Oscar, Emmy and Tony Award-winning choreographer and director Debbie Allen premiered her new theatrical production Brothers of the Knight at the Saban Theatre in Beverly Hills last night, kicking off a five-city summer tour. Turning out to support Allen and her passion for training today’s youth in the arts were actors Jenifer Lewis, Clifton Powell, “Grey’s Anatomy” star Ellen Pompeo, Darrin Hewitt Henson, New Kids on the Block singer Joey McIntyre and WNBA All-Star Lisa Leslie, among others. (Click here to see GBN’s Instagram photos from the event.)
Grammy-winning musician James Ingram wrote the music to this modern adaptation of the classic Brothers Grimm tale, The Twelve Dancing Princesses, where twelve brothers steal away to a magical ballroom and dance every night away unbeknownst to their strict preacher father.
Allen, who produced the show with husband and former NBA All-Star Norm Nixon, went on a five-city tour to find the best young talent possible, then trained and worked closely with them to bring the production to life.
“I opened this audition to kids who are not just in dance schools,” Allen said, but “to people who simply love to dance.”
Allen is passionate about arts education for youth and mounts productions like this every year to shed light on its importance as more and more public schools drop arts, music and theatre programs.
“It’s a battle right now. Arts education is disappearing without a trace from the public schools. If you don’t have arts as part of the core of your curriculum, you are not going to be well educated,” Allen recently told WGBH in Boston.
Allen has been fighting to keep dance and the arts available for youth for quite some time. In 2001, Allen opened the Debbie Allen Dance Academy (DADA), a non-profit organization which offers classes in various dance disciplines for youth and teens.
Brothers of the Knight runs until June 22 in Los Angeles, then moves to Boston from June 27-29, Philadelphia July 3-6, Washington DC July 10-13 and Charlotte July 17-20. To order tickets, go to brothersoftheknight.com. To sponsor or donate to this show, click here.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Posts published in “Dance”
Jimmy Fallon loves the ’90s. Like, really, really loves the ’90s. After famously reuniting the casts of Saved by the Bell and Full House on Late Night, the 39-year-old comedian gave a nod The Fresh Prince of Bel-Air during his first-ever time hosting The Tonight Show Monday. Of course, he couldn’t have done it without a little help from his first guest, Will Smith.
Dressed in overalls and printed tees, the duo performed the “Evolution of Hip-Hop Dancing,” showing off moves ranging from the “Cabbage Patch” and the “Running Man” to the “Robot” and the “Pop and Lock.” Other signatures included “Crank That (Soulja Boy),” “Kid ‘N Play,” “MC Hammer” and “The Carlton.” Unfortunately, Smith’s Fresh Prince of Bel-Air costar Alfonso Ribeiro didn’t make a cameo.
[youtube http://www.youtube.com/watch?v=ZTpn30Pms8I&w=560&h=315]
And while they both attempted to do the “Leg Thing No One Can Do,” it was the “Spank That” move that tripped Smith up. Fallon transitioned into “Dirt Off Your Shoulder,” but Smith was still spanking it. The funnymen recovered and decided to “Make It Rain” before “Picking Up the Money Because That’s all You Had.” When Fallon began to demonstrate the “Twerk,” 45-year-old Smith bowed out and walked offstage.
The recurring bit is a fan favorite. During his tenure on Late Night, Fallon performed “The History of Rap” with Justin Timberlake; the singer later helped Fallon with his “Evolution of End Zone Dancing” tutorial. Fallon also once demonstrated “The Evolution of Mom Dancing” with First Lady Michelle Obama.
article by Zach Johnson via eonline.com
The Muny Opera House is the oldest outdoor theater in the U.S. The venue opened its stage in 1916 with a production of “Aida”. Following the production of “Show Boat”, the opera house featured shows with all-black casts such as “Porgy and Bess”, “The Wiz” (1982) and “Ain’t Misbehavin”. There were also re-productions of “Hello, Dolly!” starring Pearl Bailey and Cab Calloway and “Guys and Dolls” featuring stage legends Leslie Uggams and Richard Roundtree. Pelagie Green Wren passed away on September 19th. Her funeral was held yesterday in St. Louis, Mo. She was 71 years old.
article by Erica L. Taylor via blackamericaweb.com
Wearing signature androgynous, monochromatic garb typical of Owens. Which was also probably pretty comfortable to dance in!
They performed a routine much more rigorous than mere cat-walking. And about 1,000 times more interesting. And the fashion crowd went mostly wild with praise. This spectacle resulted in what might be the only literally fierce runway stills in the history of fashion.
see full article by Angela Vitello with video at buzzfeed.com
Eighteen year-old hip-hop dancer and Las Vegas street performer Du-Shant Stegall, better known as Fik-Shun, took the top male spot in last night’s So You Think You Can Dance finale on FOX. Fik-Shun beat out tapper Aaron Turner, and shares the Favorite Dancer title with jazz dancer Amy Yakima (pictured above with Fik-Shun), who beat out contemporary dancer Jasmine Harper for the top female spot. Fik-Shun and Amy each won $100,000 and will be featured on the cover of an upcoming issue of Dance Spirit Magazine. This was the 10th season of So You Think You Can Dance, which was renewed for an 11th season according to producer and head judge Nigel Lythgoe.
Check out one of Fik-Shun’s mind-blowing hip-hop solos that helped earn him his Favorite Dancer crown below:
[youtube=http://www.youtube.com/watch?v=zMY8YTVip1E&w=420&h=315]
article by Lori Lakin Hutcherson
[youtube=http://www.youtube.com/watch?v=O5bI7TwZnM8&w=560&h=315]
In case you missed it, check out the amazing acrobatic team, Chicago Boyz, performing on NBC’s “America’s Got Talent” last week. Their amazing talent and inspiring story made for great television — they made it to the next round in Las Vegas, and hopefully will go all the way to the finals to compete for the $1 million prize.
article by Lori Lakin Hutcherson
This past week, Battle arrived at Lincoln Center in a far different capacity — as artistic director of Alvin Ailey American Dance Theater, one of the most-loved dance companies in the world. He was bringing the company to its first engagement at Lincoln Center — one of the premier dance addresses in the world — in 13 years.
“This time I’m pretty sure I’m in the right place,” Battle, always ready with a smile and a quip, told the opening-night audience Wednesday at the David H. Koch Theater. “I saw my name on the poster outside.”
Battle, appointed two years ago, has the tricky job of projecting the gravitas needed to follow his famous predecessor, Judith Jamison, who held the job for more than two decades and carved a place in dance history, and at the same time injecting fresh life into the company, via new works and ideas.
The prestigious American Ballet Theatre’s first black soloist in twenty years took the stage last week, but that’s only the tip of the iceberg in the unlikely, groundbreaking life of ballerina Misty Copeland. The 30-year-old beauty starred in ‘Le Corsaire’ at the Metropolitan Opera House from June 4-8, but her star turn is just one of a string of firsts and a fascinating life story she brings along with her.
For starters, Copeland, a native of San Pedro, California, grew up in extreme poverty. She didn’t even know what ballet was when she was spotted by an instructor at her local Boys and Girls Club at 13. Which brings up another unlikely fact in Copeland’s life—she didn’t even begin training in ballet until her early teen years.
‘I had no introduction to the arts in any way definitely not the fine arts,’ Copeland told the New York Post of her childhood, part of which was spent living out of a motel room with her mother. ‘Survival was our Number 1 priority, not extracurriculars, or a career,’ she said. ‘These were not things we thought about.’ She was destined, however, to think a lot about those things. In fact, she would soon be thinking of nothing but.
A ballet instructor named Cynthia Bradley spotted Copeland’s potential and told her she was ‘You are the most gifted dancer I’ve ever seen, and this could be a path to have a career.’ And that’s what it became. But at 13, Copeland was at a major disadvantage. Whereas most ballerinas start at the age of 5, with money and eager parents backing them. Copeland was not so lucky.
The showcase demonstrated the school’s involvement in Turnaround: Arts, a new initiative to beef up — and in some cases introduce — arts programs to eight low-performing public schools across the nation. The public and private committees that are funding this endeavor hope that student exposure to dance, music, drama and visual-arts classes will boost academic achievement.
Kerry Washington is a celebrity ambassador to the Savoy school — D.C.’s Turnaround school — which, she told reporters during a brief press conference after the performance, is quite fitting because she is known for “fixing” crises in the nation’s capital as Olivia Pope in the hit ABC series Scandal. The actress said that chronically underperforming schools need fixing, too, and she is convinced that arts programming should be included in reform strategies that attempt to do so. Other celebrities that serve as program ambassadors to Turnaround schools include Alfre Woodard, Sarah Jessica Parker and Forest Whitaker.