Category: Media/Internet

Historic EBONY and JET Photo Archives Sold for $30 Million, Will Be Donated to Smithsonian

Getty Images

According to thegrio.com, the photo archives of EBONY and JET magazines were sold at auction on Thursday. A group of buyers including the J. Paul Getty Trust, in association with the Ford Foundation, the John D. and Catherine T. MacArthur Foundation and the Andrew W. Mellon Foundation purchased the historic photos for $30 million.

To quote The Grio:

According to the Chicago Tribune, the archive will go to the Smithsonian National Museum of African American History and Culture, the Getty Research Institute, as well as other institutions so that researchers and scholars will have access.

“There is no greater repository of the history of the modern African-American experience than this archive,” James Cuno, president of The J. Paul Getty Trust, said in a press release. The trust is the lead purchaser in the consortium. “Saving it and making it available to the public is a great honor and a grave responsibility.”

The archive, which chronicles seven decades of Black life in America and consists of millions of images, was placed up for auction by the Chicago-based Johnson Publishing Co., after filing for Chapter 7 bankruptcy in April.

Creditors owed include filmmaker George Lucas and his wife financial investment advisor Mellody Hobson, who own Capital V Holdings and gave a $12 million loan to Johnson Publishing. Lucas and Hobson were eligible to bid on the archives using the money that was owed to them. They could also have received the full collection in foreclosure if there had not been another bidder for the archives.

“The Johnson Publishing archives are an essential part of American history and have been critical in telling the extraordinary stories of African American culture for decades,” Lucas and Hobson’s company said back in April. “We want to be sure the archives are protected for generations to come.”

To read more: https://thegrio.com/2019/07/25/ebony-jet-photo-archives-auctioned-johnson-publishing/

Ta-Nehisi Coates Makes Compelling Case for Reparations on Capitol Hill (WATCH)

In response to Senate Majority Leader Mitch McConnell‘s recent dismissal of reparations as not “a good idea” for the U.S. government to consider giving descendants of enslaved people, especially since no one currently alive “is responsible,” “Between the World and Me” author Ta-Nehisi Coates told lawmakers at a House committee hearing that the debate over reparations is “a dilemma of inheritance.”

Coates told lawmakers that many of the inequalities created by centuries of slavery persist today, including in the form of economic and health disparities. Watch Coates above read his 2014 “The Case for Reparations” essay here, read some of his testimony below:

The method of cultivating this asset was neither gentle cajoling nor persuasion, but torture, rape, and child trafficking. Enslavement reigned for 250 years on these shores. When it ended, this country could have extended its hallowed principles — life, liberty, and the pursuit of happiness — to all, regardless of color. But America had other principles in mind. And so, for a century after the Civil War, black people were subjected to a relentless campaign of terror, a campaign that extended well into the lifetime of Majority Leader McConnell.

It is tempting to divorce this modern campaign of terror, of plunder, from enslavement, but the logic of enslavement, of white supremacy, respects no such borders, and the god of bondage was lustful and begat many heirs. Coup d’états and convict leasing. Vagrancy laws and debt peonage. Redlining and racist G.I. bills. Poll taxes and state-sponsored terrorism.

We grant that Mr. McConnell was not alive for Appomattox. But he was alive for the electrocution of George Stinney. He was alive for the blinding of Isaac Woodard. He was alive to witness kleptocracy in his native Alabama and a regime premised on electoral theft. Majority Leader McConnell cited civil rights legislation yesterday, as well he should, because he was alive to witness the harassment, jailing, and betrayal of those responsible for that legislation by a government sworn to protect them. He was alive for the redlining of Chicago and the looting of black homeowners of some $4 billion. Victims of that plunder are very much alive today. I am sure they’d love a word with the majority leader.

What they know, what this committee must know, is that while emancipation deadbolted the door against the bandits of America, Jim Crow wedged the windows wide open. And that is the thing about Senator McConnell’s “something”: It was 150 years ago. And it was right now.

The typical black family in this country has one-tenth the wealth of the typical white family. Black women die in childbirth at four times the rate of white women. And there is, of course, the shame of this land of the free boasting the largest prison population on the planet, of which the descendants of the enslaved make up the largest share.

Tyra Banks aka BanX Launches Mini-Series “Beauty” via Quibi to Promote Body Positivity

Tyra Banks (photo via commons.wikipedia.org)

Tyra Banks has announced plans to executive produce and star in a multi-part docu-series called “Beauty,” according to People.

The new show is set to premiere on Quibi, an entertainment platform built for mobile viewing spearheaded by former DreamWorks and Disney CEO Jeffrey Katzenberg and launches in April 2020.

According to a press release, “Beauty” aims to “break down barriers” and “challenge traditional notions” of attractiveness, all while serving up a thought-provoking viewer experience.

Banks has always been about supporting non-traditional beauties, such as plus-size models, and she often posts motivational messages on social media.

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In May, Banks announced her decision to go by the name “BanX” during her latest Sports Illustrated cover story. The new moniker signifies her rebirth in the modeling scene after exiting in 2005 and “X-ing out cookie-cutter beauty,” the star told SI.

DOCUMENTARY: “Recorder: The Marion Stokes Project” Tells Story of Marion Stokes, Activist and Archivist Who Single-Handedly Preserved Over 30 Years of TV History

Marion Stokes privately recorded television twenty-four hours a day for over thirty years.

Stokes is the subject of Recorder: The Marion Stokes Project, a new documentary that highlights her work as an archivist, but paints a complex picture of a woman who was brushed off as an eccentric for most of her life. For thirty-plus years, multiple tapes (sometimes as many as eight) would record concurrently across multiple televisions as Stokes personally watched two monitors at once.

Former librarian Stokes, who became independently wealthy through technology and real estate investments, began casually recording television in 1977 and taped a variety of programs, but thought news was especially important.

In 1979 during the Iranian Hostage Crisis, which coincided with the dawn of the 24-hour news cycle, Stokes began recording MSNBC, Fox, CNN, CNBC, and CSPAN around the clock by running as many as eight television recorders at a time. Marion single-handedly built an archive of network, local, and cable news from her Philadelphia home, one tape at a time, recording every major (and trivial) news event until the day she died.

The taping ended on December 14, 2012 while the Sandy Hook massacre played on television as Stokes passed away from lung disease at the age of 83. In between, she recorded on 70,000 VHS tapes, capturing revolutions, lies, wars, triumphs, catastrophes, bloopers, talk shows, and commercials that tell us who we were, and show how television shaped the world of today.

“She was interested in access to information, documenting media, making sure people had the information they needed to make good decisions,” says the film’s director, Matt Wolf.

Stokes was no stranger to television and its role in molding public opinion. An activist archivist, she had been a librarian with the Free Library of Philadelphia for nearly 20 years before being fired in the early 1960s, likely for her work as a Communist party organizer.

From 1968 to 1971, she had co-produced Input, (which itself was recently recovered and digitized) a Sunday-morning talk show airing on the local Philadelphia CBS affiliate, with John S. Stokes Jr., who would later become her husband.

Input brought together academics, community and religious leaders, activists, scientists, and artists to openly discuss social justice issues and other topics of the day. Marion also was engaged in civil rights issues, helping organize buses to the 1963 civil rights march on Washington, among other efforts.

“Our vision is really aligned with Marion’s,” says Roger Macdonald, director of the television archives at the Internet Archive. “It’s really bold and ambitious: universal access to all knowledge.” Marion’s son had contacted the Internet Archive when he was trying to find a home for her tapes in 2013.

Macdonald immediately seized the opportunity. Those tapes were soon donated to the Internet Archive and are still in the process of being organized and digitized.

To read more about Marion Stokes and Recorder: The Marion Stokes Project (https://recorderfilm.com):

https://www.fastcompany.com/3022022/the-incredible-story-of-marion-stokes-who-single-handedly-taped-35-years-of-tv-news

https://www.atlasobscura.com/articles/marion-stokes-television-news-archive

https://theoutline.com/post/7370/recorder-documentary-marion-stokes-interview-matt-wolf?fbclid=IwAR3eFB6ld4rxYoKnFfEgR19qbBk76OAD1P_Ok2NcgQQeYylgacCKyoIBm0M&zd=3&zi=g25ve4g2

Upcoming screenings of Recorder: The Marion Stokes Project:

Montclair Film Festival
May 8, 12

Maryland Film Festival
May 9, 10

SF DocFest
June 8, 10

MCA Chicago
June 21

Interview with Recorder: The Marion Stokes Project director Matt Wolf, which includes clip from film at 6min mark:

Good Black News Highlighted on NPR’s Syndicated Call-In Show “On Point” as Notable Media Outlet Focusing on Positive News (AUDIO)

by Lori Lakin Hutcherson, GBN Founder and Editor-In-Chief (@LakinHutcherson)

Yesterday I had the pleasure and honor of being a guest on Boston public radio station WBUR‘s nationally-syndicated show On Point to discuss the current push and need for good news in the media (and to continue to spread the word about Good Black News).

David Folkenflik is the host and moderator of On Point, and Hilary McQuilkin produced the hour for broadcast. Other guests on this show with me are David Beard (@dabeard), founder of The Optimist newsletter at the Washington Post, who also writes for the Recharge newsletter of Mother Jones and  Gail Rosenblum(@grosenblum), editor of the Inspired section at the Star Tribune in Minneapolis.

To hear our discussion on why good news and solutions-based reporting is on the upswing and so necessary in our culture right now, click here and enjoy!

To read more details behind this episode entitled “Beyond Puppies, A Push For Positive Stories In Today’s Media Coverage” on On Point’s website, click here.

BHM: “Queen Sugar” Marathon to Screen February 23 & 24 at Paley Center for Media in Beverly Hills

(Credit: OWN Network)

In honor of Black History Month, on February 23/24 at 12pm PST,The Paley Center for Media in Beverly Hills, CA is screening a FREE Queen Sugar marathon. It’s a chance for Queen Sugar fans to come together and enjoy several of their favorite episodes from the OWN series.

Exclusive merchandise will be given out to fans on a first come, first served, while supplies last.

Screening Schedule:

“First Things First”

In the series premiere, directed by award-winning filmmaker Ava DuVernay (Selma), Charley, a savvy wife and manager of a professional basketball star living an upscale Los Angeles lifestyle, returns to her family home—an 800-acre sugarcane farm in the heart of Louisiana—after her father suffers a stroke and she receives alarming news about her husband. There, she reunites with her estranged siblings Nova and Ralph Angel. Together, they must navigate the triumphs and struggles of their complicated lives in order to run an ailing farm in the New South. (2016; 44 minutes)

“Give Us This Day”

Charley continues to make calculated choices regarding Davis’s (Timon Kyle Durrett) basketball career and her desire to secure an investor. Nova and lover Calvin (Greg Vaughan) finally reunite, but their union causes controversy in the community. Davis attempts to repair his relationship with son Micah (Nicholas L. Ashe), but he faces resistance. Aunt Violet (Tina Lifford) learns of Hollywood’s (Omar J. Dorsey) departure and tries to make amends, and Ralph Angel makes a shocking discovery that changes everything. (2016; 43 minutes)

“After the Winter”

Charley and Davis remain entangled, Ralph Angel tries to find his footing on the family farm, and Aunt Violet confronts her feelings for Hollywood. Plus, Micah has a dangerous encounter with a police officer. (2017; 43 minutes)

“Dream Variations”

Charley’s shocking plan to save her business puts her relationship with Remy in jeopardy. Hollywood proposes to Violet, and Nova and Remy share an unexpected moment. Finally, Ralph Angel decides if he can forgive Darla. (2017; 65 minutes)

“From on the Pulse of Morning”

Ralph Angel receives some unexpected news, the fate of the correctional facility is revealed, and Charley makes a proposal on behalf of the farmers. Plus, Violet and Hollywood celebrate their love. (2018; 60 minutes)

About The Paley Center for Media:

The Paley Center for Media is a nonprofit organization with locations in New York and Los Angeles which works to expand the conversation about the cultural, creative, and social significance of television, radio, and emerging platforms. Drawing upon its curatorial expertise, an international collection, and close relationships with the leaders of the media community, the Paley Center examines the intersections between media and society.

The general public can access the Paley Center’s permanent media collection, which contains over 160,000 television and radio programs and advertisements, including the expanded collection of African-American Achievements in Television, and participate in programs that explore and celebrate the creativity, the innovations, the personalities, and the leaders who are shaping media.

For more information, visit paleycenter.org.

BHM: Let’s Honor Oprah! Entrepreneur, Media Maven, Philanthropist, Actor, Influencer… Genius

by Lori Lakin Hutcherson (@lakinhutcherson)

Not many people on Earth have their names become synonymous with genius in their profession, let alone genius in general. Einstein, Shakespeare, Mozart, even Spielberg and Prince easily come to mind. Notably, they are all men, mostly White, and only one is known by his first name. But when you say, “Hey, where are the women? What women do you think of when someone says ‘Who are the geniuses?,'” an immediate response would (or should) be… Oprah.

It may seem like opinion, but I want to go on record that saying “Oprah Winfrey is a genius” is a fact, and one that should be touted widely. Oprah’s status as a cultural icon, media mogul and inspirational leader is taken as a given, but when you look back and reflect on her journey from rural poverty in Mississippi to global icon, you too will recognize how much intelligence, excellence and genius it took to get there and what’s more – stay there.

What follows below in regards to recognizable achievement, vision and success rightfully will only add credence to the “Oprah Winfrey is a genius” fact, but I submit that the secret sauce of Oprah’s claim to that title has been best articulated (and realized) by Oprah herself:

Everybody has a calling. And your real job in life is to figure out as soon as possible what that is, who you were meant to be, and to begin to honor that in the best way possible for yourself. – Oprah Winfrey

Oprah Gail Winfrey, originally named “Orpah” after the biblical figure in the Book of Ruth but had it misspelled and mispronounced so much that “Oprah”  stuck, recently celebrated her 65th birthday on January 29, 1954. Winfrey was born in Kosciusko, Mississippi, to Vernita Lee, an unmarried teenage mother and housemaid, and Vernon Winfrey, a coal miner turned barber turned city councilman who had been in the Armed Forces when Oprah was born.

According to wikipedia.org, Winfrey spent her first six years living with her maternal grandmother, Hattie Mae Lee, who was so poor that Winfrey often wore dresses made of potato sacks, and the local children made fun of her. Her grandmother, ever in Oprah’s corner, taught her to read before the age of three and took her to church, where she was nicknamed “The Preacher” for her preternatural ability to recite Bible verses and command the stage.

Despite parental neglect from her mother, sexual abuse by family members from the age of nine, and the stillbirth of a son at age 14, Oprah’s intellect and ability to speak powerfully in public earned her a full ride to HBCU Tennessee State University on an Oratory Scholarship.

As Oprah honed her skills through education and experience, she became the youngest news anchor and the first black female news anchor at Nashville’s WLAC-TV. Oprah then became an anchor in the larger market of Baltimore, MD before taking over the hosting position of low-rated AM Chicago in 1984.

Oprah aligned her talents, smarts, professionalism and relatability to catapult her over Phil Donahue’s long-venerated talk show Donahue for the top-rated slot. Oprah then wisely took advice from movie critic Roger Ebert to make a syndication deal with King World Media and have ownership in her program – the beginning of the Oprah brand.

The Oprah Winfrey Show debuted September 8, 1986 and topped daytime talk show ratings for 25 years until she retired from the show. Oprah really hit her stride and pinpointed her brand when she followed her instincts in the 1990s to shift away from “tabloid-style” shows to ones with a focus on literature, self-improvement, mindfulness and spirituality. Even though she briefly took a ratings dip during the change, she soared to the top again and outlasted several popular talk show hosts of the time such as Sally Jesse Raphael, Ricki Lake, Montel Williams, Donahue, Jenny Jones, and Jerry Springer. Continue reading “BHM: Let’s Honor Oprah! Entrepreneur, Media Maven, Philanthropist, Actor, Influencer… Genius”

LeBron James Named Associated Press’ Male Athlete of the Year

LeBron James (photo via usatoday.com)

by Kia Morgan-Smith via thegrio.com

Although he’s been sidelined for the next several games with a groin injury, it hasn’t overshadowed the moves LeBron James has made on and off the court

So for the third time the LA Lakers forward has been named the Associated Press’ Male Athlete of the Year, the Associated Press reports.

“I would describe it as a success because I was able to inspire so many people throughout the year,” James said. “I got to go back to China, to Paris, to Berlin, I opened up a school. And all these kids I was able to see, all over the world and in my hometown, I was able to inspire, to make them think they can be so much more than what they think they’re capable of being. That was my outlook for 2018.”

“So yes, it’s been a pretty good year.”

James received 78 points in the ballots given to U.S. editors and news directors, the AP reports. The Boston Red Sox Mookie Betts was second with 46 points. The Washington Capitals’ Alex Ovechkin placed third, Kansas City Chiefs quarterback Patrick Mahomes came in fourth and Triple Crown winner Justify was fifth, according to the outlet.

In his 16th season, James still reigns on the court. He’s continued to be a force helping to usher his teams to the NBA Finals for eight consecutive years. He left Cleveland to make magic happen with the LA Lakers. And in the midst of aligning his career goals with his life goals and dreams he opened a school called “I Promise” in his hometown of Akron, Ohio for at-risk kids.

James is also an involved father who takes time out to be his kids’ biggest cheerleader from the sidelines during their basketball games. And he’s been an advocate off the court, using his voice and influence to speak out on social justice causes.

Read more: https://thegrio.com/2018/12/28/lebron-james-ap-male-athlete-of-the-year/

Former ABC Entertainment President Channing Dungey Joins Netflix as VP of Original Content

by Lori Lakin Hutcherson (@lakinhutcherson)

Credit: Photo by Matt Baron/REX/Shutterstock

According to Variety.com, outgoing ABC Entertainment president Channing Dungey is joining Netflix as Vice President of Original Content for the streaming service. Dungey will report to Cindy Holland, also Vice President of Original Content, and will officially start working there in February.

“We’re delighted to be adding Channing’s expertise, leadership and deep experience to Netflix, and I look forward to partnering with her as we continue to grow and evolve our global network,” said Holland. “I have been a fan of her character and approach from our early days as executives.”

Dungey is to partner with Holland in setting strategic direction as well as in overseeing a large portion of Netflix’s slate, including some of the company’s overall deals with former ABC-based producers Shonda Rhimes and Kenya Barris, “Orange Is The New Black” and “Glow” producer Jenji Kohan, “Unreal” and “Girlfriends’ Guide To Divorce” producer Marti Noxon, producer Steven DeKnight, and Barack and Michelle Obama’s Higher Ground Productions, among others.

“Channing is a creative force whose taste and talent have earned her the admiration of her peers across the industry,” said Ted Sarandos, chief content officer of Netflix. “She’s a risk taker and ground-breaker and talent love working with her. I couldn’t be happier to welcome her to Netflix.”

Prior to presiding over ABC, Dungey lead the network’s drama development team. She helped develop several popular shows in that role, including huge hits “Scandal” and “How to Get Away With Murder.” Other shows she shepherded during that time include “Quantico,” “Agents of S.H.I.E.L.D.,” “American Crime,” and “Once Upon a Time.”

“I’m drawn to the forward-thinking, risk-taking and creative culture at Netflix, and the deeply talented people there, especially Ted and Cindy, with whom I’m excited to partner on setting the strategy for original content,” said Dungey. “Given that ABC, the place I’ve called home for nearly 15 years, represents the gold standard of traditional broadcast, it feels like the perfect next step for me to join Netflix, the unparalleled leader in streaming. I’m invigorated by the challenges ahead and the opportunity to forge new relationships, and excited for the very welcome reunion with incredible talent.”

Dungey also famously canceled ABC’s revival of “Roseanne” after series star and creator Roseanne Barr tweeted that former Obama administration aide Valerie Jarrett, who is black, looked like a cross between the “muslim brotherhood & planet of the apes [sic].”

Dungey previously partnered with Pamela Post at Dexterity Pictures, a production partnership focused on making both studio and independent films, as well as developing television series. She also served as president of Material, Jorge Saralegui‘s film production company based at Warner Bros. Prior to that, she worked for five years as a Warner Bros. production executive.

Dungey, a magna cum laude graduate of  UCLA’s School of Theater, Film and Television, has been a visiting professor there and serves on the school’s executive board. She is also a founding and current board member of Step Up, a national non-profit membership organization dedicated to helping girls living in under-resourced communities to fulfill their educational potential. 

Meet Lena Waithe’s Black Women Who Brunch, the Next Big TV Scribes | Hollywood Reporter

splash_blackfemalewriters-thrby Rebecca Sun via hollywoodreporter.com

For The Hollywood Reporter’s largest shoot ever, members of Black Women Who Brunch, a networking group co-founded by Lena Waithe, gather to discuss how the industry can better understand black women in Hollywood: “We have to be exceptional.”

In 2014, Nkechi Okoro Carroll was an executive story editor on Bones when she met an up-and-coming scribe named Lena Waithe at a WGA Committee of Black Writers event. The two hit it off, so much so that Okoro Carroll got the future Emmy winner — whose major credit at the time was writing for the Nickelodeon series How to Rock — hired as a staff writer on her Fox procedural, making Waithe the second black woman in the room. “Aren’t you worried she’s going to take your job?” a fellow writer on staff asked Okoro Carroll.

“You should be worried she’ll take your job,” retorted Okoro Carroll, now showrunning The CW’s All American. What the duo felt was not competition but kinship: “We often felt like unicorns,” Okoro Carroll says. “When someone asked me to recommend mid-level female writers [of color] for a job, I was appalled to realize I didn’t know many names.”

Together with Erika L. Johnson, then writing for BET’s Being Mary Jane, the women decided to create a network of black female TV writers themselves. Twelve assembled for the March 2014 inaugural meeting of what came to be known as Black Women Who Brunch (BWB); today, the membership nears 80. “This group is the proof” against and antidote to “people saying, ‘We can’t find any black female writers,'” says Johnson, now a co-executive producer on NBC’s upcoming The Village.

BWB holds potlucks at Okoro Carroll’s house every few months (usually about 30 members are available at one time) to toast triumphs and troubleshoot challenges. “It’s not just a community we’re building, but a resource,” says Waithe. “We really are able to recommend eight or nine black women for certain jobs.”

In August, BWB took its first off-site trip — a weekend getaway to Palm Springs. And in November, 62 members gathered for THR‘s biggest photo shoot ever, where they revealed what they wish their colleagues knew about being a black woman in the business.

To read and see more, go to:  Meet Lena Waithe’s Black Women Who Brunch, the Next Big TV Scribes | Hollywood Reporter