s not just a community we’re building, but a resource,” says Waithe. “We really are able to recommend eight or nine black women for certain jobs.”

In August, BWB took its first off-site trip — a weekend getaway to Palm Springs. And in November, 62 members gathered for THR‘s biggest photo shoot ever, where they revealed what they wish their colleagues knew about being a black woman in the business.

To read and see more, go to:  Meet Lena Waithe’s Black Women Who Brunch, the Next Big TV Scribes | Hollywood Reporter

They Couldn’t Find Beauty Tutorials for Dark Skin. So They Made Their Own | The New York Times

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The beauty industry often shuts out women with darker complexions, but Nyma Tang, Monica Veloz and Jackie Aina are video bloggers working to change that (Credits From left: Nyma Tang; Juan Veloz; Angela Marklew)

by Sandra E. Garcia via nytimes.com

Women are not born knowing how to do a flawless cat eye or a shadowy, smoky eye, so they often turn to makeup tutorials on YouTube. A search for “smoky eye” pulls up endless videos showing how to perfectly blend eye shadows to achieve the look.

Simple.

But what if you had dark skin and most of the videos showed lighter-skinned women applying hues that would make you look as if you had a black eye? What if you couldn’t relate to these women, because you couldn’t see yourself in them?

The answer to that is also simple: You make your own YouTube channel.

That is what Jackie Aina, 31, Monica Veloz, 26, and Nyma Tang, 27, did. The three women collectively have nearly four million YouTube subscribers, with Ms. Aina alone having over two million.

The women, all self-taught, turn on their cameras at home, and show us how to put on foundation, apply lashes and highlight our cheekbones, step by step. They teach us what tools to use and which hair products work.

“I think everyone looks for someone that looks like them,” Ms. Tang said. “I was definitely looking for that, especially on YouTube, and it was hard to find tutorials on products for women with deeper skin.”

The beauty bloggers provide darker-skinned women with something they may not have a tutorial for: the confidence to wear bold colors, to stand up to haters, and, more important, to choose how they present themselves.

They try different makeup brands to show that they do work on dark skin or, of course, that they don’t. They teach women not to be afraid of color, like red lipstick, bright yellow eye shadow or holographic highlights.

Their videos and social media posts are finding an audience of black women who are ready to spend money on beauty products, studies show, but have few choices to pick from.

“Most beauty launches never worked for me,” Ms. Tang said.

“A lot of times they don’t want to take the time to make the product,” Ms. Veloz said, adding that beauty companies often treat women with darker skin as “an afterthought.”

“Dark-skinned women are always kind of at the bottom of the totem pole,” Ms. Aina said. “I don’t understand that.”

To read more, go to: They Couldn’t Find Beauty Tutorials for Dark Skin. So They Made Their Own. – The New York Times

Viola Davis’ JuVee Productions Signs Exclusive Feature Production Deal with Amazon Studios

by Lori Lakin Hutcherson (@lakinhutcherson)

According to Variety.com, Oscar, Emmy and Tony Award-winning actor Viola Davis and her producer husband Julius Tennon’s JuVee Productions has just signed an exclusive first-look feature production deal with Amazon Studios, putting the streaming service in business with one of the most acclaimed and honored thespians of the modern day.

JuVee Productions signed an overall deal with ABC in early 2016, for television development and production. But Davis has been working with Amazon as a producer on the upcoming movie comedy “Troupe Zero,” which co-stars Allison Janney and Jim Gaffigan. The film will be released in 2019.

“Amazon Studios is passionate about building a home for both new and established filmmakers of all backgrounds, who share the same vision in telling incredible and engaging human stories,” Jennifer Salke, head of Amazon Studios, said in a statement. “Viola and Julius Tennon’s JuVee Productions brings distinctive, fresh voices and high-quality content to our customers in both theaters and on Prime Video.”

Davis continues to headline the ABC hit “How to Get Away With Murder” and is starring in movies like this fall’s “Widows.”

Keke Palmer, Questlove, Ciara and Others Encourage Students to Apply to College Via Michelle Obama’s Reach Higher Initiative’s “Laundry” Campaign

Keke Palmer, Nick Cannon, Questlove and Kelly Rowland urge students to pledge to apply to college via Reach Higher’s “Laundry” campaign (screenshot via youtube)

It’s November! And that means it’s National College Application Month. Celebrate by joining former first lady Michelle Obama alongside Keke Palmer, Ciara, Bailee Madison, Karlie Kloss, Nick Cannon, Questlove, Kelly Rowland and many more for the launch of Reach Higher’s all-new “Laundry” campaign!

In the hands of college admissions offices across the nation are applications for entrance into college. Why not be one of them? Students across the country are encouraged to pledge to apply. After all, Knowledge is Power and Reach Higher has rolled out a fun, encouraging campaign to get students to apply.

The celebration began Thursday, November 8th, as celebrities and other notable figures shared social media posts encouraging students across the country to pledge to apply to college. In exchange for making this commitment, celebrities are pledging to do students’ laundry for an entire semester. (In reality, the celebrities will not be able to do anyone’s laundry, but they do care a lot about students’ education.) Here’s what they have to say:

Reach Higher is an initiative started by former First Lady Michelle Obama during her time in the White House, dedicated to inspiring every student in the U.S. to complete their education past high school by attending a professional training program, a community college or a traditional university.

This video is brought to you by Reach Higher’s student-facing campaign, Better Make Room, in partnership with Fullscreen, a global leader in social-first entertainment experiences and services for the world’s top talent, digital influencers, brands and avid fans.

You can take the pledge here: https://www.bettermakeroom.org/laundry/

For more info about Better Make Room : https://www.bettermakeroom.org

Be sure to follow Reach Higher’s Laundry campaign on social media:

@BetterMakeRoom: https://twitter.com/BetterMakeRoom/status/1060547502271676417

@BetterMakeRoom: https://www.instagram.com/p/Bp7GFTunInI/

Byron Allen Wins Preliminary U.S. Court Victories Against Comcast and Charter Communications Over Racial Discrimination

Entertainment Studios CEO Byron Allen (photo via thewrap.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to PRNewswire, Byron Allen’s Entertainment Studios (ES) and the National Association of African-American Owned Media (NAAAOM) – plaintiffs in federal lawsuits filed against Comcast and Charter Communications – have announced two decisions issued by the United States Court of Appeals for the Ninth Circuit that will allow them to go to trial against two of the largest cable television carriers in the country.

In the $20 billion lawsuit against Comcast and the $10 billion suit against Charter, the carriers are accused of violating the Civil Rights Act of 1866, which prohibits racial discrimination in contracting. For years, Entertainment Studios has been requesting that Comcast and Charter carry its networks, which are distributed by Comcast and Charter’s competitors, including Verizon, DirecTV, AT&T, DISH, and many other carriers, to millions of people around the country.

Both Comcast and Charter, however, refused all of Allen’s requests for network carriage. Subsequently, Allen filed lawsuits in federal district court in Los Angeles.

In two historically significant decisions, the United States Court of Appeals for the Ninth Circuit rejected Comcast and Charter’s attempts to dismiss the cases before trial. The Court upheld Entertainment Studios’ Section 1981 claims against both Comcast and Charter; and instead ruled that both cases could proceed in the trial courts to discovery and trial.

“These two decisions against Comcast and Charter are very significant, unprecedented, and historic,” said Byron Allen, Founder/Chairman/CEO of Entertainment Studios. “The lack of true economic inclusion for African Americans will end with me, and these rulings show that I am unwavering in my commitment to achieving this long overdue goal.”

“The Court’s rulings overwhelmingly reflect the Ninth Circuit’s rejection of the Defendants’ positions and arguments,” said Mark DeVitre, President of plaintiff, NAAAOM. “I look forward to quickly moving into discovery where we expect much more evidence to surface.”

“These decisions are hugely important in terms of opening the courts to African American-owned media. The Court paved the way to our eventual success at trial by ensuring that the proper ‘mixed motive’ standard for our claims – a lower standard of proof than the ‘but for’ standard argued by Comcast and Charter – applies,” said Entertainment Studios’ attorney, Skip Miller, partner in Miller Barondess. “Additionally, the Court dismissed Charter’s and Comcast’s attempts to use the First Amendment as a shield for their alleged discrimination. I very much look forward to trying these cases. And I give Mr. Allen tremendous credit for having the will and the constitution to invest the capital and resources to pursue them relentlessly.”

According to Deadline.com, Charter and Comcast issued separate statements, expressing disappointment with the ruling. “We respectfully disagree with the Court’s decision, and are reviewing the decision and considering our options,” Comcast said in a statement.

Charter was more pointed in its response. “This lawsuit is a desperate tactic that this programmer has used before with other distributors,” Charter said in a statement to Deadline. “We are disappointed with today’s decision and will vigorously defend ourselves against these claims.”

The Los Angeles-based Entertainment Studios alleged Charter’s former senior vice president of programming, Allan Singer, refused to meet with its representatives. Singer rescheduled and postponed meetings and offered “disingenuous” explanations for refusing to carry it programming, according to court documents.

Singer said bandwidth limitations and operational demands precluded carriage of ENT’s cable networks, while reaching carriage agreements with “lesser-known, white-owned channels” such as the rural focused RFD-TV and the horror channel Chiller.

Court documents cite evidence of racial bias, including one instance in which Singer allegedly approached an African-American protest group outside Charter’s headquarters and told them “to get off welfare.” Additionally, in court documents Charter CEO Tom Rutledge is alleged to have referred to Allen as “Boy” at an industry event.

“Plaintiffs suggest that these incidents are illustrative of Charter’s institutional racism,” the Appeals Court writes, in summarizing the case’s history. “Noting also that the cable operator had historically refused to carry African American-owned channels and, prior to its merger with Time Warner Cable, had a board of directors composed only of white men.”

Entertainment Studios ascribed similar discriminatory motives on the part of Comcast, which offered carriage deals to such networks as Inspirational Network, Fit TV, Outdoor Channel and Baby First Americas while telling Allen it had no bandwidth or storage capacity for his networks.

Allen founded Entertainment Studios in 1993 and owns eight 24-hour HD television networks serving nearly 160 million subscribers: THE WEATHER CHANNEL, PETS.TV, COMEDY.TV, RECIPE.TV, CARS.TV, ES.TV, MYDESTINATION.TV, and JUSTICE CENTRAL.TV. The company also produces, distributes, and sells advertising for 41 television programs, making it one of the largest independent producers/distributors of first-run syndicated television programming for broadcast television stations.

Entertainment Studios Motion Pictures is a full-service, theatrical motion picture distribution company specializing in wide release commercial content. ESMP released 2017’s highest-grossing independent movie, the shark thriller 47 METERS DOWN, which grossed over $44.3 million. In 2018, ESMP also released the critically-acclaimed and commercially successful Western HOSTILES and the historic mystery-thriller CHAPPAQUIDDICK.

Upcoming releases include the Keanu Reeves sci-fi thriller REPLICAS, the John Krasinski/Emily Blunt-starring animated feature ANIMAL CRACKERS, and Joe Carnahan’s Mel Gibson/Naomi Watts starring action-thriller BOSS LEVEL.

Kristine E. Guillaume Elected 1st Black Woman President in Harvard Student Newspaper’s 145-Year History

Kristine E. Guillaume ’20 will serve as the President of the 146th Guard of The Harvard Crimson. (Photo: Amy Y. Li)

by Lori Lakin Hutcherson (@lakinhutcherson)

The Harvard Crimson, Harvard College’s daily newspaper, recently reported that Kristine E. Guillaume, Class of 2020, was elected to lead the 146th Guard as the paper’s President. Guillaume is the first black woman to serve as President of The Crimson in its 145-year history.

Guillaume, a joint African American Studies and History and Literature concentrator, is currently one of The Crimson’s Central Administration reporters. She has interviewed the last two of the University’s Presidents — Drew G. Faust and Lawrence S. Bacow — and worked as part of the reporting team that covered Harvard’s 2018 presidential search.

Queens, New York native Guillaume is also one of three Chairs of The Crimson’s Diversity and Inclusivity committee, responsible for formulating and overseeing initiatives meant to make the paper more diverse and welcoming to students from all backgrounds. Guillaume will begin as President on Jan. 1, 2019.

In her new position Guillaume will work as a go-between the Crimson’s editorial departments and initiatives, while also steering the future direction of the paper in the increasingly difficult media landscape. She will now oversee a paper with 320 staffers.

“At Harvard you’re in a space that was made for white men, so if you’re not the cookie-cutter white man who Harvard was built for, it can be difficult to navigate being here,” Guillaume said to CNN. “I want people to think about how to navigate, and feel like they can and get through their education and feel like they do belong here. That’s a big thing for me.”

Founded in 1873, The Crimson is the oldest continuously published daily college newspaper in the United States and the only breakfast-table daily publication of Cambridge, Mass. The paper is proud to provide news and analysis to a wide range of Harvard affiliates, Cambridge residents, and readers across the nation.

The Crimson selects its leaders through an election process called the Turkey Shoot, in which all outgoing members of the masthead are invited to participate. A candidate for a senior leadership position must receive at least 75 percent of the vote to be elected.

Barry Jenkins’ Production Company PASTEL Signs 1st Look TV Deal with Amazon Studios

Barry Jenkins
Academy Award winner Barry Jenkins (CREDIT: ERIK PENDZICH/REX/SHUTTERSTOCK)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to Variety.com, Academy Award-winning producer/writer/director Barry Jenkins (“Moonlight“) and his PASTEL production banner have landeda first-look television deal at Amazon.

Jenkins is planning to direct the entire limited series “Underground Railroad” at Amazon, based on Colson Whitehead’s Pulitzer Prize and National Book Award-winning novel from 2016. Under the deal, Jenkins will exclusively develop television series for Amazon Studios.

“Barry is clearly a master of groundbreaking, authentically emotional storytelling and we are so proud to have him share that gift with us,” said Jennifer Salke, head of Amazon Studios. “We are incredibly fortunate to have also secured his directorial vision for the entire limited series The Underground Railroad.”

“We at PASTEL are excited to continue our Amazon relationship begun on ‘Underground Railroad’ and look forward to growing that partnership on projects near and beyond,” said Jenkins.

Jenkins’ feature film debut, “Medicine for Melancholy,” was lauded as one of the best films of 2009 by The New York Times. He recently debuted his latest film, “If Beale Street Could Talk,” based on James Baldwin’s novel and starring Regina King and Brian Tyree Henry, at the 2018 Toronto International Film Festival. The U.S. release in theaters is scheduled for November 30 of this year.

“Just Do It”: Nike Stock Closes at an All-Time High in Aftermath of Colin Kaepernick Ad Campaign

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by Ny Magee via eurweb.com

When Nike selected Colin Kaepernick to be the face of its “Just Do It” 30th-anniversary ad campaign, one analyst noted that the move proved the company knows its customer, and they would boost sales.

Nearly two weeks after the ad provoked calls for boycotts, shares hit an all-time high, closing at $83.47 Thursday — an all-time high for the company.

According to a report from Bloomberg, Nike had previously faced a dip in its stock price immediately after its Kaepernick announcement, dropping nearly 3 percent in the next day of trading at the New York Stock Exchange. That fall has since been made up and more, per Yahoo.

Nike’s Colin Kaepernick ‘Just do it’ campaign is a two-minute video featuring the former 49er narrating stories of athletes who have beaten the odds, ending with the words: “It’s only crazy until you do it,” then changing to “Just do it.”

Pushback came from many who were outraged by the ad and planned boycotts: some burned their Nike gear and one Louisiana mayor tried to ban the brand from being sold at public facilities before pulling back. Donald Trump tweeted that Nike was getting “absolutely killed with anger and boycotts.”

As it turns out, a spike in sales and brand awareness was worth the backlash, and so far it seems Nike is being proven right by betting on Kaepernick.

Source: https://www.eurweb.com/2018/09/nike-stock-closes-at-an-all-time-high-in-aftermath-of-colin-kaepernick-ad-campaign/

Angela Bassett and Band of Vices Gallery Curate Afro-Surrealist Art Show by Chelle Barbour

Angela Bassett (Paul Archuleta/Getty Images)

The ‘Black Panther’ star co-curates a new exhibition at Band of Vices gallery featuring Afro-Surrealist collages by artist Chelle Barbour.

by Jordan Riefe via hollywoodreporter.com

Artist Chelle Barbour’s first solo show, You Is Pretty!, at Band of Vices gallery in the West Adams district of L.A. through Oct. 13, is a photo montage series examining portrayals of African-American women in media. And if you look closely at the curator credits, one very famous name jumps out: Angela Bassett.

Longtime friend and fan of gallerist Terrell Tilford, Bassett, who serves as co-curator of Barbour’s show, frequented his gallery throughout the aughts when it was called Tilford Art Group. After closing in 2010, he rebranded as Band of Vices in 2015 and reached out to Bassett about playing a larger part. “I’ve been a lover of art for many, many years, so it was just a new venture for me. And when he introduced me to Chelle’s work, I was excited about it as well, about this young artist that I heretofore wasn’t familiar with but found her work to be really strong and really striking in many ways,” Bassett explains.

Barbour’s practice includes painting, digital video, photography, writing and curating. She collaborated on projects with Black Lives Matter at the Hollywood Forever Cemetery in 2016; and has participated in a number of group shows. But to have Bassett play a part in her first solo show is just too much, she quips.

artwork by Chelle Barbour

“When I saw her name as a curator, I was like, ‘What?!?” Barbour explains. “I have been a fan of hers for years. I’m pleased that she likes the work, that she’s seen it. Her endorsement just leaves me speechless.”

With You Is Pretty!, Barbour poses questions about agency and beauty by layering visual metaphors over imagery of black women to evoke what writer and essayist Amiri Baraka called Afro-Surrealism. The women in her collages are alluring and confident, the opposite of more common depictions emphasizing a lack of economic value, or worse, irrelevance. By incorporating motifs like butterflies, flower petals and industrial machinery, she conjures archetypes of strength and potential.

“Chelle’s work explores that notion of the other or the alien or the marginalization, but she uses the black woman as her muse,” offers Bassett. “When I, as an artist, look out into the world, I find those voices, whether it be art or music or narration, that celebrate our beauty, our being different, as a strength, as something positive.”

Read more: https://www.hollywoodreporter.com/news/angela-bassett-curating-afro-surrealist-art-show-celebrating-60th-birthday-a-list-friends-1140376

Issa Rae’s ‘Insecure’ and Dwayne Johnson’s ‘Ballers’ Series Both Renewed by HBO

Insecure
(CREDIT: COURTESY OF HBO)

by Daniel Holloway via Variety.com

HBO has renewed “Insecure” for a fourth season and fellow comedy series “Ballers” for a fifth season.

The renewals come nearly a month after the two series returned for new seasons Aug. 12 on HBO and its digital platforms.

Created by Issa Rae and Larry Wilmore, “Insecure” follows the friendship of two women dealing with their own real-life flaws while attempting to navigate different worlds and cope with an endless series of uncomfortable everyday experiences. Issa Rae, Yvonne Orji, Lisa Joyce, Natasha Rothwell, Amanda Seales and Y’lan Noel star. Executive producers are Rae, Prentice Penny, Melina Matsoukas, Michael Rotenberg, Dave Becky, Jonathan Berry, Jim Kleverweis and Dayna Lynne North.

Starring Dwayne Johnson and created by Stephen Levinson, “Ballers” explores the world of pro football through a group of past and present players striving to stay in the game. Johnson plays ex-superstar Spencer Strasmore, who has reinvented himself as a financial manager for today’s players. Other cast members include John David Washington, Rob Corddry, Omar Benson Miller, Donovan Carter, Troy Garity, London Brown and Brittany S. Hall. Levinson, Mark Wahlberg, Dwayne Johnson, Dany Garcia, Peter Berg, Rob Weiss, Denis Biggs, Karyn McCarthy and Julian Farino serve as executive producers for the series.

Source: https://variety.com/2018/tv/news/insecure-ballers-1202929924/